Crossroads (1942 film)

Last updated
Crossroads
Crossroads 1942 poster.jpg
Theatrical release poster
Directed by Jack Conway
Screenplay by Guy Trosper
Story byJohn H. Kafka
Howard Emmett Rogers
Based onthe screenplay of the film Crossroads
by John H. Kafka
Produced by Edwin H. Knopf
Starring
Cinematography Joseph Ruttenberg
Edited byGeorge Boemler
Music by Bronislau Kaper
Production
company
Release date
  • July 23, 1942 (1942-07-23)(New York)
Running time
83 minutes
CountryUnited States
LanguageEnglish
Budget$846,000 [1]
Box office$2,321,000 [1]

Crossroads is a 1942 American mystery film noir starring William Powell, Hedy Lamarr, Claire Trevor and Basil Rathbone, and directed by Jack Conway. Powell plays a diplomat whose amnesia about his past subjects him to back-to-back blackmail schemes, which threaten his reputation, job, marriage, and future. [2] The film was inspired by the 1938 French film Crossroads which had also had a British remake Dead Man's Shoes in 1940.

Contents

Plot

In 1935, rising French diplomat David Talbot (William Powell) and his beautiful much younger bride Lucienne (Hedy Lamarr) are celebrating their third month of marriage. They are interrupted by a note from the mysterious Carlos Le Duc (Vladimir Sokoloff) demanding $1 million francs from David. Failure to make good will force Le Duc to reveal Talbot's identity to the police as a welsher.

Pretending to cooperate, Talbot appears at the ransom drop, leaves a package of wrapped paper in lieu of the banknotes, and Le Duc is apprehended by hidden gendarmes. During the trial which follows Le Duc’s defense is that he was seeking repayment of a legitimate debt owed by a former business associate, incurred in 1922. Talbot is accused of being that man, career thief Jean Pelletier.

The prosecution denies that Talbot is Pelletier, and charges that Le Duc is guilty of extortion. Talbot maintains that amnesia he sustained in a devastating train accident that same year prevents him from remembering anything from that time. Talbot's identity is affirmed by the psychologist who treated him following the wreck, Dr. Tessier (Felix Bressart), ever since a family friend. Talbot's strategy is foiled by a psychologist for the defense, Dr. Alex Dubroc (Sig Ruman), who tricks Tessier into conceding the unreliability of a diagnosis of amnesia. He suggests Talbot fabricated his to hide his real identity. In fact, no one really knows, as two similar men had boarded the train but only one survived. Was it Pelletier or Talbot?

A glamorous night club chanteuse is introduced on behalf of the defense, Michelle Allaine (Claire Trevor). She maintains she has never seen Talbot before, until, at mere arm's length, their gazes lock and she spontaneously gasps a longing “Jean”...! The implication to everyone is that they were former lovers.

A surprise witness then appears, who volunteers to testify on Talbot‘s behalf, Henri Sarrou (Basil Rathbone). Claiming to know Talbot before his injuries he convinces the court David's identity is genuine, in spite of the previous romantic imprecation. Le Duc is convicted.

Shortly after, Sarrou cavalierly appears, unannounced and mid-soiree, at the Talbot home, where he privately demands the same million francs as Le Duc had. Half the loot, he claims, that his partner Pelletier - the man ever since known as Talbot - not only made off with but did so after a murder Sarrou witnessed Pelletier commit. Talbot orders him out of his home as a scoundrel.

Not long after Mlle. Allaine also makes a surprise appearance at the Talbot home, pretending to apologize to him for her implicating sigh at the trial but really there to coyly reveal for just a fleeting moment a locket holding a cameo of the pair in smiling embrace. She ensures she's "caught" with him alone just afterwards in David's study by his wife, raising the suspicion of prior intimacy and future infidelity. Shaken by what he has seen, Talbot begins to become ever more convinced he is Pelletier, and resolutely determined to keep his writhings from Lucienne.

Anxious to see Allaine again and draw her out further Talbot later slips off and visits her at the nightclub where she works. She haughtily upbraids him for masquerading as an eminent diplomat, rumored shortly to be France's next ambassador to Brazil, living lavishly while abandoning his aged peasant mother to penury. She dares him to go see for himself, then gives him an address. He goes to a hovel and is riven to his core by the sad old woman who recognizes him but refuses his charity. Just leave me alone, to my loneliness, Madame Pelletier (Margaret Wycherly) pleads, I am old and need my rest.

He races back to the club to find Sarrou and Allaine together. Sarrou gives him a deadline to pay the million francs. Talbot returns home, sneaks his passport out of a wall safe while just dodging his wife, then makes reservations the next day to flee alone to the Far East. Before he can Sarrou chastises him, recounting his every furtive move. He is cornered and must pay.

Where to get the money? He wouldn't have enough even if he sold his house, he tells the blackmailer.

Why raid his office safe, where he keeps a cache of millions of the nation's francs to make unrecorded payments in sensitive diplomatic matters. He speaks the daring idea aloud as it dawns on him. Sarrou jumps at the opportunity to accompany him and immediately seize his ransom.

The pair sneak past the guards at the foreign ministry. Talbot turns over the cash. Seeking to thwart her husband's self-destruction Lucienne appears, too late to prevent the crime. Just then flashlights appear - it's the police! Everyone's caught red-handed. Disaster!

No, they're there to arrest Sarrou. Talbot had alerted the gendarmes ahead of time - just as he had with Le Duc - having realized when looking incidentally at his passport photo that his hair had been parted on the same side in the cameo in Allaine's locket. Impossible, as a scar from the rail accident had forced him to switch. The photo with his "lover" purportedly taken before the wreck had to have been a forgery, impelling his surreptitious set-up of the sting.

Caught up in the meltdown Allaine confesses the deceit, and the bottle-loving former actress who played Madame Pelletier implicates herself. With all four blackmailers behind bars Talbot is cleared, his marriage saved, and ambassadorial honors lie dead ahead.

Cast

Reception

Box office

According to MGM records, the film cost $846,000 to make, and earned $1,523,000 in the US and Canada and $798,000 elsewhere, for a total of $2,231,000, making the studio a profit of $1,473,000, or 175% of its production costs. [1] [3]

Critical response

When the film was released, the staff at Variety magazine praised it, writing "This is a Grade A whodunit, with a superlative cast. The novel story line, which would do credit to an Alfred Hitchcock thriller, has the added potency of Hedy Lamarr and William Powell ... It’s good, escapist drama, without a hint of the war despite its Parisian locale, circa 1935, and evidences excellent casting and good direction. The script likewise well turned out, though better pace would have put the film in the smash class. Its only fault is a perceptible slowness at times, although the running time is a reasonable 82 minutes, caused by a plenitude of talk." [4]

Adaptation

The film was adapted for a Lux Radio Theatre broadcast on March 29, 1943, starring Jean-Pierre Aumont and Lana Turner. [5]

Related Research Articles

<i>Ninotchka</i> 1939 film by Ernst Lubitsch

Ninotchka is a 1939 American romantic comedy film made for Metro-Goldwyn-Mayer by producer and director Ernst Lubitsch and starring Greta Garbo and Melvyn Douglas. It was written by Billy Wilder, Charles Brackett, and Walter Reisch, based on a screen story by Melchior Lengyel. Ninotchka is Greta Garbo's first full comedy, and her penultimate film; she received her third and final Academy Award nomination for Best Actress. In 1990, Ninotchka was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". In 2011, Time also included the film on the magazine's list of "All-Time 100 Movies".

<span class="mw-page-title-main">Hedy Lamarr</span> Austrian-born American inventor and actress (1914–2000)

Hedy Lamarr was an Austria-Hungarian-born American actress and technology inventor. She was a film star during Hollywood's Golden Age.

<i>Ecstasy</i> (film) 1933 erotic film directed by Gustav Machatý

Ecstasy is a 1933 Czech erotic romantic drama film directed by Gustav Machatý and starring Hedy Lamarr, Aribert Mog, and Zvonimir Rogoz. Machatý won the award for Best Director for this film at the 1934 Venice Film Festival.

<i>Algiers</i> (film) 1938 American drama film

Algiers is a 1938 American drama film directed by John Cromwell and starring Charles Boyer, Sigrid Gurie, and Hedy Lamarr. Written by John Howard Lawson, the film is about a notorious French jewel thief hiding in the labyrinthine native quarter of Algiers known as the Casbah. Feeling imprisoned by his self-imposed exile, he is drawn out of hiding by a beautiful French tourist who reminds him of happier times in Paris. The Walter Wanger production was a remake of the successful 1937 French film Pépé le Moko, which derived its plot from the Henri La Barthe novel of the same name.

<i>Experiment Perilous</i> 1944 film by Jacques Tourneur

Experiment Perilous is a 1944 American melodrama film set at the turn of the 20th century. The film is based on a 1943 novel of the same name by Margaret Carpenter, and directed by Jacques Tourneur. Albert S. D'Agostino, Jack Okey, Darrell Silvera, and Claude E. Carpenter were nominated for an Academy Award for Best Art Direction-Interior Decoration, Black-and-White. Hedy Lamarr's singing voice was dubbed by Paula Raymond.

<i>Comrade X</i> 1940 film by King Vidor

Comrade X is a 1940 American comedy spy film directed by King Vidor and starring Clark Gable and Hedy Lamarr. The supporting cast features Oskar Homolka, Felix Bressart, Sig Rumann and Eve Arden. In February 2020, the film was shown at the 70th Berlin International Film Festival, as part of a retrospective dedicated to King Vidor's career.

<span class="mw-page-title-main">Felix Bressart</span> German-American actor

Felix Bressart was a German-born actor of stage and screen whose career spanned both Europe and Hollywood.

<span class="mw-page-title-main">John Loder (actor)</span> British actor (1898–1988)

John Loder was established as a British film actor in Germany and Britain before migrating to the United States in 1928 for work in the new talkies. He worked in Hollywood for two periods, becoming an American citizen in 1947. After living also in Argentina, he became a naturalized British citizen in 1959.

<i>H. M. Pulham, Esq.</i> 1941 film by King Vidor

H. M. Pulham, Esq. is a 1941 American drama film directed by King Vidor and starring Hedy Lamarr, Robert Young, and Ruth Hussey. Based on the novel H. M. Pulham, Esq. by John P. Marquand, the film is about a middle-aged businessman who has lived a conservative life according to the routine conventions of society, but who still remembers the beautiful young woman who once brought him out of his shell. Vidor co-wrote the screenplay with his wife, Elizabeth Hill Vidor. The film features an early uncredited appearance by Ava Gardner. In February 2020, the film was shown at the 70th Berlin International Film Festival, as part of a retrospective dedicated to King Vidor's career.

<i>White Cargo</i> 1942 film by Richard Thorpe

White Cargo is a 1942 American drama film starring Hedy Lamarr and Walter Pidgeon, and directed by Richard Thorpe. Released by Metro-Goldwyn-Mayer, it is based on the 1923 London and Broadway hit play by Leon Gordon, which was in turn adapted from the 1912 novel Hell's Playground by Ida Vera Simonton. The play had already been made into a British part-talkie, also titled White Cargo, with Maurice Evans in 1930. The 1942 film, unlike the play, begins in what was then the present-day, before unfolding in flashback.

<i>I Take This Woman</i> (1940 film) 1940 American film

I Take This Woman is a 1940 American drama film directed by W. S. Van Dyke and starring Spencer Tracy and Hedy Lamarr. Based on the short story "A New York Cinderella" by Charles MacArthur, the film is about a young woman who attempted suicide in reaction to a failed love affair. The doctor who marries her attempts to get her to love him by abandoning his clinic services to the poor to become a physician to the rich so he can pay for her expensive lifestyle.

<i>Dishonored Lady</i> 1947 film by Robert Stevenson, Hunt Stromberg, Jack Chertok

Dishonored Lady is a 1947 American film noir crime film directed by Robert Stevenson and starring Hedy Lamarr, Dennis O'Keefe and John Loder. It is based on the 1930 play Dishonored Lady by Edward Sheldon and Margaret Ayer Barnes. Lamarr and Loder were married when they made the film, but they divorced later in 1947.

<i>Her Highness and the Bellboy</i> 1945 film by Richard Thorpe, Gladys Lehman, Richard Connell, Charles Walters

Her Highness and the Bellboy is a 1945 American romantic comedy film directed by Richard Thorpe and starring Hedy Lamarr, Robert Walker, and June Allyson. Written by Richard Connell and Gladys Lehman, the film is about a beautiful European princess who travels to New York City to find the newspaper columnist she fell in love with six years earlier. At her posh New York hotel, she is mistaken for a maid by a kind-hearted bellboy. Charmed by his confusion, the princess insists that he become her personal attendant, unaware that he has fallen in love with her. Her Highness and the Bellboy was released by Metro-Goldwyn-Mayer in the United States on July 11, 1945.

<i>Prix de beauté</i> 1930 film

Prix de Beauté is a 1930 film directed by Augusto Genina. The film is notable for being the first sound film made by star Louise Brooks, although all of her dialogue and singing were dubbed. This film is an early example of sound film in France, along with L'Age d'Or and Under the Roofs of Paris.

<i>Le Crime ne paie pas</i> 1962 film

Le Crime ne paie pas is a 1962 French drama portmanteau film directed and partly written by Gérard Oury. It consists of four separate episodes, each with its own cast and writers but sharing common themes of beautiful women, jealousy, revenge and death.

<i>The Strange Woman</i> 1946 film by Edgar George Ulmer

The Strange Woman is a 1946 American historical melodrama film directed by Edgar G. Ulmer and starring Hedy Lamarr, George Sanders and Louis Hayward. It is based on the 1941 novel of the same title by Ben Ames Williams. The screenplay was written by Ulmer and Hunt Stromberg, Originally released by United Artists, the film is now in the public domain.

<i>The Conspirators</i> (1944 film) 1944 film by Jean Negulesco

The Conspirators is a 1944 American film noir, World War II, drama, spy, and thriller film directed by Jean Negulesco. It stars Hedy Lamarr and Paul Henreid, features Sydney Greenstreet and Peter Lorre in supporting roles, and has a cameo of Aurora Miranda singing a Fado. The Conspirators reunites several performers who appeared in Casablanca (1942).

<i>Dead Mans Shoes</i> (1940 film) 1940 film by Thomas Bentley

Dead Man's Shoes is a 1940 British mystery drama film directed by Thomas Bentley and starring Leslie Banks, Joan Marion and Wilfrid Lawson.

<i>Lets Live a Little</i> 1948 film by Richard Wallace

Let's Live a Little is a 1948 American romantic comedy film directed by Richard Wallace and starring Hedy Lamarr, Robert Cummings and Anna Sten. Written by Howard Irving Young, Edmund L. Hartmann, Albert J. Cohen, and Jack Harvey, the film is about an overworked advertising executive who is being pursued romantically by his former fiancée, a successful perfume magnate, who is also the ad agency's largest client. While visiting a new client—a psychiatrist and author—to discuss a proposed ad campaign, his life becomes further complicated when the new client turns out to be a beautiful woman, who decides to treat his nervous condition.

<i>The Female Animal</i> 1958 film by Harry Keller

The Female Animal is a 1958 American CinemaScope drama film directed by Harry Keller and starring Hedy Lamarr, Jane Powell, Jan Sterling and George Nader.

References

  1. 1 2 3 The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
  2. Crossroads at the American Film Institute Catalog .
  3. "101 Pix Gross in Millions" Variety 6 Jan 1943 p 58
  4. Variety. Staff film review, 1942. Accessed: July 25, 2013.
  5. Audio Classic Archive. "Radio Broadcast Log Of: Lux Radio Theatre", last updated July 12, 2012. Accessed: July 25, 2013.

Streaming audio