Cry to Me

Last updated
"Cry to Me"
Cry to Me cover.jpg
Single by Solomon Burke
from the album Rock 'n Soul
B-side "I Almost Lost My Mind"
Released1962
Recorded1961
Venue New York City
Genre Soul
Length2:33
Label Atlantic (45-2131)
Songwriter(s) Bert Berns
Producer(s) Bert Berns
Solomon Burke singles chronology
"Just Out of Reach (Of My Two Open Arms)"
(1961)
"Cry to Me"
(1962)
"I'm Hanging Up My Heart For You"
(1962)

"Cry to Me" is a song written by Bert Berns (listed as "Bert Russell") and first recorded by American soul singer Solomon Burke in 1961. Released in 1962, it was Burke's second single to appear in both Billboard magazine's Hot R&B Sides and Hot 100 singles charts. On March 20, 1962, Burke performed "Cry to Me" on American Bandstand . [1]

Contents

Background

On December 6, 1961 Burke recorded one of his best known songs, "Cry to Me", [2] "an ode to loneliness and desire" [3] "one of the first songs to unify country, gospel and R&B in one package", [4] that is considered "the paradigm for Southern soul ballads." "Cry to Me" was written by Bert Berns (as Bert Russell), conducted and arranged by Klaus Ogermann, [5] and produced by Bert Berns, [6] "a roly-poly white New Yorker with a deep love and empathy for black music despite a formal music education at the Juilliard School of Music and a music background far removed from the searing soul in which, by 1963, he specialized", [7] with whom Burke had a difficult relationship. Burke "distrusted the young producer", [8] and often spoke of him disparagingly, [9] but later acknowledged Berns as "a genius" and "a great writer, a great man." [10] Cissy Houston, who provided backing vocals on several of Burke's songs that were produced by Berns, believed "Burke changed his mind about Bert as soon as Sol started working with him in the studio. Bert's emotion-charged songs and Sol's gospel delivery was a marriage made in heaven." [11] Although Burke recognized Berns's skill for crafting hit records, he rejected two Berns compositions, "Hang on Sloopy" (later recorded by the McCoys), and "A Little Bit of Soap", a recent hit for the Jarmels. Burke explained in 2004: "I felt a little unsafe about it, because they were pushing me in an ethnic market, so why would I want to say that (about soap) to my people? It didn't have the meaning it needed to have." In frustration after Burke had rejected his song choices, Berns offered him a final song, "Cry to Me", which Berns sang to him very slowly. According to Burke in a 2008 interview: "I said 'That's terrible. It's just too slow for me, I don't like slow songs.' And Mr Wexler says, 'Listen, this guy writes for you, you're pissing him off. You're pissing me off, too.' (Laughs) I tried to sing it a couple of times that way, couldn't even feel it. Then I asked the young man in the studio, the engineer Tommy Dowd, 'Could we have them speed this up?'". [12]

Personnel

The personnel on the Solomon Burke recording included Leon Cohen on alto sax, Jesse Powell on tenor sax, Hank Jones on piano, Robert Mosely on organ, Phil Kraus on vibes, Don Arnone, Al Caiola, Bucky Pizzarelli, and Everett Barksdale on guitars; Art Davis on bass, and Gary Chester on drums. [13]

Chart release

Released in 1962, "Cry to Me", backed with "I Almost Lost My Mind" (Atlantic 2131), became Burke's second entry in the US charts, peaking at number five on the R&B charts, [14] and number 44 on the Hot 100.

Chart (1962)Peak
position
US Billboard Hot 100 [15] 44
US Billboard Hot R&B Sides 5

Impact

After "Cry to Me", Burke became one of the first performers to be called a soul artist. [16] In "Cry to Me", and in his "most popular recordings from 1962 onward, elements of the African-American folk-preaching style", which incorporated "the fusion of speech and song", "the use of repetition or elongation for emphasis", and the improvisation of "hollers and vocal melismas", the "flowers and curlicues of gospel singing", [17] are salient. [18] Burke always had his pulpit in the recording studio. [19]

Burke's recording was also featured in the soundtrack to the 1987 movie Dirty Dancing .

Certifications

RegionCertification Certified units/sales
United Kingdom (BPI) [20] Platinum600,000

Sales+streaming figures based on certification alone.

Cover versions

Several artists have recorded versions of the song. Among them:

Notes

  1. Watch American Bandstand Season 5 Episode 142|AB-1207: Solomon Burke. SideReel. Retrieved on 2011-04-07.
  2. "Atlantic Records Discography: 1961". Jazzdisco.org. Retrieved April 7, 2011.
  3. Valerie J. Nelson and Randall Roberts (October 11, 2010). "Solomon Burke Dies; Soul Music Legend". Los Angeles Times. Retrieved November 21, 2012.
  4. International Masters Publishers, Stand by Me (Vol. 3 of Roots of Rhythm Series) (International Masters Publishers, Incorporated, 1999):26.
  5. "Atlantic 45 single label". March 11, 2013.
  6. "Bert Berns: Songwriter, Producer and Label Chief". November 20, 2012.
  7. "Solomon Burke: The '60s Soul Music Legend and a Spiritual Enigma". Crossrhythms.com. November 5, 2010. Retrieved November 20, 2012.
  8. Michael Billig, Rock 'n' Roll Jews (Syracuse University Press, 2001):83.
  9. According to Jerry Wexler, Burke referred to Berns as a "paddy motherfucker." See Eric Olsen, "New Bert Berns Collection" (September 2002)
  10. Barney Hoskyns, "The Soul Man With a Huckster's Heart", Mojo Magazine (March 1998).
  11. Cissy Houston (with Jonathan Singer), How Sweet the Sound: My Life with God and Gospel (Doubleday, 1998):175.
  12. Solomon Burke, in Mojo Magazine (August 2008), quoted in "Cry To Me by The Rolling Stones"
  13. Peter Grendysa and Robert Pruter, Atlantic Rhythm and Blues 1947-1974 booklet notes (CD edition), Atlantic Records, 1991
  14. 1 2 3 Whitburn, Joel (1988). Top R&B Singles 1942–1988 . Menomonee Falls, Wisconsin: Record Research. pp.  67, 181, 365. ISBN   0-89820-068-7.
  15. Whitburn, Joel (2013). Joel Whitburn's Top Pop Singles, 14th Edition: 1955-2012. Record Research. p. 124.
  16. Jeff Wallenfeldt, ed., The Black Experience in America: From Civil Rights to the Present (The Rosen Publishing Group, 2010):127.
  17. Arnold Shaw, Honkers and Shouters: The Golden Years of Rhythm and Blues, 2nd ed. (Collier Books, 1978):441.
  18. Teresa L. Reed, The Holy Profane: Religion in Black Popular Music (University Press of Kentucky, 2004):125–126.
  19. Teresa L. Reed, The Holy Profane: Religion in Black Popular Music (University Press of Kentucky, 2004):126.
  20. "British single certifications – Solomon Burke – Cry To Me". British Phonographic Industry . Retrieved April 5, 2024.
  21. "Pretty Things – Singles". Official Charts . Retrieved September 13, 2017.
  22. "www.allmusic.com". allmusic.com. Retrieved January 2, 2023.
  23. https://open.spotify.com/album/2As1UZLpNmJVuj9hV1ya6v?si=hlxFeRPzQNa24c-0TPaHuw

Related Research Articles

<span class="mw-page-title-main">Solomon Burke</span> American preacher and singer (1936–2010)

Solomon Vincent McDonald Burke was an American singer who shaped the sound of rhythm and blues as one of the founding fathers of soul music in the 1960s. He has been called "a key transitional figure bridging R&B and soul", and was known for his "prodigious output".

<span class="mw-page-title-main">Wilson Pickett</span> American singer (1941–2006)

Wilson Pickett was an American singer and songwriter.

<span class="mw-page-title-main">Sam & Dave</span> American soul and R&B duo

Sam & Dave were an American soul and R&B duo who performed together from 1961 until 1981. The tenor (higher) voice was Sam Moore and the baritone/tenor (lower) voice was Dave Prater (1937–1988).

Bertrand Russell Berns, also known as Bert Russell and (occasionally) Russell Byrd, was an American songwriter and record producer of the 1960s. His songwriting credits include "Twist and Shout", "Piece of My Heart", "Here Comes the Night", "Hang on Sloopy", "Cry to Me" and "Everybody Needs Somebody to Love", and his productions include "Baby, Please Don't Go", "Brown Eyed Girl" and "Under the Boardwalk".

<i>Lady Soul</i> 1968 studio album by Aretha Franklin

Lady Soul is the twelfth studio album by American singer Aretha Franklin released in early 1968 by Atlantic Records. The album stayed at number 1 for 16 weeks on Billboard's R&B album chart, and it hit number 2 on the pop album chart during a year-long run.

<span class="mw-page-title-main">Carla Thomas</span> American singer (born 1942)

Carla Venita Thomas is an American singer, who is often referred to as the Queen of Memphis Soul. She is best known for her 1960s recordings for Atlantic and Stax including the hits "Gee Whiz " (1960), "B-A-B-Y" (1966) and "Tramp" (1967), a duet with Otis Redding. She is the daughter of Rufus Thomas.

<span class="mw-page-title-main">Freddie Scott</span> Musical artist

Freddie Scott was an American soul singer and songwriter. His biggest hits were "Hey, Girl", a top ten US pop hit in 1963, and "Are You Lonely for Me", a No. 1 hit on the R&B chart in early 1967.

<span class="mw-page-title-main">The Sweet Inspirations</span> American R&B vocal group

The Sweet Inspirations are an American R&B girl group mostly known for their work as backup singers on studio recordings for other R&B and rock artists. A founding member of the group was Dionne Warwick, who was later replaced by her aunt, Cissy Houston.

"I Never Loved a Man (The Way I Love You)" is a 1967 single released by American soul singer Aretha Franklin. Released on Atlantic Records as the first big hit of her career and the lead single from her tenth studio album of the same name, it became a defining song for Franklin, peaking at number one on the rhythm and blues charts and number nine on the pop charts. The B-side was "Do Right Woman, Do Right Man". Before this Franklin had placed only two Top 40 singles on the pop chart during her modest tenure with Columbia Records.

"Down in the Valley" is a 1962 R&B song written by Bert Berns and Solomon Burke and originally recorded by Solomon Burke. It was released on Atlantic as a B-side to "I'm Hanging Up My Heart For You". It was covered by Otis Redding on his album Otis Blue. Burke's original version is a classic example of early country soul with booming vocals.

"Everybody Needs Somebody to Love" is a song written by Bert Berns, Solomon Burke, and Jerry Wexler, and originally recorded by Burke under the production of Berns at Atlantic Records in 1964. Burke's version charted in 1964, but missed the US top 40, peaking at number 58.

<span class="mw-page-title-main">Betty Harris</span> American soul singer (born 1939)

Betty Harris is an American soul singer. Her recording career in the 1960s produced three hit singles that made the U.S. Billboard R&B and Billboard Hot 100 charts: "Cry to Me" (1963), "His Kiss" (1964) and "Nearer to You" (1967). However, her reputation among soul music connoisseurs far exceeds her commercial success of the 1960s, and her recordings for the Jubilee and Sansu record labels are highly sought after in the 2000s by fans of Southern Soul, Northern soul and deep soul.

"Call Me" is a song written and recorded by American singer Aretha Franklin. The song was co-produced by Jerry Wexler, Tom Dowd and Arif Mardin.

<span class="mw-page-title-main">Lou Johnson (singer)</span> American singer and pianist (1941–2019)

Lou Johnson was an American soul singer and pianist who was active as a recording artist in the 1960s and early 1970s.

"Got to Get You Off My Mind" is a 1965 soul single written and performed by Solomon Burke. The single was produced by Jerry Wexler, and was the most successful of Burke's long career, becoming his highest-charting single on both the R&B and pop singles charts. "Got to Get You Off My Mind" was number one on Billboard's R&B Singles chart for three weeks and made the Top 40 on the pop singles chart.

The following list is the discography of the American soul musician Solomon Burke.

"Just Out of Reach " is a country song written by Virgil "Pappy" Stewart and originally recorded by his band, The Stewart Family, in 1951. It was a minor country hit for Faron Young in 1952, reaching #10 on the country charts and was also recorded by Patsy Cline and Percy Sledge and many others. The most successful version was recorded by singer Solomon Burke as his second single from Atlantic Records in 1961, becoming Burke's first hit single.

"If You Need Me" is a 1963 song co-written and originally recorded by Wilson Pickett. It was made into a bigger hit by Solomon Burke, who sent the song to #2 on the R&B charts that year.

<i>Sweets for My Sweet</i> (album) 1969 studio album by Sweet Inspirations

Sweets for My Sweet is a 1969 album by American recording soul/gospel female group Sweet Inspirations released on Atlantic Records. The album features the groups cover of "Crying in the Rain" which peaked to #42 on Billboards Hot Soul Singles. The song was originally recorded by The Everly Brothers and reached #6 on Billboards Hot 100 chart.

<i>What the World Needs Now Is Love</i> (Sweet Inspirations album) 1968 studio album by Sweet Inspirations

What the World Needs Now Is Love is the third album by American recording gospel/soul female group the Sweet Inspirations released in 1968 on the label Atlantic Records. The album was produced by Tom Dowd and arranged by Arif Mardin. It features their cover versions of the classic songs; "Alfie", "Unchained Melody", "What the World Needs Now Is Love" and the Bee Gees' "To Love Somebody".