Cultural depictions of William III of England

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Ballads

Copies of extant seventeenth-century broadside ballads about William III and Mary II, such as "England's Triumph", "England's Happiness in the Crowning of William and Mary", "A new loyal song, upon King William's Progress into Ireland" and "Royal Courage, King William's Happy Success in Ireland", are housed in Magdalene College's Pepys Library, the National Library of Scotland, and the British Library. [1]

Contents

Art

White horses on display on Upper Grand Canal Street, Dublin in 1967 White Horses - Capaill Bhana (12082801704).jpg
White horses on display on Upper Grand Canal Street, Dublin in 1967

In Dublin city, the display of a white plasterwork horse in the fanlight of a door was believed to denote a household that was Protestant and loyal to the United Kingdom. The horse was a depiction of William's white horse, which he rode during the Battle of the Boyne. [2] [3]

In the late 1700s, "Williamite glass", featuring a depiction of the King was a popular product by craftsmen in Ireland. One example held in the Ulster Museum featured the inscription "The glorious and immortal memory of King William and his Queen Mary and perpetual disappointment to the Pope, the Pretender, and all the enemies of the Protestant religion". Paintings of William, often on his horse, were common in stately homes and public buildings in Ireland in the 19th century. [4]

Statues

Statue of William of Orange on College Green, erected in 1701 in Dublin. It was severely damaged in an explosion in 1928, and removed in 1929. King William Statue 1.jpg
Statue of William of Orange on College Green, erected in 1701 in Dublin. It was severely damaged in an explosion in 1928, and removed in 1929.

An equestrian statue of William by Grinling Gibbons stood on College Green, Dublin, which was unveiled on 1 July 1701. It became a focal point for political protest and celebrations, with protests beginning as early as 1710 when two Trinity College students damaged and defaced the statue. During William's birthday celebrations, the statue was painted white, and decorated with an orange cloak and sash with orange streamers. In July, the statue was decorated with orange lilies. [4] In 1836, the statue was bombed, but was re-erected. It was later destroyed by another bomb in 1929. [5]

In London, an equestrian bronze of the King can be found in St. James's Square. [6]

Murals and banners

King Billy mural, Sandy Row, Belfast King Billy mural, Sandy Row - panoramio.jpg
King Billy mural, Sandy Row, Belfast

In Northern Ireland, murals in Unionist or Loyalist areas of the country often depict William and his success at the Battle of the Boyne. The first mural of William was painted in Derry in the 1920s and depicted the Battle of the Boyne and his ending of the siege of Derry. King William is the most common theme of Loyalist murals in Northern Ireland. The "King Billy" murals are a mixture of "some old, some new, some ornate, some naïve". [7] Many of the murals feature the date 1690, in relation to the Battle of the Boyne. [8]

Banners and other depictions are also displayed and paraded during celebrations and marches marking the date of the Battle, 12 July, by Unionists. In Northern Ireland the celebrations feature Orange Order marches. [5] His image is also featured on drums and the insignia of the Orangemen. [9] These July celebrations have also historically taken place in parts of Scotland and Canada. [10] Other days celebrated by Irish protestants in memory of William were his birthday on 4 November, [5] the date of his landing in England, and his victory at the Battle of Aughrim on 1 July. [11]

Literature

Marjorie Bowen wrote three historical novels about William's life. They are I Will Maintain (1910), Defender of the Faith (1911), and God and the King (1911). [12]

Film

William III of England has been played on screen by:

Television

Theatre

Related Research Articles

<span class="mw-page-title-main">Battle of the Boyne</span> 1690 Irish Williamite-Jacobite War battle

The Battle of the Boyne was a battle in 1690 between the forces of the deposed King James II, and those of King William III who, with his wife Queen Mary II, had acceded to the Crowns of England and Scotland in 1689. The battle took place across the River Boyne close to the town of Drogheda in the Kingdom of Ireland, modern-day Republic of Ireland, and resulted in a victory for William. This turned the tide in James's failed attempt to regain the British crown and ultimately aided in ensuring the continued Protestant ascendancy in Ireland.

<span class="mw-page-title-main">The Boyne Water</span> Ulster Protestant folk song

"The Boyne Water" is an Ulster Protestant folksong by an anonymous lyricist. The lyrics of the song commemorate King William III of Orange's victory over James II at the Battle of the Boyne in 1690, part of the Williamite War in Ireland.

"The Sash" is a ballad from the Irish province of Ulster commemorating the victory of King William III in the Williamite War in Ireland in 1690–1691. The lyrics mention the 1689 Siege of Derry, the 1689 Battle of Newtownbutler near Enniskillen, the 1691 Battle of Aughrim, and the 1690 Battle of the Boyne. It is popular amongst Ulster loyalists and many other unionists in Northern Ireland, as well as in parts of Scotland.

<span class="mw-page-title-main">Ardoyne</span> District in Northern Ireland, United Kingdom

Ardoyne is a working class and mainly Catholic and Irish republican district in north Belfast, Northern Ireland. It gained notoriety due to the large number of incidents during The Troubles.

<span class="mw-page-title-main">The Twelfth</span> Ulster Protestant celebration

The Twelfth is an Ulster Protestant celebration held on 12 July. It began in the late 18th century in Ulster. It celebrates the Glorious Revolution (1688) and victory of Protestant King William of Orange over Catholic King James II at the Battle of the Boyne (1690), which ensured a Protestant Ascendancy in Ireland. On and around the Twelfth, large parades are held by the Orange Order and Ulster loyalist marching bands, streets are bedecked with British flags and bunting, and large towering bonfires are lit in loyalist neighbourhoods. Today the Twelfth is mainly celebrated in Northern Ireland, where it is a public holiday, but smaller celebrations are held in other countries where Orange lodges have been set up.

<span class="mw-page-title-main">Battle of the Bogside</span> Communal riot that took place from 12 to 14 August 1969 in Derry, Northern Ireland

The Battle of the Bogside was a large three-day riot that took place from 12 to 14 August 1969 in Derry, Northern Ireland. Thousands of Catholic/Irish nationalist residents of the Bogside district, organised under the Derry Citizens' Defence Association, clashed with the Royal Ulster Constabulary (RUC) and loyalists. It sparked widespread violence elsewhere in Northern Ireland, led to the deployment of British troops, and is often seen as the beginning of the thirty-year conflict known as the Troubles.

<span class="mw-page-title-main">Ulster loyalism</span> Pro-UK political ideology in Northern Ireland

Ulster loyalism is a strand of Ulster unionism associated with working class Ulster Protestants in Northern Ireland. Like other unionists, loyalists support the continued existence of Northern Ireland within the United Kingdom, and oppose a united Ireland independent of the UK. Unlike other strands of unionism, loyalism has been described as an ethnic nationalism of Ulster Protestants and "a variation of British nationalism". Loyalists are often said to have a conditional loyalty to the British state so long as it defends their interests. They see themselves as loyal primarily to the Protestant British monarchy rather than to British governments and institutions, while Garret FitzGerald argued they are loyal to 'Ulster' over 'the Union'. A small minority of loyalists have called for an independent Ulster Protestant state, believing they cannot rely on British governments to support them. The term 'loyalism' is usually associated with paramilitarism.

<span class="mw-page-title-main">Williamite</span> Followers of King William III, who took over the British throne in the Glorious Revolution (1688)

A Williamite was a follower of King William III of England who deposed King James II and VII in the Glorious Revolution. William, the Stadtholder of the Dutch Republic, replaced James with the support of English Whigs.

<span class="mw-page-title-main">Orange Order</span> Protestant fraternal order originating in Northern Ireland

The Loyal Orange Institution, commonly known as the Orange Order, is an international Protestant fraternal order based in Northern Ireland and primarily associated with Ulster Protestants, it also has lodges in England, Scotland and the Republic of Ireland, as well as in parts of the Commonwealth of Nations and the United States. The Orange Order was founded by Ulster Protestants in County Armagh in 1795, during a period of Protestant–Catholic sectarian conflict, as a fraternity sworn to maintain the Protestant Ascendancy in Ireland. It is headed by the Grand Orange Lodge of Ireland, established in 1798. Its name is a tribute to the Dutch-born Protestant king William of Orange, who defeated Catholic king James II in the Williamite–Jacobite War (1688–1691). The order is best known for its yearly marches, the biggest of which are held on or around 12 July, a public holiday in Northern Ireland.

Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.

<span class="mw-page-title-main">Sandy Row</span> Street in Belfast

Sandy Row is a large inner city estate in south Belfast, Northern Ireland. It lends its name to the surrounding residential community, which is predominantly Protestant working-class. The Sandy Row area had a population of 2,153 in 2001; in 2018, the population was estimated to be around 4,000. It is a staunchly loyalist area of Belfast, being a traditional heartland for affiliation with the paramilitary Ulster Defence Association (UDA) and the Orange Order.

The culture of Belfast, much like the city, is a microcosm of the culture of Northern Ireland. Hilary McGrady, chief executive of Imagine Belfast, claimed that "Belfast has begun a social, economic and cultural transformation that has the potential to reverberate across Europe." Belfast is split between two rarely-overlapping vibrant cultural communities, a high-culture of opera, professional theatre, filmmaking and the visual arts and a more popular or commercial culture. Throughout the short years of troubles, Belfast tried to express itself through art and music. Hi In the second decade of the twenty-first century, the city has a growing international cultural reputation

Banners are a significant part of the Culture of Northern Ireland, particularly for the Protestant/unionist community, and one of the region's most prominent types of folk art. They are typically carried in parades such as those held on the Twelfth of July, Saint Patrick's Day and other times throughout the year. Generally these are organised by societies such as the Orange Order, the Ancient Order of Hibernians, the Royal Black Institution and the Apprentice Boys of Derry, and the banners are typically commissioned by, and represent, a lodge within one of these societies. Banners are also carried by trade unions and church groups, and by marching bands. Most banners are painted by professionals and executed on silk, although canvas was a more popular material in the past. Most have a painting on each side, usually depicting different subjects, and the name and number of the lodge. Most banners have one subject per side, surrounded by flourishes, scrolls, and other decoration. Despite being in many ways a sectarian art form, Catholic and Protestant banners are usually very similar in terms of style and composition. Apart from subject matter, the main difference is colour: Orange Order banners make heavy use of the colour orange and to a lesser extent red, white, blue and purple, while Catholic banners tend to feature a lot of green.

Parades are an important part of the culture of Northern Ireland. Although the majority of parades are held by Ulster Protestant, unionist or Ulster loyalist groups; Irish nationalist, republican and non-political groups also parade. The Parades Commission exists to settle disputes about controversial parades, and although not all parading groups recognise the Commission's authority, its decisions are legally binding.

<span class="mw-page-title-main">Drumcree conflict</span> Northern Ireland dispute over parades

The Drumcree conflict or Drumcree standoff is a dispute over yearly parades in the town of Portadown, Northern Ireland. The town is mainly Protestant and hosts numerous Protestant marches each summer, but has a significant Catholic minority. The Orange Order insists that it should be allowed to march its traditional route to and from Drumcree Church on the Sunday before the Twelfth of July. However, most of this route is through the mainly Catholic/Irish nationalist part of town. The residents, who see the march as sectarian, triumphalist and supremacist, have sought to ban it from their area. The Orangemen see this as an attack on their traditions; they had marched the route since 1807, when the area was mostly farmland.

<span class="mw-page-title-main">Orange walk</span> Series of parades held by the Orange Order

Orange marches are a series of parades by members of the Orange Order and other Protestant fraternal societies, held during the summer months in various Commonwealth nations, most notably Ulster. The parades typically build up to 12 July celebrations marking Prince William of Orange's victory over King James II & VII at the Battle of the Boyne in 1690.

Brian Robinson was a loyalist militant from Belfast, Northern Ireland and member of the Ulster Volunteer Force (UVF) who was witnessed killing a Catholic civilian. His death at the hands of an undercover British Army unit is one of the few from the alleged shoot-to-kill policy in Northern Ireland to have involved a loyalist victim.

<span class="mw-page-title-main">Trevor King</span> British Ulster loyalist; Ulster Volunteer Force commander (1953–1994)

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Ulster Protestants are an ethnoreligious group in the Irish province of Ulster, where they make up about 43.5% of the population. Most Ulster Protestants are descendants of settlers who arrived from Britain in the early 17th century Ulster Plantation. This was the settlement of the Gaelic, Catholic province of Ulster by Scots and English speaking Protestants, mostly from the Scottish Lowlands and Northern England. Many more Scottish Protestant migrants arrived in Ulster in the late 17th century. Those who came from Scotland were mostly Presbyterians, while those from England were mostly Anglicans. There is also a small Methodist community and the Methodist Church in Ireland dates to John Wesley's visit to Ulster in 1752. Although most Ulster Protestants descend from Lowland Scottish people and English, some also descend from Irish, Welsh and Huguenots.

<span class="mw-page-title-main">Flag of the Orange Order</span>

The Flag of the Orange Order, also known as the Boyne Standard, or the Orange Standard, is the flag used by a Northern Irish Protestant fraternal organisation, the Orange Order. The flag consists of an orange background with a purple star and a Saint George's Cross in canton.

References

  1. English Broadside Ballad Archive. "Broadside Ballads About King William". English Broadside Ballad Archive. University of California at Santa Barbara, Department of English. Retrieved 20 September 2014.
  2. Nuttall, Deirdre; MacCarthaigh, Críostóir (25 August 2017). "A 'Protestant folk'? Addressing a historical imbalance in Irish folklore-collecting". History Ireland. 25 (5). Retrieved 31 August 2021.
  3. Cheng, Vincent J. (1991). "White Horse, Dark Horse: Joyce's Allhorse of Another Color". Joyce Studies Annual. 2: 101–128. ISSN   1049-0809. JSTOR   26283640 . Retrieved 31 August 2021.
  4. 1 2 Simms, J. G. (1974). "Remembering 1690". Studies: An Irish Quarterly Review. 63 (251): 231–242. ISSN   0039-3495. JSTOR   30088090.
  5. 1 2 3 Troost, Wout (2009). "William III". Dictionary of Irish Biography. Retrieved 2023-05-31.
  6. Bradley, Simon; Pevsner, Nikolaus (2003). The Buildings of England: London: Westminster. New Haven, US, London, UK: Yale University Press. p. 325. ISBN   9780300095951.
  7. "CAIN: Murals: Rolston, Bill. Drawing Support: Murals in the North of Ireland". cain.ulster.ac.uk. Retrieved 2023-05-31.
  8. "CAIN: Symbols - Unionist and Loyalist". cain.ulster.ac.uk. Retrieved 2023-05-31.
  9. "Ireland and 'King Billy': Usage and Abusage | History Today". www.historytoday.com. Retrieved 2023-05-31.
  10. "William Of Orange". Historic UK. Retrieved 2023-05-31.
  11. "William III. of Orange - Irish Biography". www.libraryireland.com. Retrieved 2023-05-31.
  12. F. Seymour Smith, What Shall I Read Next? A Personal Selection of Twentieth Century English Books. Cambridge, Cambridge University Press, 2010. ISBN   0521064929, (p.95)
  13. "Orlando 1992". New Zealand International Film Festival. 2018. Retrieved 31 May 2023.
  14. "Versailles Ep. 7/10 -". BBC. 2017. Retrieved 31 May 2023.
  15. "Queen Anne". Royal Shakespeare Company. Retrieved 31 May 2023.