Cymbeline Refinished

Last updated

Cymbeline Refinished
George Bernard Shaw 1934-12-06.jpg
Written by George Bernard Shaw
Date premiered1937
Original languageEnglish
SubjectThe phantasmogoric last act of Shakespeare's Cymbeline is replaced by more rational one
Genre history play comedy
SettingAncient Britain

Cymbeline Refinished (1937) is a play-fragment by George Bernard Shaw in which he writes a new final act to Shakespeare's play Cymbeline . The drama follows from Shaw's longstanding need to reimagine Shakespeare's work, epitomised by his play Caesar and Cleopatra and his late squib Shakes versus Shav .

Contents

Creation

The play was written "as a lark" after the committee of the Shakespeare Memorial Theatre were looking for a way to market a staging of Cymbeline as part of a plan to fund a memorial to Shakespeare. [1] The ending of Cymbeline had been ridiculed in the nineteenth century, but the play was just beginning to be reconsidered as an "experimental romance". [2] Shaw was consciously engaging in a long tradition of rewriting Shakespeare for modern values and tastes. [2]

Shaw had expressed the standard Victorian view of the play in 1896 when he wrote that it was "stagey trash of the lowest melodramatic order". After altering the ending, Shaw changed his mind about the bulk of the play, but remained convinced that the last act was a disaster, writing in 1946 that it was "one of the finest of Shakespeare's later plays" but "goes to pieces in the final act". [2]

Plot

Shaw removed many of the revelations that accumulate in the final act, cutting its length by more than half. [3] He minimises the discovery that Polydore and Cadwal are Imogen's long lost brothers. In the end they decide to return to rural life in Wales rather than join the royal court. The deus ex machina scene in which Jupiter descends from the heavens is also dropped. Shaw removes the implausible account of the British victory over the Roman legions, which in the original is achieved purely by the superhuman heroism of Posthumus, Polydore and Cadwal. He replaces it with a conversation in which the Romans discuss the possibility that the Britons recalled Belarius, a general who "knew his job", to command their forces.

Shaw also makes Imogen a much more assertive figure, in line with his feminist views. He creates a scene in which Iachimo confesses to Posthumus. Imogen recognises Posthumus's voice and actively uncovers his identity. After Posthumus repents, she continues to point out the immorality of his actions, and resents the suggestion that she should accept her husband back unconditionally, but in the end accepts that "I must go home and make the best of it, as other women must."

89 lines of the original play were retained in Shaw's version.

Critical views

Paradoxically Shaw offered his own alternative ending as challenge to producers to restore Shakespeare's original, which had been crudely cut in many productions. The act is written in blank verse, but C.B. Young notes that there is "a violent change of tone from the fairy-tale and romantic atmosphere of the original acts to the Shavian wit with a touch of cynicism, of the end." [4] Bernard F. Dukore says that "Shaw's refinishing of Cymbeline's last act reveals such features of Shavian comedy as his typical treatment of exposition; his focus, not on the resolution of a situation, but on the response of the characters to that resolution; and broad comedy with a realistic base." [3]

Related Research Articles

<span class="mw-page-title-main">George Bernard Shaw</span> Irish playwright, critic, and polemicist (1856–1950)

George Bernard Shaw, known at his insistence as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1913) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.

<i>Cymbeline</i> Play by William Shakespeare

Cymbeline, also known as The Tragedie of Cymbeline or Cymbeline, King of Britain, is a play by William Shakespeare set in Ancient Britain and based on legends that formed part of the Matter of Britain concerning the early historical Celtic British King Cunobeline. Although it is listed as a tragedy in the First Folio, modern critics often classify Cymbeline as a romance or even a comedy. Like Othello and The Winter's Tale, it deals with the themes of innocence and jealousy. While the precise date of composition remains unknown, the play was certainly produced as early as 1611.

<span class="mw-page-title-main">Shakespeare's late romances</span> Category of Shakespeares plays

The late romances, often simply called the romances, are a grouping of William Shakespeare's last plays, comprising Pericles, Prince of Tyre; Cymbeline; The Winter's Tale; and The Tempest. The Two Noble Kinsmen, of which Shakespeare was co-author, is sometimes also included in the grouping. The term "romances" was first used for these late works in Edward Dowden's Shakespeare: A Critical Study of His Mind and Art (1875). Later writers have generally been content to adopt Dowden's term.

Comic timing or comedic timing emerges from a performer's joke delivery: they interact with an audience—intonation, rhythm, cadence, tempo, and pausing—to guide the audience's laughter, which then guides the comedic narrative. The pacing of the delivery of a joke can have a strong impact on its comedic effect, even altering its meaning; the same can also be true of more physical comedy such as slapstick. Comic timing is also crucial for comedic video editing to maximize the impact of a joke, for example, through a smash cut.

<i>The Rape of Lucrece</i> Poem by William Shakespeare

The Rape of Lucrece (1594) is a narrative poem by William Shakespeare about the legendary Roman noblewoman Lucretia. In his previous narrative poem, Venus and Adonis (1593), Shakespeare had included a dedicatory letter to his patron, the Earl of Southampton, in which he promised to compose a "graver labour". Accordingly, The Rape of Lucrece has a serious tone throughout.

<i>Saint Joan</i> (play) Play by George Bernard Shaw

Saint Joan is a play by George Bernard Shaw about 15th-century French military figure Joan of Arc. Premiering in 1923, three years after her canonization by the Roman Catholic Church, the play reflects Shaw's belief that the people involved in Joan's trial acted according to what they thought was right. He wrote in his preface to the play:

There are no villains in the piece. Crime, like disease, is not interesting: it is something to be done away with by general consent, and that is all [there is] about it. It is what men do at their best, with good intentions, and what normal men and women find that they must and will do in spite of their intentions, that really concern us.

Imogen (<i>Cymbeline</i>) Character in Cymbeline

Imogen is the daughter of King Cymbeline in Shakespeare's play Cymbeline. She was described by William Hazlitt as "perhaps the most tender and the most artless" of all Shakespeare's women.

<i>The Boggart</i> Childrens novel by Susan Cooper

The Boggart is a children's novel by Susan Cooper published in 1993 by Macmillan. The book was nominated for a Young Reader's Choice Award in 1996.

<i>The Frogs</i> (musical) Stephen Sondheim musical

The Frogs is a musical "freely adapted" by Stephen Sondheim and Burt Shevelove from The Frogs, an Ancient Greek comedy by Aristophanes. In the musical, Dionysos, despairing of the quality of living dramatists, travels to Hades to bring George Bernard Shaw back from the dead. William Shakespeare competes with Shaw for the title of best playwright, which he wins. Dionysos brings Shakespeare back to the world of the living in the hope that art can save civilization.

<span class="mw-page-title-main">Gabriel Pascal</span> Hungarian film producer

Gabriel Pascal was a Hungarian film producer and director whose best-known films were made in the United Kingdom.

<span class="mw-page-title-main">Shakespeare in performance</span> Performances of William Shakespeares plays

Thousands of performances of William Shakespeare's plays have been staged since the end of the 16th century. While Shakespeare was alive, many of his greatest plays were performed by the Lord Chamberlain's Men and King's Men acting companies at the Globe and Blackfriars Theatres. Among the actors of these original performances were Richard Burbage, Richard Cowley, and William Kempe.

<i>In Good King Charless Golden Days</i> 1939 play by George Bernard Shaw

In Good King Charles's Golden Days is a play by George Bernard Shaw, subtitled A True History that Never Happened.

<i>Cymbeline</i> (film) 2014 film by Michael Almereyda

Cymbeline is a 2014 American crime thriller film written, produced, and directed by Michael Almereyda, based on the play of the same name by William Shakespeare. The film stars Ethan Hawke, Ed Harris, Milla Jovovich, John Leguizamo, and Dakota Johnson.

<i>The Simpleton of the Unexpected Isles</i> 1934 play by George Bernard Shaw

The Simpleton of the Unexpected Isles: A Vision of Judgement is a 1934 play by George Bernard Shaw. The play is a satirical allegory about an attempt to create a utopian society on a Polynesian island that has recently emerged from the sea.

<i>Jittas Atonement</i>

Jitta's Atonement (1923) is an adaptation by George Bernard Shaw of the play Frau Gitta's Sühne by Siegfried Trebitsch. It is about a woman who has to atone to her husband for having an affair with his best friend. The atonement of both Jitta and other characters take unexpected forms. Shaw dramatically rewrote the last part of the play, giving it a more characteristically Shavian tone.

<i>Macbeth Skit</i>

Macbeth Skit (1916) is a short comic skit by George Bernard Shaw on William Shakespeare's portrayal of Macbeth's relationship with Lady Macbeth.

<i>OFlaherty V.C.</i>

O'Flaherty V.C., A Recruiting Pamphlet (1915) is a comic one-act play written during World War I by George Bernard Shaw. The plot is about an Irish soldier in the British army returning home after winning the Victoria Cross. The play was written at a time when the British government was promoting recruitment in Ireland, while many Irish republicans expressed opposition to fighting in the war.

References

  1. Lenker, Lagretta Tallent, Fathers and Daughters in Shakespeare and Shaw, Greenwood, 2001, p.174.
  2. 1 2 3 Hart, Jonathan, Shakespeare and His Contemporaries, Palgrave Macmillan, 2011, p.170.
  3. 1 2 Bernard F. Dukore, Bernard Shaw, Playwright: Aspects of Shavian Drama, University of Missouri Press, 1973, p.212
  4. Young, C. B (ed), Introduction, Cymbeline, Cambridge University Press, p.liii.