Cynthia Nielsen

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Cynthia R. Nielsen
Cynthia R Nielsen Oct 2017.jpeg
Cynthia R Nielsen Oct 2017
Alma mater University of Dallas (Ph.D.), University of North Florida (B.Music in Jazz Studies)
AwardsKing-Haggar Scholar Award 2016, 2018, McDermott Fellowship
Era 21st century Philosophy
Region Western philosophy
School Continental
Institutions University of Dallas,(2015–present) Villanova (2012–14)
Doctoral advisor Philipp W. Rosemann
Main interests
hermeneutics, Hans-Georg Gadamer, philosophy of music, aesthetics, social philosophy

Cynthia R. Nielsen is an American philosopher and Professor of Philosophy at the University of Dallas. [1] She is known for her expertise in the field of hermeneutics (focusing especially on Hans-Georg Gadamer), the philosophy of music, aesthetics, ethics, and social philosophy. [2] [3] [4] Since 2015 she has taught at the University of Dallas. Prior to her appointment at the University of Dallas, she taught at Villanova University as a Catherine of Sienna Fellow in the Ethics Program Archived 2018-12-19 at the Wayback Machine . Nielsen serves on the executive committee of the North American Society for Philosophical Hermeneutics. [5]

Contents

Nielsen's work engages a wide range of theorists, philosophers, and topics. [6] [7] A common thread in her work is a "hermeneutics of the other," an attempt to enter into dialogue with various "others" (racialized and gendered subjects, artworks, jazz improvisations, literary texts, etc.) in order to listen attentively to the other's "voice" and incite a transformative understanding of self, world, and other. Through her integration of Gadamerian hermeneutics, social and critical philosophy, and the philosophy of music, she has developed the notion of hermeneutics as a communal improvisational practice. [8] [9]

Education

Nielsen earned a Bachelor of Music in Jazz Studies at the University of North Florida, [10] where she studied jazz guitar with renowned jazz guitarist Jack Petersen. [11] She earned her Ph.D. in philosophy at the University of Dallas, [1] where she studied with Professor Philipp W. Rosemann. [12]

Overview of work

Nielsen's early research (from 2009–2013) focuses primarily on how subjects, on the one hand, are socially constructed, and on the other, actively resist sociopolitical, economic, cultural, and other forces in order to shape their subjectivities. For example, her work on Frederick Douglass and Frantz Fanon analyzes how racialized and colonized subjectivities are constructed and highlights how agents employ various strategies in order to resist, reconfigure, and subvert dehumanizing structures, discourses, and practices. [4] [13] Her work on Foucault and Douglass shows how Douglass was cognizant of the disciplinary power at work in Covey's panoptic gaze. [14] [15]

In light of her background and experience as a jazz musician, Nielsen frequently brings music, and jazz in particular, into conversation with philosophy, discussing not only the philosophical and theoretical aspects of music, but also the ethical and sociopolitical dimensions. Her second book, Interstitial Soundings: Philosophical Reflections on Improvisation, Practice, and Self-Making (2015), which is largely a collection of essays, continues the theme of resistance but is concerned with how social, political, and cultural discourses and practices shape musical subjectivities, musical content, and musical practices. [16]

Because Nielsen's work is interdisciplinary and explores a wide range of cultural, ethical, sociopolitical, and hermeneutical issues, her work has been appropriated by scholars in multiple disciplines including not only philosophy but also sociology, psychology, theology, postcolonial studies, ethnomusicology, critical race theory, literary theory, and political theory. [17] [18] For example, in her review of Nielsen's book, Foucault, Douglass, Fanon, and Scotus in Dialogue, Dr. Renee Harrison, describes Nielsen's work as "a significant interdisciplinary contribution to the fields of philosophy, religion, history, and African American studies." [6]

Her current research (since 2014) concentrates on Hans-Georg Gadamer's hermeneutical philosophy with a special interest in his hermeneutical aesthetics and reflections on the ontology of art as a communicative and communal event. [2]

Selected publications

Books

Book chapters

Articles

Encyclopedia entries

Related Research Articles

The following outline is provided as an overview of and topical guide to critical theory:

<span class="mw-page-title-main">Hans-Georg Gadamer</span> German philosopher (1900–2002)

Hans-Georg Gadamer was a German philosopher of the continental tradition, best known for his 1960 magnum opus, Truth and Method, on hermeneutics.

<span class="mw-page-title-main">Hermeneutics</span> Theory and methodology of text interpretation

Hermeneutics is the theory and methodology of interpretation, especially the interpretation of biblical texts, wisdom literature, and philosophical texts. As necessary, hermeneutics may include the art of understanding and communication.

<span class="mw-page-title-main">James K. A. Smith</span> Canadian-American philosopher (born 1970)

James K. A. Smith is a Canadian-American philosopher who is currently Professor of Philosophy at Calvin University, holding the Gary & Henrietta Byker Chair in Applied Reformed Theology & Worldview. He is the current editor-in-chief of the literary journal Image.

Robert L. Bernasconi is Edwin Erle Sparks Professor of Philosophy at Pennsylvania State University. He is known as a reader of Martin Heidegger and Emmanuel Levinas, and for his work on the concept of race. He has also written on the history of philosophy.

Richard Shusterman is an American pragmatist philosopher. Known for his contributions to philosophical aesthetics and the emerging field of somaesthetics, currently he is the Dorothy F. Schmidt Eminent Scholar in the Humanities and Professor of Philosophy at Florida Atlantic University.

Babette Babich is an American philosopher who writes from a continental perspective on aesthetics, philosophy of science, especially Nietzsche's, and technology, especially Heidegger's and Günther Anders, in addition to critical and cultural theory.

Hugh J. Silverman was an American philosopher and cultural theorist whose writing, lecturing, teaching, editing, and international conferencing participated in the development of a postmodern network. He was executive director of the International Association for Philosophy and Literature and professor of philosophy and comparative literary and cultural studies at Stony Brook University, where he was also affiliated with the Department of Art and the Department of European Languages, Literatures, and Cultures. He was program director for the Stony Brook Advanced Graduate Certificate in Art and Philosophy. He was also co-founder and co-director of the annual International Philosophical Seminar since 1991 in South Tyrol, Italy. From 1980 to 1986, he served as executive co-director of the Society for Phenomenology and Existential Philosophy. His work draws upon deconstruction, hermeneutics, semiotics, phenomenology, aesthetics, art theory, film theory, and the archeology of knowledge.

<span class="mw-page-title-main">Jeff Malpas</span> Australian philosopher

Jeff Malpas is an Australian philosopher and emeritus distinguished professor at the University of Tasmania in Hobart. Known internationally for his work across the analytic and continental traditions, Malpas is also at the forefront of contemporary philosophical research on the concept of "place", as first and most comprehensively presented in his Place and Experience: A Philosophical Topography—now in its second edition—and further developed in numerous subsequent works.

Michel Foucault (1926–1984) was a prominent twentieth-century French philosopher, who wrote prolifically. Many of his works were translated into English. Works from his later years remain unpublished.

<span class="mw-page-title-main">Frederick G. Lawrence</span> American philosopher and theologian

Frederick G. Lawrence is an American hermeneutic philosopher and theologian, and a specialist in Bernard Lonergan, teaching in the Department of Theology at Boston College, Boston, US.

<span class="mw-page-title-main">Fred Dallmayr</span>

Fred Reinhard Dallmayr is an American philosopher and political theorist. He is Packey J. Dee Professor Emeritus in Political Science with a joint appointment in philosophy at the University of Notre Dame (US). He holds a Doctor of Law from the Ludwig Maximilian University of Munich, and a PhD in political science from Duke University. He is the author of some 40 books and the editor of 20 other books. He has served as president of the Society for Asian and Comparative Philosophy (SACP); an advisory member of the scientific committee of RESET – Dialogue on Civilizations (Rome); the executive co-chair of World Public Forum – Dialogue of Civilizations (Vienna), and a member of the supervisory board of the Dialogue of Civilizations Research Institute (Berlin).

Andrew S. Bowie is Professor of Philosophy and German at Royal Holloway, University of London and Founding Director of the Humanities and Arts Research Centre (HARC).

<span class="mw-page-title-main">Andrzej Wierciński</span> Polish philosopher

Andrzej Wiercinski is a Hermeneutician, Philosopher, and Theologian. As the transdisciplinary thinker, he is Professor of Liberal Arts, Faculty of Artes Liberales at the University of Warsaw, President-Founder (2001) of the International Institute for Hermeneutics (IIH), and President of Agora Hermeneutica (IIH).

The hermeneutics of suspicion is a style of literary interpretation in which texts are read with skepticism in order to expose their purported repressed or hidden meanings.

The North American Society for Philosophical Hermeneutics is an organization whose purpose is to advance the study of philosophical hermeneutics. Although the society has a particular interest in the work of Hans-Georg Gadamer, it likewise encourages dialogue and engagement with a multitude of philosophical thinkers, traditions, and contemporary concerns. It was established in 2005.

Nicholas Davey is a British philosopher and professor of philosophy at the University of Dundee. He is known for his expertise in aesthetics, hermeneutics, and his work on Hans-Georg Gadamer. Davey has also played a leading role in founding several research groups and institutes at the University of Dundee, which include Theoros, Hermeneutica Scotia, and the university's Arts and Humanities Research Institute.

Cynthia A. Freeland is an American philosopher of art. She has published three monographs, over two dozen articles, and edited several books. She is Emeritus professor of philosophy at the University of Houston. She was the president of the American Society of Aesthetics until 2017. She has been awarded a fellowship from the National Endowment for the Humanities in 2003 for a research project on Fakes and Forgeries. Her book But is it Art? (2001) has been translated into fourteen languages and was republished as part of the Oxford Very Short Introductions series. She talked about her book Portraits&Persons with Nigel Warburton on the Philosophy Bites podcast. She was interviewed by Hans Maes for the book Conversations on Art and Aesthetics (2017) which includes a photograph of her by American photographer Steve Pyke.

Lauren Swayne Barthold is an American philosopher and Philosophy Professor at Emerson College. Previously she was Associate Professor of Philosophy at Gordon College, with tenure, and has also taught at Haverford College, Siena College and Endicott College. Barthold is known for her works on Gadamer's thought. She is a co-founder and former president of the North American Society of Philosophical Hermeneutics. In 2018 she co-founded the Heathmere Center for Cultural Engagement, a non-profit devoted to dialogue and deliberation, and currently serves as its program developer.

<span class="mw-page-title-main">Hans-Herbert Kögler</span> German-American philosopher

Hans-Herbert Kögler, is a German-American philosopher.

References

  1. 1 2 "Nielsen's CV". Academia.edu. Retrieved December 18, 2018.
  2. 1 2 Fuyarchuk, Andrew (2017). The Inner Voice in Gadamer's Hermeneutics: Mediating Between Modes of Cognition in the Humanities and Sciences. Lanham, MD: Lexington. pp. 146–147. ISBN   9781498547055.
  3. Rabaka, Reiland (2014). Concepts of Cabralism: Amilcar Cabral and Africana Critical Theory (Critical Africana Studies). Lanham, MD: Lexington. pp. 302, 346. ISBN   9780739199268.
  4. 1 2 Rabaka, Reiland (2016). The Negritude Movement: W.E.B. Du Bois, Leon Damas, Aime Cesaire, Leopold Senghor, Frantz Fanon, and the Evolution of an Insurgent Idea (Critical Africana Studies). Lanham, MD: Lexington. pp. 248, 278–80. ISBN   9781498511377.
  5. "NASPH Website" . Retrieved January 19, 2019.[ permanent dead link ]
  6. 1 2 Harrison, Renee K. (August 2014), Black Theology, 12 (2): 187–188, doi:10.1179/1476994814z.00000000028, S2CID   142715099 {{citation}}: CS1 maint: untitled periodical (link)
  7. Cutts, Joshua (2015). "Review". Foucault Studies. 19: 229–233. doi: 10.22439/fs.v0i19.4832 .
  8. Nielsen, Cynthia R. (2016). "Gadamer on the Event of Art, the Other, and a Gesture Toward a Gadamerian Approach to Free Jazz". Journal of Applied Hermeneutics. Archived from the original on 2018-05-08. Retrieved 2018-12-20.
  9. Nielsen, Cynthia (2016). "Harsh Poetry and Art's Address: Romare Bearden and Hans-Georg Gadamer in Conversation" (PDF). Polish Journal of Aesthetics. 43: 103–123.
  10. "List of University of North Florida Alumni".
  11. "Brief Intellectual Biography" (PDF). Memoria (UD Philosophy Newsletter). 2015. p. 10.
  12. "Braniff Pages". Ramify: The Journal of the Braniff Graduate School of Liberal Arts. 3 (1). 2012. ISSN   2158-5784.
  13. Meudec, Marie (2015). "Processus d'altérisation de l'obeah à Sainte-Lucie". Anthropologica. 57: 225–237, cited 232 via Research Gate.
  14. Haase, Felix (2015). "Within the Circle: Space and Surveillance in Frederick Douglass's Narrative of the Life of Frederick Douglass, an American Slave" (PDF). AsPeers. 8: 71–88, cited 76–77. doi:10.54465/aspeers.08-06. S2CID   253147456 via EBSCO.
  15. Taylor, Jack (2018). "Slavery and Biopolitics: Douglass's My Bondage and My Freedom as Biopolitical Theory". Interdisciplinary Literary Studies. 20 (1): 79–102, cited pp. 86, 91. doi:10.5325/intelitestud.20.1.0079. JSTOR   10.5325/intelitestud.20.1.0079. S2CID   148812462.
  16. Wickert, Christian (2014). "Rezension: Music and Law". Criminologia.
  17. Fludernik, Monkia (2017). "Panopticisms: from fantasy to metaphor to reality". Textual Practice. 31: 1–26. doi:10.1080/0950236X.2016.1256675. S2CID   151779179 via EBSCO.
  18. Politz, Sarah (2018). "We Don't Want to Be Jazz-Jazz": Afro-Modernism, Jazz, and Brass Band Music in Benin". Jazz & Culture. 1: 12–48. doi: 10.5406/jazzculture.1.2018.0012 . JSTOR   10.5406/jazzculture.1.2018.0012. S2CID   246626704.