Damage (Jimmy Eat World album)

Last updated

Damage
Jimmy Eat World - Damage.jpg
Studio album by
ReleasedJune 11, 2013 (2013-06-11)
RecordedSeptember–October 2012
Studio Alain Johannes' home, Los Angeles
Genre
Length37:45
Label
  • RCA
  • Exotic Location
Producer
Jimmy Eat World chronology
Invented
(2010)
Damage
(2013)
Integrity Blues
(2016)
Singles from Damage
  1. "I Will Steal You Back"
    Released: April 16, 2013
  2. "Damage"
    Released: August 6, 2013

Damage is the eighth studio album by American rock band Jimmy Eat World. It was released on June 11, 2013, through RCA and Exotic Location Recordings. As touring in support of Invented (2010) was winding down by late 2011, the band started writing new material in early 2012. The band spent September and October 2012 at producer Alain Johannes' house in Los Angeles, California recording their next album with analog tape and Pro Tools. Described as an adult breakup album, Damage is a power pop and rock album.

Contents

"I Will Steal You Back" was released as the lead single in April 2013, and Jimmy Eat World spent the next few months touring across the United States. The band performed songs on talk shows such as Jimmy Kimmel Live! and Conan . The title-track "Damage" was released as a radio single in August. Stints of the United Kingdom, the US and Europe followed, leading up to an appearance at Reading and Leeds Festivals.

Damage reached number 14 on the US Billboard 200 after selling 24,000 copies in its first week. It peaked in the top 10 of other Billboard component charts: Alternative, Digital, Rock, and Tastemaker Albums. It also charted in Australia, Austria, Germany, Switzerland, and the UK. It was met with a favorable reaction from music critics, being found as an enjoyable listen by many.

Background and recording

Jimmy Eat World released their seventh album Invented in September 2010 through DGC and Interscope Records. [1] It marked the end of their recording contract, enabling the band to become free agents. [2] As touring in support of the album was ending by late 2011, [3] the band began writing new material for their next album in early 2012. [4] By March 2012, frontman Jim Adkins debuted two new songs, "Book of Love" and "You Were Good", during a solo show. [5] In July, drummer Zach Lind revealed that the group were expecting to record within a month. [6] On September 5, the group begun recording, [7] and by October 5, they had finished and were waiting to mix the recordings. [8] Mixing was finished by November 30, [9] and mastering began in early December. [10] Sessions were held at producer Alain Johannes' home in Los Angeles, California, on both analog tape and Pro Tools. [4]

The recording process contrasted the band's previous two studio albums, Chase This Light (2007) and Invented, both of which were done at the band's rehearsal space in Arizona. [11] Lind's drum kit was initially set up in Johannes's guest bedroom before being moved to his living room. Another guest room was used as the control room, while the rest of the instruments were done holed up in his bedroom. [12] The band used tape alongside a computer to record the sessions. As a result, Adkins said the sound was "raw and warm. ... There was less an emphasis on it being clean and perfect ... [and] more about the performance than it sounding pristine. And I think it feels better for what the songs are." [4] Discussing Johannes' contributions, Adkins stated that he had "the best ideas. For what we wanted to do he felt like the right guy. We have a better idea of what we want now, so we didn't need someone that was heavy-handed. We wanted someone to be more like a partner, an ideas guy with fresh ears." [11]

Composition

Overview

Musically, Damage is a power pop [13] and rock album, [14] [15] drawing comparison to Wasting Light (2011)-era Foo Fighters, [16] and the band's own Bleed American (2001). [15] Similar to Invented, which roughly revolved around a theme, Damage was "an attempt at making an adult breakup record", according to Adkins. The "consequences to what the characters are going through are more significant. ... I'm 37 and the world around me is a lot different than when I was writing breakup songs in my 20s. I tried to reflect that in what the lyrics are." [4]

Akins intentionally wrote love songs, the kind that attracted him dealt with "adversity and emotional injury. If you have a happy song about how happy you are, ... [t]here's no story there for me. I can't have any empathy." [11] He compared the process of writing the lyrics to that of the band's third studio album, Clarity (1999), stating: "...that's how I approached a lot of emotional things in those days. It's the observation and experience of the world around you, and you develop the ideas from that. ... [With Damage] I'm asking myself the same kinds of questions about things, it's just that I'm in a different place in life, a completely different environment." [17]

Tracks

The opening track "Appreciation" switches between the 4/4 and 3/4 time signatures. [15] It talks about the narrator realizing the error of his ways. [13] The title-track sees the narrator witness his partner leave amidst broken promises and big expectations. [16] According to Adkins, the song's bridge section was based on an idea he had since 1998. [18] "Lean" opens with a Bruce Springsteen-esque Americana guitar riff, and continues with palm mutes, vocal harmonies and distorted guitar parts. [19] The mid-tempo rock track "Book of Love" was reminiscent of the material on Chase This Light (2007), [16] We, the Vehicles (2005) by Maritime, [15] and Okkervil River. [19] It talks about coming to terms with a failed relationship. [15] "I Will Steal You Back" was reminiscent of a demo from the Futures (2004)-era. [16] "Please Say No" is a ballad [15] that evokes the Bleed American song "Hear You Me", [20] and utilizes electronic elements during the chorus sections. [21] It sees the narrator telling his partner to express "no" after pleading with to take him to a place where no one knows them. [19] "How'd You Have Me" starts with ringing guitars, which recalled "Pride (In the Name of Love)" (1984) by U2, prior to evolving into a garage rock number, complete with shouting. [16]

"No, Never" is a grunge-like number [20] that incorporates new wave synthesizer flourishes. [15] The penultimate song "Byebyelove" channeled the sound of Clarity with its rough production, minimalistic form and crescendos. [16] "You Were Good" employs lo-fi acoustic guitars and droning, [19] reminiscent of the early works of Guided by Voices. [21] It began as an acoustic-based piece, however, when they "tried to take it out of that world, we realized that without the acoustic guitar in there as a bed, it didn't feel the same without it being there", according to Adkins. He further added, they "experimented around a little bit with fleshing it out ... in a full band sense, but at the end of the day we all ... agreed it sounded better with just me and a guitar and the weirdo, Indian drone thing on there." [17] Guitarist and backing vocalist Tom Linton elaborated that it featured Adkins playing an acoustic guitar, recording it "from the beginning to the end live. Then I overdubbed an organ part and Alain [Johannes] played the guitar part." [22]

Release

Jimmy Eat World performing live in 2013. Jimmy Eat World, Kentish Town Forum, London (10750784473).jpg
Jimmy Eat World performing live in 2013.

On April 3, 2013, Damage was announced for release in June. In addition, the album's track listing and artwork were revealed. [23] The cover, created by Morning Breath Inc, uses a minimalistic approach: an umbrella that is radiating sunlight against blue fog. [24] "I Will Steal You Back" was made available for streaming on April 10, [25] and released to radio on April 16. [26] The following day, a lyric video was released. [27] On April 20, the group released a 7" vinyl for Record Store Day. It featured "Damage" and a cover of the Radiohead track, "Stop Whispering". [28] In May, the group embarked on a brief US tour, dubbed the Arizona "Home-State" Tour. [25] On May 31, a music video was released for "I Will Steal You Back". [29] Damage was made available for streaming on June 3 through the group's website, before being released on June 11 through RCA [30] and Exotic Location Recordings. [31] Regarding RCA, Adkins noted: "There's a lot of people there we've just crossed paths with over the years and who have been really supportive of us even if they didn't have a stake in how our records did." [4]

The following day, the group played "I Will Steal You Back" and "Damage" on Jimmy Kimmel Live! . [32] A few days after the album's release, the group performed at Download Festival in the UK. [33] Between June and August, the group went on a headlining US tour. [34] On July 23, an iTunes Sessions EP was released, which featured renditions of "Damage", "Appreciation" and "I Will Steal You Back". [35] Shortly afterwards, the group appeared on Conan performing "Damage". [36] "Damage" was released to radio on August 6. [37] In September, the group went on a UK tour. [38] In September and October, the group went on a headlining US tour. [39] It included an appearance at Austin City Limits Music Festival. [40] In November, the group went on a European tour with support from Rival Schools. [41] In February 2014, the band appeared at Soundwave festival in Australia; alongside this, they played two sideshows with Panic! at the Disco and Alkaline Trio. [42] In May, the group played a brief US tour. [43] In August, the group appeared at Reading and Leeds Festivals in the UK. [44]

Reception

Professional ratings
Aggregate scores
SourceRating
Metacritic 71/100 [45]
Review scores
SourceRating
AbsolutePunk 9.5/10 [16]
AllMusic Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [14]
Alternative Press Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [15]
The A.V. Club C [46]
Kerrang! Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [45]
MusicOMH Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [19]
NME 7/10 [47]
Rock Sound 8/10 [48]
Rolling Stone Star full.svgStar full.svgStar empty.svgStar empty.svgStar empty.svg [49]
Sputnikmusic 3.7/5 [50]

Damage received largely positive reviews from music critics upon its release. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album has received an average score of 71, based on 17 reviews, indicating "generally favourable" feedback. [45] AbsolutePunk's Craig Manning gave the album a very positive review, writing: "Damage is unequivocally my favorite album of the year so far, and I have a feeling that a lot of people ... are going to share that sentiment. Maybe the connection will come on some late and sweltering summer night, and a teenage kid will be climbing into his car with heartbreak on his mind and nothing left to say." [16]

AllMusic's Matt Collar also gave the album a positive review, stating: "Damage, is a mature breakup album that still retains all of the band's youthful, sock-to-the-gut pop energy. [...] The album also builds nicely upon the power pop/dance-rock vibe of their 2010 release, Invented , with an even more focused, lyrical approach that helps make this one of the band's most cathartic and moving albums of its career." [14] Scott Heisel, writing for Alternative Press , praised Johannes' production, stating: "Thankfully, Damage easily bests the previous two Jimmy Eat World full lengths, and its high points rival those of Futures and Bleed American. Recorded to tape by Alain Johannes (Queens of the Stone Age, No Doubt), the album is full-bodied and warm, with an organic bleed from the drum mics and a sonic resonance you just can't get digitally." [15]

Rock Sound named Damage "Album of the Month", writing: "Jimmy Eat World are undoubtedly an enigma. Now eight albums deep into their career, they never really slumped into any sort of mid-season funk that other bands of their age and ilk have. [...] With no reason to buck the trend, Damage very much continues the Arizonan four-piece's reliability streak." [48] Consequence of Sound 's Ryan Bray wrote: "In their quest to update the breakup record for those a bit too old to mope and stew in their juices, Jimmy Eat World succeeds here for the most part. Society might expect those broaching 40 to have their shit more or less figured out, but Damage proves you're never too old to reevaluate and take stock of the past." [13]

Drowned in Sound 's Sammy Maine, however, gave the album a mixed review, writing: "There's flashes of Jimmy Eat World brilliance and even a few classics in there, but this is an album that's also prone to a few fillers and cheesy one liners. This is a band that should be beyond mediocre offerings but sadly, there's just one too many on Damage." [20] The A.V. Club 's Kyle Ryan gave the album a mostly negative review, stating: "While the group's predictability has traditionally been a positive assurance of quality, it's now more indicative of stasis. Damage doesn't offend, but it doesn't offer much that's memorable, either." [46] Rolling Stone 's Nick Catucci gave the album a negative review, stating: "On their first album since 2010, the Arizona guys still sound sweet. They're also hall-monitor dull – these meat and potatoes sure could use some fresh gravy." [49]

Damage debuted at number 14 on the US Billboard 200 chart, selling 24,000 copies in its first week. As of October 2016, the album has sold 50,000 copies. [51] It charted on several Billboard component charts: number two on Alternative Albums, [52] number four on Rock Albums, [53] number eight on Tastemaker Albums, [54] and number nine on Digital Albums. [55] Outside of the US, the album reached number 26 in Australia, [56] number 38 in the UK, [57] number 41 in Germany, [58] number 54 in Austria, [56] and number 55 in Switzerland. [59] Alternative Press included the album on their list of the essential albums of the year. [60]

Track listing

All songs written by Jimmy Eat World. [31]

No.TitleLength
1."Appreciation"3:15
2."Damage"3:07
3."Lean"3:04
4."Book of Love"3:55
5."I Will Steal You Back"3:28
6."Please Say No"4:40
7."How'd You Have Me"3:42
8."No, Never"3:50
9."Byebyelove"4:31
10."You Were Good"4:13
Total length:37:45
Japanese edition [61]
No.TitleLength
11."Step One"3:15

Personnel

The following personnel contributed to Damage: [31]

Charts

ChartPeak
position
Australian Albums (ARIA) [56] 26
Austrian Albums (Ö3 Austria) [62] 54
German Albums (Offizielle Top 100) [58] 41
Swiss Albums (Schweizer Hitparade) [59] 55
US Billboard 200 [63] 14
US Top Alternative Albums (Billboard) [52] 2
US Digital Albums (Billboard) [55] 9
US Top Rock Albums (Billboard) [53] 4
US Top Tastemaker Albums (Billboard) [54] 8
UK Albums (OCC) [57] 38

Related Research Articles

Emo is a rock music genre characterized by emotional, often confessional lyrics. It emerged as a style of hardcore punk and post-hardcore from the mid–1980s Washington, D.C. hardcore scene, where it was known as emotional hardcore or emocore. The bands Rites of Spring and Embrace, among others, pioneered the genre. In the early-to-mid 1990s, emo was adopted and reinvented by alternative rock, indie rock, punk rock, and pop-punk bands, including Sunny Day Real Estate, Jawbreaker, Cap'n Jazz, and Jimmy Eat World. By the mid-1990s, Braid, the Promise Ring, and the Get Up Kids emerged from Midwest emo, and several independent record labels began to specialize in the genre. Meanwhile, screamo, a more aggressive style of emo using screamed vocals, also emerged, pioneered by the San Diego bands Heroin and Antioch Arrow. Screamo achieved mainstream success in the 2000s with bands like Hawthorne Heights, Silverstein, Story of the Year, Thursday, the Used, and Underoath.

<span class="mw-page-title-main">Jimmy Eat World</span> American rock band

Jimmy Eat World is an American rock band formed in 1993 in Mesa, Arizona. The band is composed of lead vocalist and lead guitarist Jim Adkins, rhythm guitarist and backing vocalist Tom Linton, bassist Rick Burch, and drummer Zach Lind. They have released ten studio albums, the last nine featuring the current line-up.

<i>Futures</i> (album) 2004 studio album by Jimmy Eat World

Futures is the fifth studio album by American rock band Jimmy Eat World, released on October 19, 2004, through Interscope Records. After touring in support of Bleed American (2001) for two years, the band returned home and began working on new material by mid-2003. Following fruitless sessions with producer Mark Trombino, the band re-grouped and recorded with Gil Norton. The sessions lasted from February to May 2004 and were held at various studios in California and Arizona. Described as encompassing several rock styles, Futures included more solos and complex guitar parts than past releases, intended to expand on the atmosphere of their third studio album Clarity (1999). The songs on the album were compared to the work of Jets to Brazil and Maritime, while some of the guitar parts echoed the sound of Fugazi and Hüsker Dü.

<i>Bleed American</i> 2001 studio album by Jimmy Eat World

Bleed American is the fourth studio album by the American rock band Jimmy Eat World, released on July 24, 2001, by DreamWorks Records. The album was re-released as Jimmy Eat World following the September 11 attacks; that name remained until 2008, when it was re-released with its original title returned.

<i>Static Prevails</i> 1996 studio album by Jimmy Eat World

Static Prevails is the second studio album by American rock band Jimmy Eat World, released on July 23, 1996, through Capitol Records. Following the release of the band's self-titled debut album (1994), they signed to Capitol in mid-1995 for further releases. Carrier member Rick Burch replaced bassist Mitch Porter, who left to become a Mormon missionary. Recorded at Sound City in Los Angeles, California, and at Big Fish, in Encinitas, California, Wes Kidd, Mark Trombino, and Jimmy Eat World acted as producers for the album.

<i>Clarity</i> (Jimmy Eat World album) 1999 studio album by Jimmy Eat World

Clarity is the third studio album by American rock band Jimmy Eat World. It was released on February 23, 1999, through Capitol Records, with which Jimmy Eat World clashed several times while recording their second studio album Static Prevails (1996). The band recorded a follow-up with producer Mark Trombino in May and June 1998, and were free to make it however they wanted without interference from Capitol. The recording sessions began at Sound City in Van Nuys, California, before moving to Clear Lake Audio in North Hollywood, California. Clarity, which is described as an emo, pop punk, and punk rock release, marked the beginning of frontman Jim Adkins' tenure as the band's main vocalist, taking over from guitarist Tom Linton.

<span class="mw-page-title-main">The Middle (Jimmy Eat World song)</span> 2001 single by Jimmy Eat World

"The Middle" is a song by American rock band Jimmy Eat World. It was released in October 2001 as the second single of their fourth album, Bleed American (2001). It was a number-five hit on the US Billboard Hot 100 in 2002 and reached the top 50 in Australia, Ireland, New Zealand and the United Kingdom. The song was a breakthrough hit for Jimmy Eat World, who had self-financed the recording of the Bleed American album after being dropped by Capitol Records in 1999. It is considered the band's signature song.

<i>Chase This Light</i> 2007 studio album by Jimmy Eat World

Chase This Light is the sixth studio album by American rock band Jimmy Eat World. The band began working on the follow-up to Futures (2004) by late 2005, and had made demos by early 2006. They started recording their next album with engineer Chris Testa between Arizona and California. Butch Vig was enlisted as an executive producer, acting in a consultancy role, where he would provide feedback on the material. Sessions began in August 2006 and lasted until May 2007, with tours of the US and Europe in between. Described as a power pop, pop rock and pop-punk record, the guitars drew comparison to the Outfield and U2, while individual song comparisons were made to the likes of the Killers, the All-American Rejects and Shout Out Louds.

<span class="mw-page-title-main">Work (Jimmy Eat World song)</span> 2004 single by Jimmy Eat World

"Work" is a song by Jimmy Eat World from their 2004 album, Futures. It was the second single released from that album. The song was written by Jim Adkins and features backing vocals by Liz Phair. "Work" was released to radio on December 7, 2004.

<span class="mw-page-title-main">Jimmy Eat World discography</span>

The American rock band Jimmy Eat World has released ten studio albums, twenty-three singles, seven extended plays, three live albums, one compilation album, one video album, and one song on the "various artists" compilation What's Mine Is Yours.

Emo pop is a fusion genre combining emo with pop-punk, pop music, or both. Emo pop features a musical style with more concise composition and hook-filled choruses. Emo pop has its origins in the 1990s with bands like Jimmy Eat World, the Get Up Kids, Weezer and the Promise Ring. The genre entered the mainstream in the early 2000s with Jimmy Eat World's breakthrough album Bleed American, which included its song "The Middle". Other emo pop bands that achieved mainstream success throughout the decade included Fall Out Boy, the All-American Rejects, My Chemical Romance, Panic! at the Disco and Paramore. The popularity of emo pop declined in the 2010s, with some prominent artists in the genre either disbanding or abandoning the emo pop style.

<span class="mw-page-title-main">Never Shout Never</span> American rock band

Never Shout Never was an American rock band formed in Joplin, Missouri in 2007. Vocalist and multi-instrumentalist Christofer Drew began the band as a solo project before expanding it to a band, whose best-known lineup included himself, bassist Taylor MacFee, and drummer Hayden Kaiser. The band that accompanied Drew when it was a solo project were originally known as "The Shout". Never Shout Never released eight full-length albums and nine EPs.

<i>Invented</i> (album) 2010 studio album by Jimmy Eat World

Invented is the seventh studio album by American rock band Jimmy Eat World. Following the release of Chase This Light (2007), frontman Jim Adkins began a writing exercise that involved writing about photographs, which would serve as the lyrical basis for their next album. Recorded primarily at the band's home-based studio, the sessions were co-produced by Mark Trombino. Described as a power pop album, it featured guest vocals from Courtney Marie Andrews and Rachel Haden. Several of the songs earned comparisons to Foo Fighters, the Offspring, and Rites of Spring, among others.

<i>The Greatest Generation</i> (album) 2013 studio album by the Wonder Years

The Greatest Generation is the fourth studio album by American rock band the Wonder Years. The album was produced by Steve Evetts, who also produced their previous album, Suburbia I've Given You All and Now I'm Nothing.

<i>Collapsible Lung</i> 2013 studio album by Relient K

Collapsible Lung is the seventh studio album by American rock band Relient K. To date, it is their only album not to be produced or co-produced by Mark Lee Townsend.

<i>Happiness Is</i> (Taking Back Sunday album) 2014 studio album by Taking Back Sunday

Happiness Is is the sixth studio album by American rock band Taking Back Sunday. Before the release of their self-titled album in mid-2011, the group had started working on its follow-up. Throughout the rest of the year, and 2012, band members mentioned in interviews they had various song ideas and tracked demos with producers Marc Jacob Hudson and Mike Sapone. In early 2013, the group spent two weeks in West Virginia, during which they wrote songs for the new album. Satisfied with how the demos turned out, they decided to bring in Hudson and Sapone to record their new album. In June and July, the band recorded at Rancho Recordo in Fenton, Michigan with Hudson.

<span class="mw-page-title-main">Judah & the Lion</span> American band

Judah & the Lion are an American folk band from Nashville, Tennessee, formed in 2011. Currently the band consists of Judah Akers and Brian Macdonald.

<i>Integrity Blues</i> 2016 studio album by Jimmy Eat World

Integrity Blues is the ninth studio album by American rock band Jimmy Eat World. It released on October 21, 2016, by RCA and Exotic Location Recordings. After touring in support of Damage (2013), the band members took a break. They reconvened and began writing with producer Justin Meldal-Johnsen, with recording beginning in late 2015. Sessions were held at Sunset Sound, Chez JMJ, and Unit 2. Described as an alternative rock, emo and pop rock album, Integrity Blues was compared to Silversun Pickups and late period Death Cab for Cutie.

<i>Surviving</i> (album) 2019 studio album by Jimmy Eat World

Surviving is the tenth studio album by American rock band Jimmy Eat World. The album was released on October 18, 2019, through RCA and Exotic Location Recordings. After touring in support of Integrity Blues (2016) concluded in mid-2017, the band began writing new material. Following various tours throughout 2018 and early 2019, the band recorded their next album in their home studio in Arizona, with co-producer Justin Meldal-Johnsen. Described as an alternative rock, arena rock, emo, pop rock, and pop punk record, Surviving was compared to the band's earlier albums Chase This Light (2007) and Damage (2013).

<span class="mw-page-title-main">Something Loud</span> 2022 single by Jimmy Eat World

"Something Loud" is a song by American rock band, Jimmy Eat World. It was released on June 10, 2022 as the band's first independent single on their label, Exotic Location.

References

  1. Leahey, Andrew. "Invented - Jimmy Eat World | Songs, Reviews, Credits". AllMusic. Archived from the original on September 11, 2012. Retrieved September 27, 2010.
  2. Mateus, Luisa (June 18, 2008). "Exclusive: Jimmy Eat World Announce New Album Details". Gigwise . Archived from the original on August 19, 2012. Retrieved July 15, 2010.
  3. Fioletta, Alicia (June 1, 2011). "Interview with Tom Linton from Jimmy Eat World: Re-Invented". The Aquarian Weekly. Archived from the original on March 7, 2018. Retrieved October 4, 2020.
  4. 1 2 3 4 5 Zemler, Emily. "Jimmy Eat World's Next Album Is an 'Adult Breakup Record'". Rolling Stone . Archived from the original on April 3, 2013. Retrieved April 3, 2013.
  5. Yancey, Bryne (March 29, 2012). "Jim Adkins (Jimmy Eat World) performs new songs live; catch the band at Bamboozle". Alternative Press. Archived from the original on December 24, 2017. Retrieved December 24, 2017.
  6. Common, Tyler (July 31, 2012). "Jimmy Eat World to record new album "in about a month"". Alternative Press. Archived from the original on December 24, 2017. Retrieved December 24, 2017.
  7. Bird, Michele (September 5, 2012). "Jimmy Eat World recording new album". Alternative Press. Archived from the original on September 6, 2015. Retrieved December 24, 2017.
  8. Kraus, Brian (October 6, 2012). "Jimmy Eat World finish tracking new album". Alternative Press. Archived from the original on April 3, 2013. Retrieved December 24, 2017.
  9. Kraus, Brian (December 1, 2012). "Jimmy Eat World finish mixing new album". Alternative Press. Archived from the original on April 3, 2013. Retrieved December 24, 2017.
  10. Ronde, Yasmin La (December 3, 2012). "NEWS: Jimmy Eat World confirm currently mastering their upcoming studio album!". Dead Press!. Archived from the original on October 10, 2020. Retrieved October 7, 2020.
  11. 1 2 3 Chamberlain, Rich. "Jimmy Eat World's Jim Adkins on Damage, gear and love songs". MusicRadar . Archived from the original on October 8, 2013. Retrieved June 10, 2013.
  12. Butterweck, Kai (July 11, 2013). "'Why should we act like assholes too?'" (in German). laut.de. Archived from the original on October 16, 2021. Retrieved November 4, 2021.
  13. 1 2 3 Bray, Ryan (2013). "Album Review: Jimmy Eat World - Damage". Consequence of Sound . Archived from the original on June 19, 2013. Retrieved June 10, 2013.
  14. 1 2 3 Collar, Matt. "Damage - Jimmy Eat World". AllMusic . Archived from the original on June 7, 2019. Retrieved October 18, 2019.
  15. 1 2 3 4 5 6 7 8 9 Heisel, Scott. ""Damage" Review by Alternative Press". Alternative Press . Archived from the original on June 8, 2013. Retrieved June 10, 2013.
  16. 1 2 3 4 5 6 7 8 Manning, Craig. "Jimmy Eat World - Damage". AbsolutePunk . Archived from the original on June 28, 2013. Retrieved June 10, 2013.
  17. 1 2 Bautts, Jonathan (June 3, 2013). "Jimmy Eat World – 05.23.13". AbsolutePunk . Archived from the original on June 15, 2013. Retrieved June 10, 2013.
  18. Cribb, Daniel (February 12, 2014). "New World Order". The Music. Retrieved October 18, 2020.
  19. 1 2 3 4 5 Mainzer, Jordan. "Jimmy Eat World - Damage". MusicOMH . Archived from the original on June 15, 2013. Retrieved June 12, 2013.
  20. 1 2 3 Maine, Sammy. "Jimmy Eat World - Damage". Drowned in Sound . Archived from the original on June 25, 2013. Retrieved June 10, 2013.
  21. 1 2 Yancey, Brynne (June 11, 2013). "Jimmy Eat World - Damage". Punknews.org. Archived from the original on June 5, 2020. Retrieved October 6, 2020.
  22. 1 2 3 Cosores, Phillip (May 30, 2013). "Jimmy Eat World Discuss Getting 'Lucky' With 'The Middle,' Recording New Album 'Damage'". Diffuser. Archived from the original on June 15, 2013. Retrieved June 10, 2013.
  23. Whitt, Cassie (April 3, 2013). "Jimmy Eat World announce new album, 'Damage'". Alternative Press. Archived from the original on September 14, 2013. Retrieved December 24, 2017.
  24. Caffrey, Dan; Kaye, Ben; Gerber, Justin (June 14, 2013). "Dissected: Jimmy Eat World (with Jim Adkins)". Consequence of Sound. Archived from the original on November 25, 2018. Retrieved October 7, 2020.{{cite web}}: CS1 maint: multiple names: authors list (link)
  25. 1 2 Kraus, Brian (April 10, 2013). "Jimmy Eat World stream new single, "I Will Steal You Back"". Alternative Press. Archived from the original on April 13, 2013. Retrieved December 24, 2017.
  26. "AllAccess.com Alternative eWeekly". AllAccess. April 9, 2013. Archived from the original on August 21, 2016. Retrieved July 3, 2016.
  27. Bird, Michele (April 17, 2013). "Jimmy Eat World premiere "I Will Steal You Back" lyric video". Alternative Press. Archived from the original on January 19, 2016. Retrieved December 24, 2017.
  28. Kraus, Brian (March 9, 2013). "Jimmy Eat World releasing new single and Radiohead cover on Record Store Day". Alternative Press. Archived from the original on March 13, 2013. Retrieved December 24, 2017.
  29. Obenschain, Philip (May 31, 2013). "Jimmy Eat World post "I Will Steal You Back" video". Alternative Press. Archived from the original on June 24, 2013. Retrieved December 24, 2017.
  30. Obenschain, Philip (June 3, 2013). "Jimmy Eat World stream new album, 'Damage'". Alternative Press. Archived from the original on January 9, 2014. Retrieved December 24, 2017.
  31. 1 2 3 Damage (booklet). Jimmy Eat World. RCA/Exotic Location Recordings. 2013. 88883725092.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  32. Obenschain, Philip (June 12, 2013). "Watch Jimmy Eat World perform on 'Jimmy Kimmel Live'". Alternative Press. Archived from the original on March 14, 2015. Retrieved December 24, 2017.
  33. Whitt, Cassie (January 17, 2013). "A Day To Remember, Gaslight Anthem, Enter Shikari, Motionless In White announced for Download 2013". Alternative Press. Archived from the original on November 6, 2014. Retrieved December 24, 2017.
  34. Kraus, Brian (April 29, 2013). "Jimmy Eat World announce 'Damage' headlining tour". Alternative Press. Archived from the original on January 19, 2016. Retrieved December 24, 2017.
  35. Wippsson, Johan (July 23, 2013). "Jimmy Eat World Release Itunes Sessions Ep;". Melodic. Archived from the original on October 9, 2020. Retrieved October 9, 2020.
  36. Obenschain, Philip (July 23, 2013). "Jimmy Eat World cover Taylor Swift once again, this time for 'Conan'". Alternative Press. Archived from the original on July 26, 2013. Retrieved December 24, 2017.
  37. "AllAccess.com Alternative eWeekly". AllAccess. July 30, 2013. Archived from the original on October 22, 2016. Retrieved July 3, 2016.
  38. Obenschain, Philip (August 20, 2013). "Jimmy Eat World announce additional UK dates". Alternative Press. Archived from the original on October 26, 2013. Retrieved December 24, 2017.
  39. Horansky, TJ (June 11, 2013). "Jimmy Eat World add more US tour dates". Alternative Press. Archived from the original on June 19, 2013. Retrieved December 24, 2017.
  40. Whitt, Cassie (May 7, 2013). "Fun., The Cure, Jimmy Eat World, MUSE announced for Austin City Limits". Alternative Press. Archived from the original on October 12, 2015. Retrieved December 24, 2017.
  41. Kraus, Brian (November 12, 2013). "B-side Stream: Rival Schools, "Accept The Compliment"". Alternative Press. Archived from the original on October 10, 2020. Retrieved August 11, 2020.
  42. "Jimmy Eat World, Panic! At The Disco, Alkaline Trio Confirm Two Sidewaves". The Music. January 28, 2014. Retrieved October 18, 2020.
  43. Crane, Matt (April 16, 2014). "Jimmy Eat World announce May tour". Alternative Press. Archived from the original on April 20, 2014. Retrieved December 24, 2017.
  44. Crane, Matt (March 10, 2014). "Paramore, Jimmy Eat World, A Day To Remember, more added to Reading And Leeds". Alternative Press. Archived from the original on April 28, 2014. Retrieved December 24, 2017.
  45. 1 2 3 "Critic Reviews for Damage by Jimmy Eat World". Metacritic. Archived from the original on June 13, 2013. Retrieved August 7, 2013.
  46. 1 2 Ryan, Kyle. "Damage (Jimmy Eat World)". The A.V. Club . Archived from the original on June 14, 2013. Retrieved June 11, 2013.
  47. Pearlman, Mischa (June 17, 2013). "Few bands do heartache with as much majesty". NME (IPC Media). Archived from the original on June 22, 2013. Retrieved July 17, 2013.
  48. 1 2 Ritchie, Andy. "Jimmy Eat World - Damage". Rock Sound . Archived from the original on June 18, 2013. Retrieved June 11, 2013.
  49. 1 2 Catucci, Nick. "Jimmy Eat World, 'Damage'". Rolling Stone . Archived from the original on June 15, 2013. Retrieved June 11, 2013.
  50. Jom (June 11, 2013). "Album Review - Jimmy Eat World:Damage". Sputnikmusic . Archived from the original on June 28, 2013. Retrieved June 11, 2013.
  51. "Hits Daily Double: Upcoming Releases". Archived from the original on October 5, 2016. Retrieved October 5, 2016.
  52. 1 2 "Jimmy Eat World Chart History (Top Alternative Albums)". Billboard. Retrieved October 10, 2020.
  53. 1 2 "Jimmy Eat World Chart History (Top Rock Albums)". Billboard. Retrieved October 10, 2020.
  54. 1 2 "Jimmy Eat World Chart History (Top Tastemaker Albums)". Billboard. Retrieved October 10, 2020.
  55. 1 2 "Jimmy Eat World Chart History (Digital Albums)".[ dead link ] Billboard. Retrieved October 10, 2020.
  56. 1 2 3 "Australiancharts.com – Jimmy Eat World – Damage". Hung Medien. Retrieved October 10, 2020.
  57. 1 2 "Jimmy Eat World | Artist | Official Charts". UK Albums Chart. Retrieved October 10, 2020.
  58. 1 2 "Offiziellecharts.de – Jimmy Eat World – Damage" (in German). GfK Entertainment Charts. Retrieved October 10, 2020.
  59. 1 2 "Swisscharts.com – Jimmy Eat World – Damage". Hung Medien. Retrieved October 10, 2020.
  60. Pettigrew, Jason (December 4, 2015). "10 Essential albums of 2013". Alternative Press. Archived from the original on August 23, 2018. Retrieved October 7, 2020.
  61. "日本語タイトル: ダメージ/ ジミー・イート・ワールド| JIMMY EAT WORLD:Damage". Sony Music Entertainment. June 26, 2013.
  62. "Austriancharts.at – Jimmy Eat World – Damage" (in German). Hung Medien. Retrieved October 10, 2020.
  63. "Jimmy Eat World Chart History (Billboard 200)". Billboard. Retrieved October 10, 2020.