Related Research Articles
Wētā FX, formerly known as Weta Digital, is a New Zealand-based digital visual effects and animation company based in Miramar, Wellington. It was founded by Peter Jackson, Richard Taylor, and Jamie Selkirk in 1993 to produce the digital special effects for Heavenly Creatures. The company went on to produce some of the highest-grossing films ever made, such as the Lord of the Rings trilogy, Avatar, and Avatar: The Way of Water. Considered one of the most influential film companies of the 21st century, Wētā FX has won several Academy Awards and BAFTAs. The company is named after the New Zealand wētā, one of the world's largest insects, which was historically featured in the company logo.
Richard Baneham is an Irish animator and visual effects supervisor, who has worked on several film series, including The Lord of the Rings film trilogy, the Chronicles of Narnia films and the Avatar franchise. Amongst other awards, Baneham has received a BAFTA Award for Best Special Visual Effects and an Academy Award for Best Visual Effects in 2009, both for his work on Avatar, and a further Academy Award in 2023, for visual effects on Avatar: The Way of Water.
Joseph Bruce Letteri is a senior visual effects artist, winner of five Academy Awards, four BAFTA awards and four VES awards. He is the current Senior Visual Effects Supervisor of the Academy Award-winning Wētā FX having joined the company in 2001. He has received several awards and nominations as visual effects supervisor, the latest being Avatar: The Way of Water, and previously for War for the Planet of the Apes. He attended Center High School (Pennsylvania) in 1975 and graduated from the University of California, Berkeley in 1981. He gave the keynote address at UC Berkeley's December Convocation on 19 December 2010.
The Critics' Choice Movie Award for Best Visual Effects is one of the awards given to people working in the motion picture industry by the Broadcast Film Critics Association. It was first presented in 2009.
Dan Lemmon is a New Zealand visual effects supervisor. In 2012, he was nominated for an Academy Award for the movie Rise of the Planet of the Apes. This was in the category of Academy Award for Best Visual Effects, his nomination was shared with Daniel Barrett, Joe Letteri and R. Christopher White.
R. Christopher White is a three time Oscar-nominated visual effects artist.
Stephen Rosenbaum is an American visual effects artist and supervisor, and has worked on numerous movie, tv and music productions, including six that have won Academy Awards. He has been nominated three times for an Academy Award and two times for a BAFTA Award. He has won both awards twice for his contributions on Forrest Gump and Avatar, and has played artist and supervisor roles on such pioneering films as Jurassic Park, Terminator 2: Judgment Day, The Abyss, X2: X-Men United, Death Becomes Her, Contact and The Perfect Storm.
War for the Planet of the Apes is a 2017 American science fiction action film directed by Matt Reeves from a screenplay by Reeves and Mark Bomback, and produced by Peter Chernin, Dylan Clark, Rick Jaffa and Amanda Silver. It is the sequel to Dawn of the Planet of the Apes (2014) and the third installment in the Planet of the Apes reboot franchise. It stars Andy Serkis as Caesar, alongside Woody Harrelson and Steve Zahn. In the film, conflict between apes and humans has escalated into full war, and Caesar sets out to avenge those he has lost.
Erik Winquist is an American New Zealander visual effects supervisor. He is best known for his work on three prominent film franchises featuring large computer generated animal effects: Peter Jackson's King Kong (2005), Planet of the Apes prequel films, and Rampage (2018).
Paul Corbould is a British special effects supervisor best known for his work on major blockbuster films such as Children of Men (2006), Captain America: The First Avenger (2011), Thor: The Dark World (2013), and most recently Guardians of the Galaxy (2014). He is a brother of Oscar-winning special effect supervisors Chris Corbould and Neil Corbould.
Joel Whist is a mechanical effects supervisor. Known for his films, War for the Planet of the Apes, The BFG, Godzilla and Batman v Superman: Dawn of Justice, he was nominated for Academy Award for Best Visual Effects for War for the Planet of the Apes.
Paul Lambert is an English visual effects supervisor at Wylie Co. He has won three Academy Awards for Best Visual Effects: one for the 2017 film Blade Runner 2049 at the 90th Academy Awards, one for the 2018 film First Man at the 91st Academy Awards., and his recent one in 2022, at the 94th Academy Awards, for his work on Dune.
Paul Austerberry is a Canadian film and television production designer. For his set design in the 2017 film The Shape of Water he won an Academy Award and a BAFTA Award for Best Production Design with set decorators Shane Vieau and Jeff Melvin. In the 2013 film Pompeii, he won the Canadian Screen Award for Best Art Direction/Production Design at the 3rd Canadian Screen Awards in 2015 with Nigel Churcher.
The Visual Effects Society Award for Outstanding Virtual Cinematography in a CG Project is one of the annual awards given by the Visual Effects Society. The award goes to artists whose work in virtual cinematography. It was first awarded in 2003 and 2004 for, under the title "Best Visual Effects Photography in a Motion Picture", before being scrapped from the ceremony. The award was given separately to artists in live-action film, animated film, and commercials/television. These categories were first awarded in 2012. The following year, the category specifically awarding animated film was dropped, with only live-action film and commercial/television being awarded. In 2015, only live-action films were awarded. The following year, the category's title changed to "Outstanding Virtual Cinematography in a Photoreal Project". It has held its current title since 2020.
The Visual Effects Society Award for Outstanding Compositing in a Photoreal Feature is one of the annual awards given by the Visual Effects Society, starting in 2002. It is awarded to visual effects artists for their work in compositing.
The Visual Effects Society Award for Outstanding Visual Effects in a Photoreal Episode is one of the annual awards given by the Visual Effects Society starting in 2002. While the award's title has changed several time within this period, the recipient has always been a visual effects-heavy television episode. Episodes with more background effects work have their own category, the Outstanding Supporting Visual Effects in a Photoreal Episode. Until 2012, miniseries and television movies had their own category.
The Visual Effects Society Award for Outstanding Supporting Visual Effects in a Photoreal Episode is one of the annual awards given by the Visual Effects Society, starting in 2004. While the award's title has changed several time within this period, the recipients have been television episodes and/or movies or specials with less prominent, more subtle visual effects work.
The Visual Effects Society Award for Outstanding Compositing in a Photoreal Feature is one of the annual awards given by the Visual Effects Society, starting in 2012. It is awarded to visual effects artists for their work in effects simulations.
The Visual Effects Society Award for Outstanding Compositing in a Photoreal Episode is one of the annual awards given by the Visual Effects Society, starting in 2003. It is awarded to visual effects artists for their work in compositing. It has gone through several title changes over the years; from 2003 to 2012, the category included commercials in the category, before refocusing in 2013, specifically nominating television programs.
The Visual Effects Society Award for Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project is one of the annual awards given by the Visual Effects Society, starting in 2012. It is awarded to visual effects artists for their work in effects simulations.
References
- ↑ "84th Academy Awards" . Retrieved July 17, 2015.
- ↑ "87th Academy Awards" . Retrieved January 15, 2015.
- ↑ "90th Academy Awards" . Retrieved February 5, 2018.
- ↑ Giardina, Carolyn (2023-03-13). "'Avatar: The Way of Water' Delivers Fifth VFX Oscar to Weta's Joe Letteri". The Hollywood Reporter. Retrieved 2023-03-13.
