Franz Uri Boas was a German-American anthropologist and a pioneer of modern anthropology who has been called the "Father of American Anthropology". His work is associated with the movements known as historical particularism and cultural relativism.
"Thunderbird and Whale" is an indigenous myth belonging to the mythological traditions of a number of tribes from the American Pacific Northwest.
This article is about the spiritual beliefs, histories and practices in Kwakwaka'wakw mythology. The Kwakwaka'wakw are a group of Indigenous nations, numbering about 5,500, who live in the central coast of British Columbia on northern Vancouver Island and the mainland. Kwakwaka'wakw translates into "Kwak'wala-speaking tribes." However, the individual tribes are single autonomous nations and do not view themselves collectively as one group.
A potlatch is a gift-giving feast practiced by Indigenous peoples of the Pacific Northwest Coast of Canada and the United States, among whom it is traditionally the primary governmental institution, legislative body, and economic system. This includes the Heiltsuk, Haida, Nuxalk, Tlingit, Makah, Tsimshian, Nuu-chah-nulth, Kwakwaka'wakw, and Coast Salish cultures. Potlatches are also a common feature of the peoples of the Interior and of the Subarctic adjoining the Northwest Coast, although mostly without the elaborate ritual and gift-giving economy of the coastal peoples.
The Kwakwa̱ka̱ʼwakw, also known as the Kwakiutl, are one of the indigenous peoples of the Pacific Northwest Coast. Their current population, according to a 2016 census, is 3,665. Most live in their traditional territory on northern Vancouver Island, nearby smaller islands including the Discovery Islands, and the adjacent British Columbia mainland. Some also live outside their homelands in urban areas such as Victoria and Vancouver. They are politically organized into 13 band governments.
The Tsimshian are an Indigenous people of the Pacific Northwest Coast of North America. Their communities are mostly in coastal British Columbia in Terrace and Prince Rupert, and Metlakatla, Alaska on Annette Island, the only reservation in Alaska.
Laich-kwil-tach, is the Anglicization of the Kwak'wala autonomy by the "Southern Kwakiutl" people of Quadra Island and Campbell River in British Columbia, Canada. There are today two main groups : the Wei Wai Kai and Wei Wai Kum just across on the Vancouver Island "mainland" in the town of Campbell River. In addition to these two main groups there are the Kwiakah originally from Phillips Arm and Frederick Arm and the Discovery Islands, the Tlaaluis (Laa'luls) between Bute and Loughborough Inlets—after a great war between the Kwakiutl and the Salish peoples they were so reduced in numbers that they joined the Kwiakah—and the Walitsima / Walitsum Band of Salmon River.
Kwakʼwala, or Kwak̓wala, previously known as Kwakiutl, is a Wakashan language spoken by about 450 Kwakwakaʼwakw people around Queen Charlotte Strait in Western Canada. It has shared considerable influence with other languages of the Pacific Northwest, especially those of the unrelated Salishan family. While Kwakʼwala is severely endangered, revitalization efforts are underway to preserve the language.
Charles Edenshaw was a Haida artist from Haida Gwaii, British Columbia. He is known for his woodcarving, argillite carving, jewellery, and painting. His style was known for its originality and innovative narrative forms, created while adhering to the principles of formline art characteristic of Haida art. In 1902, the ethnographer and collector Charles F. Newcombe called Edenshaw “the best carver in wood and stone now living.”
Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
Dzunuḵ̓wa, also Tsonoqua, Tsonokwa, Basket Ogress, is a figure in Kwakwakaʼwakw mythology and Nuu-chah-nulth mythology.
George Hunt (Tlingit) was a Canadian and a consultant to the American anthropologist Franz Boas; through his contributions, he is considered a linguist and ethnologist in his own right. He was Tlingit-English by birth and learned both those languages. Growing up with his parents at Fort Rupert, British Columbia in Kwakwaka'wakw territory, he learned their language and culture as well. Through marriage and adoption he became an expert on the traditions of the Kwakwaka'wakw of coastal British Columbia.
Helen Frances Codere was an American cultural anthropologist who received her BA from the University of Minnesota in 1939 and her PhD in anthropology from Columbia University where she studied with Ruth Benedict. She is best known for her work with the Kwakwaka'wakw people of coastal British Columbia, Canada, known formerly as the "Kwakiutl."
Aldona Jonaitis is the director of the University of Alaska Museum of the North, a professor of anthropology at the University of Alaska Fairbanks, and an author who has published widely on Native American art.
Willie Seaweed was a Kwakwaka'wakw chief and wood carver from Canada. He was considered a master Northwest Coast Indian artist who is remembered for his technical artistic style and protection of traditional native ceremonies during the Canadian potlatch ceremony ban. Today, Seaweed's work can be found in cultural centers and corporations, art museums, natural history museums, and private collections. Some pieces are still in use by the Nak'waxda'xw tribe.
Kwakwaka'wakw art describes the art of the Kwakwaka'wakw peoples of British Columbia. It encompasses a wide variety of woodcarving, sculpture, painting, weaving and dance. Kwakwaka'wakw arts are exemplified in totem poles, masks, wooden carvings, jewelry and woven blankets. Visual arts are defined by simplicity, realism, and artistic emphasis. Dances are observed in the many rituals and ceremonies in Kwakwaka'wakw culture. Much of what is known about Kwakwaka'wakw art comes from oral history, archeological finds in the 19th century, inherited objects, and devoted artists educated in Kwakwaka'wakw traditions.
Winalagalis is a war god of the Kwakwaka'wakw native people of British Columbia. He travels the world, making war. Winalagilis comes from North (underworld) to winter with the Kwakwaka'wakw. Winalagalis is the bringer and ruler of Tseka, and imbues red cedar bark with supernatural power.
'Kwakwaka'wakw music is a sacred and ancient art of the Kwakwaka'wakw peoples that has been practiced for thousands of years. The Kwakwaka'wakw are a collective of twenty-five nations of the Wakashan language family who altogether form part of a larger identity comprising the Indigenous Peoples of the Pacific Northwest Coast, located in what is known today as British Columbia, Canada.
The Yuquot Whalers' Shrine, previously located on Vancouver Island, British Columbia, was a site of purification rituals, passed down through the family of a Yuquot chief. It contained a collection of 88 carved human figures, four carved whale figures, and sixteen human skulls. Since the early twentieth century, it has been in the possession of the American Museum of Natural History in New York City, but is rarely displayed. Talks are underway regarding repatriation.
