Dr. Fu Manchu is a supervillain who was introduced in a series of novels by the English author Sax Rohmer beginning shortly before World War I and continuing for another forty years. The character featured in cinema, television, radio, comic strips and comic books for over 100 years, and he has also become an archetype of the evil criminal genius and mad scientist, while lending his name to the Fu Manchu moustache.
Keye Luke was a Chinese-American film and television actor, technical advisor, artist, and a founding member of the Screen Actors Guild.
Wong Liu Tsong, known professionally as Anna May Wong, was an American actress, considered the first Chinese American film star in Hollywood, as well as the first Chinese American actress to gain international recognition. Her varied career spanned silent film, sound film, television, stage, and radio.
Benson Fong was an American character actor.
The Mask of Fu Manchu is a 1932 American pre-Code film directed by Charles Brabin. Written by Irene Kuhn, Edgar Allan Woolf and John Willard, it was based on the 1932 novel of the same name by Sax Rohmer. The film, featuring Boris Karloff as Fu Manchu and Myrna Loy as his daughter, revolves around Fu Manchu's quest for the golden sword and mask of Genghis Khan. Lewis Stone played his nemesis.
Warner Oland was a Swedish-American actor. His career included time on Broadway and numerous film appearances. He is most remembered for playing several Chinese and Chinese-American characters: Dr. Fu Manchu, Henry Chang in Shanghai Express, and, most notably, Honolulu Police detective Lieutenant Charlie Chan in 16 films.
Kung Fu: The Movie is a 1986 made-for-television film and the first in a series of sequels which continued the story of the Shaolin monk, Kwai Chang Caine, first introduced in the 1972–1975 television series Kung Fu. David Carradine reprises the role of Caine. The role of his son, Chung Wang, is portrayed by Brandon Lee in his acting debut. The film aired on Brandon's 21st birthday on February 1, 1986. The role of Master Po is also reprised by Keye Luke and The Manchu is portrayed by Mako. In the film, the show's hero, Kwai Chang Caine (Carradine), is forced to fight his hitherto unknown son, Chung Wang (Lee).
The Castle of Fu Manchu is a 1969 film and the fifth and final Dr. Fu Manchu film with Christopher Lee portraying the title character.
The Mysterious Dr. Fu Manchu is a 1929 American pre-Code drama film directed by Rowland V. Lee and starring Warner Oland as Dr. Fu Manchu. It was the first Fu Manchu film of the talkie era. Since this was during the transition period to sound, a silent version was also released in the United States, although only the sound version exists today. The film's copyright was renewed.
Portrayals of East Asians in American film and theatre has been a subject of controversy. These portrayals have frequently reflected an ethnocentric perception of East Asians rather than realistic and authentic depictions of East Asian cultures, colors, customs, and behaviors.
Tetsu Komai, also known as Tetsuo Komai, was a Japanese-born American actor, known for his minor roles in Hollywood films.
Richard Loo was an American film actor who was one of the most familiar Asian character actors in American films of the 1930s and 1940s. He appeared in more than 120 films between 1931 and 1982.
Dragon Lady is usually a stereotype of certain East Asian and occasionally South Asian and/or Southeast Asian women as strong, deceitful, domineering, mysterious, and often sexually alluring. Inspired by the characters played by actress Anna May Wong, the term comes from the female villain in the comic strip Terry and the Pirates. It has since been applied to powerful women from certain regions of Asia, as well as a number of Asian and Asian American film actresses. The stereotype has generated a large quantity of sociological literature. "Dragon Lady" is sometimes applied to persons who lived before the term became part of American slang in the 1930s. "Dragon Lady" is one of two main stereotypes used to describe women, the other being "Lotus Blossoms". Lotus Blossoms tend to be the opposite of the Dragon Lady stereotype, having their character being hyper-sexualized and submissive. Dragon Lady is also used to refer to any powerful but prickly woman, usually in a derogatory fashion.
Fah Lo Suee is a character who was introduced in the series of novels Dr. Fu Manchu by the English author Sax Rohmer (1883-1959). She is the daughter of Dr. Fu Manchu and an unnamed Russian woman, sometimes shown as an ally, sometimes shown as a rival. The character featured in cinema and comic strips and comic books alongside her father, sometimes using another names, and she has also become an archetype of the Dragon Lady.
The Blood of Fu Manchu, also known as Kiss of Death, Kiss and Kill and Against All Odds, is a 1968 British adventure crime film directed by Jesús Franco, based on the fictional Asian villain Dr. Fu Manchu created by Sax Rohmer. It was the fourth film in a series, and was preceded by The Vengeance of Fu Manchu. The Castle of Fu Manchu followed in 1969.
Zheng Zu, originally known as Fu Manchu, is a supervillain appearing in American comic books published by Marvel Comics. Based on Sax Rohmer's character of the same name, he is the leader of the Five Weapons Society criminal organization and the father and arch-enemy of Shang-Chi.
Birth of the Dragon is a 2016 American martial arts action film directed by George Nolfi and written by Christopher Wilkinson and Stephen J. Rivele. The film stars Philip Wan-lung Ng, Xia Yu, Jin Xing, Qu Jingjing, Ron Yuan, and Billy Magnussen. Based on Michael Dorgan's article "Bruce Lee's Toughest Fight", the film is a fictional account on the supposedly true story revolving around Bruce Lee who, as a young martial artist, challenged kung fu master Wong Jack-man in 1965 in San Francisco.
Wong Chung was an American film actor. He began with the Asia Film Company, and he appeared in Tou Shaoya and Stealing a Roast Duck (1909), both directed by Leung Siu-bo. He appeared in Barbary Coast (1935), in which he was the only Asian actor listed in the opening credits, unlike the Asian actors from the period.
James B. Leong was a Chinese-American character actor and filmmaker who had a long career in Hollywood beginning during the silent era.
