Dave Marsh

Last updated

Dave Marsh
American music writer Dave Marsh.png
Marsh in 2021
Born1949or1950(age 73–74)
NationalityAmerican
Occupations
  • Music journalist
  • author

Dave Marsh (born 1949or1950) [1] is an American music critic and radio talk show host. He was an early editor of Creem magazine, has written for various publications such as Newsday , The Village Voice , and Rolling Stone , and has published numerous books about music and musicians, mostly focused on rock music. He is also a committee member of the Rock and Roll Hall of Fame.

Contents

Early life

Marsh grew up in Pontiac, Michigan, and graduated from Waterford Kettering High School in Waterford, Michigan. [2] He attended Wayne State University in Detroit before dropping out in 1969 to write for Creem magazine. [3]

Career

Marsh began his career as a rock critic and editor at Creem, which he helped start. [3] At Creem, he was mentored by close friend and colleague Lester Bangs. While supportive of punk music in general, he said in a 2001 interview that "I don't know that it was any more important than disco", and believes hip hop is more significant than punk in the history of rock music. [4]

He has written extensively about his favorite artists, including Marvin Gaye, whose song "I Heard It Through the Grapevine" he chose as the number one single of all-time in his book The Heart of Rock and Soul: the 1001 Greatest Singles Ever Made, and Sly Stone, whom he called "one of the greatest musical adventurers rock has ever known." [5]

Along with Rolling Stone magazine publisher Jann Wenner, Marsh has been involved in organizing and maintaining the Rock and Roll Hall of Fame in Cleveland, Ohio. Marsh has at times courted controversy with his style of maintaining selections.

Marsh has championed the work of many rock and roll artists of the Fifties and early Sixties, including doo-wop and soul artists and girl groups, in his books and Rolling Stone contributions. Marsh also published four books about Bruce Springsteen, including the bestsellers Born to Run and Glory Days. [6]

Marsh has edited and contributed to Rock and Roll Confidential, a newsletter about rock music and social issues. [3] The newsletter has since been renamed Rock and Rap Confidential. Marsh contributed to the 1994 book Mid-Life Confidential, a book about and by the Rock Bottom Remainders, a rock band composed of American authors. He has also worked for Newsday and The Real Paper . [3]

Marsh's book 360 Sound: The Columbia Records Story — Legends and Legacy, was released in October 2012, as a companion to Sean Wilentz's book 360 Sound: The Columbia Records Story. In the same format as Heart of Rock and Soul, this book covers the 264 greatest songs from Columbia Records beginning with the 1890 performance of John Philip Sousa's "Washington Post March" and working its way chronologically up to Adele's "Rolling in the Deep" (2011). To promote the music of Columbia Records, Legends and Legacy is available as a free eBook on iTunes." [7]

Derision of musicians

Marsh has been characterised as a "grumpy rock and roll journalist" due to his acerbic comments on popular musicians whom he dislikes. [8] In 1976, he wrote that Led Zeppelin had an "insurmountable flaw" in drummer John Bonham (who has frequently been named as one of the greatest rock drummers of all time), whom he saw as "something like clinically incompetent" and responsible for marring every Zeppelin album to date. [9] C

Marsh wrote in 1978: "Queen isn't here just to entertain. This group has come to make it clear exactly who is superior and who is inferior. Its anthem, 'We Will Rock You', is a marching order: you will not rock us, we will rock you. Indeed, Queen may be the first truly fascist rock band...[I] wonder why anyone would indulge these creeps and their polluting ideas." [10] Marsh had previously described Queen frontman Freddie Mercury – who is regarded as one of the best rock singers of all time [11] – as possessing a "passable pop voice". [12]

Marsh described Bob Seger's 1980 album Against the Wind as "absolutely cowardly". [13] He was much more supportive of Seger's earlier work. [14] :454 [15]

In the 1983 Rolling Stone Record Guide, Marsh called Journey "a dead end for San Francisco area rock", and their music "calculated". He awarded every single Journey album released up to that point – seven studio albums, a compilation album and a live album – the minimum possible score of 1/5 stars. [14] :266 When asked about Marsh's unrelenting derision of Journey on a 1986 television program during which other critics had defended the band, lead singer Steve Perry called Marsh "an unusual little man who all too often thinks that his subjective opinions translate to inarguable fact". [16]

Also in the 1983 Rolling Stone Record Guide, Marsh described Air Supply as "The most calculated and soulless pseudo-group of its kind, which is saying something". [14] :6

In 1989, Marsh referred to the Grateful Dead as the "worst band in creation". [17] [8]

Regarding a possible Rock and Roll Hall of Fame induction for Kiss, Marsh said: "Kiss is not a great band. Kiss was never a great band. Kiss never will be a great band, and I have done my share to keep them off the ballot." [18] Kiss were ultimately inducted in 2014; in the lead-up, Marsh said: "I was done with them before I ever turned the first album over to the second side... all that mediocrity was harmless enough until the boastful bassist decided to turn it into a propaganda machine for the only two things he's ever loved: Gene Simmons and money." Lead singer Paul Stanley described Marsh as "pompous", and pointed to his derision of Led Zeppelin and Queen as evidence that he had "no clue" about music. [19]

In the March 13, 1975 edition of Rolling Stone, Marsh was one of a number of critics asked about Bob Dylan's Blood on the Tracks. Marsh wrote: "The long songs, particularly, suffer from flat, tangled imagery, and the music, with all its hints at the old glory, is often incompetently performed. I suppose it's all a matter of what you're willing to settle for." [20]

Talk shows

Dave Marsh hosts three Sirius XM Radio shows, one called Live from E Street Nation, airing on E Street Radio and the second Kick Out the Jams, airing Sundays on music talk channel Volume. The title references the MC5 album Kick Out the Jams .

Marsh's third Sirius program, the political talk show Live From the Land of Hopes and Dreams, airs Sunday afternoons on Sirius Left, channel 146 and America Left, channel 167 on XM Satellite Radio.

Charitable causes

Marsh is a co-founder and trustee of the Kristen Ann Carr Fund, [21] created in memory of his step-daughter who died in 1993 from sarcoma, a form of cancer. The fund is dedicated to supporting research in the treatment and cure of sarcoma, as well as improving the lives of young adult cancer patients and their families.

Marsh is also a member of the National Advisory Board of PROTECT: The National Association to Protect Children.[ citation needed ]

Bibliography

See also

Related Research Articles

<span class="mw-page-title-main">Lester Bangs</span> American music critic and journalist (1948–1982)

Leslie Conway "Lester" Bangs was an American music journalist and critic. He wrote for Creem and Rolling Stone magazines and was also a performing musician. The music critic Jim DeRogatis called him "America's greatest rock critic".

<span class="mw-page-title-main">Bruce Springsteen</span> American rock musician (born 1949)

Bruce Frederick Joseph Springsteen is an American rock singer, songwriter, and guitarist. Nicknamed "the Boss", he has released 21 studio albums during a career spanning six decades, most of which feature his backing band, the E Street Band. Springsteen is a pioneer of heartland rock, a genre combining mainstream rock music with poetic and socially conscious lyrics that feature narratives primarily concerning working class American life. He is known for his descriptive lyrics and energetic concerts, which sometimes last over four hours.

<i>Born in the U.S.A.</i> 1984 studio album by Bruce Springsteen

Born in the U.S.A. is the seventh studio album by the American singer-songwriter Bruce Springsteen, released on June 4, 1984, by Columbia Records. The album was recorded with the E Street Band and producers Chuck Plotkin and Jon Landau over the course of several years, while Springsteen was also working on his previously released album, Nebraska (1982). It features tighter songs with a brighter, more pop-influenced sound than Springsteen's previous albums, and prominent synthesizer, while its lyrics explore themes of working-class struggles, disillusionment, patriotism, and personal relationships. The cover features a photograph of Springsteen from behind, taken by Annie Leibovitz; it has since become one of the musician's most iconic images.

<i>Greetings from Asbury Park, N.J.</i> 1973 studio album by Bruce Springsteen

Greetings from Asbury Park, N.J. is the debut studio album by the American singer-songwriter Bruce Springsteen. It was produced from June through October 1972 by Mike Appel and Jim Cretecos at the budget-priced 914 Sound Studios. The album was released January 5, 1973, by Columbia Records to average sales but a positive critical reception.

<i>The Wild, the Innocent & the E Street Shuffle</i> 1973 studio album by Bruce Springsteen

The Wild, the Innocent & the E Street Shuffle is the second studio album by the American rock singer-songwriter Bruce Springsteen. It was recorded by Springsteen with the E Street Band at 914 Sound Studios in Blauvelt, New York, and released on November 5, 1973, by Columbia Records. It includes the song "Rosalita ", the band's most-used set-closing song through 1985.

<span class="mw-page-title-main">Rosalita (Come Out Tonight)</span> 1979 single by Bruce Springsteen

"Rosalita (Come Out Tonight)" is a 1973 song by Bruce Springsteen, from his The Wild, the Innocent & the E Street Shuffle album, and is especially famed as a concert number for Springsteen and The E Street Band. The song, which clocks in at just over seven minutes, is a story of forbidden love between the singer and the titular Rosalita, whose parents disapprove of his life in a rock and roll band. It is included on the compilation albums The Essential Bruce Springsteen and Bruce Springsteen & The E Street Band Greatest Hits. In 2021, Rolling Stone ranked it the 446th greatest song of all time on their updated 500 Greatest Songs of All Time list.

<i>Darkness on the Edge of Town</i> 1978 studio album by Bruce Springsteen

Darkness on the Edge of Town is the fourth studio album by the American singer-songwriter Bruce Springsteen, released on June 2, 1978, by Columbia Records. The album was recorded after a series of legal disputes between Springsteen and his former manager Mike Appel, during sessions in New York City with the E Street Band from June 1977 to March 1978. Springsteen and Jon Landau co-produced, with assistance from bandmate Steven Van Zandt.

<i>Born to Run</i> 1975 studio album by Bruce Springsteen

Born to Run is the third studio album by the American singer-songwriter Bruce Springsteen, released on August 25, 1975, by Columbia Records. Springsteen co-produced the album with his manager Mike Appel and the producer Jon Landau. The album was recorded in New York City, and designed to break him into the mainstream following the relative commercial failures of his first two albums. Springsteen sought to emulate Phil Spector's dense, crisp, energetic but difficult to achieve Wall of Sound production, leading to prolonged and grueling sessions with the E Street Band lasting from January 1974 to July 1975. The band and producers spent six months alone on the title track "Born to Run".

<span class="mw-page-title-main">Bob Seger</span> American singer-songwriter (born 1945)

Robert Clark Seger is a retired American singer, songwriter, and musician. As a locally successful Detroit-area artist, he performed and recorded as Bob Seger and the Last Heard and the Bob Seger System throughout the 1960s, breaking through with his first album, Ramblin' Gamblin' Man in 1969. By the early 1970s, he had dropped the 'System' from his recordings and continued to strive for broader success with various other bands. In 1973, he put together the Silver Bullet Band, with a group of Detroit-area musicians, with whom he became most successful on the national level with the album Live Bullet (1976), recorded live with the Silver Bullet Band in 1975 at Cobo Hall in Detroit, Michigan. In 1976, he achieved a national breakout with the studio album Night Moves. On his studio albums, he also worked extensively with the Alabama-based Muscle Shoals Rhythm Section, which appeared on several of Seger's best-selling singles and albums.

<i>The River</i> (Bruce Springsteen album) 1980 album by Bruce Springsteen

The River is the fifth studio album by the American singer-songwriter Bruce Springsteen, released as a double album on October 17, 1980, by Columbia Records. The album was Springsteen's attempt at making a record that captured the E Street Band's live sound. Co-produced by Springsteen, his manager Jon Landau, and bandmate Steven Van Zandt, the recording sessions lasted 18 months in New York City from March 1979 to August 1980. Springsteen originally planned to release a single LP, The Ties That Bind, in late 1979, before deciding it did not fit his vision and scrapped it. Over 50 songs were recorded; outtakes saw release as B-sides and later on compilation albums.

Heartland rock is a genre of rock music characterized by a straightforward, often roots musical style, often with a focus on blue-collar workers, and a conviction that rock music has a social or communal purpose beyond just entertainment.

Jon Landau is an American music critic, manager, and record producer. He has worked with Bruce Springsteen in all three capacities. He is the head of the nominating committee for the Rock and Roll Hall of Fame, and received that institution's Ahmet Ertegun Award for Lifetime Achievement in 2020.

<span class="mw-page-title-main">Night Moves (Bob Seger song)</span> 1976 single by Bob Seger & The Silver Bullet Band

"Night Moves" is a song by American singer-songwriter Bob Seger. It was the lead single from his ninth studio album of the same name (1976), which was released on Capitol Records. Seger wrote the song as a coming of age tale about adolescent love and adult memory of it. It was based on Seger's teenage love affair, which he experienced in the early 1960s. It took him six months to write and was recorded quickly at Nimbus Nine Studios in Toronto, Ontario, with producer Jack Richardson. As much of Seger's Silver Bullet Band had returned home by this point, the song was recorded with several local session musicians.

<span class="mw-page-title-main">Sam Moore</span> American singer (born 1935)

Samuel David Moore is an American singer who was best known as a member of the soul and R&B duo Sam & Dave from 1961 to 1981. He is a member of the Rock & Roll Hall of Fame, the Grammy Hall of Fame, and the Vocal Group Hall of Fame.

"Heavy Music" is a song first released as a single by Bob Seger & the Last Heard. Two different vocal takes of the song were released together on either side of the single, with the names "Heavy Music Part 1" and "Heavy Music Part 2". An eight-minute fourteen-second-long live version of the song is featured on the album Live Bullet with the Silver Bullet Band.

<span class="mw-page-title-main">Roll Me Away</span> 1983 single by Bob Seger

"Roll Me Away" is a song written by American rock artist Bob Seger on the album The Distance by Bob Seger and the Silver Bullet Band. The song was used as Seger's opening song on his Face the Promise tour in 2006–2007, his first tour in a decade.

Jaan Uhelszki is an American music journalist and co-founder of the music magazine Creem where she became one of the first women to work in rock journalism. She is a founding editor of Addicted to Noise and writer-at-large for print and online music and news publications. She writes, produces and is featured in music documentaries and is editor-at-large for Creem, relaunched in 2022.

<span class="mw-page-title-main">Her Strut</span> 1980 song by Bob Seger

"Her Strut" is a song written by Bob Seger that was first released on his 1980 album Against the Wind. It was also released as the B-side of his single "The Horizontal Bop." The song was inspired by feminist icon Jane Fonda.

<span class="mw-page-title-main">Even Now (Bob Seger song)</span> 1983 single by Bob Seger & the Silver Bullet Band

"Even Now" is a song written by Bob Seger that was first released on his 1982 album The Distance. It was also released as a single, backed with "Little Victories,". It reached #9 on the Cash Box Top 100 chart and #12 on the Billboard Hot 100 as well as a lofty #2 on the Mainstream Rock chart.

<i>Critics Choice: Top 200 Albums</i>

Critic's Choice: Top 200 Albums is a musical reference book compiled by American-British journalist and broadcaster Paul Gambaccini. It was first published in the United Kingdom by Omnibus Press in January 1978, and then by Quick Fox in the US. The book comprises an annotated and illustrated list of the best albums in popular music, as selected from top-ten lists provided by its 47 contributors. As a multi-contributor work seeking to critique rock and pop albums, Critic's Choice preceded The Rolling Stone Record Guide and the Greil Marcus-edited Stranded: Rock and Roll for a Desert Island, both published in 1979. It was followed by several other books that classified the best pop recordings.

References

  1. McAuliffe, Kim (December 20, 1979). "He Saw Rock Die; Wrote of Its Revival". The Detroit Free Press . p. 18C. ...said the 29-year-old Marsh, who now lives in New York City.
  2. Michigan Academician. Vol. 23. Michigan Academy of Science, Arts, and Letters. 1991. p. 203.
  3. 1 2 3 4 "Dave Marsh". RocksBackPages.com . Retrieved April 3, 2016.
  4. Woods, Scott (March 12, 2013). "From the Archives: Dave Marsh (2001)". RockCritics.com. Retrieved September 24, 2013.
  5. "Stone, Sly (Contemporary Musicians)". eNotes.com. Retrieved September 24, 2013.
  6. Watrous, Peter (July 5, 1987). "Growin' Up and Rockin' Out". The New York Times . Retrieved September 24, 2013.
  7. Menta, Richard. "Napster, Dave Marsh, and 125 Years of Columbia Records". MP3Newswire.net.
  8. 1 2 Suttle, Tim. "New Book Rips U2′s Bono as a Lap-dog for Neo-liberals".Patheos. May 9, 2013. Retrieved October 14, 2013.
  9. Marsh, Dave (April 23, 1976). "Led Zeppelin: Presence". Progress Bulletin . Newspapers.com . Retrieved October 24, 2016.
  10. Marsh, Dave (February 8, 1979). "Jazz". Rolling Stone . No. 284. Retrieved September 24, 2013.
  11. "Why Freddie Mercury's Voice Was So Great, As Explained By Science". NPR. April 25, 2016. Retrieved October 24, 2016.
  12. Marsh, Dave (February 24, 1977). "A Day at the Races". Rolling Stone . Vol. 115, no. 223. p. 47. Bibcode:2008S&T...115c..47K . Retrieved September 24, 2013.
  13. Marsh, Dave (May 15, 1980). "Against the Wind". Rolling Stone . No. 317. Archived from the original on April 21, 2009. Retrieved September 24, 2013.
  14. 1 2 3 Marsh, Dave; Swenson, John, eds. (October 1983). The New Rolling Stone Record Guide . New York: Random House/Rolling Stone Press. ISBN   978-0-394-72107-1.
  15. Marsh, Dave (June 15, 1978). "Bob Seger: Not a Stranger Anymore". Rolling Stone.
  16. Steve Perry interview. 96.5 KOIT. June 2, 1986.
  17. Weiner, Robert G. (1999), Perspectives on the Grateful Dead: Critical Writings, Greenwood Publishing Group, ISBN   9780313305696
  18. "Legendary Rockers Kiss Strong as Ever After 35 Years". ABC News . October 18, 2009. Retrieved December 26, 2018.
  19. Lifton, Dave (March 15, 2014). "'Mediocre' Kiss Trade Barbs with 'Ugly Little Troll' Rock Critic". Ultimate Classic Rock . Retrieved October 24, 2016.
  20. Marsh, Dave (March 13, 1975). "Top Critics Track Dylan". Rolling Stone . No. 182. p. 53.
  21. The Kristen Ann Carr Fund