Culture Club are an English new wave band formed in London in 1981. The band comprises Boy George, Roy Hay, and Mikey Craig, and formerly included Jon Moss. Emerging in the New Romantic scene, they are considered one of the most representative and influential groups of the 1980s.
Kissing to Be Clever is the debut album by the English band Culture Club, released on 8 October 1982 in the United Kingdom. It includes Culture Club's international breakthrough hit single, "Do You Really Want to Hurt Me", which reached number one in the band's native UK and the top 10 of many charts around the world. The album has reportedly sold over 4 million copies worldwide, including over 1 million in the US where it has been certified Platinum by the RIAA.
"Mickey" is a song recorded by American singer Toni Basil for her debut studio album, Word of Mouth (1981). It was first recorded by the pop group Racey. Mike Chapman and Nicky Chinn wrote the song, while production was helmed by Greg Mathieson and Trevor Veitch. Basil's version is new wave, featuring guitar, synthesizers and cheerleading chants. It garnered a mixed response from music critics, with some critics praising the radio-friendly nature of the song, while others described some of the lyrics as obscene.
"She Blinded Me with Science" is a song by the English musician Thomas Dolby, released in 1982. It was first released as a single in the United Kingdom in October 1982. It was subsequently included on the EP Blinded by Science and the 1983 re-release of Dolby's debut album The Golden Age of Wireless.
This is the singles discography of American singer Janet Jackson. Janet has sold more than 100 million records worldwide. Billboard ranked her as well as the third greatest female artist of all time on Billboard Hot 100 history.
"Our Lips Are Sealed" is a song co-written by Jane Wiedlin, guitarist of the Go-Go's, and Terry Hall, singer of the Specials and Fun Boy Three.
"Break My Stride" is a song performed by American recording artist Matthew Wilder. It was released in August 1983 as the lead single from his debut album, I Don't Speak the Language, and became a major worldwide hit single for him in late 1983 and spring 1984, reaching number five on the Billboard Hot 100 and number two on the Cash Box Top 100.
"Hungry Like the Wolf" is a song by English new wave band Duran Duran. Written by the band members, the song was produced by Colin Thurston for the group's second studio album, Rio (1982). The song was released on 4 May 1982 as the band's fifth single in the United Kingdom, and 8 June 1982 in the United States. It reached No. 5 on the UK Singles Chart, and received a platinum certification from the British Phonographic Industry (BPI).
"Back to Life (However Do You Want Me)" is a song by British R&B band Soul II Soul featuring the Reggae Philharmonic Orchestra. It is an alternate version of a song that appears on their secondary debut album, Club Classics Vol. One (1989) (titled Keep On Movin' in the United States), and was released as its second single on 29 May 1989 by Virgin. "Back to Life" is one of two songs on the album featuring British singer Caron Wheeler and gained success in both North America and Europe, topping the charts in the Netherlands and the United Kingdom and peaking at number four in the United States. Its music video, directed by Monty Whitebloom & Andy Delaney, of Big TV!, sees the group performing in a forest. Soul II Soul won their first Grammy Award for Best R&B Performance by a Duo or Group with Vocal with the song in 1990. It was later included on a tenth-anniversary edition of the album.
"Cum On Feel the Noize" is a song by the English rock band Slade, which was released in 1973 as a non-album single. It was written by lead vocalist Noddy Holder and bassist Jim Lea, and produced by Chas Chandler. It reached No. 1 in the UK Singles Chart, giving the band their fourth number one single, and remained in the charts for twelve weeks. The song was included on the band's 1973 compilation album Sladest. In a UK poll in 2015 it was voted 15th on the ITV special The Nation's Favourite 70s Number One.
"Maneater" is a song by American duo Hall & Oates, featured on their eleventh studio album, H2O (1982). It reached number one on the Billboard Hot 100 chart on December 18, 1982. It remained in the top spot for four weeks, longer than any of the duo's five other number-one hits, including "Kiss on My List", which remained in the top spot for three weeks.
"Karma Chameleon" is a song by English band Culture Club, featured on the group's 1983 album Colour by Numbers. The single was released in the United Kingdom in September 1983 and became the second Culture Club single to reach the top of the UK Singles Chart, after "Do You Really Want to Hurt Me". The record stayed at number one for six weeks and became the UK's biggest-selling single of the year 1983, selling 1.39 million copies .To date, it is the 38th-biggest-selling single of all time in the UK, selling over 1.52 million copies.
"Everything I Own" is a song written by American singer-songwriter David Gates. It was originally recorded by Gates's soft rock band Bread for their 1972 album Baby I'm-a Want You. The original reached No. 5 on the American Billboard Hot 100. Billboard ranked it as the No. 52 song for 1972. "Everything I Own" also reached No. 5 in Canada and No. 12 in Australia.
"Pale Shelter" is a song by the British band Tears for Fears. Written by Roland Orzabal and sung by bassist Curt Smith, it was originally the band's second single release in early 1982. The original version of the song, entitled "Pale Shelter (You Don't Give Me Love)", did not see chart success at the time of its original UK release. However, it did later become a top 20 hit in Canada and a top 75 hit when it was reissued in the UK in 1985.
Greatest Moments is a greatest hits compilation by British band Culture Club. It was released in the UK on 9 November 1998, where it reached No. 15 in the UK Albums Chart and was certified platinum.
"Do You Really Want Me (Show Respect)" is a song by Swedish singer and songwriter Robyn, released as the second single from her first album, Robyn Is Here (1995). The song was released in September 1995 and became a top-20 hit in Denmark, Iceland, Norway and Sweden. On the Eurochart Hot 100, the song peaked at number 60 in December 1995. It was not released in the United Kingdom or the United States until 1998. In the US, it was Robyn's final single release there until her 2008 comeback. It was also the final single release from Robyn for nine years in the UK until "Konichiwa Bitches" was released as the first single from her fourth album, Robyn in 2007. Two different music videos were produced for the song.
Culture Club's discography consists of 6 studio albums, 9 compilation albums, 3 box sets, 3 extended plays, 24 regular commercial singles, and 5 promotional singles, largely released during the 1980s and 1990s. Culture Club has sold more than 50 million records worldwide, including 7 million records in the United States.
"Time (Clock of the Heart)" is a song by the British new wave band Culture Club, released as a stand-alone single in most of the world and as the second single from their debut album Kissing to Be Clever in North America. As the follow-up single to their global hit, "Do You Really Want to Hurt Me", "Time (Clock of the Heart)" peaked at #2 on the US Billboard Hot 100, kept from the #1 spot by Irene Cara's "Flashdance... What a Feeling". "Time" was also a major hit in the band's native UK, reaching #3 on the UK Singles Chart and selling over 500,000 copies in that country.
"I Just Wanna Be Loved" is the first single from English new wave band Culture Club's fifth album, Don't Mind If I Do (1999). The song was serviced to US radio in August 1998 to promote the band's reformation US tour and the live album and compilation VH1 Storytellers/Greatest Moments, but it failed to generate interest. The song was then released commercially in October 1998 and entered at No. 4 on the UK Singles Chart during a week when the top five positions were all held by new entries for the first time. The song also became a top-20 hit in Iceland and on the Eurochart Hot 100 while reaching the top 100 in Australia and Germany.
