Don Quixote (1933 film)

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Don Quixote
Directed by G. W. Pabst
Written byAlexandre Arnoux
Paul Morand
John Farrow (English version)
Produced byG. W. Pabst
Nelson Vandor
Starring Feodor Chaliapin
George Robey
Oscar Asche
Emily Fitzroy
Cinematography Nicolas Farkas
Music by Jacques Ibert
Distributed by United Artists
Release dates
  • 25 May 1933 (1933-05-25)(London)
  • 23 December 1934 (1934-12-23)(U.S.)
Running time
73 minutes
CountriesFrance
United Kingdom

Don Quixote (1933) is a British-French film adaptation of the classic Miguel de Cervantes novel, directed by Georg Wilhelm Pabst, starring the famous operatic bass Feodor Chaliapin. Although the film stars Chaliapin, it is not an opera. However, he does sing four songs in it. It is the first sound film version of the Spanish classic. The supporting cast in the English version includes George Robey, René Donnio, Miles Mander, Lydia Sherwood, Renée Valliers, and Emily Fitzroy. The film was made in three versions—French, English, and German—with Chaliapin starring in all three versions.

Contents

The producers separately commissioned five composers (Jacques Ibert, Maurice Ravel - who wrote three songs -, Marcel Delannoy, Manuel de Falla and Darius Milhaud) to write the songs for Chaliapin. Each composer believed only he had been approached.

Ibert's music was chosen for the film, but this caused him some embarrassment as he was a close friend of Ravel's. Ravel considered a lawsuit against the producers. He dropped the action, and the two composers remained close friends. [1] EMI released excerpts from the soundtrack of the French version on 78-rpm and LP discs. [2]

Changes to plot

The film condenses the novel significantly and scrambles up the order of Don Quixote's adventures. There are several changes. Don Quixote is "dubbed" a knight not by an innkeeper, but by a traveling actor who is appearing as a king in a play that Don Quixote mistakenly believes to be real. As in the later 1957 Russian film version of the novel, the attack on the windmills is moved to near the end of the film. The mill workers are seen returning from their labor, and unlike the novel, Don Quixote is caught up by the windmill but not thrown. The windmill is stopped by the mill workers, who then assist Sancho in carrying Quixote down.

The final scene is the most radically changed of all. Totally defeated, and brought home imprisoned in a cage, Don Quixote sees that his niece, the village priest, and Sanson Carrasco (who in this version is the niece's fiancee, as in Man of La Mancha ) have burnt his beloved books of chivalry. The shock literally kills Don Quixote; he collapses and dies in Sancho's arms, while the townsfolk, who only a few moments prior, were laughing and jeering at him as he sat in the cage, are deeply moved and now kneel in respect for the dead "knight". In a bit of trick photography, the pages of the original 1605 edition of Cervantes's novel arise from the flames rather than being consumed by them - a sign that Don Quixote has achieved immortality.

Dulcinea, who appears in the film, is depicted as a not-too-bright milkmaid, and cruelly, she is among those who laugh the hardest when Don Quixote is brought back in a cage.

Don Quixote's name is Don Quixote in this version. He is never referred to as Alonso Quixano.

Trick photography in the film

The film makes several striking early uses of trick photography. Immediately after the opening credits, we see a page of a medieval romance, and the figures on it seem to come to animated life. (This is deleted on some prints.) The windmill sequence, in which Don Quixote is lifted into the air by the sails, gives the impression that Chaliapin himself has been caught up by the windmill, not a dummy or a stunt double. It is an impressive achievement by 1933 standards, and was imitated both in the 1957 screen version of Cervantes' novel and in the 1972 film version of Man of La Mancha. And the scene in which the pages of the novel seemingly arise from the flames has already been mentioned.

Cannes

The film was screened out of competition at the 1987 Cannes Film Festival. [3]

The French and English versions were released on DVD on 30 May 2006 by Video Artists International. [4]

Cast

See also List of Don Quixote characters

Reception

The film reportedly lost £100,000 and led to the collapse of Nelson Films. [5]

See also

Related Research Articles

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<i>Man of La Mancha</i> Musical

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<span class="mw-page-title-main">La Mancha</span> Natural and historical region in Spain

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<span class="mw-page-title-main">Dulcinea del Toboso</span> Fictional character

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Sancho Panza is a fictional character in the novel Don Quixote written by Spanish author Miguel de Cervantes Saavedra in 1605. Sancho acts as squire to Don Quixote and provides comments throughout the novel, known as sanchismos, that are a combination of broad humour, ironic Spanish proverbs, and earthy wit. "Panza" in Spanish means "belly".

<span class="mw-page-title-main">Alonso Fernández de Avellaneda</span> Authors pseudonym

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<i>Don Quichotte</i> Opera by Jules Massenet

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Don Quixote is a ballet in three acts, based on episodes taken from the famous novel Don Quixote de la Mancha by Miguel de Cervantes. It was originally choreographed by Marius Petipa to the music of Ludwig Minkus and first presented by Moscow's Bolshoi Ballet on 26 December [O.S. 14 December] 1869. Petipa and Minkus revised the ballet into a more elaborate and expansive version in five acts and eleven scenes for the Mariinsky Ballet, first presented on 21 November [O.S. 9 November] 1871 at the Imperial Bolshoi Kamenny Theatre of St. Petersburg.

I, Don Quixote is a non-musical play written for television and directed by Karl Genus. It was broadcast in season 3 of the CBS anthology series DuPont Show of the Month on the evening of November 9, 1959. Written by Dale Wasserman, the play was converted by him ca. 1964 into the libretto for the stage musical Man of La Mancha, with songs by Mitch Leigh and Joe Darion. After a tryout at Goodspeed Opera House in Connecticut, Man of La Mancha opened in New York on November 22, 1965, at the ANTA Washington Square Theatre.

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Man of La Mancha is a 1972 film adaptation of the Broadway musical Man of La Mancha by Dale Wasserman, with music by Mitch Leigh and lyrics by Joe Darion. The musical was suggested by the classic novel Don Quixote by Miguel de Cervantes, but more directly based on Wasserman's 1959 non-musical television play I, Don Quixote, which combines a semi-fictional episode from the life of Cervantes with scenes from his novel.

<i>Don Quixote</i> (1947 film) 1947 Spanish film by Rafael Gil

Don Quixote or Don Quixote de la Mancha is the first sound film version in Spanish of the great classic novel by Miguel de Cervantes Saavedra. It was directed and adapted by Rafael Gil and released in 1947. A huge undertaking for Spanish cinema in its day, it was the longest film version of the novel up to that time, and very likely the most faithful, reverently following the book in its dialogue and order of episodes, unlike G.W. Pabst's 1933 version and the later Russian film version, which scrambled up the order of the adventures as many film versions do. Characters such as Cardenio, Dorotea, and Don Fernando, which are usually omitted because their respective subplots have little to do with the main body of the novel, were kept in this film.

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References

  1. Classical Archives
  2. Seraphim Records LP reissue
  3. "Don Quichote". festival-cannes.com. Retrieved 25 July 2009.
  4. amazon.com
  5. Harper, Sue (1994). Picturing the past : the rise and fall of the British costume film . BFI Publishing. p.  39.