Released on December 22, 1995 to critical and commercial failure, the film is Brooks' last directorial effort to date.
Plot
In 1893, solicitor Thomas Renfield travels from London to "Castle Dracula" in Transylvania to finalize Dracula's purchase of Carfax Abbey in England. Renfield meets Dracula, who unknown to Renfield, is a vampire. Dracula casts a hypnotic spell on Renfield, making him his slave. They soon embark for England. During the voyage, Dracula kills the ship's crew. When the ship arrives and Renfield is discovered alone on the ship, he is confined to a lunatic asylum.
Meanwhile, Dracula visits an opera house, where he introduces himself to his new neighbors: Doctor Seward, the asylum's administrator and head psychiatrist; Seward's daughter, Mina, and her fiance, Jonathan Harker; and family friend Lucy Westenra. Dracula flirts with Lucy and later that night, enters her bedroom, and drinks her blood.
Mina discovers Lucy still in bed late in the morning, looking strangely pale. Seward, puzzled by the odd puncture marks on her throat, calls in Professor Abraham Van Helsing. Van Helsing informs the skeptical Dr. Seward that Lucy has been attacked by a vampire. Seward and Harker allow garlic to be placed in Lucy's bedroom to repel the vampire, though Seward remains skeptical. After a failed attempt by Renfield to remove the garlic, Dracula uses mind control to get Lucy out of her room and kills her.
Van Helsing meets Dracula and begins to suspect him of being a vampire after the two argue in Moldavian, each attempting to have the last word. Lucy, now a vampire herself, rises from her crypt, drains the blood from her guard, and tries to attack and seduce Harker before he stakes her.
Dracula preys on Mina, wanting her to be his undead bride. Dracula spirits Mina away to Carfax Abbey, where they dance, and he drinks her blood. The following morning, Mina tries to seduce Harker. Dr. Seward assumes Jonathan to be seducing Mina and orders him to leave. Van Helsing notices a scarf around Mina's neck and removes it, revealing two puncture marks. Though she lies about how she got them, Van Helsing confirms she has been attacked by a vampire by placing a cross on her hand, which burns a mark into it.
Van Helsing devises a plan to reveal the vampire's secret identity. Both Dracula and Renfield are invited to a ball, where Van Helsing has placed a huge mirror, covered with a curtain, on one of the walls. While Dracula and Mina perform a dance routine, the curtain over the mirror is dropped, revealing that Dracula has no reflection. Dracula grabs Mina and escapes out of a window.
Van Helsing deduces that Renfield is Dracula's slave, and thus might know where he has taken his coffin after a search of Carfax turns up empty. Dracula locks himself in an abandoned church to finish making Mina his bride. His pursuers break down the door, and fighting ensues. Van Helsing, noticing sunlight creeping into the room, opens the blinds. As his body begins to burn, Dracula then attempts to flee, but is inadvertently killed by Renfield.
With Dracula dead, Renfield falls into despair with no master to serve and scrapes Dracula's ashes into the coffin. Seward tells him "you are free, now" and Renfield seems relieved. Dr. Seward calls for Renfield to follow him out of the church, and he follows, responding "yes, master". Van Helsing opens Dracula's coffin and yells in Moldavian to ensure that he has the final word between himself and the count. After the end credits roll, Dracula responds in Moldavian, giving him the true final word.
David DeLuise as a student in Van Helsing's demonstration
Production
Principal photography began in May 1995 and wrapped in September 1995. Filming took place from May 8 to July 26, 1995 at Culver Studios, California, United States.
Audio commentary by director/co-writer Mel Brooks, co-stars Steven Weber and Amy Yasbeck and co-writers Rudy De Luca and Steve Haberman, "Mel Brooks on Dracula: Dead and Loving It" featurette, "The Making of Dracula: Dead and Loving It" featurette, Theatrical trailers and TV spots
Reception
Critical reaction to Dracula: Dead and Loving It was overwhelmingly negative, with the film earning a "rotten" rating of only 11% on Rotten Tomatoes based on 36 reviews and an average rating of 3.1/10. The site's consensus states: "Lacking any of the comedic bite that audiences have come to expect from a Mel Brooks farce, this vampire parody just plain ol' sucks."[11] Audiences polled by CinemaScore gave the film an average grade of "C" on an A+ to F scale.[12]
James Berardinelli of ReelViews wrote: "Dracula: Dead and Loving It doesn't come close to the level attained by Young Frankenstein. It's a toothless parody that misses more often than it hits. ... Given the comic turn his career has taken since the early '80s, it's hard to believe that Leslie Nielsen was once a serious actor. These days, thanks to the Zucker brothers ... he has become an accomplished satirical performer. His sense of timing is impeccable, and this asset has made him a sought-after commodity for a wide variety of spoofs. Here, Nielsen takes on the title role, but his presence can't resurrect this stillborn lampoon. Unless you're a die hard Mel Brooks fan, there's no compelling reason to sit through Dracula: Dead and Loving It. The sporadic humor promises some laughs, but the ninety minutes will go by slowly."[13]
Joe Leydon of Variety wrote: "Leslie Nielsen toplines to agreeable effect as Count Dracula, depicted here as a dead-serious but frequently flustered fellow who's prone to slipping on bat droppings in his baroque castle. ... Trouble is, while Dead and Loving It earns a fair share of grins and giggles, it never really cuts loose and goes for the belly laughs. Compared with the recent glut of dumb, dumber and dumbest comedies, Brooks's pic seems positively understated. Indeed, there isn't much here that would have seemed out of place (or too tasteless) in comedy sketches for TV variety shows of the 1950s. ... As a result, unfortunately, Dead and Loving It is so mild, it comes perilously close to blandness. ... The only real sparks are set off by MacNicol as Renfield, the solicitor who develops a taste for flies and spiders after being bitten by Dracula."[14]
Bruce G. Hallenbeck defended the film in his book Comedy-Horror Films: A Chronological History, 1914-2008, saying it "ranks with Polanski's The Fearless Vampire Killers as one of the greatest vampire comedies ever made." He praised the dry wit, strong performances of all the cast members, and the way the film acts as an affectionate homage to the classic vampire films rather than purely a spoof. He attributed the film's negative reception to its being so targeted towards hardcore enthusiasts of vampire films that general audiences would not pick up on most of the jokes, and to the inevitable comparisons to Brooks's seminal Young Frankenstein.[15]
Box office
The film debuted at #10.[16] By the end of its run, Dracula grossed $10,772,144.[3]
Professor Abraham Van Helsing is a fictional character from the 1897 gothic horror novel Dracula written by Bram Stoker. Van Helsing is a Dutch polymath doctor with a wide range of interests and accomplishments, partly attested by the string of letters that follows his name: "MD, D.Ph., D.Litt., etc.", indicating a wealth of experience, education and expertise. He is a doctor, professor, lawyer, philosopher, scientist, and metaphysic. The character is best known through many adaptations of the story as a vampire slayer, monster hunter and the arch-nemesis of Count Dracula, and the prototypical and the archetypical parapsychologist in subsequent works of paranormal fiction.
R. M. Renfield is a fictional character who appears in Bram Stoker's 1897 Gothic horror novel Dracula. He is Count Dracula's deranged, fanatically devoted servant and familiar, helping him in his plan to turn Mina Harker into a vampire in return for a continuous supply of insects to consume and the promise of immortality. Throughout the novel, he resides in an asylum, where he is treated by Dr. John Seward.
Dracula is a 1979 gothic horror film directed by John Badham. The film starred Frank Langella in the title role as well as Laurence Olivier, Donald Pleasence and Kate Nelligan.
Wilhelmina "Mina" Harker is a fictional character and the main female character in Bram Stoker's 1897 Gothic horror novel Dracula.
Dracula, the Musical is a musical based on the original 1897 Victorian novel by Bram Stoker. The score is by Frank Wildhorn, with lyrics and book by Don Black and Christopher Hampton.
Jonathan Harker is a fictional character and one of the main protagonists of Bram Stoker's 1897 Gothic horror novel Dracula. An English solicitor, his journey to Transylvania and encounter with the vampire Count Dracula and his Brides at Castle Dracula constitutes the dramatic opening scenes in the novel and most of the film adaptations.
Count Dracula is a 1970 gothic horror film directed by Jesús Franco, based on the novel Dracula by Bram Stoker. It stars Christopher Lee, Herbert Lom and Klaus Kinski.
Dracula 3D is a 2012 vampire horror film co-written and directed by Dario Argento and starring Thomas Kretschmann, Rutger Hauer, Marta Gastini, and Unax Ugalde. An Italian-Spanish-French co-production, the film is Argento's first 3D film. Kretschmann took the role of Dracula; he later played Abraham van Helsing in the Budapest-shot television series Dracula.
John "Jack" Seward, M.D. is a fictional character appearing in Bram Stoker's 1897 novel Dracula.
Dracula: Pages from a Virgin's Diary is a 2002 horror film directed by Guy Maddin, budgeted at $1.7 million and produced for the Canadian Broadcasting Corporation (CBC) as a dance film documenting a performance by the Royal Winnipeg Ballet adapting Bram Stoker's novel Dracula. Maddin elected to shoot the dance film in a fashion uncommon for such films, through close-ups and using jump cuts. Maddin also stayed close to the source material of Stoker's novel, emphasizing the xenophobia in the reactions of the main characters to Dracula.
"Dracula" is a video-taped television play adaptation of Bram Stoker's 1897 novel Dracula, part of the series Mystery and Imagination. Denholm Elliott played Count Dracula with Susan George as Lucy Weston.
Count Dracula is a British television adaptation of the 1897 novel Dracula by Bram Stoker. Produced by the BBC, it first aired on BBC 2 on 22 December 1977. It is among the more faithful of the many adaptations of the original book. Directed by Philip Saville from a screenplay by Gerald Savory, it stars Louis Jourdan as Count Dracula and Frank Finlay as Professor Van Helsing.
Count Dracula is the title character of Bram Stoker's 1897 gothic horror novel Dracula. He is considered the prototypical and archetypal vampire in subsequent works of fiction. Aspects of the character are believed by some to have been inspired by the 15th-century Wallachian prince Vlad the Impaler, who was also known as Vlad Dracula, and by Sir Henry Irving, an actor for whom Stoker was a personal assistant.
Dracula is a stage play written by the Irish actor and playwright Hamilton Deane in 1924, then revised by the American writer John L. Balderston in 1927. It was the first authorized adaptation of Bram Stoker's 1897 novel Dracula. After touring in England, the original version of the play appeared at London's Little Theatre in July 1927, where it was seen by the American producer Horace Liveright. Liveright asked Balderston to revise the play for a Broadway production that opened at the Fulton Theatre in October 1927. This production starred Bela Lugosi in his first major English-speaking role.
Dracula is an adaptation, first published in 1996, by American playwright Steven Dietz of Bram Stoker's 1897 novel by the same name. Though it has never run on Broadway, the author lists it among his most financially successful works, and it is frequently performed near Halloween in regional and community theaters. Closely following the plot of the novel, the play chronicles Count Dracula's journey to England, his stalking of two young women, and his pursuit and eventual defeat by the heroines' suitors and their associates.
Dracula: A Chamber Musical is a 1997 Canadian musical adaptation of Bram Stoker's 1897 novel Dracula. The book and lyrics are by Richard Ouzounian and the music and orchestration are by Marek Norman. After premiering at the Neptune Theatre in Halifax, Nova Scotia, in 1997, Dracula in 1999 became the first Canadian musical to be staged at the Stratford Shakespeare Festival.
Dracula the Un-dead is a 2009 sequel to Bram Stoker's classic 1897 novel Dracula. The book was written by Bram Stoker's great-grandnephew Dacre Stoker and Ian Holt. Previously, Holt had been a direct-to-DVD horror screenwriter, and Stoker a track and field coach.
Dracula Reborn is a 2012 vampire-themed direct-to-video horror film, directed and written by Patrick McManus, making his feature film directorial debut. Produced by Ray Haboush, the film stars Corey Landis, Victoria Summer, Krash Miller, Stuart Rigby and Keith Reay. It is a modernized, loosely based take on Bram Stoker's 1897 novel Dracula, taking place in Los Angeles, California, where a wealthy Count Dracula looks to purchase an abandoned building and pursue the wife of his realtor, Jonathan Harker.
"Dracula" is an episode of the American radio drama anthology series The Mercury Theatre on the Air. It was performed as the premiere episode of the series on Monday, July 11, 1938, and aired over the Columbia Broadcasting System radio network. Directed and narrated by actor and future filmmaker Orson Welles, the episode was an adaptation of Bram Stoker's 1897 novel Dracula.
Hrabě Drakula is a Czechoslovakian 1971 black and white TV film adaptation of Bram Stoker's original novel Dracula.
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