Sir Karl William Pamp Jenkins is a Welsh multi-instrumentalist and composer. His best known works include the song "Adiemus" and the Adiemus album series; Palladio; The Armed Man; and his Requiem.
Ian Carr was a Scottish jazz musician, composer, writer, and educator. Carr performed and recorded with the Rendell-Carr quintet and jazz-fusion band Nucleus, and was an associate professor at the Guildhall School of Music and Drama in London. He also wrote biographies of musicians Keith Jarrett and Miles Davis.
Nucleus were a British jazz-fusion band, which continued in different forms from 1969 to 1989. In 1970, the band won first prize at the Montreux Jazz Festival, released the album Elastic Rock, and performed both at the Newport Jazz Festival and the Village Gate jazz club.
Bundles is the eighth studio album by the jazz rock band Soft Machine, released in 1975.
Septober Energy is the only album of the jazz/progressive rock big band Centipede. Produced by Robert Fripp under the musical direction of Keith Tippett, it was originally released 1971 in the UK as a double LP, and 1974 in the US with a different cover. The album was recorded at Wessex Studios, London during three days in June 1971. The album is a four-part suite consisting of four tracks of about 20 minutes each.
Centipede were an English jazz/progressive rock/big band with more than 50 members, organized and led by the British free jazz pianist Keith Tippett. Formed in 1970, it brought together much of a generation of young British jazz and rock musicians from a number of bands, including Soft Machine, King Crimson, Nucleus and Blossom Toes.
Escalator over the Hill is mostly referred to as a jazz opera, but it was released as a "chronotransduction", with "words by Paul Haines, adaptation and music by Carla Bley, production and coordination by Michael Mantler", performed by the Jazz Composer's Orchestra.
Jesus Christ Superstar is a 1970 album musical by Andrew Lloyd Webber and Tim Rice, on which the 1971 rock opera of the same name was based. Initially unable to get backing for a stage production, the composers released it as an album, the success of which led to stage productions. The album musical is a musical dramatisation of the last week of the life of Jesus Christ, beginning with his entry into Jerusalem and ending with the Crucifixion. It was originally banned by the BBC on grounds of being "sacrilegious". By 1983, the album had sold over seven million copies worldwide.
Roy Babbington is a rock and jazz bassist. He became well known for being a member of the Canterbury scene progressive rock band Soft Machine.
Jeffrey Ovid Clyne was a British jazz bassist.
Softs is the ninth studio album by the jazz rock band Soft Machine, released in 1976. It is the final album to feature founding keyboardist Mike Ratledge.
Attica Blues is an album by avant-garde jazz saxophonist Archie Shepp. Originally released in 1972 on the Impulse! label, the album title refers to the Attica Prison riots.
Expectations is an album recorded by Keith Jarrett in 1972 and released on Columbia Records the same year. In addition to Jarrett, musicians on the recording include his "American quartet": Dewey Redman on tenor saxophone, Charlie Haden on bass, and Paul Motian on drums. Also featured are Sam Brown on electric guitar, Airto on percussion, as well as brass and string sections whose members are not credited in the album information. Expectations was produced by George Avakian, Jarrett's manager since 1966.
Circle in the Round is a 1979 compilation album by jazz musician Miles Davis. It compiled outtakes from sessions across fifteen years of Davis's career that, with one exception, had been previously unreleased. All of its tracks have since been made available on album reissues and posthumous box sets.
Robert George Downes is an English avant-garde jazz flautist and saxophonist. He is known for his work with Mike Westbrook and for leading the Open Music Trio since 1968. Downes is also a composer, arranger, and singer of rock and blues.
1969 is an album by Julie Driscoll.
Blow-Up is a soundtrack album by Herbie Hancock featuring music composed for Michelangelo Antonioni's film Blow-Up released in 1966 on MGM Records. The album features performances by Hancock, trumpeters Freddie Hubbard and Joe Newman, alto saxophonist Phil Woods, tenor saxophonist Joe Henderson, guitarist Jim Hall, bassist Ron Carter and drummer Jack DeJohnette. Although Jimmy Smith is credited with playing organ on the album some sources claim it was actually Paul Griffin who was at the sessions. The liner notes to a 2000s CD release indicate that Hancock first recorded his score in London with British musicians, but rejected the results and re-recorded the music in New York with American jazz musicians. According to a Library of Congress listing, additional uncredited musicians at the New York sessions included Don Rendell on tenor sax and Gordon Beck on organ. London sessions are said to have involved Hancock, Rendell and Beck, along with Ian Carr on trumpet, Pete McGurk on acoustic bass, and Chris Karan on drums. Hancock is also listed as being the arranger and music director.
Restoration Ruin is an album by Keith Jarrett on which he performs multiple instruments, and sings his own lyrics. Recorded and released on the Atlantic Records subsidiary Vortex in 1968, the album remains unique in Jarrett’s catalogue, displaying a sound largely influenced by folk and progressive rock. It can be seen as the first part of an experimental period which explored neither traditional jazz nor classical music. Here Jarrett overdubs himself on various instruments, similar to the tribal Spirits (1985) or especially the free funk No End. "Sioux City Sue New" was released as a 45 rpm single, backed with "You're Fortunate." In 1999, Collectables Records reissued the album paired with the Art Ensemble of Chicago's Bap-Tizum.
Pieces of Me is a solo album by former Affinity vocalist Linda Hoyle. Only 300 copies of the album were pressed. It is one of Vertigo's rarest albums.
Ode is an album by the London Jazz Composers' Orchestra composed by bassist Barry Guy and conducted by his teacher, Buxton Orr. It was recorded as part of the English Bach Festival at the Oxford Town Hall in 1972 and first released as a double album on the Incus label then as a double CD on Intakt in 1996 with additional material.
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