Electro-Voice

Last updated

Electro-Voice
Founded1930;94 years ago (1930)
FoundersLou Burroughs, Albert R. Kahn
Headquarters Burnsville, Minnesota,
ProductsPro audio, microphones, speakers, sound equipment
Owner Telex Communications (Robert Bosch GmbH)
Website electrovoice.com OOjs UI icon edit-ltr-progressive.svg

Electro-Voice (EV) is an American manufacturer of audio equipment, including microphones, amplifiers, and loudspeakers, focused on pro audio applications such as sound reinforcement. As a subdivision of Bosch Communications Systems Inc. since 2006, Electro-Voice markets products for use by consumers as well as small or large concert venues, broadcasting, houses of worship, and in retail situations.

Contents

History

Electro-Voice "Century" crystal microphone, model 915 Vintage Electro-Voice Century Crystal Microphone, Model 915, Push-To-Talk, Circa 1950 (12823383155).jpg
Electro-Voice "Century" crystal microphone, model 915

On September 1, 1927, Lou Burroughs and Albert R. Kahn began a small business called Radio Engineers, servicing radio receivers in the basement of the Century Tire and Rubber Company in South Bend, Indiana. Because of the Great Depression, according to Kahn, "We found ourselves insolvent to the extent of $5,000" ($91,195 today). [1] They decided to focus their business on audio products. The company designed a PA system for Notre Dame football coach Knute Rockne. Rockne, who had difficulty being heard at football practices due to health problems that affected his voice, called the new PA system his "electric voice". Rockne's remark inspired the company's name. On June 1, 1930, Burroughs and Kahn incorporated under the name "Electro-Voice". [2] [3]

The partners recognized an opportunity to capitalize on what they perceived as the generally poor quality and high prices of existing microphones. They purchased a lathe and a drill and started producing about one microphone a week. Soon after, Burroughs withdrew from the business, leaving complete ownership to Kahn. By 1933, the previous business debts were completely paid off, and Electro-Voice began hiring manufacturing employees. In 1936, twenty people were hired, and Lou Burroughs returned as chief engineer. [1] [3] [4] [5]

During World War II, EV developed the noise-canceling microphone. Noise cancelling microphones such as the Electro-Voice T45 lip microphone were instrumental to fighter and bomber airplane, tank, battleship and ground troop radio communications. EV licensed the patent to the government for free to be applied by other manufacturers to produce what was needed for the war supply. [1] [4] [6] [7]

In 1946, the business moved to a bigger facility in Buchanan, Michigan and expanded its engineering efforts. [8] In 1948, they began successfully producing phonograph pickup cartridges. [7] In 1950, they started production of the first automatic TV booster. [7] [9] They also started to design and produce a consumer loudspeaker line in response to increased public interest in high-fidelity music listening. In 1952, EV patented the Compound Diffraction Horn, which changed the look and performance the traditional cone-shaped paging horn. [10] Known for its high output, the CDP was deployed by the Navy on aircraft carriers and other high noise environments. [1]

In the mid-1950s, EV introduced the 664 dynamic microphone. It became known as "The Buchanan Hammer" when chief engineer Lou Burroughs demonstrated its durability during sales presentations by hammering nails into a board with it before using it for his public address. Buchanan referred to the company's Michigan headquarters. [11] [12]

Electro-Voice received a 1963 Academy Award for their 642 Cardiline shotgun microphone. Electro-Voice Model 642 Long-Range Microphone (1961), one of the first shotgun microphones, Museum of Making Music.jpg
Electro-Voice received a 1963 Academy Award for their 642 Cardiline shotgun microphone.
Electro-Voice RE-27N/D microphone WTUL Microphone.jpg
Electro-Voice RE-27N/D microphone

In 1963, EV received an Academy Award for their 642 Cardiline shotgun microphone, the first ever given for an audio product. [7]

Electro-Voice launched its RE Series of microphones in the 1960s, notably the RE15, which was used extensively by musicians on television shows. The RE series used "Variable D" technology first developed by EV in 1953, which eliminated changes in tone and frequency response corresponding to changes in the physical distance of the sound source from the microphone. [1] [4] The RE20 broadcast microphone was introduced in 1968, followed by the RE27N/D in the late 1980s, using neodymium magnets. Both continue to be used in recording studios and on the concert stage.

1978 US patent sketch of Electro-Voice constant-directivity horn Electrovoice-constant-directivity-horn-1975.jpg
1978 US patent sketch of Electro-Voice constant-directivity horn

In the early 1970s, EV developed the first commercial system for matrix four channel stereo called Stereo-4. When Columbia/CBS and Sony developed their Stereo Quadraphonic system (SQ) that system became the leading matrix system. Electro-Voice then adapted their decoders so they also could play SQ records as well as Sansui's QS records. The EV system could also simulate four channel sound from two channel sources. [13]

In 1978, Electro-Voice patented its Constant Directivity Horn, which produced an even balance of frequencies across the listening field. It overcame the uneven dispersion of high frequencies that affected the typical high frequency horns used in many professional sound speakers until the late seventies. [1]

Also in the 1970s, EV acquired TAPCO. The company, founded by Greg Mackie, specialized in audio mixers. TAPCO products soon became prominent in the EV product line. [1]

In the late 1980s, EV became the first microphone manufacturer to use neodymium magnets in its microphones. The N/DYM microphones were introduced in the mid 1980s to combine the high output and high frequency response characteristics of condenser microphones with the rugged shock resistance of dynamic microphones. Around the same time EV's first wireless microphones were being produced. [1]

Mergers

The company merged with Telex Communications in 1998. Prior to the merger, EV was owned by Mark IV Industries, Inc. through its subsidiary, Gulton Industries, Inc., [14] and had manufacturing plants in Buchanan, Michigan; Newport, Tennessee; Sevierville, Tennessee; and Gananoque, Ontario. Electro-Voice's headquarters were in Buchanan, Michigan until the merger with Telex Communications. [2] [15]

In June 2006, EV, along with all of Telex Communications, became part of Bosch Security Systems division. [16] Today EV manufactures widely used broadcast microphones as well as loudspeakers and various other professional audio equipment. [17]

Superfund site

The former Electro-Voice facility in Buchanan, Michigan is a Superfund site. Before closing in 2000, the business was engaged in die-casting, machining, assembly, painting and electroplating activities. According to the EPA, "contamination at the site resulted from Electro-Voice's discharge of electroplating wastes into two clay-lined lagoons from 1952 to 1962, and from the disposal of paint wastes and solvents into a drywell from 1964 to 1973. The waste disposal activities caused groundwater to become contaminated with chemicals called volatile organic compounds, or VOCs. Following construction of the site's long-term remedy, operation and maintenance activities and monitoring are ongoing". Construction of the site's long-term remedy finished in 1999, with the EPA reporting, "soil cleanup included construction of a clay cap and active treatment by an in-place ventilation and volatilization system. Groundwater remediation is ongoing through monitored natural attenuation of pollutants". [18]

See also

Related Research Articles

<span class="mw-page-title-main">Loudspeaker</span> Converts an electrical audio signal into a corresponding sound

A loudspeaker is an electroacoustic transducer that converts an electrical audio signal into a corresponding sound. A speaker system, also often simply referred to as a speaker or loudspeaker, comprises one or more such speaker drivers, an enclosure, and electrical connections possibly including a crossover network. The speaker driver can be viewed as a linear motor attached to a diaphragm which couples that motor's movement to motion of air, that is, sound. An audio signal, typically from a microphone, recording, or radio broadcast, is amplified electronically to a power level capable of driving that motor in order to reproduce the sound corresponding to the original unamplified electronic signal. This is thus the opposite function to the microphone; indeed the dynamic speaker driver, by far the most common type, is a linear motor in the same basic configuration as the dynamic microphone which uses such a motor in reverse, as a generator.

<span class="mw-page-title-main">Leslie speaker</span> Electric amplifier and loudspeaker

The Leslie speaker is a combined amplifier and loudspeaker that projects the signal from an electric or electronic instrument and modifies the sound by rotating a baffle chamber ("drum") in front of the loudspeakers. A similar effect is provided by a rotating system of horns in front of the treble driver. It is most commonly associated with the Hammond organ, though it was later used for the electric guitar and other instruments. A typical Leslie speaker contains an amplifier, a treble horn and a bass speaker—though specific components depend upon the model. A musician controls the Leslie speaker by either an external switch or pedal that alternates between a slow and fast speed setting, known as "chorale" and "tremolo".

<span class="mw-page-title-main">Public address system</span> Electronic system for amplifying sound

A public address system is an electronic system comprising microphones, amplifiers, loudspeakers, and related equipment. It increases the apparent volume (loudness) of a human voice, musical instrument, or other acoustic sound source or recorded sound or music. PA systems are used in any public venue that requires that an announcer, performer, etc. be sufficiently audible at a distance or over a large area. Typical applications include sports stadiums, public transportation vehicles and facilities, and live or recorded music venues and events. A PA system may include multiple microphones or other sound sources, a mixing console to combine and modify multiple sources, and multiple amplifiers and loudspeakers for louder volume or wider distribution.

<span class="mw-page-title-main">Sound reinforcement system</span> Amplified sound system for public events

A sound reinforcement system is the combination of microphones, signal processors, amplifiers, and loudspeakers in enclosures all controlled by a mixing console that makes live or pre-recorded sounds louder and may also distribute those sounds to a larger or more distant audience. In many situations, a sound reinforcement system is also used to enhance or alter the sound of the sources on the stage, typically by using electronic effects, such as reverb, as opposed to simply amplifying the sources unaltered.

<span class="mw-page-title-main">Horn loudspeaker</span> Loudspeaker using an acoustic horn

A horn loudspeaker is a loudspeaker or loudspeaker element which uses an acoustic horn to increase the overall efficiency of the driving element(s). A common form (right) consists of a compression driver which produces sound waves with a small metal diaphragm vibrated by an electromagnet, attached to a horn, a flaring duct to conduct the sound waves to the open air. Another type is a woofer driver mounted in a loudspeaker enclosure which is divided by internal partitions to form a zigzag flaring duct which functions as a horn; this type is called a folded horn speaker. The horn serves to improve the coupling efficiency between the speaker driver and the air. The horn can be thought of as an "acoustic transformer" that provides impedance matching between the relatively dense diaphragm material and the less-dense air. The result is greater acoustic output power from a given driver.

<span class="mw-page-title-main">JBL</span> American audio hardware manufacturer

JBL is an American audio equipment manufacturer headquartered in Los Angeles, California, United States. JBL serves the customer home and professional market. The professional market includes studios, installed/tour/portable sound, music production, DJ, cinema markets. The home market includes high-end home amplification/speakers/headphones as well as high-end car audio. JBL is owned by Harman International, itself a subsidiary of Samsung Electronics.

Altec Lansing, Inc. is an American audio electronics company founded in 1927. Their primary products are loudspeakers and associated audio electronics for professional, home, automotive and multimedia applications.

Shure Incorporated is an audio products corporation headquartered in the USA. It was founded by Sidney N. Shure in Chicago, Illinois, in 1925 as a supplier of radio parts kits. The company became a consumer and professional audio-electronics manufacturer of microphones, wireless microphone systems, phonograph cartridges, discussion systems, mixers, and digital signal processing. The company also manufactures listening products, including headphones, high-end earphones, and personal monitor systems.

<span class="mw-page-title-main">Guitar speaker</span>

A guitar speaker is a loudspeaker – specifically the driver (transducer) part – designed for use in a combination guitar amplifier of an electric guitar, or for use in a guitar speaker cabinet. Typically these drivers produce only the frequency range relevant to electric guitars, which is similar to a regular woofer type driver, which is approximately 75 Hz — 5 kHz, or for electric bass speakers, down to 41 Hz  for regular four-string basses or down to about 30 Hz for five-string instruments.

<span class="mw-page-title-main">Telex Communications</span>

Telex Communications, originally Telex Corporation, was a Burnsville, Minnesota-based manufacturer of hearing aids and audio equipment. Founded in 1936 as a maker of hearing aids, it entered the computer peripherals businesses in the 1960s. Telex Communications was structured as a subsidiary of Telex Corp in the 1970s. Telex Corp was acquired by Memorex in 1988, which renamed itself Memorex Telex NV. The hearing aid portion of Telex Corp. was subsequently spun-out in 1989 as Telex Communications, an independent company. Memorex retained Telex Corp's peripherals businesses.

<span class="mw-page-title-main">Meyer Sound Laboratories</span> American audio equipment manufacturer

Meyer Sound Laboratories is an American company based in Berkeley, California that manufactures self-powered loudspeakers, multichannel audio show control systems, electroacoustic architecture, and audio analysis tools for the professional sound reinforcement, fixed installation, and sound recording industries.

<span class="mw-page-title-main">John Kenneth Hilliard</span> American engineer

John Kenneth Hilliard was an American acoustical and electrical engineer who pioneered a number of important loudspeaker concepts and designs. He helped develop the practical use of recording sound for film and won an Academy Award in 1935. He designed movie theater sound systems, and he worked on radar as well as submarine detection equipment during World War II. Hilliard collaborated with James B. "Jim" Lansing in creating the long-lived Altec Voice of the Theatre speaker system. Hilliard researched high-intensity acoustics, vibration, miniaturization and long-line communications for NASA and the Air Force. Near the end of his career, he standardized noise-control criteria for home construction in California, a pattern since applied to new homes throughout the U.S.

Crown International, or Crown Audio, is an American manufacturer of audio electronics, and is a subsidiary of Harman International Industries, which has been part of South Korea-based Samsung Electronics since 2017. Today, the company is known primarily for its power amplifiers, but has also manufactured microphones, loudspeakers, and a line of commercial audio products, as well as digital audio networking products.

<span class="mw-page-title-main">Stage monitor system</span> Sound reinforcement for performers

A stage monitor system is a set of performer-facing loudspeakers called monitor speakers, stage monitors, floor monitors, wedges, or foldbacks on stage during live music performances in which a sound reinforcement system is used to amplify a performance for the audience. The monitor system allows musicians to hear themselves and fellow band members clearly.

Music Tribe, formerly Music Group, is a holding company based in the City of Makati, Metro Manila, Philippines. It is chaired by Uli Behringer, founder of Behringer. Music Tribe's portfolio includes Behringer, Cool Audio, Midas, Turbosound, TC Electronic and TC-Helicon, Tannoy, Klark Teknik, Lab.gruppen, and Aston Microphones.

<span class="mw-page-title-main">Altec Lansing Duplex</span> Line of loudspeakers

DUPLEX was the trade name given by Altec Lansing to its line of coaxial loudspeakers, beginning with the first model 601 in 1943. However, the name was most commonly associated with the subsequent model 604 which was a seminal loudspeaker that became a milestone in loudspeaker development. Well over a dozen different models carried the Duplex name over a near 50-year period. The vast majority consisted of a high frequency (HF) compression driver mounted to the back of a large diameter paper cone low frequency (LF) driver. However, there were also a few models with small diameter LF cones and direct radiator tweeters.

<span class="mw-page-title-main">David Gunness</span> American audio engineer

David W. Gunness is an American audio engineer, electrical engineer and inventor. He is known for his work on loudspeaker design, especially high-output professional horn loudspeakers for public address, studio, theater, nightclub, concert and touring uses.

<span class="mw-page-title-main">Clifford A. Henricksen</span> American inventor, American musician

Cliff Henricksen is a musician, inventor and audio technologist. He is self-taught as a musician with a graduate degree in mechanical engineering at Massachusetts Institute of Technology (MIT). Throughout his career Cliff has found innovative ways to apply engineering basics to electro acoustics and to audio technology as it applies to music and in particular to live music performance. He has invented and engineered a wide variety of technologies and products well known in the world of professional audio. Today he balances work in audio and work as a performing musician.

Clair Global, or simply Clair, is a professional sound reinforcement and live touring production support company. It was founded by brothers Roy and Gene Clair, who went into business in 1966 after they were asked to bring their sound system on tour with Frankie Valli and the Four Seasons. It is believed they were the first professional sound company to tour with a band. The company formally incorporated in 1970 as Clair Bros. Audio Enterprises, Inc.

<span class="mw-page-title-main">Electro-Voice RE20</span> Professional broadcasting and music microphone

The Electro-Voice RE20 is an American professional cardioid dynamic microphone, commonly used in broadcasting applications since 1968. Designed by Electro-Voice using the company's patented Variable-D technology and a large-diaphragm element, it has been described as an industry standard "iconic" microphone for its natural sound and its wide usage in radio, television and recording studios. In 2015, the RE20 was inducted into the TEC Awards Technology Hall of Fame.

References

  1. 1 2 3 4 5 6 7 8 Clark, Keith. "EV at 90: Powering the Passion of Performance for Nine Decades (and Counting)". ProSoundWeb.com. EH Publishing. Retrieved March 2, 2018.
  2. 1 2 "Electro-Voice Plant Closing in Buchanan". South Bend Tribune . November 9, 2001. Archived from the original on November 10, 2001. Retrieved April 1, 2008.
  3. 1 2 "About Us". Electro-Voice. Retrieved March 1, 2018.
  4. 1 2 3 Clark, Keith. "A Historical Look at Electro-Voice". proaudioencyclopedia.com. Retrieved March 2, 2018.
  5. Hoffmann, Frank (November 12, 2004). Encyclopedia of Recorded Sound. Routledge. pp. 736–. ISBN   978-1-135-94950-1.
  6. DB: The Sound Engineering Magazine. Sagamore Publishing Company. 1986.
  7. 1 2 3 4 Kahn, Al (1953). "Time Capsule: History of Electro-Voice". ProSoundWeb.com. Archived from the original on December 12, 2008. Retrieved February 14, 2023.
  8. "City of Buchanan, Berrien County, Michigan Reconnaissance - Level Survey Report, September 2012" (PDF). Locuspoke.us. City of Buchanan, Berrien County, Michigan. Retrieved March 2, 2018.
  9. Popular Mechanics. Hearst Magazines. November 1950. pp. 227–.
  10. US 2856467A,"Compound Diffraction Horn. Louis S. Hoodwin, Bridgman, Mich., assignor to Electro- Voice, Incorporated, Buchanan, Mich."
  11. Winer, Ethan. "The Audio Expert: Everything You Need to Know About Audio". Taylor & Francis, 2017. Retrieved November 4, 2023.
  12. Leerman, Craig. "Microfiles: Electro-Voice 664, The Legendary "Buchanan Hammer"". prosoundweb.com. ProSoundWeb. Retrieved November 4, 2023.
  13. Billboard. Nielsen Business Media. January 16, 1971. pp. 90–.
  14. SEC Info - Mark IV Industries Inc - 10-K - For 2/29/96 - EX-21
  15. "Telex Communications Inc Annual Report". GetFilings.com.
  16. Following the Telex Acquisition: Bosch Founds New Business Unit-Bosch Communications Systems-Established 1/1/2007 Electrovoice.com
  17. Plunkett, Jack W. (August 2006). Plunkett's Telecommunications Industry Almanac 2007: Telecommunications Industry Market Research, Statistics, Trends & Leading Companies. Plunkett Research. pp. 540–. ISBN   978-1-59392-057-9.
  18. "ElectroVoice Buchanan, MI". EPA.gov. United States Environmental Protection Agency . Retrieved March 2, 2018.