Elliot Madore

Last updated

Elliot Madore
Elliot Madore Santa Fe .jpg
Madore outside the Santa Fe Opera, August 2016
Born (1987-04-15) April 15, 1987 (age 36)
Toronto, Ontario, Canada
OccupationOperatic baritone
Website elliotmadore.com

Elliot Madore (born April 15, 1987) is a Canadian lyric baritone with an international operatic career. [1]

Contents

Early life and education

Madore graduated from the Metropolitan Opera's Lindemann Young Artist Development Program and received both his Master of Music degree in Opera and Bachelor of Music degree in Voice from the Curtis Institute of Music in Philadelphia. [2] [3]

Career

In 2010, at the age of 22, he won the Metropolitan Opera National Council Auditions. [4] He has since performed at the Metropolitan Opera, Zürich Opera House, San Francisco Opera, Glyndebourne Festival Opera, Bavarian State Opera, the Saito Kinen Festival Matsumoto and the Dutch National Opera. [1] In December 2015 he sang the title role of Figaro in The Barber of Seville at the Metropolitan Opera. [5] In September 2015 he made his San Francisco Opera debut singing Anthony in Sweeney Todd . [6] As a member of the ensemble with Opernhaus Zürich (2012–2014), he appeared as Valentin in a new production of Faust, Guglielmo in Così fan tutte with Tomáš Netopil, Schaunard in La bohème conducted by Nello Santi, Andrei in a new production of Péter Eötvös' Tri sestry (Three Sisters), Silvio in Pagliacci , Silvano in Un ballo in maschera and Germano in La scala di seta . [1] [7] In 2016 he will return to the Metropolitan Opera singing the role of Mercutio in Roméo et Juliette which will be aired live in cinemas. [8] [9] Also in 2016 he will sing the title role of Pelléas in Pelléas et Mélisande with both the Cleveland Orchestra and at the Sydney Opera House. [10] [11] In 2017 season, he sang the role of Papageno in Scenes from The Magic Flute with the Los Angeles Philharmonic and returned to the San Francisco Opera singing the role of Ramon in the world premiere production of Girls of the Golden West . [12] [13] In 2018 season, he will sing the role of Le Chat in L'enfant et les sortilèges at Berlin Philharmonic. [14] Also in the 2018 season, he returned to Opernhaus Zürich as Germano in La scala di seta and appeared as Pelléas in Pelléas et Mélisande at Deutsche Kammerphilharmonie Bremen. [15] [16] In 2018–2019, Elliot Madore returned to the Dutch National Opera in the European premiere of John Adams’ Girls of the Golden West directed by Peter Sellars, a role he premiered at the San Francisco Opera. He also returned to the Zurich Opera in a new production of Sweeney Todd as Anthony Hope and debuts as Figaro in Il barbiere di Siviglia at Manitoba Opera. He has performed Carmina Burana with the Kalamazoo Bach Festival, Kitchener–Waterloo Symphony, and Colorado Symphony having previously sung it with the Cleveland Orchestra. [17]

Madore7.jpg

Awards

In 2016 Madore won a Grammy Award singing the roles of Le chat and L'Horloge Comtoise in L'enfant et les sortilèges under the direction of Seiji Ozawa. [18] [19] His other awards include:

Repertoire (selection)

Madore1.jpg

Recordings

DVDs

Related Research Articles

Dale Duesing is an American baritone. As an opera singer, he has had an international career spanning five decades.

Joseph, Baron Van Damme, known as José van Dam, is a Belgian bass-baritone, described as having "a magnificent resonant and expressive voice" and being "an excellent actor".

<span class="mw-page-title-main">Claire Gibault</span> French conductor and politician (born 1945)

Claire Gibault is a French conductor and politician and a Member of the European Parliament for the south-east of France. She is a member of the Union for French Democracy, which is part of the Alliance of Liberals and Democrats for Europe, and sits on the European Parliament's Committee on Culture and Education and its Committee on Women's Rights and Gender Equality.

<i>Lenfant et les sortilèges</i> Opera by Maurice Ravel

L'enfant et les sortilèges: Fantaisie lyrique en deux parties is an opera in one act, with music by Maurice Ravel to a libretto by Colette. It is Ravel's second opera, his first being L'heure espagnole. Written from 1917 to 1925, L'enfant et les sortilèges was first performed in Monte Carlo in 1925 conducted by Victor de Sabata.

<i>Lheure espagnole</i> Opera by Maurice Ravel

L'heure espagnole is a French one-act opera from 1911, described as a comédie musicale, with music by Maurice Ravel to a French libretto by Franc-Nohain, based on Franc-Nohain's 1904 play ('comédie-bouffe') of the same name The opera, set in Spain in the 18th century, is about a clockmaker whose unfaithful wife attempts to make love to several different men while he is away, leading to them hiding in, and eventually getting stuck in, her husband's clocks. The title can be translated literally as "The Spanish Hour", but the word "heure" also means "time" – "Spanish Time", with the connotation "How They Keep Time in Spain".

Rinat Shaham is an Israeli born mezzo-soprano who has received numerous accolades for her international operatic, concert and recital performances.

Suzanne Danco was a Belgian international soprano whose career encompassed the opera stages of Europe from Mozart to 20th century roles, recitals, recordings of opera and songs, and later teaching.

<span class="mw-page-title-main">Jean-Paul Fouchécourt</span> French opera singer

Jean-Paul Fouchécourt is a French tenor, mostly as an opera singer. He was born on 30 August 1958 at Blanzy in the Burgundy region. He is best known for singing French Baroque music, especially the parts called in French haute-contre, written for a very high tenor voice with no falsetto singing.

<span class="mw-page-title-main">Jean-François Lapointe</span> Canadian baritone opera singer

Jean-François Lapointe is a Canadian baritone opera singer.

Laurent Pelly is a French opera and theatre director. He is sought after by the world's most prestigious houses. With a natural affinity for Italian and French repertoire, his creative curiosity has also led him towards other composers, including Russian and Czech. He brings theatrical insight to his work with singers and his concepts often contain surreal invention and a dark sense of humour. A master of detail, he underlines his interpretation of characters through skilful and inspired costume designs.

<span class="mw-page-title-main">Danielle de Niese</span> Australian-American lyric soprano (born 1979)

Danielle de Niese is an Australian-American lyric soprano. After success as a young child in singing competitions in Australia, she moved to the United States where she developed her operatic career. From 2005 she came to widespread public attention with her performances as Cleopatra in Giulio Cesare at Glyndebourne Festival Opera, England.

<span class="mw-page-title-main">Jane Berbié</span> French mezzo-soprano

Jane Berbié is a French mezzo-soprano particularly associated with Mozart and Rossini roles.

Denise Duval was a French soprano, best known for her performances in the works of Francis Poulenc on stage and in recital. During an international career, Duval created the roles of Thérèse in Les mamelles de Tirésias, Elle in La voix humaine, and excelled in the role of Blanche de la Force in Dialogues of the Carmelites, leaving recordings of these and several other of her main roles.

Isabel Leonard is an American mezzo-soprano opera singer based in New York City. She is of Argentine ancestry on her mother's side.

<span class="mw-page-title-main">Hector Dufranne</span>

Hector Dufranne was a Belgian operatic bass-baritone who enjoyed a long career that took him to opera houses throughout Europe and the United States for more than four decades. Admired for both his singing and his acting, Dufranne appeared in a large number of world premieres, most notably the role Golaud in the original Opéra-Comique production of Claude Debussy's Pelléas et Mélisande at the Salle Favart in Paris in 1902, which he went on to sing 120 times at that house. He had an excellent singing technique which maintained the quality of his voice even into the latter part of his career. His wide vocal range and rich resonant voice enabled him to sing a variety of roles which encompassed French, German, and Italian opera.

<span class="mw-page-title-main">Jean Périer</span> French opera singer

Jean (Alexis) Périer was a French operatic baryton-martin and actor. Although he sang principally within the operetta repertoire, Périer did portray a number of opera roles; mostly within operas by Wolfgang Amadeus Mozart and Giacomo Puccini. His career was almost entirely centered in Paris and he had a long association with the Opéra-Comique. He sang in a large number of world premieres, most notably originating the role of Pelléas in Debussy's Pelléas et Mélisande in 1902. In addition to his opera career, Périer appeared in several films between 1900 and 1938.

Luca Canonici is an Italian opera singer who has had an active career singing leading tenor roles both in Europe and his native Italy.

Stéphanie d'Oustrac is a French mezzo-soprano.

<span class="mw-page-title-main">Stéphane Degout</span> French opera singer

Stéphane Degout is a contemporary French baritone. He grew up in Saint-Jean-de-Niost (Ain) and has been living in Lyon since 1995.

Olivier Tambosi is an Austrian opera and operetta director.

References

  1. 1 2 3 "Elliot Madore, baritone – Schedule". Operabase.
  2. "Elliot Madore Biography – InstantEncore".
  3. "Local baritone Elliot Madore ready for the big leagues". Toronto Star . March 28, 2010.
  4. Anthony Tommasini (March 16, 2010). "A Chance to Listen to the Future at the Met". The New York Times .
  5. 1 2 James R. Oestreich (December 18, 2015). "Review: The Barber of Seville, Truncated and Energetic". The New York Times .
  6. "Review: Searing Performances by Brian Mulligan and Stephanie Blythe for San Francisco Opera's First Sweeney Todd – September 12, 2015". September 14, 2015.
  7. 1 2 "Faust – Performance". Operahouse Zürich.
  8. "Roméo et Juliette".
  9. "Metropolitan Opera – In Cinemas".
  10. "World premiere production of Pelléas and Mélisande".
  11. "Sydney Symphony Orchestra – Pelléas et Mélisande".
  12. "Mozart 1791: Scenes from The Magic Flute".
  13. "Girls of the Golden West".
  14. "Seiji Ozawa conducts Ravel's "L'Enfant et les sortilèges"".
  15. "La scala di seta".
  16. "Die Deutsche Kammerphilharmonie Bremen".
  17. "Columbia Artists — Elliot Madore".
  18. "58th Annual Grammy Awards Winners & Nominees". April 30, 2017.
  19. "Review".
  20. "South Florida Classical Review – Canadian soprano nabs top prize in Palm Beach Opera Vocal Competition".
  21. "Competition". Archived from the original on June 4, 2019. Retrieved October 17, 2016.
  22. "This Week in Toronto (Dec. 6 – 12) – my/maSCENA". December 5, 2010.
  23. "Glyndebourne 2014: Don Giovanni, review: 'gripping'".
  24. www.update.ch, update AG. "Così fan tutte – Performance – Operahouse Zürich".
  25. Portner, Alan. "BWW Review: The Elixir of Love at Lyric Opera Of Kansas City".
  26. Staatsoper, Bayerische. "Ariadne auf Naxos".
  27. "Review: Opera Colorado's La bohème opener solid, too conventional". The Denver Post . November 8, 2010.
  28. "Zürich: Cavalleria rusticana & Pagliacci, 09.01.2013".
  29. "Pelléas et Mélisande". Bayerische Staatsoper.
  30. "Seattle Opera's 2016-17 season features premieres, new voices". January 3, 2016.
  31. Ziegler, Michelle (March 11, 2013). "Drei Schwestern von Peter Eötvös am Opernhaus Zürich: Die Zeit bleibt stehen" via NZZ.
  32. "Review".
  33. "Dido and Aeneas".
  34. "RAVEL L'Enfant et les Sortilèges / Ozawa – 1 CD". www.deccaclassics.com. Retrieved October 18, 2016.
  35. "Argento: Postcard From Morocco / Milanov, Et Al – Albany Records: TROY1098/99". www.arkivmusic.com. Retrieved October 18, 2016.
  36. "L'heure espagnole/L'enfant et les sortilèges". cultura.com. Retrieved October 18, 2016.
  37. "The Enchanted Island / Christie, DiDonato, De Nies ... – Erato: 5099940424996". www.arkivmusic.com. Retrieved October 18, 2016.