Emily Young FRBS (born 1951) is a sculptor, [1] who has been called "Britain's greatest living stone sculptor". [2] She was born in London into a family of artists, writers and politicians. She currently divides her time between studios in London and Italy. [3]
Her mother was the writer and commentator Elizabeth Young, her father, Wayland Young, 2nd Baron Kennet, a politician, conservationist and writer. [4] Emily Young's paternal grandparents were the politician and writer Hilton Young, 1st Baron Kennet and the sculptor Kathleen Scott, a colleague of Auguste Rodin and the widow of the polar explorer Robert Falcon Scott. Her uncle was the ornithologist, conservationist and painter, Sir Peter Scott, who founded the Wildfowl & Wetlands Trust.
Emily Young received her secondary education at Putney High School, Holland Park School, Friends School Saffron Walden and the King Alfred School, London. First interested in painting, she spent her youth in London, Wiltshire and Italy before she attended the Chelsea School of Art for one term in 1968 and also studied at Saint Martin's School of Art. In the late 1960s and 1970s, she travelled widely, visiting Afghanistan, Pakistan, India, France and Italy, Africa and the Middle East (see Hippie trail). She lived in the United States, where she studied with the sculptor Robert White.[ citation needed ]
While at Holland Park School in 1966, she became a regular at the nearby London Free School night sessions in the Notting Hill area, which brought her into contact with many in the UK Underground. [5] She may have been the inspiration for the song "See Emily Play", written by Pink Floyd's Syd Barrett. [4] [6] [7]
During the 1970s and 1980s, she lived and worked with Simon Jeffes, leader of the Penguin Cafe Orchestra, and had one son, Arthur, born in 1978. She produced the artwork for various album covers for the orchestra, including Music from the Penguin Cafe .[ citation needed ]
Young's sculpture is held in many public as well as private collections. Some of her permanent installations can be seen in St Paul's Churchyard and Salisbury Cathedral. [8] Young's Lunar Disc 1 was installed at Loyola University Chicago in 2011. [9]
London '66–'67 is an EP and film of Pink Floyd music, containing two "lost" tracks—an extended version of "Interstellar Overdrive" and a previously unreleased track "Nick's Boogie". These tracks were originally recorded for Peter Whitehead's film Tonite Let's All Make Love in London in 1967, and the former appeared in edited form on the soundtrack album. Originally released in full on the 1990 See for Miles Records UK reissue of the soundtrack album, they were the earliest Pink Floyd recordings available commercially before the limited release of 1965: Their First Recordings in 2015.
Edith Agnes Kathleen Young, Baroness Kennet, FRBS was a British sculptor. Trained in London and Paris, Scott was a prolific sculptor, notably of portrait heads and busts and also of several larger public monuments. These included a number of war memorials plus statues of her first husband, the Antarctic explorer Captain Robert Falcon Scott. Although the Oxford Dictionary of National Biography describes her as "the most significant and prolific British women sculptor before Barbara Hepworth", her traditional style of sculpture and her hostility to the abstract work of, for example Barbara Hepworth and Henry Moore, has led to a lack of recognition for her artistic achievements.
Wayland Hilton Young, 2nd Baron Kennet was a British writer and politician, notably concerned with planning and conservation. As a Labour minister, he was responsible for setting up the Department of the Environment and the Royal Commission on Environmental Pollution. Later he joined the SDP. He lost his seat in the Lords following the House of Lords Act 1999.
Barrett is the second and final studio album of new material released by former Pink Floyd frontman Syd Barrett. Recording began at Abbey Road Studios on 26 February 1970, and lasted for 15 sessions until 21 July. The album was produced by Pink Floyd's David Gilmour and Richard Wright, who also contributed on bass and keyboards respectively, along with previous Madcap contributor Jerry Shirley on drums.
"See Emily Play" is a song by the English rock band Pink Floyd, released as their second single on 16 June 1967 on the Columbia label. Written by original frontman Syd Barrett, it was released as a non-album single, but appeared as the opening track of Pink Floyd, the US edition of the band's debut album The Piper at the Gates of Dawn (1967).
Syd Barrett is a 1974 double-album pairing of Syd Barrett's two solo albums, The Madcap Laughs and Barrett, both originally released in the UK in 1970.
"Jugband Blues" is a song by English rock band Pink Floyd, released on their second album, A Saucerful of Secrets, in 1968. Written by Syd Barrett, it was his sole compositional contribution to the album, as well as his last published for the band. Barrett and Pink Floyd's management wanted the song to be released as a single, but were vetoed by the rest of the band and producer Norman Smith.
"Matilda Mother" is a song by the English rock band Pink Floyd, featured on their 1967 debut album, The Piper at the Gates of Dawn. Written by Syd Barrett, it is sung mostly by Richard Wright with Barrett joining in on choruses and singing the whole last verse. It was the first song recorded for the album.
"Flaming" is a song by the English rock band Pink Floyd, featured on their 1967 debut album, The Piper at the Gates of Dawn. Written and sung by Syd Barrett, the song remained in their set until late 1968; David Gilmour sang the lead vocal after Barrett's departure.
"Arnold Layne" is a song by English rock band Pink Floyd. Released on 10 March 1967, it was the band's first single and was written by Syd Barrett.
Roger Keith "Syd" Barrett was an English singer, guitarist and songwriter who co-founded the rock band Pink Floyd in 1965. Barrett was the band's frontman and primary songwriter, known for his whimsical style of psychedelia, English-accented singing, and stream-of-consciousness writing style. As a guitarist, he was influential for his free-form playing and for employing effects such as dissonance, distortion, echo and feedback.
"Apples and Oranges" is the third UK single by Pink Floyd, the final one written by Syd Barrett, and released in 1967. The B-side was "Paint Box" written by Richard Wright. The song is about a girl whom the narrator meets at the supermarket.
Games for May was a rock music concert that took place at the Queen Elizabeth Hall on 12 May 1967, three months after the venue opened. It was one of the first significant concert events held by Pink Floyd. The show was organized by Pink Floyd managers Andrew King and Peter Jenner of Blackhill Enterprises, and promoted by classical music promoter Christopher Hunt.
The Radio One Sessions is a live album by former Pink Floyd vocalist and guitarist, Syd Barrett. It is the last Barrett album released in his lifetime before his death in 2006.
"Vegetable Man" is a song by the English rock band Pink Floyd, written by the frontman, Syd Barrett, and recorded in 1967. It was considered for a release as a single or for inclusion on their second album, A Saucerful of Secrets, but went unreleased. Bootlegged for decades, the song did not have an official release until 2016, when it was included on the box set The Early Years 1965–1972.
"Scream Thy Last Scream" is a song by Pink Floyd, written by frontman Syd Barrett and scheduled to be the band's next single after "See Emily Play".
"Bob Dylan Blues" is a song written in 1965 by Syd Barrett, the founder of Pink Floyd. Recorded during sessions for Barrett, it was unreleased until it turned up in 2001. The song was included in The Best of Syd Barrett.
Elizabeth Young, Baroness Kennet was a British writer, researcher, poet, artist, campaigner, analyst and questioning commentator.
"Baby Lemonade" is the opening track to Syd Barrett's second studio album, Barrett. "Baby Lemonade", and another song, "Gigolo Aunt", were recorded by Barrett playing and singing over a prerecorded backing track. The solo was performed by Barrett, not David Gilmour as is often noted. The intro was actually Barrett simply warming-up on guitar, that Gilmour had managed to record and placed it at the start of the album, making it seem like an intro to the song. It was included on the multi-artist Harvest compilation, A Breath of Fresh Air – A Harvest Records Anthology 1969–1974 in 2007.
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