Enchanting Grom Fright

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"Enchanting Grom Fright"
The Owl House episode
EnchantingGromFright.png
Title card of the episode
Episode no.Season 1
Episode 16
Directed byStu Livingston
Story by Dana Terrace
Rachel Vine
Molly Ostertag
Teleplay byMolly Ostertag
Production code116
Original air dateAugust 8, 2020 (2020-08-08)
Running time22 minutes
Guest appearances
Episode chronology
 Previous
"Understanding Willow"
Next 
"Wing It Like Witches"
List of episodes

"Enchanting Grom Fright" is the sixteenth episode of the first season of the American animated television series The Owl House , and the 16th episode overall. The episode first aired on Disney Channel in the United States on August 8, 2020. It was directed by Stu Livingston, and the teleplay was written by Molly Ostertag, from a story by Dana Terrace, Rachel Vine and Molly Ostertag.

Contents

The episode was noted by several critics for its reveal that secondary character Amity Blight has a crush on Luz Noceda, with many seeing it as a major step for LGBT representation in Disney media. Terrace, who is bisexual, said that she has wanted to include a bisexual character in the series, but initially struggled to get approval from Disney executives, though Disney eventually approved it.

Plot

While learning to make a Plant spell, Luz receives a text from her mother, Camila, asking how she is. Luz panics, as her mother believes that she's in a summer camp and is unaware that she's in another world learning how to be a witch, and responds that she is fine. After going to magic school Hexside, Luz discovers from friends Willow and Gus that a ceremony named "Grom", which somewhat resembles a prom, is coming to the school. Luz's other friend, Amity Blight, is selected as the Grom Queen, much to Luz's joy. However, Amity is sad about being chosen. While checking on the decorations for the Grom, Luz finds weapons, to which Amity reveals to her that the Grom Queen has to fight against Grometheus, a monster living below the school that takes the form of anybody's worst fears, to prevent it from escaping and consuming the Boiling Isles. Seeing Amity is reluctant to do this, Luz suggests talking to Principal Bump about it.

Upon returning to the Owl House, Luz learns that her mentor, Eda, will be a chaperone at the Grom, while their roommate, King, will be the dance's emcee with Gus. Later, while walking through the forest, she finds Amity, who reveals that she will be no longer Grom Queen if she can find a replacement, to which Luz offers herself. The next day, Amity and her siblings, Edric and Emira, help Luz prepare to fight Grometheus by creating illusions of her worst fears. That night, during the Grom dance, King is revealed to have stage fright and struggles to work as an emcee. Later, Luz's duel starts, and initially manages to hold off against Grometheus, until it takes the form of her greatest fear: Her mother learning of her witch training. Terrified, Luz runs from the school, causing everyone to panic, until King overcomes his stage fright and calms them down, directing the students towards the fight.

As Luz tries to run from Grometheus, Eda appears to hold it off so she can run. However, Amity shows up and apologizes to Luz for having her fight Grometheus instead of doing it herself. As Amity faces Grometheus, the monster manifests Amity's greatest fear, which is revealed to be rejection from an unknown individual whom she wanted to ask Grom as her date, by taking the individual's physical appearance and tearing Amity's invitation letter in half. Upon watching it, Luz comforts Amity and offers to accompany her instead. Luz and Amity then dance-fight against Grometheus and manages to defeat it. As everyone celebrates their victory, Luz asks whom Amity wanted to be her date, but Amity dismisses the subject and throws her letter away. The letter is then revealed to be addressed to Luz.

Back in the Owl House, Luz finally sends a text to her mother about her experiences, albeit keeping it vague enough for her to remain unaware of the Boiling Isles. Camila then responds by saying that she loves Luz's letters, which Luz believes means her texts. However, it is revealed that someone has been sending her mother letters while claiming to be Luz.

Production

"Enchanting Grom Fright" was written by Molly Ostertag under a story from Ostertag, [1] series creator Dana Terrace, and Rachel Vine, with storyboards by Charlie Bryant, Emmy Cicierega, Cat Harman-Mitchell, Hayley Foster, Madeleine Flores, Chris Pianka, and Spencer Wan. The episode was directed by Stu Livingston.

Terrace has wanted to create an episode for the series centered on a prom-like concept ever since starting development on the show. [2] She has also wanted to feature main LGBT characters in the series, as she is bisexual herself. [3] However, while the idea has been "extremely supported" by executives at Disney, it was initially unapproved by "a certain Disney leadership", but was eventually approved. [3] Wan, who storyboarded the dance sequence in the episode with Foster, referred to it as "the gay thing", and said that it was the first opportunity he had to storyboard "anything even remotely queer". [4] [3]

Early drafts for the episode had a different prom-like concept, in which "P.R.O.M." were the initials for "Perennial Ritual Offering Maiden", but was later changed during production. [2]

Reception

Luz Noceda and Amity Blight dance. Enchanting Grom Fright Dance.webp
Luz Noceda and Amity Blight dance.

The episode received universally positive reviews. Several critics highlighted the episode due to its confirmation of Amity's crush towards Luz. Several news outlets, such as Variety [5] and NY Post [6] said that the episode "made history" for including Disney's first main bisexual character. Marcelo Garcia of CBR said that the episode was "a tremendous step in the right direction for Disney, a company that has struggled with LGBTQ+ representation in recent years." [7]

Other critics also reviewed the episode positively. For instance, Palmer Harsch of Insider wrote that the episode "helped Disney Channel make a major step forward in terms of LGBTQ representation", and hoped the episode could serve as "a harbinger of further LGBTQ stories to come on Disney Channel." [8] Similarly, Kirby Beaton of BuzzFeed argued that "queer content on the Disney Channel is a huge stride in queer representation" [9] while Matt Tracy of Gay City News stated that the series' portrayal of LGBT characters is "a refreshing development considering the lack of queer representation in animated television during recent years." [10] Additionally, Petrana Radulovic of Polygon praised the dance sequence between Luz and Amity as "ADORABLE and beautifully animated." [11] At the same time, some argued that the show's LGBTQ representation falls on the shoulders of the writers and creators of The Owl House instead of Disney [12] while Michele Kirichanskaya of The Mary Sue wrote that shows like The Owl House, in tandem with She-Ra and the Princesses of Power , and The Prom , it breaks down "old heteronormative traditions" of prom itself. [13] Mey Rude of Out, reviewing a season 2 episode "Through the Looking Glass Ruins," described this episode as one of "season one’s gayest episodes" along with "Wing It Like Witches." [1]

PFLAG praised the series for its LGBTQ+ visibility, while GLAAD similarly praised it for having an "inclusive, fair, accurate, and age-appropriate world through the representation of its characters". [14] [15] Doc McStuffins creator Chris Nee praised the series' inclusivity towards LGBTQ+ characters, while also noting how she struggled with including a multiracial lesbian couple in the Doc McStuffins episode "The Emergency Plan". [16] [17] Similarly, The Owl House voice actor Alex Hirsch thanked Terrace and the production team for including LGBT characters, while noting how he was forbidden to include LGBT characters in his own show, Gravity Falls . [18] Hirsch also commented how the dancing sequence would be considered "inappropriate" by Disney in 2012, saying that Disney "did good" by allowing the scene to be featured. [19] Also, ND Stevenson, creator of She-Ra and the Princesses of Power , invited their wife and the episode's co-writer, Molly Ostertag, to Grom, sharing "Grom experience" both had experienced with followers of each person. [20]

Related Research Articles

<span class="mw-page-title-main">LGBT representation in children's television</span> Aspect of childrens television

LGBT representation in children's television is representation of LGBT topics, themes, and people in television programming meant for children. LGBT representation in children's programming was often uncommon to non-existent for much of television's history up to the 2010s, but has significantly increased since then.

Historically, the portrayal of lesbian, gay, bisexual, and transgender (LGBT) people in media has been largely negative if not altogether absent, reflecting a general cultural intolerance of LGBT individuals; however, from the 1990s to present day, there has been an increase in the positive depictions of LGBT people, issues, and concerns within mainstream media in North America. The LGBT communities have taken an increasingly proactive stand in defining their own culture, with a primary goal of achieving an affirmative visibility in mainstream media. The positive portrayal or increased presence of the LGBT communities in media has served to increase acceptance and support for LGBT communities, establish LGBT communities as a norm, and provide information on the topic.

<span class="mw-page-title-main">Queerbaiting</span> In media, hinting at but not depicting queer relationships

Queerbaiting is a marketing technique for fiction and entertainment in which creators hint at, but do not depict, same-sex romance or other LGBTQ+ representation. The purpose of this method is to attract ("bait") a queer or straight ally audience with the suggestion or possibility of relationships or characters that appeal to them, while not alienating homophobic members of the audience or censors by actually portraying queer relationships.

<span class="mw-page-title-main">Media portrayals of bisexuality</span>

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<span class="mw-page-title-main">Molly Knox Ostertag</span> American cartoonist and writer

Molly Knox Ostertag is an American cartoonist and writer. Her work includes the animated series The Owl House, webcomic Strong Female Protagonist, the middle grade graphic novel series, and on the series Tales of the Night Watchman. She was named one of Forbes magazine's 30 Under 30 in 2021.

<i>The Owl House</i> American animated television series

The Owl House is an American animated fantasy television series created by Dana Terrace that aired on Disney Channel from January 10, 2020, to April 8, 2023. The series features the voices of Sarah-Nicole Robles, Wendie Malick, Alex Hirsch, Tati Gabrielle, Issac Ryan Brown, Mae Whitman, Cissy Jones, Zeno Robinson, Matthew Rhys, Michaela Dietz, Elizabeth Grullon, and Fryda Wolff.

<span class="mw-page-title-main">Dana Terrace</span> American animator

Dana Terrace is an American animator and voice actress, best known as the creator of the Disney Channel animated series The Owl House. She is also known for storyboarding on Gravity Falls and directing on the 2017 reboot of DuckTales.

For many years, LGBT representation increased on animated series and animated films. In the 1990s, LGBT characters were depicted in animated series like South Park, The Ambiguously Gay Duo, and The Simpsons. In the early 2000s, LGBT representation increased in Western animation, culminating in GLAAD's "Where We Are in TV" report in 2005, even as representation in such animation was scattered and disparate. In the 2000s, series like Queer Duck, The Oblongs, The Venture Bros., Drawn Together, and Archer would air. It would not be until the advent of shows like Steven Universe, The Legend of Korra, and Adventure Time in the 2010s, that LGBT characters in animation would gain more of a prominent role, leading to shows such as She-Ra and the Princesses of Power in 2018 and Kipo and the Age of Wonderbeasts in 2020, along with other series in the 2020s. This page will show this progress by building off the lists of animated series which contain these characters and explain the History of LGBT characters in animation. It does not focus on LGBT characters in anime series or films, which is examined on the LGBT themes in anime and manga page.

In the 1990s, more LGBTQ characters began to be depicted in animated series than in any of the years before. The depiction of LGBTQ characters changed significantly compared to previous decades. Some of the most prominent Western animated series during this decade which featured LGBTQ characters were South Park, King of the Hill, Futurama, and The Ambiguously Gay Duo. The representation in 1990s series would also influence series in the 2000s.

<span class="mw-page-title-main">Luz Noceda</span> Fictional character from The Owl House

Luz Noceda is the protagonist of the Disney Channel animated series The Owl House, created by Dana Terrace. She is voiced by Sarah-Nicole Robles.

In the 2020s, LGBTQ representation in animated series and animated films became more pronounced than it had in the 2010s, or 2000s when it came to Western animation. This included series like The Owl House, Harley Quinn, Adventure Time: Distant Lands, RWBY, and Dead End: Paranormal Park. Series like She-Ra and the Princesses of Power, Steven Universe Future, The Hollow, and Kipo and the Age of Wonderbeasts, which had various LGBTQ characters, came to an end in 2020, and Gen:Lock came to an end in 2021. An upcoming season of Hazbin Hotel was hinted at, while an animated adaption of Lumberjanes was in development.

This article features the history of the representation of lesbian, gay, bisexual, and transgender (LGBT) characters in animated productions under The Walt Disney Company, including films from the studios Walt Disney Animation Studios and Pixar, and programming from the Disney Branded Television channels as well as the streaming service Disney+. From 1983 onward, Disney struggled with LGBTQ representation in their animated series, and their content often included LGBT stereotypes or the content was censored in series such as Blazing Dragons. Some creators have also criticized Disney studio executives of cutting LGBTQ scenes from their shows in the past, or criticized that their shows were not seen as part of the "Disney brand", like The Owl House.

<span class="mw-page-title-main">Thanks to Them</span> 1st episode of the 3rd season of The Owl House

"Thanks to Them" is the season three premiere of the American animated television series The Owl House, and the 41st overall episode of the series. The episode was written by show creator Dana Terrace, Luz Batista, and Emmy Cicierega, and directed by Bosook Coburn and Amelia Lorenz. It originally aired on October 15, 2022 on both Disney Channel and Disney XD, and was released on the former channel's official YouTube channel and Disney+ afterwards.

<span class="mw-page-title-main">Clouds on the Horizon</span> 20th episode of the 2nd season of The Owl House

"Clouds on the Horizon" is the 20th and penultimate episode of the second season of the American animated television series The Owl House. In the episode, the Covens Against the Throne try to find a way to stop the Day of Unity, which would essentially kill all life on the Boiling Isles. The plan follows Eda Clawthorne taking over Raine Whispers' place as Bard Coven Head, while Luz and her friends try to stop Abomaton production.

<span class="mw-page-title-main">Amity Blight</span> Fictional character from The Owl House

Amity Blight is a fictional character in the Disney Channel series The Owl House. She is voiced by Mae Whitman.

<span class="mw-page-title-main">Watching and Dreaming</span> 3rd episode of the 3rd season of The Owl House

"Watching and Dreaming" is the series finale of the American animated television series The Owl House. The episode served as the third and final episode of the third season, and the 43rd episode of the series overall. In the episode, Luz, after reuniting with Eda and King, manages to befriend the Collector and stop Belos from destroying the Boiling Isles.

References

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  2. 1 2 Park, Ryan (August 19, 2020). "'The Owl House' Star Wendie Malick Calls Disney's First Bisexual TV Character a "Big Step"". The Hollywood Reporter . Archived from the original on May 14, 2021. Retrieved May 20, 2021.
  3. 1 2 3 Shafer, Elise (August 17, 2020). "'The Owl House' Makes History With Disney's First Bisexual Lead Character". Variety . Archived from the original on March 14, 2021. Retrieved May 20, 2021.
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  5. Beaton, Kirby (August 15, 2020). "'The Owl House' Makes History With Disney's First Bisexual Lead Character". Variety . Archived from the original on August 17, 2020. Retrieved September 5, 2020.
  6. Brown, Lee (August 16, 2020). "'The Owl House' becomes Disney's first show with bisexual lead character". NY Post . Archived from the original on August 16, 2020. Retrieved September 5, 2020.
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  8. Harsch, Palmer (August 10, 2020). "Disney Channel's 'The Owl House' featured a beautiful, LGBTQ moment in its latest episode. It's a major step forward for the channel". Insider . Archived from the original on September 6, 2020. Retrieved September 5, 2020.
  9. Beaton, Kirby (August 21, 2020). "Disney Announced Its First Bisexual Lead In A TV Show And I'm Cuffing My Jeans In Excitement". BuzzFeed . Archived from the original on August 18, 2020. Retrieved September 5, 2020.
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  13. Kirichanskaya, Michele (September 4, 2020). "How Musical The Prom, The Owl House, and She-Ra Are Reinventing an Age-Old Heterosexual Tradition". The Mary Sue . Archived from the original on September 6, 2020. Retrieved September 22, 2021.
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