David Russell Gordon Davies is an English guitarist, singer and songwriter. He was the lead guitarist and backing vocalist for the English rock band the Kinks, which also featured his older brother Ray. Davies also sometimes undertook writing and/or lead vocals duties within the band, for example on songs such as "Death of a Clown", "Party Line", "Strangers" and "Rats". He has also embarked on a solo career, releasing several singles during the late 1960s and has since released eight solo albums.
Face to Face is the fourth studio album by the English rock band the Kinks, released on 28 October 1966. The album marked a shift from the hard-driving style of beat music that had catapulted the group to international acclaim in 1964, instead drawing heavily from baroque pop and music hall. It is their first album consisting entirely of Ray Davies compositions, and has also been regarded by critics as one of rock's first concept albums. Davies' blossoming songwriting style became increasingly observational and satirical, commenting on English culture, social class and the music industry.
Muswell Hillbillies is the tenth studio album by the English rock group the Kinks. Released in November 1971, it was the band's first album for RCA Records. The album is named after the Muswell Hill area of North London, where band leader Ray Davies and guitarist Dave Davies grew up and the band formed in the early 1960s.
Lola Versus Powerman and the Moneygoround, Part One, commonly abbreviated to Lola Versus Powerman, or simply Lola, is the eighth studio album by the English rock band the Kinks, released on 27 November 1970. A concept album, it is a satirical appraisal of the music industry, including song publishers, unions, the press, accountants, business managers, and life on the road. It marked the group's expansion to a five-piece with the addition of keyboardist John Gosling.
"Lola" is a song by the English rock band the Kinks, written by frontman Ray Davies for their 1970 album Lola Versus Powerman and the Moneygoround, Part One. The song details a romantic encounter between a young man and a possible cross-dresser or trans woman, whom he meets in a club in Soho, London. In the song, the narrator describes his confusion towards Lola, who "walked like a woman but talked like a man", yet he remains infatuated with her.
The Kinks were an English rock band formed in London in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States.
Fog on the Tyne is a 1971 album by English rock band Lindisfarne. Bob Johnston produced the album, which was recorded at Trident Studios in Soho, London, in the mid-1971 and released in October that year on Charisma Records in the United Kingdom and Elektra Records in the U.S..
"Celluloid Heroes" is a song performed by the Kinks and written by their lead vocalist and principal songwriter, Ray Davies. It debuted on their 1972 album Everybody's in Show-Biz.
Low Budget is the eighteenth studio album by English rock group the Kinks, released in 1979. It was their first to feature bassist Jim Rodford who would remain with the group until their disbandment in 1996. Following the minor success of their 1978 album Misfits, the band recorded the majority of the album in New York rather than London. Unlike the more nostalgic themes of many Kinks albums prior to Low Budget, many of the album's songs allude to contemporaneous events. Musically, the album is a continuation of the band's "arena rock" phase, resulting in a more rock-based sound and more modern production techniques.
Misfits is the seventeenth studio album by the English rock band the Kinks, released in 1978. Following the minor success of Sleepwalker in the United States, Misfits featured a more rock-oriented style than many other Kinks records of the 1970s. It was their last album to feature pianist John Gosling and the only one to feature bassist Andy Pyle as a member, both of whom quit the band following internal conflicts. Despite this, the album made the Top 40 in America. The album also contained the minor hit single "A Rock 'n' Roll Fantasy", as well as less successful releases "Live Life" and "Black Messiah".
Percy is a 1971 film soundtrack for the British comedy film Percy performed by the English rock group the Kinks with additional orchestral arrangements conducted by Stanley Myers. It was released as the band’s ninth official studio album. The songs were written by Ray Davies and include both standard rock/pop songs and instrumental numbers.
Give the People What They Want is the nineteenth studio album by the English rock group the Kinks. It was released in August 1981 in the US but not until January 1982 in Europe. It was delayed because lead singer Ray Davies wanted to produce a full-length video for the album but financing fell through. Also scrapped were plans to remix the album for the European market. It was initially aimed to be a statement on the media.
Reel to Real is the seventh and final studio album by the American rock band Love, released in 1974 by RSO Records.
To the Bone is a 1994 live album by the Kinks. Recorded partly at Konk Studios with a small audience, and partly during their 1993 American tour and the 1994 UK tour, it was reissued in an expanded edition in 1996 with two new studio tracks added. To the Bone was the band's final release before their breakup in 1996.
"Supersonic Rocket Ship" is a single recorded by British rock band The Kinks, written by Ray Davies. It was released on 5 May 1972, in the UK, and in September of that year for its US release. "Supersonic Rocket Ship" was also included as a track on the double LP Everybody's in Show-Biz, which was released on 25 August 1972, in the US and on 1 September in the UK. Everybody's in Show-Biz also yielded the song "Celluloid Heroes", which, although not a hit, has become one of The Kinks' most popular songs.
"20th Century Man" is a song recorded by the English rock band the Kinks. It was released as a single in December 1971 from the band's 1971 LP Muswell Hillbillies, an album with blues and country roots. It centered on such themes as poverty, housing development, alienation, the welfare state, and other troubles of the modern world.
Preservation Act 2 is a 1974 concept album by the English rock band the Kinks, and their thirteenth studio album. It sold poorly, and received a mixed response among critics. Ken Emerson, in Rolling Stone, held out the album as an "underrated" one in the Kinks' repertoire.
"Sitting in My Hotel" is a song written by Ray Davies that was first released on The Kinks' 1972 album Everybody's in Show-Biz. It was also released on several compilation albums and as the B-side of the "Sweet Lady Genevieve" single. It is one of Davies' more introspective songs, musing about the cost of fame and stardom, and thus contributes to the album's theme of the difficulties of life on the road.
"Drivin'" is a song written by Ray Davies of the Kinks which appeared on that group's 1969 concept album Arthur . It was released in the UK as the first single from the album, but failed to chart.
"She's Got Everything" is a song written by Ray Davies and released by English rock band the Kinks. It first appeared as the B-side of the Kinks' 1968 single, "Days".
[1] 
