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 Eye Magazine, No 97, Autumn 2018. Cover by Tom Gauld | |
| Editor | John L. Walters |
|---|---|
| Frequency | Quarterly |
| Publisher | Eye Magazine Ltd. |
| First issue | 1990 |
| Company | Eye Magazine Ltd. |
| Country | United Kingdom |
| Based in | London, England |
| Language | English |
| Website | eyemagazine |
| ISSN | 0960-779X |
Eye magazine is a quarterly print magazine on graphic design and visual culture.
First published in London in 1990, Eye was founded by Rick Poynor, a prolific writer on graphic design and visual communication. Poynor edited the first twenty-four issues (1990–1997). Max Bruinsma was the second editor, editing issues 25–32 (1997–1999), before its current editor John L. Walters took over in 1999. Stephen Coates was art director for issues 1–26, Nick Bell was art director from issues 27–57, and Simon Esterson has been art director since issue 58.
Frequent contributors include Phil Baines, Steven Heller, John-Patrick Hartnett, Richard Hollis, Paul Kahn, Robin Kinross, Jan Middendorp, J. Abbott Miller, John O'Reilly, Rick Poynor, Elizabeth Resnick, Alice Twemlow, Kerry William Purcell, Steve Rigley, Adrian Shaughnessy, David Thompson, Christopher Wilson, Steve Hare and many others. Recent issues have included photographs by Philip Sayer, Maria Spann and Francesco Brembati.
Other contributors have included Nick Bell (creative director from issues 27-57), whose article "The steamroller of branding" (published in Eye 53, the "Brand madness" special issue) is frequently cited in discussions about branding. [1] Other contributors have included Louise Sandhaus, Gavin Bryars, Anne Burdick, Brendan Dawes, Simon Esterson (art director since issue 58), Malcolm Garrett, Anna Gerber, Jonathan Jones, Emily King, Ellen Lupton, Russell Mills, Quentin Newark, Tom Phillips, Robin Rimbaud, Stefan Sagmeister, Sue Steward, Erik Spiekermann, Teal Triggs, Val Williams and Judith Williamson.
The magazine has had five publishers: Wordsearch, Emap, Quantum Publishing, Haymarket Brand Media and Eye Magazine Ltd, formed by John L. Walters, Simon Esterson and Hannah Tyson in April 2008, after a management buyout. [2]
Emigre Fonts is a digital type foundry based in Berkeley, California, that was founded in 1985 by husband-and-wife team Rudy VanderLans and Zuzana Licko. The type foundry grew out of Emigre magazine, a publication founded by VanderLans and two Dutch friends who met in San Francisco, CA in 1984. Note that unlike the word émigré, Emigre is officially spelled without accents.
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Emigre was a (mostly) quarterly magazine published from 1984 until 2005 in Berkeley, California, dedicated to visual communication, graphic design, typography, and design criticism. Produced by Rudy VanderLans and Zuzana Licko, Emigre was known for creating some of the very first digital layouts and typeface designs. Exposure to Licko's typefaces through the magazine lead to the creation of Emigre Fonts in 1985.
Peter Andrew Saville is an English art director and graphic designer. He came to prominence for the many record sleeves he designed for Factory Records, which he co-founded in 1978 alongside Tony Wilson and Alan Erasmus.
Zuzana Licko is a Slovak-born American type designer and visual artist known for co-founding Emigre Fonts, a digital type foundry in Berkeley, CA. She has designed and produced numerous digital typefaces including the popular Mrs Eaves, Modula, Filosofia, and Matrix. As a corresponding interest she also creates ceramic sculptures, textile prints and jacquard weavings.
Rudy VanderLans is a Dutch graphic designer, photographer, and the co-founder of Emigre Fonts with his wife Zuzana Licko. Emigre Fonts is an independent type foundry in Berkeley, CA. He was also the art director and editor of Emigre magazine, the legendary journal devoted to visual communications from 1984 to 2005. Since arriving in California in 1981, he has been photographing his adoptive Golden State as an ongoing side project. He has authored a total of 11 photo books on the topic, and staged two solo exhibits at Gallery 16 in San Francisco.
Blueprint was an architecture and design magazine that has been published in the UK between 1983 and 2020.
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John L. Walters is an English editor, musician, critic and composer.
Rick Poynor is a British writer on design, graphic design, typography, and visual culture.
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Alice Twemlow is a writer, critic and educator from the United Kingdom whose work focuses on graphic design. She has been a guest critic at the Yale University School of Art, Maryland Institute College of Art (MICA), and Rhode Island School of Design (RISD). In 2006, the School of Visual Arts (SVA) in New York named Twemlow the chair and co-founder of its Master of Fine Arts in Design Criticism (D-Crit). According to her SVA biography: “Alice Twemlow writes for Eye, Design Issues, I.D., Print, New York magazine and The Architect’s Newspaper.” Twemlow is also a contributor to the online publication: Voice: AIGA Journal of Design. In 2012 Core77 selected Twemlow as a jury captain for the “Design Writing and Commentary” category of the Core77 Design Awards. Twemlow was head of the MA in Design Curating & Writing at Design Academy Eindhoven, 2017-2018, and is now Lector Design at the Royal Academy of Fine Arts (KABK) in The Hague, and Associate Professor at Leiden University.
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Design Observer is a website devoted to a range of design topics including graphic design, social innovation, urbanism, popular culture, and criticism. The content of the site includes essays, articles, reviews, blog posts, and peer reviewed scholarship. It is the host of the architecture and urban design publication Places and the podcast Design Matters with Debbie Millman.
Robert Massin was a French graphic designer, art director and typographer, notable for his innovative experimentation with expressive forms of typographic composition. Massin stopped using his first name in the 1950s.
Max Bruinsma is a Dutch design critic, editor, curator, and educator.