"Fly" is a song by American rock band Sugar Ray. It appears on their 1997 album Floored twice: one version with reggae artist Super Cat and the other without. The song was serviced to US radio in May 1997.
"Bent" is a song by American alternative rock band Matchbox Twenty. The rock ballad was shipped to radio on April 17, 2000, as the lead single from their second album, Mad Season, and was given a commercial release in the United States on July 5, 2000. "Bent" became the band's first and only song to top the US Billboard Hot 100, reaching number one on the chart dated July 22, 2000, and spending one week at the position. The song also topped the RPM 100 Hit Tracks chart in Canada for five nonconsecutive weeks. "Bent" was nominated for Best Rock Song at the 43rd Annual Grammy Awards and won the award for Most Performed Foreign Work at the APRA Music Awards of 2001.
"LA Song" (subtitled "LA Song (Out of This Town)" on the single release) is a song by American singer-songwriter Beth Hart, released as the first single from her second album, Screamin' for My Supper, on July 20, 1999. While it reached only No. 90 on the US Billboard Hot 100, it was an Adult Top 40 top-10 hit and reached No. 1 in New Zealand in February 2000.
"Everyday Is a Winding Road" is the second single from American singer and songwriter Sheryl Crow's 1996 eponymous album. Neil Finn, lead singer of Crowded House, provides backing vocals. Paul Hester, another member of Crowded House, was the inspiration for the song. The single was issued in the United Kingdom in November 1996 and was released in the United States the following year.
"It's All Been Done" is a song by Canadian alternative rock group Barenaked Ladies. It was released as the second single from their fourth studio album, Stunt (1998). The song was successful in Canada, peaking at No. 1 on the RPM 100 Hit Tracks chart and becoming the band's highest-charting song in their native country. The song was used as the theme song for the television series Baby Blues. The song is also notable for being one of the band's first to feature an electric guitar solo by Ed Robertson.
"Slide" is a song by American alternative rock group Goo Goo Dolls. It was released as the first single from their sixth studio album, Dizzy Up the Girl, in September 1998. According to lead guitarist John Rzeznik, the song is about a Catholic girl who becomes pregnant and discusses with her boyfriend how they should respond to it. Musically, the track is a jangle pop and alternative rock song.
"3AM" is the third single and the third track from American rock band Matchbox 20's debut album, Yourself or Someone Like You (1996). Written by Rob Thomas, Jay Stanley, John Leslie Goff, and Brian Yale, the song was inspired by Thomas dealing with his mother's cancer as a teenager. The song was officially serviced to US modern rock radio in October 1997 and was given a commercial release outside North America the following month.
"Push" is a song by American rock band Matchbox Twenty. It was released in 1997 as the second single from their debut album, Yourself or Someone Like You (1996). After landing "Long Day" on several rock radio stations paving the way, "Push" topped the US Modern Rock Tracks chart and became one of the band's signature songs.
"This Kiss" is a song by American country music singer Faith Hill from her third studio album Faith. It was written by Beth Nielsen Chapman, Robin Lerner and Annie Roboff, and produced by Hill and Byron Gallimore. It was released on February 23, 1998, as the album's first single.
"You Wanted More" is a song by Los Angeles band Tonic that originally appeared in the 1999 film American Pie. It was released on June 7, 1999, and was also featured on Tonic's second album, Sugar, released later in the year. The single peaked at number three on the US Billboard Bubbling Under Hot 100 chart and reached the same position on the Billboard Mainstream Rock Tracks chart, as well as on the Canadian RPM Rock Report.
"Every Morning" is a song by American rock band Sugar Ray, released as the lead single from their third studio album, 14:59 (1999). The track is an alternative rock and flamenco pop song that references Malo's "Suavecito" and Hugh Masekela's "Grazing in the Grass". Serviced to US radio in December 1998, "Every Morning" was released in Japan in January 1999 and in the United States two months later, making it Sugar Ray's first commercially available single in the US.
"Lullaby" is a song by American rock singer Shawn Mullins from his fourth studio album, Soul's Core (1998). It was released in August 1998 and is Mullins' most successful song to date, reaching number one on the US Billboard Adult Top 40, number seven on the Billboard Hot 100, and number nine on the Billboard Modern Rock Tracks chart. It also found success abroad, reaching number nine on the UK Singles Chart, number five in Australia, and number two in Canada.
"Real World" is a song by American rock group Matchbox 20. It was released in March 1998 as the fourth single from their debut album, Yourself or Someone Like You. The single was initially ineligible to chart on the US Billboard Hot 100 due to not receiving a physical release in North America; it instead peaked at number nine on the Billboard Hot 100 Airplay chart in August 1998. However, in December 1998, the Hot 100 chart rules were changed to allow airplay-only singles to chart, and "Real World" became the band's first single to enter the listing, debuting and peaking at number 38. Worldwide, "Real World" reached number five in Canada and number 40 in Australia.
"Back 2 Good" is a song by American rock band Matchbox 20, released as the fifth single from their 1996 debut album, Yourself or Someone Like You, in September 1998.
"Sweet Surrender" is a song by Canadian singer Sarah McLachlan. It was released in 1997 as the second single from her fourth studio album, Surfacing (1997). The song peaked at number two in Canada and number 28 on the US Billboard Hot 100. In 2001, a maxi-single with remixes by DJ Tiësto was released peaking at number six on the US Hot Dance Club Play chart, three years after its original release.
"When It's Over" is a song by American rock band Sugar Ray. It was released to all radio formats on May 7, 2001, as the lead single from their self-titled fourth album (2001). The song reached number six in New Zealand, number 13 on the US Billboard Hot 100, and number 32 on the UK Singles Chart.
"Someday" is a song by American rock band Sugar Ray. First serviced to American radio in June 1999, the song was released on September 7, 1999, as the second US single and third single overall from the band's third album, 14:59 (1999). The song reached number seven on both the US Billboard Hot 100 and Billboard Modern Rock Tracks charts, number four on Canada's RPM 100 Hit Tracks chart, and number 25 in New Zealand.
"The Difference" is a song by American rock band the Wallflowers. It was released in 1997 as the third single from their second album, Bringing Down the Horse (1996). The song spent eight weeks at number three on the US Billboard Mainstream Rock Tracks chart and peaked at number five on the Modern Rock Tracks chart. It was nominated for a Grammy Award for Best Rock Song in 1998. "The Difference" also peaked at number 12 in Canada, topping the RPM Alternative 30 chart.
Everything Falls Apart is a song by American band Dog's Eye View, written by lead vocalist Peter Stuart. The song is the lead single from Dog's Eye View's debut album, Happy Nowhere, released in January 1996 by Columbia Records. It received considerable airplay on radio, MTV and VH1, reaching the top 40 on multiple US Billboard charts. Internationally, the single charted in Canada and New Zealand, peaking at numbers five and 41, respectively.
"Old Man & Me " is a song by American rock group Hootie & the Blowfish. It was released in April 1996 as the lead single from their second album, Fairweather Johnson. In the United States, it peaked at number 13 on the Billboard Hot 100, number 18 on the Billboard Adult Contemporary chart, and number six on the Billboard Mainstream Rock chart. The song also reached number one in Canada, becoming the band's third and final single to do so.
