The Cyrillic script, Slavonic script or the Slavic script, is a writing system used for various languages across Eurasia. It is the designated national script in various Slavic, Turkic, Mongolic, Uralic, Caucasian and Iranic-speaking countries in Southeastern Europe, Eastern Europe, the Caucasus, Central Asia, North Asia, and East Asia, and used by many other minority languages.
Q, or q, is the seventeenth letter of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is pronounced, most commonly spelled cue, but also kew, kue and que.
Type design is the art and process of designing typefaces. This involves drawing each letterform using a consistent style. The basic concepts and design variables are described below.
A typeface is a design of letters, numbers and other symbols, to be used in printing or for electronic display. Most typefaces include variations in size, weight, slope, width, and so on. Each of these variations of the typeface is a font.
Helvetica, also known by its original name Neue Haas Grotesk, is a widely used sans-serif typeface developed in 1957 by Swiss typeface designer Max Miedinger and Eduard Hoffmann.
Fraktur is a calligraphic hand of the Latin alphabet and any of several blackletter typefaces derived from this hand. Letters are designed such that the individual strokes are broken apart; in this way it is often contrasted with the curves of the Antiqua (common) typefaces where the letters are designed to flow and strokes connect together in a continuous fashion. The word "Fraktur" derives from Latin frāctūra, built from frāctus, passive participle of frangere, the same root as the English word "fracture".
Frutiger is a series of typefaces named after its Swiss designer, Adrian Frutiger. Frutiger is a humanist sans-serif typeface, intended to be clear and highly legible at a distance or at small text sizes. A very popular design worldwide, type designer Steve Matteson described its structure as "the best choice for legibility in pretty much any situation" at small text sizes, while Erik Spiekermann named it as "the best general typeface ever".
In writing and typography, a ligature occurs where two or more graphemes or letters are joined to form a single glyph. Examples are the characters æ and œ used in English and French, in which the letters 'a' and 'e' are joined for the first ligature and the letters 'o' and 'e' are joined for the second ligature. For stylistic and legibility reasons, 'f' and 'i' are often merged to create 'fi' ; the same is true of 's' and 't' to create 'st'. The common ampersand (&) developed from a ligature in which the handwritten Latin letters 'E' and 't' were combined.
In digital typography, Lucida Sans Unicode OpenType font from the design studio of Bigelow & Holmes is designed to support the most commonly used characters defined in version 1.0 of the Unicode standard. It is a sans-serif variant of the Lucida font family and supports Latin, Greek, Cyrillic and Hebrew scripts, as well as all the letters used in the International Phonetic Alphabet.
Lucida is an extended family of related typefaces designed by Charles Bigelow and Kris Holmes and released from 1984 onwards. The family is intended to be extremely legible when printed at small size or displayed on a low-resolution display – hence the name, from 'lucid'.
There are Unicode typefaces which are open-source and designed to contain glyphs of all Unicode characters, or at least a broad selection of Unicode scripts. There are also numerous projects aimed at providing only a certain script, such as the Arabeyes Arabic font. The advantage of targeting only some scripts with a font was that certain Unicode characters should be rendered differently depending on which language they are used in, and that a font that only includes the characters a certain user needs will be much smaller in file size compared to one with many glyphs. Unicode fonts in modern formats such as OpenType can in theory cover multiple languages by including multiple glyphs per character, though very few actually cover more than one language's forms of the unified Han characters.
Myriad is a humanist sans-serif typeface designed by Robert Slimbach and Carol Twombly for Adobe Systems. Myriad was intended as a neutral, general-purpose typeface that could fulfill a range of uses and have a form easily expandable by computer-aided design to a large range of weights and widths.
Century Gothic is a digital sans-serif typeface in the geometric style, released by Monotype Imaging in 1991. It is a redrawn version of Monotype's own Twentieth Century, a copy of Bauer's Futura, to match the widths of ITC Avant Garde Gothic. It is an exclusively digital typeface that has never been manufactured as metal type.
In metal typesetting, a font is a particular size, weight and style of a typeface. Each font is a matched set of type, with a piece for each glyph. A typeface consists of various fonts that share an overall design.
Rotis is a typeface developed in 1988 by Otl Aicher, a German graphic designer and typographer. In Rotis, Aicher explores an attempt at maximum legibility through a highly unified yet varied typeface family that ranges from full serif, glyphic, and sans-serif. The four basic Rotis variants are:
Microsoft Sans Serif is a sans-serif typeface introduced with early Microsoft Windows versions. It is the successor of MS Sans Serif, formerly Helv, a proportional bitmap font introduced in Windows 1.0. Both typefaces are very similar in design to Arial and Helvetica. The typeface was designed to match the MS Sans bitmap included in the early releases of Microsoft Windows.
Script typefaces are based upon the varied and often fluid stroke created by handwriting. They are generally used for display or trade printing, rather than for extended body text in the Latin alphabet. Some Greek alphabet typefaces, especially historically, have been a closer simulation of handwriting.
Noto is a font family comprising over 100 individual fonts, which are together designed to cover all the scripts encoded in the Unicode standard. As of October 2016, Noto fonts cover all 93 scripts defined in Unicode version 6.1, although fewer than 30,000 of the nearly 75,000 CJK unified ideographs in version 6.0 are covered. In total, Noto fonts cover nearly 64,000 characters, which is under half of the 149,186 characters defined in Unicode 15.0.
Freestyle Script is an informal display script typeface that was designed by Colin Brignall in 1969 and Martin Wait in 1981, by Letraset. Freestyle Script is famously used for commercials in 1980s, birthday cards, decorative, logos and many others. The bold version was designed in 1986. The publishers of this font are Adobe, ITC, Monotype Imaging, Elsner+Flake, Esselte Corporation, Scangraphic Type, Linotype, Image Club, and Letraset. This font has few versions, namely Regular, Bold, LT, Plain, LET, EF, SB, SH, SH Reg Alt, and SB Reg Alt. Freestyle Script font supports up to 78 different languages for cursive (plain) and 33 different languages for other styles. The Cyrillic version of Freestyle Script was created in 1993, consisting of the glyphs in Latin supplement. The font has been included in MyFonts since 2000.
