Noah's Ark is a 1928 American part-talkie epic disaster film directed by Michael Curtiz and starring Dolores Costello and George O'Brien. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The story is by Darryl F. Zanuck. The film was released by the Warner Bros. studio. Most scenes are silent with a synchronized music score and sound effects, in particular the biblical ones, while some scenes have dialogue.
Paris is a 1929 American pre-Code musical comedy film, featuring Irène Bordoni. It was filmed with Technicolor sequences: four of the film's ten reels were originally photographed in Technicolor.
Beggars of Life is an American part-talkie sound film that was directed by William Wellman. Although the film featured sequences with audible dialogue, the majority of the film had a synchronized musical score with sound effects. The film was released on both sound-on-disc and sound-on-film formats. Currently circulating are mute prints from the sound-on-disc version. The majority of the sound discs are believed to be lost.
The Terror is a 1928 American pre-Code horror film written by Harvey Gates and directed by Roy Del Ruth, based on the 1927 play of the same name by Edgar Wallace. It was the second "all-talking" motion picture released by Warner Bros., following Lights of New York. It was also the first all-talking horror film, made using the Vitaphone sound-on-disc system.
Miss Nobody is a 1926 American silent drama film produced and distributed by First National Pictures and directed by Lambert Hillyer. The film is based on a short story by Tiffany Wells titled "Shebo"; the likely feminine pronunciation of hobo. The stars of the film were Anna Q. Nilsson and Walter Pidgeon, then in an early role in his career. The plot of this film bears a striking resemblance to Beggars of Life, made two years later at Paramount.
Sal of Singapore is a 1928 American sound part-talkie drama film directed by Howard Higgin. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The film's sets were designed by the art director Edward C. Jewell. Complete prints of the film exist.
Outcast is a 1928 American synchronized sound drama film produced and distributed by First National Pictures. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. It was directed by William A. Seiter and stars Corinne Griffith, often considered one of the most beautiful women in film. This story had been filmed in 1917 as The World and the Woman with Jeanne Eagels. In 1922 a Paramount film of the same name with Elsie Ferguson reprising her stage role was released. Both films were based on a 1914 play, Outcast, by Hubert Henry Davies which starred Ferguson. The Seiter/Griffith film was an all silent with Vitaphone music and sound effects. In the sound era the story was filmed once again as The Girl from 10th Avenue starring Bette Davis. According to the Library of Congress database shows a print surviving complete at Cineteca Italiana in Milan.
A Sailor's Sweetheart is a 1927 Warner Bros. synchronized sound film comedy directed by Lloyd Bacon. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Vitaphone sound-on-disc process. It stars Louise Fazenda and Clyde Cook.
Taxi 13 is a 1928 sound part-talkie film comedy produced and distributed by Film Booking Offices of America and directed by Marshall Neilan. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the RCA Photophone sound-on-film system. The film stars Chester Conklin in what is FBO's first film with a pre-recorded soundtrack.
Beware of Bachelors is a 1928 American part-talkie pre-code comedy drama film produced and released by Warner Bros., and directed by Roy Del Ruth. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The movie stars Audrey Ferris, William Collier Jr., Margaret Livingston, Clyde Cook, and George Beranger. The film was based on a short story by Mark Canfield.
House of Horror is a 1929 American sound part-talkie comedy mystery film directed by Benjamin Christensen. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film stars Louise Fazenda and Chester Conklin. The film portion of the House of Horror is now presumed lost while the sound survives on Vitaphone discs.
Hard to Get is a 1929 American all-talking sound pre-Code comedy film directed by William Beaudine and starring Dorothy Mackaill, Charles Delaney and James Finlayson.
Not Quite Decent is a 1929 American sound part-talkie Pre-Code film, produced and distributed by Fox Film Corporation, directed by Irving Cummings, and starring June Collyer and Louise Dresser. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Movietone sound-on-film system.
The Bush Leaguer is a lost 1927 American synchronized sound comedy film directed by Howard Bretherton and starring Monte Blue and Leila Hyams. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Vitaphone sound-on-disc process. The film was produced and distributed by the Warner Bros..
Simple Sis is a 1927 American silent comedy-melodrama directed by Herman C. Raymaker and starring Louise Fazenda as a poor, plain laundress hoping for romance, supported by Clyde Cook as a shy suitor and Myrna Loy as a cruel beauty.
Finger Prints is a 1927 American silent comedy crime film directed by Lloyd Bacon and starring Louise Fazenda, John T. Murray, and Helene Costello.
Pay as You Enter is a 1928 American synchronized sound comedy film directed by Lloyd Bacon and starring Louise Fazenda, Clyde Cook and William Demarest. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process.
Hot Stuff is a 1929 American sound part-talkie comedy film directed by Mervyn LeRoy and written by Robert S. Carr, Humphrey Pearson and Louis Stevens. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The sound was recorded via the Vitaphone sound-on-disc process. The film stars Alice White and features Louise Fazenda, William Bakewell, Doris Dawson, Ben Hall and Charles Sellon. The film was released by First National Pictures on May 5, 1929.
Mother Knows Best is a lost 1928 American sound part-talkie film directed by John G. Blystone, based on a novel by Edna Ferber, fictionalizing the life of vaudevillian Elsie Janis. The film was Fox's first part talkie, using the Movietone sound system which had primarily been used for synchronised music scores and effects tracks in Fox features beforehand, although as early as "Mother Machree" (1928), a single synchronous singing sequence was included in the film. The talking sequences in Mother Knows Best were directed by actor Charles Judels, while the synchronized sequences were directed by John G. Blystone. The film starred Madge Bellamy, with Louise Dresser as her domineering mother, Barry Norton, and Albert Gran.
Domestic Troubles is a lost 1928 American synchronized sound comedy film directed by Ray Enright and starring Clyde Cook, Louise Fazenda and Betty Blythe. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. The film was produced and released by Warner Brothers.
