Parliament-Funkadelic is an American music collective of rotating musicians headed by George Clinton, primarily consisting of the funk bands Parliament and Funkadelic, both active since the 1960s. Their eclectic style has drawn on psychedelia, outlandish fashion, and surreal humor. They released albums such as Maggot Brain (1971), Mothership Connection (1975), and One Nation Under a Groove (1978) to critical praise, and scored charting hits with singles such as "Tear the Roof Off the Sucker" (1975) and "Flash Light" (1978). Overall, the collective achieved thirteen top ten hits in the American R&B music charts between 1967 and 1983, including six number one hits. Their work would have an influential effect on subsequent funk, post-punk, hip-hop, and techno artists of the 1980s and 1990s, while their collective mythology would help pioneer Afrofuturism.
Parliament was an American funk band formed in the late 1960s by George Clinton as a flagship act of his P-Funk collective. Evolving out of an earlier vocal group, Parliament became associated with a more commercial and less rock-oriented sound than its sister act Funkadelic. Their work incorporated Afrofuturism concepts, horn arrangements, synthesizer, and outlandish theatrics. The band scored a number of Top 10 hits, including the million-selling 1976 single "Give Up the Funk ," and Top 40 albums such as Mothership Connection (1975).
The P-Funk mythology is a group of recurring characters, themes, and ideas primarily contained in the output of George Clinton's bands Parliament and Funkadelic. This "funkology" was outlined in album liner notes and song lyrics, in addition to album artwork, costumes, advertisements, and stage banter. P-Funk's "Dr. Seussian afrofunk" is often cited as a critical component of the Afrofuturism movement.
Funkadelic was an American funk rock band formed in Plainfield, New Jersey in 1968 and active until 1982. As one of the two flagship groups of George Clinton's P-Funk collective, they helped pioneer the funk music culture of the 1970s. Funkadelic initially formed as a backing band for Clinton's vocal group the Parliaments, but eventually pursued a heavier, psychedelic rock-oriented sound in their own recordings. They released acclaimed albums such as Maggot Brain (1971) and One Nation Under a Groove (1978).
George Bernard Worrell, Jr. was an American keyboardist and record producer best known as a founding member of the Parliament-Funkadelic collective. In later years, he also worked with acts such as Talking Heads, Bill Laswell, and Jack Bruce. He is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic. Worrell was described by journalist Jon Pareles as "the kind of sideman who is as influential as some bandleaders," with his use of synthesizers particularly impactful on funk and hip hop.
Tales of Kidd Funkadelic is the eighth studio album by the band Funkadelic, released in September 1976. It was their final album on the Westbound record label. The tracks were recorded during the same sessions as their first release for Warner Brothers Records, Hardcore Jollies; which was released a month later. Two tracks from Tales of Kidd Funkadelic, the single “Undisco Kidd” and the party anthem “Take Your Dead Ass Home!” have been staples in the band’s live performances since the album’s 1976 release, and can be heard on the 1977 Parliament concert album Live: P-Funk Earth Tour. The album opener “Butt-To-Buttresuscitation” and the song “I’m Never Gonna Tell It” were included in the band’s live shows during the early 2000s. The song "Let's Take It to the People" has been sampled by hip-hop band A Tribe Called Quest for their song "Everything Is Fair", on their album The Low End Theory.
William Earl "Bootsy" Collins is an American bass guitarist, singer-songwriter, and record producer.
Stretchin' Out in Bootsy's Rubber Band is the first album by American funk and soul band Bootsy's Rubber Band, an offshoot act of Parliament-Funkadelic led by bassist and vocalist William "Bootsy" Collins. It was released on January 30, 1976, on Warner Bros. Records.
Funkentelechy vs. the Placebo Syndrome is the sixth studio album by the American funk band Parliament, released in 1977.
Gloryhallastoopid (Or Pin the Tale on the Funky) is the eighth album by the American funk band Parliament. It was their penultimate album on the Casablanca Records label, and is another concept album that tries to explain that Funk was responsible for the creation of the universe (see P Funk mythology). It reuses samples from previous albums, notably Mothership Connection and Funkentelechy vs. the Placebo Syndrome.
Trombipulation is the ninth album by the funk band Parliament. It was released by Casablanca Records. It was the last album of original material produced by the group for 38 years, until Medicaid Fraud Dogg in 2018. Unlike previous Parliament albums, George Clinton did not serve as sole producer of the album, as other P-Funk figures assisted in producing individual tracks. Bassist Bootsy Collins emerged as the principal musician on this album, playing virtually all of the instruments on a number of tracks. The track "Let's Play House" was sampled by the hip-hop group Digital Underground for their single "The Humpty Dance".
Unpredictable is the second solo studio album by American rapper Mystikal. It was released on November 11, 1997, by No Limit Records and Jive Records, making it his first album for the label. Production was handled by Beats By The Pound, DJ Daryl, Rick Rock, Studio Ton and The Legendary Traxster, with Master P serving as executive producer. It features guest appearances from Master P, Silkk the Shocker, O'Dell, B-Legit, E-40, Fiend, Mac, Mia X, and Snoop Doggy Dogg, who made his first appearance on a No Limit Records album, however he had not yet signed with the label and is credited as still being signed to Death Row Records in the album's liner notes.
All The Woo In The World is the debut funk album by Parliament-Funkadelic keyboardist Bernie Worrell, released in 1978 by Arista Records. The album was produced by Bernie Worrell and P-Funk leader George Clinton and features various P-Funk alumni including Garry Shider, Bootsy Collins, Junie Morrison, Billy Bass Nelson, and Eddie Hazel.
"Aqua Boogie (A Psychoalphadiscobetabioaquadoloop)" is a song by funk band Parliament. The track was released from their 1978 album, Motor Booty Affair. The song describes being compelled to learn to swim despite the persistent fear of water and drowning, comparing it to the reluctance to dance.
Bootsy? Player of the Year is the third album by the American funk band Bootsy's Rubber Band. The album was released on Warner Bros. Records on January 20, 1978. At the height of the album's popularity, it competed head to head with Bootsy Collins' mentor George Clinton and his band Parliament, who had released the album Funkentelechy Vs. the Placebo Syndrome just two months earlier. The album was produced by Clinton and Collins and arranged by "The Player". The original vinyl version of the album contained a pair of cut out star shaped eyeglasses.
This Boot Is Made for Fonk-N is the fourth album by the American funk band Bootsy's Rubber Band, released through Warner Bros. Records in 1979. Unlike previous albums by Bootsy's Rubber Band, the album did not generate any hit singles. The album was more experimental in nature than previous efforts. It would also mark the last time that the name "Bootsy's Rubber Band" would be used on a Bootsy Collins related project until the 1982 12" single release "Body Slam". This Boot Is Made for Fonk-N peaked at number 9 on the Billboard Top R&B/Hip-Hop Albums chart and number 52 on the Billboard 200 album chart.
A Blow for Me, a Toot to You is a 1977 album by funk musician Fred Wesley and the Horny Horns featuring Maceo Parker.
Blacktronic Science is the third solo album by the former Parliament-Funkadelic keyboardist Bernie Worrell. The album was released by Gramavision Records in 1993.
"The Pinocchio Theory" is a 1977 single by the American Funk band Bootsy's Rubber Band. It was released by Warner Bros. Records on February 9, 1977. The single first charted in Billboard magazine's Hot Soul Singles chart in March 1977 where it peaked at number six. The B-side of "The Pinocchio Theory" is "Rubber Duckie".
