Flip book

Last updated

illustration of the Kineograph in Linnett's 1868 patent 1868 linett kineograph patent fig. III.jpg
illustration of the Kineograph in Linnett's 1868 patent

A flip book, flipbook, [1] flicker book, or kineograph is a booklet with a series of images that very gradually change from one page to the next, so that when the pages are viewed in quick succession, the images appear to animate by simulating motion or some other change. Often, flip books are illustrated books for children, but may also be geared toward adults and employ a series of photographs rather than drawings. Flip books are not always separate books, but may appear as an added feature in ordinary books or magazines, frequently using the page corners. Software packages and websites are also available that convert digital video files into custom-made flip books.

Contents

Functionality

Rather than "reading" left to right, a viewer simply stares at the same location of the images in the flip book as the pages turn. The booklet must be flipped through with enough speed for the illusion to work, so the standard way to "read" a flip book is to hold the booklet with one hand and flip through its pages with the thumb of the other hand. The German word for flip book—Daumenkino, which translates to "thumb cinema"—reflects this process, the photographic progression integral to film.

An example of a flip book being used

History and cultural uses

A flip book Daumenkino kol.jpg
A flip book

It has sometimes been assumed that the relatively simple flip book has been around since long before the invention of the more complicated nineteenth-century animation devices such as the phenakistiscope (1832) and the zoetrope (1866), but no conclusive evidence has been found.

There are some medieval illuminated books with sequential images, such as Sigenot (circa 1470). [2] The illustrations in Sigenot are consistently framed and have short intervals between different phases of action, but the images cannot produce the illusion of a fluent motion. The necessary notion of instances smaller than a second would not really develop before the nineteenth century. [3]

The oldest known documentation of the flip book appeared on 18 March 1868, when it was patented by John Barnes Linnett under the name Kineograph ("moving picture"). They were the first form of animation to employ a linear sequence of images rather than circular (as in the older phenakistoscope). The German film pioneer, Max Skladanowsky, first exhibited his serial photographic images in flip book form in 1894, as he and his brother Emil did not develop their own film projector until the following year. In 1894, Herman Casler invented a mechanized form of flip book called the Mutoscope, which mounted the pages on a central rotating cylinder rather than binding them in a book. The mutoscope remained a popular attraction through the mid-twentieth century, appearing as coin-operated machines in penny arcades and amusement parks. In 1897, the English filmmaker Henry William Short marketed his "Filoscope", which was a flip book placed in a metal holder to facilitate flipping.

By 1948, an "automated multiple camera" for the production of "Pocket Movie flip book" portraits was marketed in the USA. [4] This was a relatively early use of the term "flip book" that turned more common from the 1950s onward. [5]

Now flipbooks are largely considered a toy or novelty for children and were once a common "prize" in cereal and Cracker Jack boxes. However, in addition to their role in the birth of cinema, they have also been an effective promotional tool since their creation for such decidedly adult products as automobiles and cigarettes. They continue to be used in marketing today, as well as in art and published photographic collections. Vintage flip books are popular among collectors, and especially rare ones from the late nineteenth to the early twentieth century have been known to fetch thousands of dollars in sales and auctions.

A type of flip book figures prominently in the rise in fortunes of the fictional artist Tateh in Ragtime written by E. L. Doctorow and published in 1975 later included in the film and musical adaptations of the book.

Since 2007, Walt Disney Animation Studios has started its films with a production logo that initially evokes a flip book. It starts with a view of an empty page of paper, then as the pages start to turn, details are drawn in to reveal Mickey Mouse in Steamboat Willie .

The first international flip book festival was held in 2004, by the Akademie Schloss Solitude in Stuttgart. Another international flip book festival was held in Linz, Austria in 2005.

In 2010, Hungary postal services released a flip book of stamps depicting a moving gömböc. [6] The Israel Philatelic Federation released an "Israeli Animation Stamp Booklet" in November 2010 with 15 stamps designed by Mish to be animated when flipping the pages. It commemorated the 50th anniversary of ASIFA, the 25th anniversary of ASIFA Israel, and the "Flip Book 250th Anniversary". [7] [8]

The Finnish passport design released in 2012 contains a flip book of a walking moose. [9]

See also

Related Research Articles

<span class="mw-page-title-main">Animation</span> Method of creating moving pictures

Animation is the method that encompasses myriad filmmaking techniques, by which still images are manipulated to create moving images. In traditional animation, images are drawn or painted by hand on transparent celluloid sheets (cels) to be photographed and exhibited on film. Animation has been recognized as an artistic medium, specifically within the entertainment industry. Many animations are computer animations made with computer-generated imagery (CGI). Stop motion animation, in particular claymation, has continued to exist alongside these other forms.

<span class="mw-page-title-main">William Kennedy Dickson</span> British inventor (1860–1935)

William Kennedy Laurie Dickson was a British inventor who devised an early motion picture camera under the employment of Thomas Edison.

<span class="mw-page-title-main">Zoetrope</span> Pre-cinema animation device

A zoetrope is one of several pre-film animation devices that produce the illusion of motion by displaying a sequence of drawings or photographs showing progressive phases of that motion. It is a cylindrical variation of the phénakisticope, suggested almost immediately after the stroboscopic discs were introduced in 1833. The definitive version, with easily replaceable picture strips, was introduced as a toy by Milton Bradley in 1866 and became very successful.

Visual effects is the process by which imagery is created or manipulated outside the context of a live-action shot in filmmaking and video production. The integration of live-action footage and other live-action footage or CGI elements to create realistic imagery is called VFX.

<span class="mw-page-title-main">Mutoscope</span> Hand-cranked motion-picture viewer (1895–1949)

The Mutoscope is an early motion picture device, invented by W. K. L. Dickson and Herman Casler and granted U.S. Patent 549309A to Herman Casler on November 5, 1895. Like Thomas Edison's Kinetoscope, it did not project on a screen and provided viewing to only one person at a time. Cheaper and simpler than the Kinetoscope, the system, marketed by the American Mutoscope Company, quickly dominated the coin-in-the-slot peep-show business.

<span class="mw-page-title-main">Praxinoscope</span> Animation device

The praxinoscope was an animation device, the successor to the zoetrope. It was invented in France in 1877 by Charles-Émile Reynaud. Like the zoetrope, it used a strip of pictures placed around the inner surface of a spinning cylinder. The praxinoscope improved on the zoetrope by replacing its narrow viewing slits with an inner circle of mirrors, placed so that the reflections of the pictures appeared more or less stationary in position as the wheel turned. Someone looking in the mirrors would therefore see a rapid succession of images producing the illusion of motion, with a brighter and less distorted picture than the zoetrope offered.

<span class="mw-page-title-main">Lenticular printing</span> Technology for creating optical illusions

Lenticular printing is a technology in which lenticular lenses are used to produce printed images with an illusion of depth, or the ability to change or move as they are viewed from different angles.

<span class="mw-page-title-main">Precursors of film</span> Methods and tools preceding true cinematographic technology

Precursors of film are concepts and devices that have much in common with the later art and techniques of cinema.

<span class="mw-page-title-main">Kinora</span>

The Kinora was an early motion picture device developed by the French inventors Auguste and Louis Lumière in 1895, while simultaneously working on the Cinematograph. It was patented in February 1896.

<span class="mw-page-title-main">Machin series</span> Stamp series

The Machin series of postage stamps is the main definitive stamp series in the United Kingdom, used since 5 June 1967. It is the second series to figure the image of Elizabeth II, replacing the Wilding series. The last issue was on 4 April 2022, four months before her death on 8 September.

<span class="mw-page-title-main">Joanna Priestley</span> American film director

Joanna Priestley is an American contemporary film director, producer, animator and teacher. Her films are in the collections of the Academy Film Archive in Los Angeles and the Museum of Modern Art in New York. Priestley has had retrospectives at the British Film Institute, Museum of Modern Art and Hiroshima International Animation Festival in Japan. Bill Plympton calls her the "Queen of independent animation". Priestley lives and works in Portland, Oregon.

<span class="mw-page-title-main">Postage stamps and postal history of Israel</span>

The postage stamps and postal history of Israel is a survey of the postage stamps issued by the state of Israel, and its postal history, since independence was proclaimed on May 14, 1948. The first postage stamps were issued two days later on May 16, 1948. Pre-1948 postal history is discussed in postage stamps and postal history of Palestine.

<span class="mw-page-title-main">Olivier Cotte</span> French film director

Olivier Cotte is a French writer, graphic novel scriptwriter, animation historian, illustrator, and a director.

Ding Huan was a Chinese craftsman, mechanical engineer, and inventor who lived in the first century BC during the Han dynasty. Among the inventions attributed to him is an air conditioning system based on evaporative cooling.

Art of Disney Animation is an attraction at the Disney California Adventure in Disneyland Resort and Hong Kong Disneyland in Hong Kong Disneyland Resort. In Walt Disney Studios Park, the attraction opened on March 16, 2002 in the Toon Studio area, but was closed on January 7, 2019. It was reopened on November 17, 2019.

<span class="mw-page-title-main">Film</span> Visual art consisting of moving images

A film – also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick – is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and the art form that is the result of it.

<span class="mw-page-title-main">Patrick Jenkins</span> Canadian animator and filmmaker

Patrick Jenkins is a Canadian artist, animator and documentary filmmaker living in Toronto, Ontario, Canada, who specializes in paint-on-glass animation, a form of stop motion animation.

<span class="mw-page-title-main">Barrier-grid animation and stereography</span> Animation method

Barrier-grid animation or picket-fence animation is an animation effect created by moving a striped transparent overlay across an interlaced image. The barrier-grid technique originated in the late 1890s, overlapping with the development of parallax stereography (Relièphographie) for 3D autostereograms. The technique has also been used for color-changing pictures, but to a much lesser extent.

Takeshi Murata is an American contemporary artist who creates digital media artworks using video and computer animation techniques. In 2007 he had a solo exhibition, Black Box: Takeshi Murata, at the Hirshhorn Museum and Sculpture Garden in Washington, D.C. His 2006 work "Pink Dot" is in the Hirshhorn's permanent collection, and his 2005 work "Monster Movie" is in the permanent collection of the Smithsonian American Art Museum. His 2013 short film "OM Rider" was selected to screen as an animated short film at the 2015 Sundance Film Festival.

For the history of animation after the development of celluloid film, see history of animation.

References

  1. Close, Chuck. 'A Flipbook'. Publisher: Fliptomania, Incorporated. 2005. ISBN   9780977127702
  2. "Universitätsbibliothek Heidelberg, Cod. Pal. Germ. 67 Sigenot (Stuttgart (?) - Werkstatt Ludwig Henfflin, um 1470)".
  3. Buchan, Suzanne (2013). Pervasive Animation. ISBN   9781136519550.
  4. Popular Photography - ND. June 1948.
  5. "Google Books Ngram Viewer". books.google.com. Retrieved 3 May 2021.
  6. "Stamps (Mini booklet) | Gömböc Webshop". www.gomboc-shop.com. Archived from the original on 15 August 2015. Retrieved 17 January 2022.
  7. Doc HEEZA (20 December 2010). "Flipbook / Stamps : ISRAELI ANIMATION STAMP BOOKLET" via YouTube.
  8. "Israeli Animation - Booklet - Israel Philatelic Federation".
  9. Willett, Megan. "Finland's New Passport Doubles As A Flip Book Of A Walking Moose". Business Insider.