Love Child is the fifteenth studio album released by Diana Ross & the Supremes for the Motown label in 1968. The LP was the group's first studio LP not to include any songs written or produced by any member of the Holland–Dozier–Holland production team, who had previously overseen most of the Supremes' releases.
The Miracles Doin' Mickey's Monkey is an album by The Miracles, released in 1963 by Tamla Records. It includes the group's Top 10 smash single "Mickey's Monkey", written and produced by Holland-Dozier-Holland, which was later recorded by several other artists. "Mickey's Monkey" popularized "The Monkey" as a novelty dance. Also included is another H-D-H dance-oriented single, "I Gotta Dance to Keep From Crying", a Billboard Top 40 hit. The album peaked at No. 113 on the Billboard 200.
"Going to a Go-Go" is a 1965 single recorded by The Miracles for Motown's Tamla label.
Greatest Hits, Vol. 2 is the second greatest hits album for The Miracles, released in 1968 on Motown Records' Tamla label. It contained the most popular singles from the successful Going to a Go-Go, Away We A Go-Go and Make It Happen albums of the 1965–1967 period. It also featured the 1964 non-album single "Come On Do The Jerk", and two B-sides, "Choosey Beggar" and "Save Me". The hit single "I Second That Emotion" was new to album. This album reached the Top 10 on the Billboard 200 albums chart, peaking at #7, and peaked at #2 on Billboard's R&B album chart. Ten of the albums' 12 songs were written by Miracles members Smokey Robinson, Pete Moore, Marv Tarplin, Bobby Rogers, and Ronnie White.
Hi... We're the Miracles is the first album by The Miracles, Motown's first group, released on Motown's Tamla subsidiary label in the summer of 1961. It was the first album released by the Motown Record Corporation. The album features several songs that played an important role in defining The Motown Sound and establishing songwriters Smokey Robinson and Berry Gordy.
Greatest Hits from the Beginning is a compilation double LP by The Miracles released in 1965. This was the first double album ever released by the Motown Record Corporation. It covers most of the group's hits from their pre-1965 albums, such as "Shop Around", "Who's Lovin’ You", "You've Really Got A Hold On Me" and "Mickey's Monkey", as well as the non-album singles from 1964: "I Like It Like That" and "That's What Love Is Made Of". The album was a success, reaching #21 on the Billboard Pop Album Chart. It was also the first Miracles album to chart on the Billboard R&B Album chart, where it was an even bigger success, peaking at #2.
Time Out for Smokey Robinson & the Miracles is a 1969 album by Motown group The Miracles. It reached #25 on the Billboard Pop Album chart, and contains four pop top 40 singles – "Doggone Right", "Abraham, Martin & John", "Here I Go Again" and the top ten pop smash hit "Baby, Baby Don't Cry". Time Out also features covers of Motown songs such as "For Once in My Life" and the Robinson-penned songs "My Girl" and "The Composer". Miracles members Marv Tarplin, Pete Moore and Ronnie White were also co-writers on several of the album's tracks, along with Motown staff songwriters Al Cleveland, Ron Miller and Terry Johnson. Miracle Pete Moore also co-produced two of the album's tracks, a prelude to his later production of the Miracles' massively successful platinum-selling City of Angels album of a few years later. The Miracles' Time Out album was originally released on CD in 1986, and again in 2001 coupled with their album, Four in Blue.
One Dozen Roses is a 1971 album by Smokey Robinson & The Miracles, issued on Motown Records' Tamla label. The penultimate album before lead singer Smokey Robinson departed the group for a solo career, One Dozen Roses features the Top 20 Billboard Hot 100 hit single "I Don't Blame You at All". Also included is the group's number-one smash hit "The Tears of a Clown", which was also made available through the reissue of the 1967 Miracles LP Make It Happen as The Tears of a Clown. Both of these songs were also huge hits in the UK, reaching #11 and #1 respectively.
"(Come 'Round Here) I'm the One You Need" is a 1966 hit single by Motown group The Miracles, released on Motown Records' Tamla label.
1957–1972 is a 1972 double album by The Miracles on Motown Records' Tamla label. This two-record set is noted as the group's final series of live concerts with original lead singer Smokey Robinson, recorded over a period of three days, July 14–16, during the 1972 National Parks Centennial, at the Carter Barron Amphitheater in Washington, D.C., and charted at No. 75 on the Billboard Top 200 Album chart, and at No. 14 on its R&B Album chart. During the show, Smokey's wife, original Miracles member Claudette Rogers Robinson, who stopped touring with the group in 1964, reunited with the Miracles on stage for the first time in eight years. As a celebration of the group's fifteen years together, The Miracles made this an "all request" show, where audience members could choose which of the group's long string of hits they wanted performed. Also, at the end of the concert, Miracles fans were introduced to the group's new lead singer, Billy Griffin. According to Smokey's autobiography, Smokey: Inside My Life, The Miracles' final concert was videotaped in movie form, but was never publicly released. However, 1957–1972 was released on CD originally in 1990, and re-released again in 2004 along with The Miracles' 1969 "Live" album in the 2004 Motown/Hip-O Select release Smokey Robinson and The Miracles: The Live Collection.
"Mickey's Monkey" is a 1963 song recorded by the R&B group the Miracles on Motown Records' Tamla label. It was written and produced by Motown's main songwriting team of Brian Holland, Lamont Dozier, and Eddie Holland, who later went on to write two more Miracles hit singles, the Top 40 "I Gotta Dance to Keep From Crying", and the Top 20 "(Come 'Round Here) I'm The One You Need". This was an unusual writing situation for the Miracles, as most of their songs were composed by the group members themselves.
Flying High Together is an album by Smokey Robinson and the Miracles on Motown Records' Tamla label, released in 1972. It is noted as The Miracles' last studio album with original lead singer Smokey Robinson, who retired from the act to concentrate on his duties as Vice President of The Motown Record Corporation. The album charted at #46 on the Billboard Pop Album chart, and featured two singles: the appropriately named "We've Come Too Far to End It Now", which matched the parent album's chart position on the Billboard singles chart, charting at #46, and reached the Top 10 of the Billboard R&B singles chart, charting at #9, and "I Can't Stand to See You Cry", which charted at #45 Pop, and #21 R&B.
What Love Has...Joined Together is a 1970 album by R&B group Smokey Robinson & The Miracles on Motown Records' Tamla label. A concept album consisting solely of six short love songs, it charted at number 97 on the Billboard Top 200 Album chart, and reached the Top 10 of Billboard's R&B album chart, peaking at number 9. It was the first Miracles album to have no new songs; the recordings are all cover versions of songs written by noted composers, such as Stevie Wonder, Berry Gordy, Frank Wilson, Brenda Holloway and her sister Patrice Holloway, Burt Bacharach and Hal David, Marvin Gaye, The Beatles' John Lennon & Paul McCartney,, and Miracles members Smokey Robinson and Bobby Rogers.
I Like It Like That is an album by Motown group the Miracles, compiled for the UK market and released on the UK Tamla-Motown label as one of its initial group of six albums in March 1965. There was no equivalent album to this in the USA. It is known as the Miracles' "forgotten album".
"That's What Love Is Made Of" is a 1964 hit song by Motown's original vocal group, the Miracles, issued on the label's Tamla records subsidiary. It was taken from the group's album Greatest Hits from the Beginning, but originally appeared on their abortive 1964 album, I Like It Like That.
The Ultimate Collection is a compact disc by Smokey Robinson and The Miracles, released on Motown Records, catalogue 314530857-2, in February 1998. It is a collection of singles comprising many of the group's greatest hits, with liner notes written by Stu Hackel.
"Point It Out" is a 1969 recording by Motown Records R&B group The Miracles on that label's Tamla subsidiary. This mid-tempo song was a national Billboard Top 40 Pop hit, reaching #37 on the Hot 100, and was a Top 10 R&B hit was well, reaching #4. It was taken from their album "A Pocket Full Of Miracles", and was written by Miracles members William "Smokey" Robinson and Marv Tarplin, along with Motown staff songwriter Al Cleveland.
A Pocket Full of Miracles (TS306) is a 1970 album by Motown Records R&B group The Miracles, issued on its Tamla subsidiary label, one of three albums the group released that year. This album charted at #56 on the Billboard pop albums chart, and reached the top ten of the magazine's R&B albums chart, peaking at #10. It was released on September 30 of that year. Hit singles on the album included "Point It Out" and the topical Ashford & Simpson written-and-produced song "Who's Gonna Take the Blame", a sad, dark song about a girl that is turned out as a prostitute. Also included is the charting flip side "Darling Dear", B-side of "Point It Out", which reached #100 on the Billboard pop chart, and spawned a cover version by The Jackson Five.
Smokey Robinson & the Miracles LIVE! (TS289) is a 1969 album by R&B group The Miracles. Issued on Motown's Tamla label, it is the second of three live albums the Miracles recorded during their career. The album was recorded in 1968 at Detroit's famous Roostertail Restaurant, a popular venue where Motown artists appeared during the 1960s and 1970s. Released January 6, 1969, it charted at #71 on the Billboard Pop Album Chart and peaked at #7 on the Billboard R&B Album Chart.
"(You Can't Let the Boy Overpower) The Man in You" is a 1964 R&B song by the Miracles on Motown Records' Tamla subsidiary label. It was written by Miracles lead singer Bill "Smokey" Robinson, and was produced by Robinson and Motown president/founder Berry Gordy Jr. One of several gospel-styled call and response tunes the group issued in 1964, this song reached number 59 on the Billboard Pop chart, and the top 20 of the Cash Box R&B chart, peaking at number 12. The song was recorded on August 17, 1963, and was the group's first single release of 1964.
