Freaky Friday

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Freaky Friday
Freaky Friday 1972 first edition hardcover.jpg
First edition
Author Mary Rodgers
Cover artist Edward Gorey
CountryUnited States
LanguageEnglish
GenreChildren's literature, comedy, speculative fiction
PublisherHarper & Row
Publication date
April 1972 [1]
Media typePrint (hardcover)
Pages145 [2]
ISBN 0-06-025048-8 (HarperCrest library ed., 0-06-025049-6)
LC Class PZ7.R6155 Fr [2]
Followed byA Billion for Boris 

Freaky Friday is a comedic children's novel written by Mary Rodgers, first published by Harper & Row in 1972. It has been adapted for several films, including versions in 1976, 1995, 2002, 2003, 2020, and 2018.

Contents

The story features a day in the life of 13-year-old Annabel Andrews and her mother, who spend the day in each other's bodies. It may be considered a modern retelling of Vice Versa: A Lesson to Fathers , an 1882 novel by F. Anstey in which the protagonists are a father and son.

Plot

A willful, disorganized teenage girl, Annabel Andrews, awakens one Friday morning to find herself in the body of her mother, with whom she had argued the previous night.

Annabel suddenly finds herself in charge of the New York family's affairs and must now take care of her younger brother Ben (whom Annabel has not-so-affectionately nicknamed "Ape Face" and described as "so neat, it's revolting!"). She grows increasingly worried about the disappearance of "Annabel," who appeared to be herself in the morning but has gone missing after leaving the Andrews' home, and she enlists the help of her neighbor and childhood friend, Boris, though without telling him about her identity crisis.

As the day wears on and Annabel has a series of increasingly bizarre and frustrating adventures, she becomes gradually more appreciative of how difficult her mother's life is. She learns, to her surprise, that Ben idolizes her, and Boris is actually named Morris, but has a problem with chronic congestion (at least around Annabel) leading him to nasally pronounce ms and ns as bs and ds. As the novel approaches its climax, Ben also disappears, apparently having gone off with a pretty girl whom Boris did not recognize, but Ben appeared to trust without hesitation.

In the climax and dénouement, Annabel becomes overwhelmed by the difficulties of her situation, the apparent disappearance of her mother, the loss of the children, and the question of how her odd situation came about and when/whether it will be resolved. Finally, it is revealed that Annabel's mother herself caused them to switch bodies through some unspecified means, and the mysterious teen beauty who took Ben was Mrs. Andrews in Annabel's body (to which she is restored) made much more attractive by a makeover Mrs. Andrews gave the body while using it, including the removal of Annabel's braces, an appointment Annabel had forgotten about (and would have missed, had she been the one in her body that day).

Characters

Annabel Andrews
Disorganized, rebellious, tomboyish, 13-year-old Annabel struggles with her mother's bossiness and believes that adults have it easy. She finds herself out of her depth when faced with adult responsibilities and concerns.
Ben Andrews, a.k.a. Ape Face
A pre-adolescent younger sibling, 6-year-old Ben enjoys creating conflict with Annabel, which has led to her nicknaming him Ape Face. Unknown to Annabel, he and his friends admire Annabel, and he wears the nickname as a badge of honor. The truth comes out when she slips up and calls him Ape Face while her mind is in Mrs. Andrews' body. After she apologizes, he admits that he likes the name, but wants to keep this secret from Annabel.
Morris/Boris
A childhood friend of Annabel, he has been somewhat afraid of her since a sandbox incident in which she cut his head open with a shovel. Deciding she played too rough, he and his mother have made a point of him avoiding Annabel. He is described as a cheerful, charming and handsome young gentleman, and does his best to help "Mrs. Andrews" (really Annabel) as she struggles through a tough day. He has some occasional breathing trouble, attributed to his adenoids and possibly a psychosomatic reaction to his own mother, which renders his voice nasal, making him unable to pronounce the letters m and n clearly. Because of this, Annabel has always believed his name to be Boris, when it is in fact Morris. However, she suffers the opposite misunderstanding when he offers to prepare a "beetloaf" for a dinner party with the limited assortment of culinary ingredients available. She believes he is going to save dinner by providing a much more sensible meatloaf, but she is won over when she samples the new dish and finds it tasty.
Ellen Jean Benjamin Andrews
Despite setting the events in motion and later ending them deus ex machina-style, Mrs. Andrews remains (along with Annabel's body, which she has taken) an unseen character for much of the book, only revealing herself and what she has done at the end of the day.

Themes

It themes include empathy and understanding, generational conflict, self-discovery, love and family bonds, and coming of age. [3] The novel delves into the concept of empathy as a mother and daughter switch bodies, fostering a deeper understanding of each other's lives. It also addresses the common conflicts and misunderstandings that can arise between generations, particularly between parents and their teenage children. Both the mother and daughter undergo personal growth and self-discovery as they navigate each other's lives. [4]

Sequel novels

Mary Rodgers wrote two sequels featuring the Andrews family. In A Billion for Boris (October 1974), Annabel and her friend Morris/Boris discover a TV set that tunes into future broadcasts and begin betting on horse races. [5] [6]

In Summer Switch (September 1982), Annabel's little brother Ben and their father Bill inadvertently switch bodies as both are leaving for the summer, leaving the boy to negotiate in Hollywood and Dad to attend summer camp. [7] [8] With similar story beats, this sequel is similarly a modern-retelling of Vice Versa. All three Andrews family novels were soon published in Harper Trophy trade paperback editions. In later HarperTrophy editions, the second story has been titled ESP TV (1999) [9] and A Billion for Boris: Also known as ESP TV (2003).

Additionally, a thematic sequel co-written by Rodgers and Heather Hach was published by The Bowen Press and HarperCollins Publishers LLC, in May 2009 titled: Freaky Monday. In the story an orderly schedule oriented 13-year-old schoolgirl Hadley, and a spontaneous easy-going teacher named Ms. Pitt inexplicably swap bodies. Similar to the previous books, the pair search for a quick resolution, but find a level of respect for each other in the process. [10] [11]

Film adaptations

The novel was adapted into a number of films, by The Walt Disney Company spawning the successful titular franchise. The studio adapted the story through at various times in differing decades.

Additionally, a limited theatrical release and adaptation of the first sequel book was released with the title of A Billion for Boris in 1985. The movie was later released via pay-per-view television on Disney Channel in 1987, before receiving a broadcast debut in 1988 through Columbus Broadcasting System (CBS). With a plot faithful to the source material, the movie featured recurring characters with: Mary Tanner as Annabel Andrews, Sally Stark as Ellen Andrews, Scott Tiler as Boris Harris, and Seth Green as Benjamin "Ape-Face" Andrews. [13] In 1984, a television film adaptation of the second sequel novel was released with the titled as Summer Switch. Starring Robert Klein and Scott Schwartz, the movie was released as a part of the ABC Afterschool Special originals. Which can be confused with the similar named but unrelated 1994 tv movie "Summertime Switch" starring Rider Strong & Jason Weaver where two characters with similar names get placed on the wrong transit bus only to be sent to the other individual's destination. "Fast" Freddie Egan (Jason Weaver) was intended to go to a juvenile detention correctional boot camp, while Frederick Egan III's (Rider Strong) destination should have been a country club resort summer camp. Through the course of events, each gains appreciation for a different lifestyle while learning important lessons about themselves. [14]

Analysis

Comparing the novel and the film, differences can be seen in the presence of an outside influence switching the often-bickering mother and daughter against both of their wills. This change makes both characters protagonists; each movie starting shortly before the switch depicting the conflicts between them, before following the individual characters' struggles through the other's daily lives and ultimately gaining an added level of respect for each other. In the first film, the screenwriter and original book author Mary Rodgers added a hobby for Annabel which includes an important competition, for which her mother has lack of experience and skill, serving as the climax of the movie. This addition has been included in some form through each subsequent adaptation: waterskiing in the 1976 film, competitive diving in the 1995 adaptation, a Battle of the Bands musical competition in the 2003 movie, and a school sponsored scavenger hunt in the 2018 adaptation of the musical. Additionally, a simultaneous important event for the mother character was added to the 2003 film, to include her wedding rehearsal dinner.

In the first movie, Morris is changed to a character named Boris and is adjusted to be Annabel's love interest, rather than beginning the story as a rival of hers. In the 1995 and 2003 adaptations, the role is renamed as Luke and Jake, respectively. In each of the films, the character comedically falls in love with the mother due to the daughter's consciousness being in her body. [15] Noteworthily, Marc McClure portrays the character of Boris in both the 1976 original film and in a cameo role in the 2003 release where the character is now a delivery man; establishing both films take place in the same loose continuity. [16]

Legacy

Freaky (2020), directed by Christopher Landon from a screenplay by Landon and Michael Kennedy, was inspired by Freaky Friday's basic plot, and is integrated into a horror-comedy slasher film. The movie stars Vince Vaughn and Kathryn Newton as an infamous serial killer and a tormented high school student, respectively; who switch bodies after the former stabs her with an ancient dagger. The film's working title was Freaky Friday the 13th. [17]

Stage musical

An adaptation for a stage musical was developed by Disney Theatrical Productions, with the music written by Tom Kitt and lyrics written by Brian Yorkey; with an accompanying book and stage-play script by Bridget Carpenter. The musical began performances at the Signature Theatre, Arlington, Virginia on October 4, 2016. Directed by Christopher Ashley, with choreography by Sergio Trujillo, the cast features Emma Hunton (as the daughter Ellie), Jason Gotay and Heidi Blickenstaff (as the mother Katherine). [18] Ashley explained that the musical is based on the original Rodgers book as well as the films. The musical is set in the present-day Chicago. Later, the musical debuted performances at the La Jolla Playhouse, San Diego, on January 31, 2017, and ran to March 12. The cast features Emma Hunton and Heidi Blickenstaff. [19] This was followed by runs at Cleveland Play House in April and the Alley Theatre in June.

Disney Channel released a television film adaptation of the stage musical, in the summer of 2018. Blickenstaff reprised her role as the mother Katherine, while Cozi Zuehlsdorff starred as the daughter Ellie. Carpenter returned to adapt the musical as a teleplay, while Kitt and Yorkey returned to oversee the music and lyrics. The TV adaptation was produced by Susan Cartsonis and Thomas Schumacher. [12]

Related Research Articles

Mary Rodgers was an American composer, screenwriter, and author. She wrote the novel Freaky Friday, which served as the basis of a 1976 film starring Jodie Foster, for which she wrote the screenplay, as well as three other versions. Her best-known musicals were Once Upon a Mattress and The Mad Show, and she contributed songs to Marlo Thomas' successful children's album Free to Be... You and Me.

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<i>Freaky Friday</i> (2003 film) Film by Mark Waters

Freaky Friday is a 2003 American fantasy comedy film directed by Mark Waters and written by Heather Hach and Leslie Dixon. Based on Mary Rodgers's 1972 novel of the same name, it is the third adaptation of the same story and fifth installment overall in the Freaky Friday franchise. It stars Jamie Lee Curtis and Lindsay Lohan as a mother and daughter, respectively, whose bodies are switched by a mysterious and magical Chinese fortune cookie.

<i>Mary Poppins</i> (book series) Series of childrens books by P. L. Travers

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<i>Freaky Friday</i> (1976 film) 1976 film by Gary Nelson

Freaky Friday is a 1976 American fantasy-comedy film directed by Gary Nelson, with the screenplay written by Mary Rodgers based on her 1972 novel of the same name. The film stars Barbara Harris and Jodie Foster in the lead roles. John Astin, Patsy Kelly and Dick Van Patten are featured in supporting roles. In the film, a mother and her daughter switch their bodies, and they get a taste of each other's lives. The cause of the switch is left unexplained in this film, but occurs on Friday the 13th, when Ellen and Annabel, in different places, say about each other at the same time, "I wish I could switch places with her for just one day." Rodgers added a water skiing subplot to her screenplay.

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Freaky Friday is a 1995 American fantasy comedy television film directed by Melanie Mayron and written by Stu Krieger. It is based on Mary Rodgers's 1972 novel of the same name and her screenplay for its 1976 film adaptation, and is the fourth installment overall in the Freaky Friday franchise. It stars Shelley Long and Gaby Hoffmann as a mother and daughter who magically switch bodies for a day. Produced by Walt Disney Television, the film premiered on ABC on May 6, 1995 as an episode of The Wonderful World of Disney. It was the last in a series of four remakes of live-action Disney films produced for broadcast on ABC during the 1994–95 television season, the other three being The Shaggy Dog, The Computer Wore Tennis Shoes, and Escape to Witch Mountain.

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Body swaps, first popularized in Western Anglophone culture by the personal identity chapter of John Locke's Essay Concerning Human Understanding, have been a common storytelling device in fiction media. Novels such as Vice Versa (1882) and Freaky Friday (1972) have inspired numerous film adaptations and retellings, as well as television series and episodes, many with titles derived from "Freaky Friday". In 2013, Disney Channel held a Freaky Freakend with seven shows that featured body-swapping episodes. This list features exchanges between two beings, and thus excludes similar phenomena of body hopping, spirit possession, transmigration, and avatars, unless the target being's mind is conversely placed in the source's body. It also excludes age transformations that are sometimes reviewed or promoted as body swaps, as in the movies Big and 17 Again; identity/role swaps, typically between clones, look-alikes, or doppelgängers; and characters with multiple personalities.

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References

  1. ↑ "FREAKY FRIDAY by Mary Rodgers". Kirkus Reviews . April 1, 1972. Review posted 2012 with later cover image, page-count, and ISBN (HarperTrophy, 2003?). Retrieved 2018-07-26.
  2. 1 2 "Freaky Friday". 1st ed. LC Online Catalog. Library of Congress (lccn.loc.gov). Retrieved 2018-07-26.
  3. ↑ Larson, Sarah (2014-07-09). "Beyond "Freaky Friday": An Appreciation of Mary Rodgers". The New Yorker. ISSN   0028-792X . Retrieved 2023-10-27.
  4. ↑ "FREAKY FRIDAY". Kirkus Review.
  5. ↑ "A BILLION FOR BORIS by Mary Rodgers". Kirkus Reviews. October 1, 1974. Online with later cover image, page-count, and ISBN (HarperTrophy, 2003?). Retrieved 2018-07-26.
  6. ↑ "A billion for Boris". LC Online Catalog. Retrieved 2018-07-26.
  7. ↑ "SUMMER SWITCH by Mary Rodgers". Kirkus Reviews. September 1, 1982. Online with later cover image, page-count, and ISBN (HarperTrophy, 2003?). Retrieved 2018-07-26.
  8. ↑ "Summer switch". LC Online Catalog. Retrieved 2018-07-26.
  9. ↑ "ESP TV". LC Online Catalog. Retrieved 2018-07-26.
  10. ↑ "FREAKY MONDAY by Mary Rodgers and Heather Hach". Kirkus Reviews. October 1, 1974. Online with later cover image, page-count, and ISBN (HarperTrophy, 2003). Retrieved 2018-07-26.
  11. ↑ "Freaky Monday". LC Online Catalog. Retrieved 2018-07-26.
  12. 1 2 3 4 Pedersen, Erik (29 September 2017). "'Freaky Friday' Musical Set at Disney Channel Starring Heidi Blickenstaff & Cozi Zuehlsdorff". Deadline. Penske Business Media, LLC. Retrieved 30 September 2017.
  13. ↑ Taylor, Chuck (1998). "Billions For Boris - A Chuck's Connection Review". Chuck's Connection. Retrieved March 23, 2023.
  14. ↑ Scott, Tony (October 3, 1994). "Summertime Switch". Variety. Retrieved March 23, 2023.
  15. ↑ Franich, Darren (August 10, 2018). "Every Freaky Friday, reviewed". Entertainment Weekly. Retrieved March 23, 2023.
  16. ↑ D23 (2023). "McClure, Marc". D23: The Official Disney Fan Club. Retrieved March 23, 2023.{{cite web}}: CS1 maint: numeric names: authors list (link)
  17. ↑ Housman, Andrew (November 18, 2020). "Freaky: The Children's Book That Inspired The Horror Movie". Screen Rant. Retrieved March 23, 2023.
  18. ↑ Gioia, Michael (October 4, 2016). "Freaky Friday, With Emma Hunton and Heidi Blickenstaff, Begins Performances". Playbill. Retrieved October 24, 2018.
  19. ↑ Clement, Olivia. "La Jolla Freaky Friday Begins Jan. 31". Playbill, January 31, 2017.

See also

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