Frieze of Parnassus

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The Frieze of Parnassus encircles the base of the Albert Memorial in London and consists of 169 life-size full-length sculptures of individual artists from history. The total length of the frieze is approximately 64 metres (210 feet). Depicted from top:
South side: musicians and poets
East side: painters
North side: architects
West side: sculptors Albert Memorial Friese Collage - May 2008-edit1.jpg
The Frieze of Parnassus encircles the base of the Albert Memorial in London and consists of 169 life-size full-length sculptures of individual artists from history. The total length of the frieze is approximately 64 metres (210 feet). Depicted from top:
South side: musicians and poets
East side: painters
North side: architects
West side: sculptors

The Frieze of Parnassus is a large sculpted stone frieze encircling the podium, or base, of the Albert Memorial in London, England. The Albert Memorial was constructed in the 1860s in memory of Prince Albert, the husband of Queen Victoria.

Contents

The frieze is named after Mount Parnassus, the favorite resting place in Ancient Greek mythology for the muses. It contains 169 life-size full-length sculptures, a mixture of low-relief and high-relief, of individual composers, architects, poets, painters, and sculptors from history. The depictions of earlier figures necessarily, were imaginary, although many of the figures were based on materials contained in a collection of artworks and drawings gathered for the purpose of ensuring authentic depictions, where this was possible.

The total length of the frieze is approximately 64 metres (210 feet). The frieze was intended to be the 'soul' of the memorial, and the memorial's designer, George Gilbert Scott, stated that he was inspired by the Hémicycle des Beaux Arts by Paul Delaroche. [1] The memorial was not laid out precisely to directions of the compass, however, closely enough that the sides are referred to by direction. Musicians and poets were placed on the south side, with painters on the east side, sculptors on the west side, and architects on the north side.

Henry Hugh Armstead carved the figures on the south and east sides, the painters, musicians, and poets (80 in total), and grouped them by national schools. John Birnie Philip carved the figures on the west and north sides, the sculptors and architects (89 named figures, plus two generic figures), and arranged them in chronological order.

The carving was executed in situ , and was said by Scott to be "perhaps one of the most laborious works of sculpture ever undertaken". The initial contracts, agreed around 1864, had specified that the work was to be completed in four years for £7,781 15s. The eventual cost, however, exceeded this by some £2,000 and the work was not finished until 1872.

Large groups of figures of eminent persons from the past often decorate public buildings and monuments of the later nineteenth century, and some buildings such as the Walhalla temple in Bavaria and the Panthéon in Paris were dedicated to this purpose. Many figures of visual artists decorate the Victoria and Albert Museum close to the Albert Memorial at the other end of the "Albertopolis" complex. A mosaic frieze of more generalised figures from the arts runs round the circular Royal Albert Hall adjacent to the memorial. The Parnassus by Raphael (1511), opposite the philosophers of The School of Athens in the Vatican Raphael Rooms, is an earlier group portrait of great artists.

List of figures

Side [2] Group [3] Inscription [4] Official history [5] IdentificationNotes
SouthMusiciansAUBERD. E. F. Auber Daniel Auber
SouthMusiciansMEHULE. H. Mehul Étienne Méhul
SouthMusiciansRAMEAUJ. P. Rameau Jean-Philippe Rameau
SouthMusiciansLULLIJ. B. Lulli Jean-Baptiste Lully
SouthMusiciansGRETRYA. E. M. Gretry André Ernest Modeste Grétry
SouthMusiciansJOSQUIN-DES-PRESJasquin Des Pres Josquin des Prez
SouthMusiciansROSSINIG. Rossini Gioachino Rossini
SouthMusiciansMONTEVERDEC. Monteverde Claudio Monteverdi
SouthMusiciansCARISSIMIG. Carissimi Giacomo Carissimi
SouthMusiciansPALESTRINAG. P. A. de Palestrina Giovanni Pierluigi da Palestrina
SouthMusiciansGUIDO D'AREZZOGuido Guido of Arezzo
SouthMusiciansST AMBROSESt Ambrose Ambrose
SouthPoetsCORNEILLEP. Corneille Pierre Corneille
SouthPoetsMOLIEREMolière Molière
SouthPoetsCERVANTESCervantes Miguel de Cervantes
SouthPoetsVIRGILVirgil Virgil
SouthPoetsDANTEDante Dante Alighieri
SouthPoetsPYTHAGORASPythagoras Pythagoras
SouthPoetsHOMERHomer Homer
SouthPoetsCHAUCERG. Chaucer Geoffrey Chaucer
SouthPoetsSHAKESPEAREW. Shakespeare William Shakespeare
SouthPoetsMILTONJ. Milton John Milton
SouthPoetsGOETHEGoethe Johann Wolfgang von Goethe
SouthPoetsSCHILLERSchiller Friedrich Schiller
SouthMusiciansBACHBach Johann Sebastian Bach
SouthMusiciansGLUCKGluck Christoph Willibald Gluck
SouthMusiciansHANDELHandel George Frideric Handel
SouthMusiciansMOZARTMozart Wolfgang Amadeus Mozart
SouthMusiciansMENDELSSOHNMendelssohn Felix Mendelssohn
SouthMusiciansHAYDNHaydn Joseph Haydn
SouthMusiciansWEBERWeber Carl Maria von Weber
SouthMusiciansBEETHOVENBeethoven Ludwig van Beethoven
SouthMusiciansTALLIST. Tallis Thomas Tallis
SouthMusiciansO. GIBBONSO. Gibbons Orlando Gibbons
SouthMusiciansLAWESH. Lawes Henry Lawes
SouthMusiciansPURCELLH. Purcell Henry Purcell
SouthMusiciansARNET. A. Arne Thomas Arne
SouthMusiciansBOYCEW. Boyce William Boyce
SouthMusiciansBISHOPSir H. R. Bishop Henry Bishop
EastPaintersTURNERJ. M. W. Turner J. M. W. Turner
EastPaintersWILKIESir D. Wilkie David Wilkie
EastPaintersREYNOLDSS. J. Reynolds Joshua Reynolds
EastPaintersGAINSBOROUGHT. Gainsborough Thomas Gainsborough
EastPaintersHOGARTHW. Hogarth William Hogarth
EastPaintersREMBRANDTRembrandt Rembrandt
EastPaintersRUBENSRubens Peter Paul Rubens
EastPaintersHOLBEINHolbein Hans Holbein the Younger
EastPaintersDURERDurer Albrecht Dürer
EastPaintersH. VAN EYCKH. and J. Van Eyck [6] Hubert van Eyck
EastPaintersJ. VAN EYCKH. and J. Van Eyck [6] Jan van Eyck
EastPaintersSTEPHEN OF COLOGNES. Lockner Stefan Lochner
EastPaintersCIMABUECimabue Cimabue
EastPaintersORCAGNAOrcagna Orcagna
EastPaintersGIOTTOGiotto Giotto di Bondone
EastPaintersFRA ANGELICOFra Angelico Fra Angelico
EastPaintersGHIRLANDAJOGhirlandajo Domenico Ghirlandaio
EastPaintersMASACCIOMasaccio Masaccio
EastPaintersL. DA VINCIL. Da Vinci Leonardo da Vinci
EastPaintersRAPHAELRaphael Raphael
EastPaintersMICHAEL ANGELOM. Angelo Michelangelo
EastPaintersBELLINIBellini Giovanni Bellini
EastPaintersTITIANTitian Titian
EastPaintersMANTEGNAMantegna Andrea Mantegna
EastPaintersP. VERONESEP. Veronese Paolo Veronese
EastPaintersTINTORETTOTintoretto Tintoretto
EastPaintersCOREGGIOCoreggio Antonio da Correggio
EastPaintersAN. CARACCIA. Caracci Annibale Carracci
EastPaintersL. CARACCIL. Carraci [7] Ludovico Carracci
EastPaintersVELASQUEZVelasquez Diego Velázquez
EastPaintersMURILLOMurillo Bartolomé Esteban Murillo
EastPaintersPOUSSINPoussin Nicolas Poussin
EastPaintersCLAUDEClaude Claude Lorrain
EastPaintersDAVIDJ. L. David Jacques-Louis David
EastPaintersGERARDGerard François Gérard
EastPaintersGERICAULTGerecault Théodore Géricault
EastPaintersDELACROIXDelacroix Eugène Delacroix
EastPaintersVERNETVernet Claude Joseph Vernet
EastPaintersDELAROCHEDelaroche Hippolyte Delaroche
EastPaintersINGRESIngres Jean Auguste Dominique Ingres
EastPaintersDECAMPSDecamps Alexandre-Gabriel Decamps
NorthArchitectsPUGINPugin Augustus Welby Northmore Pugin
NorthArchitectsSCOTTScott George Gilbert Scott
NorthArchitectsCOCKERELLCockerell Samuel Pepys Cockerell
NorthArchitectsBARRYBarry Charles Barry
NorthArchitectsCHAMBERSChambers Sir William Chambers
NorthArchitectsVANBRUGHVanbrugh John Vanbrugh
NorthArchitectsWRENWren Christopher Wren
NorthArchitectsINIGO JONESInigo Jones Inigo Jones
NorthArchitectsMANSARTMansart Jules Hardouin Mansart
NorthArchitectsTHORPEThorpe John Thorpe
NorthArchitectsPALLADIOPalladio Andrea Palladio
NorthArchitectsVIGNOLAVignola Giacomo Barozzi da Vignola
NorthArchitectsDELORMEDelorme Philibert de l'Orme
NorthArchitectsSANSOVINOSansovino Jacopo Sansovino
NorthArchitectsSAN GALLOSan Gallo Giuliano da Sangallo
NorthArchitectsPERUZZIPeruzzi Baldassare Peruzzi
NorthArchitectsBRAMANTEBramante Donato Bramante
NorthArchitectsWILLIAM OF WYKEHAMWilliam of Wykeham William of Wykeham
NorthArchitectsALBERTIAlberti Leone Battista Alberti
NorthArchitectsBRUNELLESCHIBrunelleschi Filippo Brunelleschi
NorthArchitectsGIOTTOGiotto Giotto di Bondone
NorthArchitectsARNOLFO DI LAPOArndfo Di Lapo [7] Arnolfo di Cambio
NorthArchitectsERWIN VON STEINBACHErmin Van Steinbach [7] Erwin von Steinbach
NorthArchitectsJEHAN DE CHELLESJohan de Chelles Jean de Chelles
NorthArchitectsROB DE COUCYR. de Courcy [7] Robert De Coucy
NorthArchitectsWILLIAM OF SENSWilliam of Sens William of Sens
NorthArchitectsWILLIAM THE ENGLISHMANWilliam the Englishman William the Englishman
NorthArchitectsABBE SUGERAbbe Suger Abbot Suger
NorthArchitectsANTHEMIUSAnthemius Anthemius of Tralles
NorthArchitectsHERMODORUSHermodoraus [7] no article [8]
NorthArchitectsAPOLLODORUSAppollodonus [7] Apollodorus of Damascus
NorthArchitectsCALLIMACHUSCallimchus [7] Callimachus
NorthArchitectsLIBONLibon Libon
NorthArchitectsCALLICRATESCallicrates Kallikrates
NorthArchitectsICTINUSIctinus Iktinos
NorthArchitectsMNESIKLESMnesicles Mnesikles
NorthArchitectsCHERSIPHRONChersiphron Chersiphron
NorthArchitectsRHOECUSRhoscus [7] Rhoecus
NorthArchitectsMETAGENESMetagenes Metagenes
NorthArchitectsTHEODORUSTheodorus Theodorus of Samos
NorthArchitectsHIRAM [9] Hiram Hiram Abiff [10]
NorthArchitectsBEZALEELBezaleel Bezalel
NorthArchitectsSENNACHERIBSennacherib Sennacherib
NorthArchitectsNITOCRISNitocris Nitocris
NorthArchitectsCHEOPSCheops Khufu
WestSculptorsEGYPTIANEgyptiannone [11]
WestSculptorsASSYRIANAssyriannone [11]
WestSculptorsRHOECUSR. Loecus [7] Rhoecus
WestSculptorsDIBUTADESDibutades Butades
WestSculptorsBUPALUSBupalus Bupalus
WestSculptorsPHIDIASPhidias Phidias
WestSculptorsSCOPASScopas Scopas
WestSculptorsBRYAXISBryaxis Bryaxis
WestSculptorsLEOCHARESLeochanes [7] Leochares
WestSculptorsPRAXITELESPraxiteles Praxiteles
WestSculptorsLYSIPPUSLysippus Lysippos
WestSculptorsCHARESChanes [7] Chares of Lindos
WestSculptorsGIULIANO DI RAVENNAGiuliano de Ravennano article [12]
WestSculptorsNICCOLA PISANONiccola Pisano Nicola Pisano
WestSculptorsGHIBERTIGhiberti Lorenzo Ghiberti
WestSculptorsTORELLW. Tonel William Torell
WestSculptorsLUCA DELLA ROBBIALuca Deklla Robbia [7] Luca della Robbia
WestSculptorsWILLIAM OF IRELANDWilliam of Ireland William of Ireland
WestSculptorsVERROCCHIOVerrocchio Andrea del Verrocchio
WestSculptorsDONATELLODonatello Donatello
WestSculptorsMICHAEL ANGELOMichael Angelo Michelangelo
WestSculptorsTORRIGIANOTorrigiano Pietro Torrigiano
WestSculptorsGIAN DI BOLOGNAGian Di Balogna [7] Giambologna
WestSculptorsBANDINELLIBandinelli Bartolommeo Bandinelli
WestSculptorsVISCHERVischer Peter Vischer the Elder
WestSculptorsCELLINICellini Benvenuto Cellini
WestSculptorsBACCIO D'AGNOLOBaccio D'agnelo [7] Baccio D'Agnolo
WestSculptorsGOUJONGaujon [7] Jean Goujon
WestSculptorsPALISSYPalisay [7] Bernard Palissy
WestSculptorsBONTEMPSBontemps Pierre Bontemps
WestSculptorsPILONPilon Germain Pilon
WestSculptorsCANOCano Alonzo Cano
WestSculptorsSTONEStone Nicholas Stone
WestSculptorsBERNINIBernini Gian Lorenzo Bernini
WestSculptorsCIBBERCibber Caius Gabriel Cibber
WestSculptorsPUGETPuget Pierre Paul Puget
WestSculptorsGIBBONSGibbons Grinling Gibbons
WestSculptorsBIRDF. Bird Francis Bird
WestSculptorsBUSHNELLBushnell John Bushnell
WestSculptorsROUBILIACRoubiliac Louis-François Roubiliac
WestSculptorsCANOVACanova Antonio Canova
WestSculptorsFLAXMANFlaxman John Flaxman
WestSculptorsDAVID (ANGERS)David D'Angers Pierre Jean David
WestSculptorsTHORWALDSENThorvaldsen Bertel Thorvaldsen

Selection, arrangement, and omissions

The frieze in its context; the Albert Memorial as seen from the south side Albert Memorial, London - May 2008.jpg
The frieze in its context; the Albert Memorial as seen from the south side

The selection of figures reflects contemporary thinking, although even by the taste of the 1860s it seems odd to omit Schubert, then considered rather lightweight, whilst including Daniel Auber and Grétry.

Among the painters, a classical tradition predominates to the extent that there is no hint of Mannerism in the sixteenth century and Giulio Romano is omitted, nor is there any reference to Rococo taste, where a modern list would include Antoine Watteau and François Boucher. The painters represented in the frieze reflect to some extent, Albert's own taste for the "Primitives" of the late Middle Ages, although Duccio is absent. Botticelli and Vermeer were yet to be rediscovered, and El Greco, Caravaggio and Goya, who would all figure in a modern canon, mostly were regarded with suspicion.

No English poet after John Milton was featured. Among the architects, the figure of Nitocris, the only figure representing a woman on the frieze, may have been selected because it was at one time thought that she was the pharaoh responsible for the pyramid now credited to Menkaura.

Other figures commemorated elsewhere on the Albert Memorial, on the canopy mosaics, but not on the frieze, are Apelles (painting), King Solomon (architecture) and King David (poetry). The preferred south side of the memorial, being the direction in which Albert's statue faces, is populated by poets and musicians, with poets at the centre in accordance with the Victorian concept of poetry as the highest of the arts.

The arrangement of the other groups also reflects this Victorian thinking, with the fine arts of the sculptors and painters on the east and west sides, joining a spiritual side on the south (the poets and musicians) and a material side on the north (the architects). At least three of the sides also have a central, pre-eminent figure seated on a throne, with Homer for the poets, Raphael for the painters, and Michelangelo for the sculptors.

Scott originally intended the last of the architects depicted in full to be himself, however, after all the other characters had been chosen, he realised he'd forgotten Pugin, the great genius of the Victorian Gothic Revival. So Scott replaced his own statue with Pugin's, and then placed himself as a relief head, looking over Pugin's shoulder. [13]

Authenticity and details

Authentic points of detail and historical accuracy include Phidias being depicted as bald, the phorminx (lyre) being held by the bard Homer, William Hogarth's dog, Paolo Veronese's hand resting on a greyhound, [14] Daniel Auber's right arm in a sling, the building models held by William of Wykeham and Jean de Chelles, the model of Trajan's Column held by Apollodorus of Damascus, the object held by Hiram, the sculptures held by Dibutades and Phidias, Ghiberti leaning on a panel, the sculptures being held by Donatello and Michelangelo, and the statue being admired by the group to the right of Cellini.

Authentic period detail also is seen in much of the clothing, the details of facial hair, furniture, and accessories, including scrolls, books, swords, and palettes. The figures are posed, either in isolation or in groups, with some figures facing each other in poses of admiration or engaged deeply in conversation.

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References

  1. 'Albert Memorial: The memorial', Survey of London: volume 38: South Kensington Museums Area (1975), pp. 159–176: "[The frieze's] affinity to Delaroche's Hémicycle des Beaux Arts in the École des Beaux Arts was avowed by Scott himself." (date accessed: 18 May 2008)
  2. Due to the geometry and layout of the memorial, there is some overlap between the sides for the different groups of figures. The north–south–west–east convention used here is that used in the Survey of London: volume 38 – South Kensington Museums Area (1975, General Editor F. H. W. Sheppard), in which two articles about the memorial appeared: , .
  3. The four basic groups were identified using the official history. The further separation of the poets and musicians was done on the basis of an essay by John Lucas Tupper, titled Henry Hugh Armstead, concerning the career of the sculptor who carved this part of the frieze. The essay was published first in The Portfolio , and then in English Artists of the Present Day. Essays by J. Beavington Atkinson, Sidney Colvin, F. G. Stephens, Tom Taylor, and John L. Tupper. London: Seeley, Jackson, & Halliday, 1872, 61–66. It has been republished here .
  4. The inscriptions were transcribed from a set of four photographs from May 2008: South face, East face, North face, West face.
  5. The National Memorial to His Royal Highness the Prince Consort, pp. 65–90, published by John Murray in 1873. This official list is mentioned here ("The subjects are listed in the official history."), and the list used here was obtained from here Archived 22 May 2011 at the Wayback Machine , although that source contains several presumed transcription errors.
  6. 1 2 This is a combined entry in the official history for two of the figures.
  7. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Presumed transcription error.
  8. This entry may refer to "Hermodorus of Salamis", said by some sources to be the architect of the second century B.C. Temple of Jupiter Stator.
  9. The name "Hiram" is inscribed twice on the memorial, either side of the corner point on the frieze where the figure is located.
  10. This entry may refer both to the biblical king of Tyre, Hiram I and his architect, Hiram Abiff.
  11. 1 2 The first two figures in the sculptors group are nameless representations of an Egyptian and an Assyrian.
  12. This entry could refer to "Giuliano Argentario" (also known as "Iulianus Argentarius"), one of those involved in the financing and construction of the Basilica of San Vitale in Ravenna, Italy.
  13. TV programme: "Pugin, God Of Gothic", Channel 4 Television, UK
  14. One of Veronese's works is titled Boy with a Greyhound

51°30′09″N0°10′40″W / 51.50250°N 0.17778°W / 51.50250; -0.17778