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Dinah Sheridan was an English actress with a career spanning seven decades. She was best known for the films Genevieve (1953) and The Railway Children (1970); the long-running BBC comedy series Don't Wait Up (1983–1990); and for her distinguished theatre career in London's West End.
Genevieve is a 1953 British comedy film produced and directed by Henry Cornelius and written by William Rose. It stars John Gregson, Dinah Sheridan, Kenneth More and Kay Kendall as two couples comedically involved in a veteran automobile rally.
Sir John Henry Harris Davis CVO was an English businessman and accountant. He was the managing director, later chairman, of the Rank Organisation.
The Marked One is a 1963 British second feature crime film directed by Francis Searle and starring William Lucas, Zena Walker and Patrick Jordan. An ex-con's daughter is kidnapped by a blackmailer.
The Golden Link is a 1954 British police drama film directed by Charles Saunders, starring André Morell, Patrick Holt, Thea Gregory and Jack Watling. It was produced by Guido Coen under his Kenilworth Film Productions, featuring a screenplay by Allan MacKinnon and soundtrack by Eric Spear. The story concerns the death of a young woman, having fallen to her demise inside an apartment building. A policeman neighbour, Superintendent Blake, conducts an unofficial investigation, which initially seems to implicate his own daughter in a murder plot.
Calling Paul Temple is a 1948 British crime film directed by Maclean Rogers and starring John Bentley, Dinah Sheridan and Margaretta Scott. It was the second in a series of four Paul Temple films distributed by Butcher's Film Service. The first was Send for Paul Temple (1946), with Anthony Hulme as Paul Temple. John Bentley then took over the role in Calling Paul Temple, continuing for two further films: Paul Temple's Triumph (1950) and Paul Temple Returns (1952). It was produced by Ernest G. Roy at the Nettlefold Film Studios in Walton On Thames.
Paul Temple's Triumph is a 1950 British crime film directed by Maclean Rogers and starring John Bentley, Dinah Sheridan and Jack Livesey. It was the third in the series of four Paul Temple films made at Nettlefold Studios and was an adaptation of the Francis Durbridge radio serial News of Paul Temple (1939). Temple is on the trail of a gang of international criminals trying to steal atomic secrets.
Irish and Proud of It is a 1936 British-Irish comedy film directed and co-written by Donovan Pedelty and starring Richard Hayward, Dinah Sheridan and Liam Gaffney. In the film, a popular London-based Irish singer announces one evening how much he would love to go home to his home village in rural Ireland. For a prank, some of his friends take him up on this offer. He is kidnapped and deposited on a wild moor. He returns to the village of his youth, slightly disorientated, and battles an American gangster who has taken control of the settlement.
John Halifax aka John Halifax, Gentleman is a 1938 British historical drama film directed by George King and starring John Warwick, Nancy Burne and Roddy McDowall. It is based on the 1856 novel John Halifax, Gentleman by Dinah Craik. It was made at Shepperton Studios as a quota quickie. The film's sets were designed by Philip Bawcombe.
No Trace is a 1950 British second feature crime film directed by John Gilling and starring Hugh Sinclair, Dinah Sheridan and John Laurie. A crime writer murders a blackmailer, and is then asked to help solve the case by the police.
Wheel of Fate is a 1953 British drama film directed by Francis Searle and starring Patric Doonan, Sandra Dorne and Bryan Forbes. The screenplay concerns a man who turns to crime to raise the money he needs to spend time with a woman with whom he falls in love. It was produced as a second feature and shot at Riverside Studios in London. The film's sets were designed by the art director Wilfred Arnold. It was released by Rank's General Film Distributors.
Full Speed Ahead is a 1936 British drama film directed by Lawrence Huntington and starring Paul Neville, Moira Lynd and Richard Norris. The film was made at Wembley Studios as a quota quickie for distribution by the Hollywood company Paramount Pictures. It is also known by the alternative title Full Steam Ahead.
The Story of Shirley Yorke is a 1948 British drama film directed by Maclean Rogers and starring Derek Farr, Dinah Sheridan and Margaretta Scott. The film was based on the play The Case of Lady Camber by Horace Annesley Vachell. It was made at the Nettlefold Studios in Walton-on-Thames. Art direction was by Charles Gilbert.
Landslide is a 1937 British drama film directed by Donovan Pedelty and starring Jimmy Hanley, Dinah Sheridan and Jimmy Mageean. It was made at Wembley Studios as a quota quickie for release by Paramount Pictures.
Blackout is a 1950 British crime drama film directed by Robert S. Baker and starring Maxwell Reed and Dinah Sheridan. It was made as a supporting feature.
Frederick Walter James Peisley was a British stage, film and television actor and theatre director whose career spanned five decades. He is known for The Secret of the Loch (1934), Gentlemen's Agreement (1935) and Murder at the Cabaret (1936). His later career was mostly in television.
Tower of Terror is a 1941 British wartime thriller film directed by Lawrence Huntington and starring Wilfrid Lawson, Michael Rennie and Movita. It was made at Welwyn Studios with location shooting on Flat Holm off the Welsh coast.
Twelve Good Men was a 1936 British crime film directed by Ralph Ince and starring Henry Kendall, Nancy O'Neil and Joyce Kennedy. It was made at Teddington Studios by Warner Brothers as a quota quickie. It is based on the 1928 detective thriller The Murders in Praed Street by John Rhode, with the principal series character of the book Doctor Priestley eliminated for the film.
Behind Your Back is a 1937 British drama film directed by Donovan Pedelty and starring Jack Livesey, Dinah Sheridan and Betty Astell. It was made at Wembley Studios as a quota quickie.
Dark Secret is a 1949 British crime film directed by Maclean Rogers and starring Dinah Sheridan, Emrys Jones and Irene Handl. It was a remake of the 1933 film The Crime at Blossoms, also directed by Rogers.
References
- ↑ https://collections-search.bfi.org.uk/web/Details/ChoiceFilmWorks/150042142
- ↑ Wood p.98
- ↑ Chibnall & McFarlane p.289
