G-Fest, often typeset as G-FEST, is an annual convention devoted to the Godzilla film franchise and other kaiju (literally strange beast, also the name of the genre of Japanese giant monster movies) franchises such as Gamera and the Ultra Series. G-Fest is staged by Daikaiju Enterprises, Ltd., and G-Fan magazine. It regularly features panels, contests, and theatrically screened films of interest to fans of Japanese monsters.[citation needed]
Actors, directors, special effects technicians, and other famous people who worked on Godzilla, Ultraman, Gamera, and other kaiju movies in Japan are frequent guests at G-Fest. Often, the major guest is honored with the coveted "Mangled Skyscraper Award" for their lasting contributions to the kaiju genre.[citation needed]
G-Fest was founded in 1994 by J. D. Lees[when?], publisher of G-Fan magazine and the G-Fan website, and the late John Rocco Roberto.
G-Fest features a Dealer's Room, a costume parade, a model show and competition, and a fan film competition. Other popular activities are film screenings (held at the Pickwick Theater in Park Ridge, Illinois) video game tournaments, children's activities, and autograph sessions. G-Fest also raises money for charitable causes.[citation needed]
In May 2020, Daikaiju Enterprises, Ltd. made the decision to cancel G-Fest for the first time in its 27-year history due to restrictions on large gatherings imposed by Illinois governor J. B. Pritzker in response to the COVID-19 pandemic. Its initial 27th annual convention was to be moved to the future date of July 2021, but was cancelled again, due to the continuing effect of COVID-19.
First organized convention.[2] The first two days were closed to the public until news reports spread then was open to the public on the last day (3rd)
Godzilla vs. King Ghidorah is a 1991 Japanese kaiju film written and directed by Kazuki Ōmori and produced by Shōgo Tomiyama. Distributed by Toho and produced under their subsidiary Toho Pictures, it is the 18th film in the Godzilla franchise, and is the third film in the franchise's Heisei period. The film features the fictional monster characters Godzilla and King Ghidorah, and stars Kōsuke Toyohara, Anna Nakagawa, Megumi Odaka, Katsuhiko Sasaki, Akiji Kobayashi, Yoshio Tsuchiya, and Robert Scott Field. The plot revolves around time-travelers from the future who convince Japan to travel back in time to prevent Godzilla's mutation, only to reveal their true motives by unleashing King Ghidorah onto the nation.
Godzilla vs. Mothra is a 1992 Japanese kaiju film directed by Takao Okawara, with special effects by Kōichi Kawakita. Distributed by Toho and produced under their subsidiary Toho Pictures, it is the 19th film in the Godzilla franchise, and is the fourth film in the franchise's Heisei era. The film features the fictional monster characters Godzilla, Mothra, and Battra, and stars Tetsuya Bessho, Satomi Kobayashi, Takehiro Murata, Megumi Odaka, Shiori Yonezawa, Makoto Otake, Akiji Kobayashi, Koichi Ueda, Shinya Owada, Keiko Imamura, Sayaka Osawa, Saburo Shinoda and Akira Takarada, with Kenpachiro Satsuma as Godzilla. The plot follows Battra and Mothra's attempts to stop Godzilla from attacking Yokohama.
Kenji Sahara is a Japanese actor. He was born in Kawasaki City, Kanagawa. His birth name is Masayoshi Kato. Initially he used the name Tadashi Ishihara before changing it when he secured the lead role in Rodan (1956).
Eiji Tsuburaya was a Japanese special effects director, filmmaker, and cinematographer. A co-creator of the Godzilla and Ultraman franchises, he is considered one of the most important and influential figures in the history of cinema. Known as the "Father of Tokusatsu", he pioneered Japan's special effects industry, introducing several technological developments in film productions. In a career spanning five decades, Tsuburaya worked on approximately 250 films—including globally renowned features directed by Ishirō Honda, Hiroshi Inagaki, and Akira Kurosawa—and earned six Japan Technical Awards.
Kaiju is a Japanese term that is commonly associated with media involving giant monsters. A subgenre of science fiction, it was created by Eiji Tsuburaya and Ishirō Honda. The term can also refer to the giant monsters themselves, which are usually depicted attacking major cities and battling either the military or other monsters.
Gamera is a fictional monster, or kaiju, originating from a series of Japanese films. Debuting in the 1965 film Gamera, the Giant Monster, the character and the first film were intended to compete with the success of Toho's Godzilla film series. Since then, Gamera has become a Japanese icon in his own right, appearing in a total of 12 films produced by Daiei Film and later by Tokuma Shoten and Kadokawa Daiei Studio respectively, and various other media such as novelizations, manga, video games, and so on.
Mothra is a fictional monster, or kaiju, that first appeared in the 1961 film Mothra, produced and distributed by Toho Studios. Mothra has appeared in several Toho tokusatsu films, most often as a recurring monster in the Godzilla franchise. She is typically portrayed as a colossal sentient larva (caterpillar) or imago, accompanied by two miniature fairies speaking on her behalf. Unlike other Toho monsters, Mothra is a largely heroic character, having been variously portrayed as a protector of her own island culture, the Earth and Japan. Mothra's design is influenced by silk worms, their imagos, and those of giant silk moths in the family Saturniidae. The character is often depicted hatching offspring when approaching death, a nod to the Saṃsāra doctrine of numerous Indian religions.
King Ghidorah is a fictional monster, or kaiju, which first appeared in Ishirō Honda's 1964 film Ghidorah, the Three-Headed Monster. The monster was initially created by Tomoyuki Tanaka, Eiji Tsuburaya and Shinichi Sekizawa as an homage to the eight-headed mythological Japanese dragon Yamata no Orochi. Although the name of the character is officially trademarked by Toho as "King Ghidorah", the character was originally referred to as Ghidorah, Ghidrah or Monster Zero in some English markets.
Ghidorah, the Three-Headed Monster is a 1964 Japanese kaiju film directed by Ishirō Honda, with special effects by Eiji Tsuburaya. Produced and distributed by Toho Co., Ltd., it is the fifth film in the Godzilla franchise, and was the second Godzilla film produced that year, after Mothra vs. Godzilla. The film stars Yosuke Natsuki, Hiroshi Koizumi, Akiko Wakabayashi, with Haruo Nakajima as Godzilla, Masanori Shinohara as Rodan, and Shoichi Hirose as King Ghidorah. In the film, an extraterrestrial from Venus, possessing the body of a princess, warns humanity of the pending destruction by the alien-dragon King Ghidorah, with Godzilla, Rodan, and Mothra being their last hope for survival.
Tokusatsu is a Japanese term for live-action films or television programs that make heavy use of practical special effects. Credited to special effects director Eiji Tsuburaya, tokusatsu mainly refers to science fiction, war, fantasy, or horror media featuring such technology but is also occasionally dubbed a genre itself. Its contemporary use originated in the Japanese mass media around 1958 to explain special effects in an easy-to-understand manner and was popularized during the "first monster boom" (1966-1968). Prior to the monster boom, it was known in Japan as Tokushu gijutsu or shortened Tokugi.
Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack is a 2001 Japanese kaiju film directed and co-written by Shusuke Kaneko, with special effects by Makoto Kamiya. Distributed by Toho and produced under their subsidiary Toho Pictures, it is the 26th film in the Godzilla franchise and the third film in the Millennium era. The film stars Chiharu Niiyama, Ryudo Uzaki, Masahiro Kobayashi, Hideyo Amamoto, and Shirō Sano, with Mizuho Yoshida as Godzilla, Akira Ohashi as King Ghidorah, and Rie Ōta as Baragon. In the film, Mothra, King Ghidorah, and Baragon defend Japan from Godzilla, who has been possessed by the souls of those that were killed during the Pacific War. Like the other films in the franchise's Millennium period, Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack serves as a direct sequel to the original 1954 Godzilla film, ignoring the events of every other installment in the series, minus a small reference to Godzilla (1998).
Baragon is a fictional monster, or kaiju, which first appeared in Ishirō Honda's 1965 film Frankenstein vs. Baragon, produced and distributed by Toho. Depicted as a burrowing, four-legged, horned dinosaur-like creature with large ears, Baragon appeared alongside Godzilla and other monster characters in films in the Godzilla franchise, also produced by Toho, including Destroy All Monsters and Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack.
Kōichi Kawakita was a Japanese special effects director, cinematographer, and optical photographer.
Akira Takarada was a Japanese film actor best known for his roles in the Godzilla film series.
Godzilla is a Japanese monster, or kaiju, media franchise consisting of films, television series, novels, comic books, video games, and other merchandise. The franchise is centered on the fictional kaiju Godzilla, a prehistoric reptilian monster awakened and powered by nuclear radiation. The franchise is recognized by the Guinness World Records as the "longest continuously running film franchise", having been in ongoing production since 1954, with several hiatuses of varying lengths. The film franchise consists of 38 films: 33 Japanese films produced and distributed by Toho Co., Ltd.; and five American films, the first of which was produced by TriStar Pictures and the remaining four by Legendary Pictures, with the latest being released in March 2024.
As an enduring and iconic symbol of post-World War II cinematic history, the fictional giant monster Godzilla has been referenced and parodied numerous times in popular culture. Godzilla and other atomic monsters have appeared in a variety of mediums, including cartoons, film, literature, television, and video games.
Satoshi Furuya, known professionally as Bin Furuya, is a Japanese actor best known for his portrayal of the title character in the 1966 series Ultraman. Furuya would later portray the character Amagi in the sequel series Ultraseven. Furuya has also made appearances in Mothra (1961), Gorath (1962), High and Low (1963), Ghidorah, the Three-Headed Monster (1964), Ultraman Zearth (1996), Mega Monster Battle: Ultra Galaxy (2009), and Shin Ultraman (2022).
Godzilla: King of the Monsters is a 2019 American monster film directed and co-written by Michael Dougherty. Produced by Legendary Pictures and distributed by Warner Bros. Pictures, it is a sequel to Godzilla (2014) and the third film in the Monsterverse. It is also the 35th film in the Godzilla franchise, and the third Godzilla film to be completely produced by a Hollywood studio. The film stars Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Bradley Whitford, Sally Hawkins, Charles Dance, Thomas Middleditch, Aisha Hinds, O'Shea Jackson Jr., David Strathairn, Ken Watanabe, and Zhang Ziyi. In the film, eco-terrorists release King Ghidorah, who awakens other monsters known as "Titans" across the world, forcing Godzilla and Mothra to surface and engage Ghidorah and Rodan in a decisive battle.
Keizō Murase is a Japanese suitmaker, stuntman, sculptor, modeler, and film director. He is particularly well known for his work in giant monster films, including Mothra (1961), King Kong vs. Godzilla (1962), and The Mighty Peking Man (1977).
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