Gajaga | |
|---|---|
| Language | Sanskrit |
| Period | 9th–10th century |
| Genre | Rashtrakuta literature |
Gajaga, (Gaja is Sanskrit for elephant and whose earlier name was Gajankusha) was a writer of Rashtrakuta literature in the Kannada language of the 9th-10th century. he finds mention in Shabdamanidarpana , a comprehensive and authoritative work on Kannada grammar authored by Kesiraja in 1260 CE, [1] [2] He was considered a path breaking poet and writer of his times in the "classical age" of Kannada literature. Unfortunately no work by Gajaga has survived, but there are evidences that suggest that he was a prolific writer.
Ādi purāṇa is a 9th century Sanskrit poem composed by Jinasena, a Digambara monk. It deals with the life of Rishabhanatha, the first Tirthankara.
Vikramarjuna Vijaya, also known as Pampa Bharatha is a classic work of the 10th century Jain poet Pampa. It is a Kannada version of the great epic, the Mahabharata of Vyasa. Pampa chose Arjuna, the central figure of the Pandava Clan, as the protagonist of his epic. This work differs from Mahabharata in several aspects, one of them being Arjuna crowned the king, subhadra the queen, after Kurukshetra war, instead of Yudhishthira, and Draupadi respectively.
Amoghavarsha I was the greatest emperor of the Rashtrakuta dynasty, and one of the most notable monarchs of Ancient India. His reign of 64 years is one of the longest precisely dated monarchical reigns on record. Many Kannada and Sanskrit scholars prospered during his rule, including the great Indian mathematician Mahaviracharya who wrote Ganita-sara-samgraha, Jinasena, Virasena, Shakatayan and Sri Vijaya.
Rashtrakuta was a royal Indian dynasty ruling large parts of the Indian subcontinent between the 6th and 10th centuries. The earliest known Rashtrakuta inscription is a 7th-century copper plate grant detailing their rule from Manapur, a city in Central or West India. Other ruling Rashtrakuta clans from the same period mentioned in inscriptions were the kings of Achalapur and the rulers of Kannauj. Several controversies exist regarding the origin of these early Rashtrakutas, their native homeland and their language.
Western Ganga was an important ruling dynasty of ancient Karnataka in India which lasted from about 350 to 1000 CE. They are known as "Western Gangas" to distinguish them from the Eastern Gangas who in later centuries ruled over Kalinga. The general belief is that the Western Gangas began their rule during a time when multiple native clans asserted their freedom due to the weakening of the Pallava empire in South India, a geo-political event sometimes attributed to the southern conquests of Samudra Gupta. The Western Ganga sovereignty lasted from about 350 to 550 CE, initially ruling from Kolar and later, moving their capital to Talakadu on the banks of the Kaveri River in modern Mysore district.
Kavirajamarga is the earliest available work on rhetoric, poetics and grammar in the Kannada language. It was inspired by or written in part by the famous Rashtrakuta King Amoghavarsha I, and some historians claim it is based partly on the Sanskrit text Kavyadarsha. Some historians believe Kavirajamarga may have been co-authored by a poet in the king's court, the Kannada language theorist Sri Vijaya.
North Karnataka is a geographical region in Deccan plateau from 300 to 730 metres elevation that constitutes the region of the Karnataka state in India and the region consists of 14 districts. It is drained by the Krishna River and its tributaries the Bhima, Ghataprabha, Malaprabha, and Tungabhadra. North Karnataka lies within the Deccan thorn scrub forests ecoregion, which extends north into eastern Maharashtra.
Durvinita is seen as the most successful ruler of the Western Ganga dynasty. Son of the previous ruler, Avinita, Durvinita's accession to the throne was disputed by his brother, who had gained the support of the Pallavas and Kadambas. There are Nallala and Kadagattur inscriptions that refer to this dispute. However, Durvinita managed to grab the throne by virtue of his valour.
Pampa, called by the honorific Ādikavi was a Kannada-language Jain poet whose works reflected his philosophical beliefs. He was a court poet of Vemulavada Chalukya king Arikesari II, who was a feudatory of the Rashtrakuta Emperor Krishna III. Pampa is best known for his epics Vikramārjuna Vijaya or Pampa Bharata, and the Ādi purāṇa, both written in the champu style around c. 939. These works served as the model for all future champu works in Kannada.
Cāmuṇḍarāya or Chavundaraya was an Indian Jain ruler. He served in the court of the Western Ganga dynasty of Talakad. A person of many talents, in 981 he commissioned the construction of the monolithic statue of Bahubali, the Gomateshwara, at Shravanabelagola, an important place of pilgrimage for Jainism. He was a devotee of the Jain Acharya Nemichandra and Ajitasena Bhattaraka and was an influential person during the reigns of Marasimha II Satyavakya, (963–975). Rachamalla IV Satyavakya, (975–986) and Rachamalla V (Rakkasaganga), (986–999).
Ponna (c. 945) was a noted Kannada poet in the court of Rashtrakuta Emperor Krishna III. The emperor honoured Ponna with the title "emperor among poets" (Kavichakravarthi) for his domination of the Kannada literary circles of the time, and the title "imperial poet of two languages" for his command over Sanskrit as well. Ponna is often considered one among the "three gems of Kannada literature" for ushering it in full panoply. According to the scholar R. Narasimhacharya, Ponna is known to have claimed superiority over all the poets of the time. According to scholars Nilakanta Shastri and E.P. Rice, Ponna belonged to Vengi Vishaya in Kammanadu, Punganur, Andhra Pradesh, but later migrated to Manyakheta, the Rashtrakuta capital, after his conversion to Jainism.
Shivakotiacharya, a writer of the 9th-10th century, is considered the author of didactic Kannada language Jain text Vaddaradhane. A prose narrative written in pre-Old-Kannada, Vaddaradhane is considered the earliest extant work in the prose genre in the Kannada language. Scholars are, however, still divided about when exactly the text was written, with claims ranging from before the 6th century to the 10th century.
Rashtrakuta literature is the body of work created during the rule of the Rastrakutas of Manyakheta, a dynasty that ruled the southern and central parts of the Deccan, India between the 8th and 10th centuries. The period of their rule was an important time in the history of South Indian literature in general and Kannada literature in particular. This era was practically the end of classical Prakrit and Sanskrit writings when a whole wealth of topics were available to be written in Kannada. Some of Kannada's most famous poets graced the courts of the Rashtrakuta kings. Court poets and royalty created eminent works in Kannada and Sanskrit, that spanned such literary forms as prose, poetry, rhetoric, epics and grammar. Famous scholars even wrote on secular subjects such as mathematics. Rashtrakuta inscriptions were also written in expressive and poetic Kannada and Sanskrit, rather than plain documentary prose.
The political history of medieval Karnataka spans the 4th to the 16th centuries in Karnataka region of India. Previously foreign empires held sway over the region, and the nucleus of power was outside modern Karnataka. The medieval era can be broadly divided into several periods: The earliest native kingdoms and imperialism; the successful domination of the Gangetic plains in northern India and rivalry with the empires of Tamilakam over the Vengi region; and the domination of the southern Deccan and consolidation against Muslim invasion. The origins of the rise of the Karnataka region as an independent power date back to the fourth-century birth of the Kadamba Dynasty of Banavasi, the earliest of the native rulers to conduct administration in the native language of Kannada in addition to the official Sanskrit. This is the historical starting point in studying the development of the region as an enduring geopolitical entity and of Kannada as an important regional language.
Western Ganga literature refers to a body of writings created during the rule of the Western Ganga Dynasty, a dynasty that ruled the region historically known as Gangavadi between the 4th and 11th centuries. The period of their rule was an important time in the history of South Indian literature in general and Kannada literature in particular, though many of the writings are deemed extinct. Some of the most famous poets of Kannada language graced the courts of the Ganga kings. Court poets and royalty created eminent works in Kannada language and Sanskrit language that spanned such literary forms as prose, poetry, Hindu epics, Jain Tirthankaras (saints) and elephant management.
Medieval Kannada literature covered a wide range of subjects and genres which can broadly be classified under the Jain, Virashaiva, Vaishnava and secular traditions. These include writings from the 7th century rise of the Badami Chalukya empire to the 16th century, coinciding with the decline of Vijayanagara Empire. The earliest known literary works until about the 12th century CE were mostly authored by the Jainas along with a few works by Virashaivas and Brahmins and hence this period is called the age of Jain literature,. The 13th century CE, to the 15th century CE, saw the emergence of numerous Virashaiva and Brahminical writers with a proportional decline in Jain literary works. Thereafter, Virashaiva and Brahmin writers have dominated the Kannada literary tradition. Some of the earliest metres used by Jain writers prior to 9th century include the chattana, bedande and the melvadu metres, writings in which have not been discovered but are known from references made to them in later centuries. Popular metres from the 9th century onwards when Kannada literature is available are the champu-kavyas or just champu, vachanasangatya, shatpadi, ragale, tripadi, and kavya.
Kēśirāja, also spelled Keshiraja, was a 13th-century Kannada grammarian, poet and writer. He is particularly known for authoring Shabdamanidarpana, an authoritative work on Kannada grammar. According to Dravidian scholar Sheldon Pollock, because of this work he is considered the "greatest theorist of Kannada grammar". He was also a scholar in Sanskrit as well and a court poet in the Hoysala Court.
Asaga was a 9th-century Digambara Jain poet who wrote in Sanskrit and Kannada language. He is most known for his extant work in Sanskrit, the Vardhamana Charitra. This epic poem which runs into eighteen cantos was written in 853 CE. It is the earliest available Sanskrit biography of the last tirthankara of Jainism, Mahavira. In all, he authored at least eight works in Sanskrit. In Kannada, none of his writings, including the Karnataka Kumarasambhava Kavya that have been referenced by latter day poets have survived.
The Chalukya dynasty was a Classical Indian dynasty that ruled large parts of southern and central India between the 6th and the 12th centuries. During this period, they ruled as three related yet individual dynasties. The earliest dynasty, known as the "Badami Chalukyas", ruled from Vatapi from the middle of the 6th century. The Badami Chalukyas began to assert their independence at the decline of the Kadamba kingdom of Banavasi and rapidly rose to prominence during the reign of Pulakeshin II. After the death of Pulakeshin II, the Eastern Chalukyas became an independent kingdom in the eastern Deccan. They ruled from Vengi until about the 11th century. In the western Deccan, the rise of the Rashtrakutas in the middle of the 8th century eclipsed the Chalukyas of Badami before being revived by their descendants, the Western Chalukyas, in the late 10th century. These Western Chalukyas ruled from Kalyani until the end of the 12th century.
About 25,000 inscriptions found in Karnataka and nearby states belong to historic Kannada rulers, including the Kadambas, the Western Ganga Dynasty, the Rashtrakuta, the Chalukya, the Hoysala and the Vijayanagara Empire. Many inscriptions related to Jainism have been unearthed. The inscriptions found are generally on stone (Shilashasana) or copper plates (Tamarashasana). These Kannada inscriptions are found on historical hero stones, coins, temple walls, pillars, tablets and rock edicts. They have contributed towards Kannada literature and helped to classify the eras of Proto Kannada, Pre Old Kannada, Old Kannada, Middle Kannada and New Kannada. Inscriptions depict the culture, tradition and prosperity of their era. The literature of Ramayana and Mahabharata are transferred through the generations by these inscriptions. The Hazara Rama Temple and Aranmula Parthasarathy Temple are the best examples of temples associated with Kannada inscriptions.
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