Gale Tattersall | |
---|---|
Born | 1948 (age 74–75) United Kingdom |
Alma mater | London Film School |
Occupation | Cinematographer |
Gale Tattersall (born 1948) is a British filmmaker, cinematographer and founder of the HDD SLR Workshops in Santa Monica, California. He was the cinematographer for such movies as The Commitments and Tank Girl and the director of photography on 120 House episodes. He is currently mentoring upcoming filmmakers on the art of cinematography and film making.
Tattersall's childhood and education were split between the outskirts of Liverpool, England, and boarding school in Darjeeling, India, his father being an engineer at a steel company in Mumbai (then called Bombay).
At the age of sixteen, he left home in Liverpool to make his life in London. The beginnings of his journey to becoming a filmmaker started as a photographer at the Architectural Association School of Architecture in London. A visit by Buckminster Fuller, the renowned American architect and philosopher, in the summer of 1967, caused him to pick up a Bolex camera to document his visit. He became so enchanted by the film making process that he enrolled at the London Film School for its two-year course. At graduation, he received a grant from the British Film Institute to make a short film called Value For Money, inspired by a dream and featuring Quentin Crisp, later to become famous for The Naked Civil Servant .
Tattersall has been nominated for the Emmy Award for Outstanding Cinematography for a Miniseries or a Movie for his work on the Ron Howard-produced 1998 docudrama miniseries From the Earth to the Moon . He was twice nominated for the American Society of Cinematographers Award for Outstanding Achievement in Cinematography in Regular Series for the House M.D. episodes "House's Head" and "Meaning".
Tattersall has two grown sons, Rio and Sunny with his Brazilian ex-wife, Teresa.
Year | Film | Cinematographer | Camera operator | Self | Notes |
---|---|---|---|---|---|
2006–2012 | House M.D. | Yes | TV series – 120 episodes Nominated – American Society of Cinematographers Awards 2008 – Outstanding Achievement in Cinematography in Regular Series for episode "House's Head" Nominated – American Society of Cinematographers Awards 2006 – Outstanding Achievement in Cinematography in Regular Series for episode "Meaning" [1] | ||
2006 | Relying on the Anointing | Yes | Video short | ||
The Power of Proclamation | Yes | Video short | |||
The Matchless Message | Yes | Video short | |||
The Man Is the Message | Yes | Video short | |||
Lost at Sea | Yes | Video short | |||
How I Learned Faith | Yes | Video short | |||
The Art of the Impossible | Yes | Video short | |||
2004 | The Commitments: Looking Back | Yes | Video documentary | ||
2002 | Ghost Ship | Yes | |||
2001 | Thir13en Ghosts | Yes | |||
2000 | CSI: Crime Scene Investigation | Yes | TV series – Pilot | ||
1999 | Pushing Tin | Yes | |||
The Jack Bull | Yes | TV movie | |||
1998 | From the Earth to the Moon | Yes | TV mini-series Nominated – 50th Primetime Emmy Awards – Outstanding Cinematography for a Miniseries or a Movie [2] | ||
HBO First Look: Making "From the Earth to the Moon" | Yes | TV series documentary | |||
1995 | Virtuosity | Yes | |||
Tank Girl | Yes | ||||
Hideaway | Yes | ||||
1991 | The Commitments | Yes | |||
The Addams Family | Yes | Additional photographer | |||
1990 | Vroom | Yes | |||
1989 | Wild Orchid | Yes | Yes | ||
1988 | Homeboy | Yes | |||
Space Riders | Yes | ||||
1987 | Aria | Yes | Segment "La Vergine Degli Angeli" | ||
1986 | Comrades | Yes | |||
Forever Young | Yes | ||||
Link | Yes | Director of photography: UK second unit | |||
1985 | Wings of Death | Yes | Yes | Short film | |
The Emerald Forest | Yes | ||||
1983 | Those Glory Glory Days | Yes | TV movie | ||
1980 | Dark Water | Yes | Short film | ||
Sweet William | Yes | ||||
1978 | The Getting of Wisdom | Yes | |||
1977 | Summerfield | Yes | |||
1976 | Don's Party | Yes | |||
The Fourth Wish | Yes | ||||
1974 | Barry McKenzie Holds His Own | Yes | |||
Behind the Scenes Footage from "Barry McKenzie Holds His Own" | Yes | ||||
1973 | My Ain Folk | Yes | |||
Monster or Miracle? Sydney Opera House | Yes | TV movie | |||
The Wreck of the Batavia | Yes | TV movie | |||
1972 | The Adventures of Barry McKenzie | Yes | |||
My Childhood | Yes | Additional photographer | |||
The American Society of Cinematographers (ASC), founded in Hollywood in 1919, is a cultural, educational, and professional organization that is neither a labor union nor a guild. The society was organized to advance the science and art of cinematography and gather a wide range of cinematographers to discuss techniques and ideas and to advocate for motion pictures as a type of art form. Currently, the president of the ASC is Stephen Lighthill.
John Toll, ASC is an American cinematographer and television producer. Toll's filmography spans a wide variety of genres, including epic period drama, comedy, science fiction, and contemporary drama. He won the Academy Award for Best Cinematography in both 1994 and 1995 for Legends of the Fall and Braveheart respectively, and has also won numerous BAFTA, ASC, and Satellite Awards. He has collaborated with several noteworthy directors, including Francis Ford Coppola, Edward Zwick, Terrence Malick, Mel Gibson, Cameron Crowe, The Wachowskis, and Ang Lee.
Vilmos ZsigmondASC was a Hungarian-American cinematographer. His work in cinematography helped shape the look of American movies in the 1970s, making him one of the leading figures in the American New Wave movement.
Philip H. Lathrop, A.S.C. was an American cinematographer noted for his skills with wide screen technology and detailed approach to lighting and camera placement. He spent most of his life in movie studios. Lathrop was known for such films as Touch of Evil (1958), Lonely Are the Brave (1962), The Americanization of Emily (1964), The Cincinnati Kid (1965), Point Blank (1967), Finian's Rainbow (1968), The Traveling Executioner (1970), Portnoy's Complaint (1972), Earthquake (1974), Swashbuckler (1976), The Driver (1978), Moment by Moment (1978), A Change of Seasons (1980), Foolin' Around (1980), Loving Couples (1980), and Deadly Friend (1986).
Joseph Francis Biroc, ASC was an American cinematographer. He was born in New York City and began working in films at the Paragon Studios in Fort Lee, New Jersey. After working there for approximately six years, he moved to Los Angeles. Once in Southern California, Biroc worked at the RKO Pictures movie studio. During World War II, he served in the U.S. Army Signal Corps, and filmed the Liberation of Paris in August 1944. In 1950, Biroc left RKO Pictures and freelanced on projects at various studios. In addition to his film work, which included It's a Wonderful Life (1946) and The Flight of the Phoenix (1965), Biroc worked on various television series, including the Adventures of Superman and Wonder Woman. He frequently collaborated with film director Robert Aldrich.
John A. Alonzo, ASC was an American cinematographer, television director, and actor known for his diverse body of work in both film and television.
Dean Raymond Cundey, A.S.C. is an American cinematographer and film director. He is known for his collaborations with John Carpenter, Steven Spielberg, Robert Zemeckis, as well as his extensive work in the horror genre, in addition to numerous family and comedy films. He was nominated for an Academy Award for Best Cinematography for his work on Who Framed Roger Rabbit and has been nominated for numerous BAFTAs and BSC Awards.
Russell Paul Carpenter, ASC is an American cinematographer and photographer, known for collaborating with directors James Cameron, Robert Luketic and McG. He won the Academy Award for Best Cinematography for the 1997 Best Picture-winning film Titanic. Much of his work has been in blockbuster films, including Hard Target (1993), True Lies (1994), Charlie's Angels (2000) and its sequel Charlie's Angels: Full Throttle (2003), Ant-Man (2015) and XXX: Return of Xander Cage (2017). His documentary cinematography includes George Harrison: Living in the Material World, directed by Martin Scorsese. It earned six nominations at the 64th Primetime Emmy Awards, including Outstanding Cinematography for Nonfiction Programming for the cinematography team.
Mikael Salomon is a Danish cinematographer, director and producer of film and television. After a long cinematography career in Danish cinema, he transitioned to the Hollywood film industry in the late 1980s earning two Academy Award nominations. He is also a television director whose credits include dozens of series, films and miniseries including Band of Brothers, Salem's Lot, Rome, and The Andromeda Strain. His awards and nominations include a Primetime Emmy Award and a Directors Guild of America Award.
Stephen Goldblatt, A.S.C., B.S.C. is a South African-born British cinematographer, noted for his work on numerous high-profile action films, including the first two entries in the Lethal Weapon series, as well as for his recent collaborations with director Mike Nichols and Tate Taylor.
Guillermo Jorge Navarro Solares, AMC, ASC is a Mexican cinematographer and television director. He has worked in Hollywood since 1994 and is a frequent collaborator of Guillermo del Toro and Robert Rodriguez. In 2007, he won the Academy Award for Best Cinematography and the Goya Award for Best Cinematography for del Toro's Pan's Labyrinth. His subsequent filmography runs the gamut from lower-budget arthouse and genre films to high-profile blockbusters like Hellboy, Zathura: A Space Adventure, Night at the Museum, and Pacific Rim.
The 21st American Society of Cinematographers Awards were held on February 18, 2007, honoring the best cinematographers of film and television in 2006.
Robert Christopher Elswit, ASC is an American cinematographer. He has collaborated with Paul Thomas Anderson on six of his films and won the Academy Award for Best Cinematography for There Will Be Blood. Elswit has also collaborated with directors and screenwriters Tony and Dan Gilroy on all of the six films that either brother directed.
Dana W. Gonzales is an American director and cinematographer from Los Angeles, California.
The 23rd American Society of Cinematographers Awards were held on February 15, 2009, honoring the best cinematographers of film and television in 2008.
Peter James is an Australian cinematographer and director of photography. James is a member of the American Society of Cinematographers (ASC), an organization that offers membership to directors of photography only "by invitation, based on an individual’s body of work".
Fabian Wagner is a German cinematographer. His roles in the production of the television shows Sherlock and Game of Thrones have earned him two Creative Arts Emmy Award nominations. In 2017, he won the American Society of Cinematographers Award for Outstanding Achievement in Cinematography in Regular Series for his work on the Game of Thrones episode "Battle of the Bastards".
James Crabe, A.S.C. was an American cinematographer, known for his work in the 1970s and '80s on numerous films, including Rocky, The China Syndrome, Night Shift, The Karate Kid, and Thank God It's Friday. He was a regular collaborator of director John G. Avildsen, and a two-time Primetime Emmy Award winner, in addition to being nominated for multiple ASC Awards and an Academy Award.
James Hawkinson is an American cinematographer known for his work in television, music videos, and film. He is best known for his critically acclaimed work on the Hannibal and The Man in the High Castle television series', for which he has received numerous accolades including a Primetime Emmy Award and a nomination for an ASC Award.
Erik Messerschmidt, ASC, is an American cinematographer. He is best known for his collaborations with director David Fincher on the films Mank and Gone Girl, and on the Netflix series Mindhunter. He has also shot episodes of the TV series Fargo, Legion, and Raised by Wolves. His work has been nominated for an Emmy. In April 2021, he won the top ASC Award and the Academy Award for Best Cinematography for Mank.