Azulejo is a form of Portuguese and Spanish painted tin-glazed ceramic tilework. Azulejos are found on the interior and exterior of churches, palaces, ordinary houses, schools, and nowadays, restaurants, bars and even railways or subway stations. They are an ornamental art form, but also had a specific functional capacity like temperature control in homes.
The Church of Nossa Senhora da Conceição is a church in the civil parish of Madalena, in the municipality of Lisbon.
Gregório Lopes was one of the most important Renaissance painters from Portugal.
Jorge Afonso was an important Portuguese Renaissance painter.
Josefa de Óbidos was a Spanish-born Portuguese painter. Her birth name was Josefa de Ayala Figueira, but she signed her work as, "Josefa em Óbidos" or, "Josefa de Ayalla". All of her work was executed in Portugal, her father's native country, where she lived from the age of four. Approximately 150 works of art have been attributed to Josefa de Óbidos, making her one of the most prolific Baroque artists in Portugal.
Vasco Fernandes, better known as Grão Vasco, was one of the main Portuguese Renaissance painters.
Cristóvão de Figueiredo was a Portuguese Renaissance painter.
Cristóvão Lopes (c.1516–1594) was a Portuguese painter.
The Cathedral Basilica of Salvador, officially dedicated to the Transfiguration of Christ and named Primatial Cathedral Basilica of the Transfiguration of the Lord is the seat of the Archbishop of the city of Salvador, in the State of Bahia, in Brazil. The Archbishop of Salvador is also ex officioPrimate of Brazil.
The architecture of the Portuguese Renaissance intimately linked to Gothic architecture and gradual in its classical elements. The Manueline style was a transitional style that combined Renaissance and Gothic ornamental elements to buildings that were architectonically closer to Gothic architecture, as is the Isabelline style of Spain. Manueline was succeeded by a brief Early Renaissance phase, closer to Classical canons, followed by the adoption of Mannerist forms. Portuguese Mannerism, specially in secular architecture, is characterised by simplicity in the organisation of façades and relative lack of decoration, being often referred to as Estilo Chão. Even with the arrival of Baroque architecture in the late 17th century, Portuguese architecture continued to use Mannerist forms well into the 18th century.
The Igreja de São Roque is a Roman Catholic church in Lisbon, Portugal. It was the earliest Jesuit church in the Portuguese world, and one of the first Jesuit churches anywhere. The edifice served as the Society’s home church in Portugal for over 200 years, before the Jesuits were expelled from that country. After the 1755 Lisbon earthquake, the church and its ancillary residence were given to the Lisbon Holy House of Mercy to replace their church and headquarters which had been destroyed. It remains a part of the Holy House of Mercy today, one of its many heritage buildings.
Gilded woodcarving in Portugal is, along with tile, one of the country's most original and rich artistic expressions. It is usually used in the interior decoration of churches and cathedrals and of noble halls in palaces and large public buildings. An impressive collection of altarpieces are found in Portuguese churches. Originating in the Gothic era, Portuguese gilded woodcarving assumed a nationalist character during the 17th century and reached its height in the reign of King D. João V. In the 19th century it lost its originality and began to disappear with the end of the revival era.
The Church of the Miserícordia de Valadares, or Church of Mercy/Charity of Valadares, is a 17th–18th-century Portuguese church located in the civil parish of Valadares, municipality of Monção in continental Portugal. The church was classified as Property of Public Interest in 1961.
The Portuguese Renaissance refers to the cultural and artistic movement in Portugal during the 15th and 16th centuries. Though the movement coincided with the Spanish and Italian Renaissances, the Portuguese Renaissance was largely separate from other European Renaissances and instead was incredibly important in opening Europe to the unknown and bringing a more worldly view to those European Renaissances, as at the time the Portuguese Empire spanned the globe.
The Former Cathedral of Idanha-a-Velha is a medieval the decommissioned Catholic cathedral of the former bishopric of Egitânia, in the Freguesia of Monsanto e Idanha-a-Velha, in the municipality of Idanha-a-Nova, in the central Portuguese district of Castelo Branco.
A Church of the Santa Casa da Misericórdia, sometime referred to as the Church of Our Lady of Mercy, is a 17th-century church in the civil parish of Penafiel, in the municipality of the same name, in the Portuguese district of Porto.
Diogo de Contreiras was a Portuguese Mannerist painter, active between 1521 and 1562. He has been identified as the painter referred to as the Master of Saint Quentin. The identification of de Contreiras as the Master of Saint Quentin was determined by Martin Soria (1957) and later reinforced by Vítor Serrão.
