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Stevland Hardaway Morris, known professionally as Stevie Wonder, is an American singer-songwriter, musician, and record producer. He is credited as a pioneer and influence by musicians across a range of genres that include R&B, pop, soul, gospel, funk, and jazz. A virtual one-man band, Wonder's use of synthesizers and other electronic musical instruments during the 1970s reshaped the conventions of contemporary R&B. He also helped drive such genres into the album era, crafting his LPs as cohesive and consistent, in addition to socially conscious statements with complex compositions. Blind since shortly after his birth, Wonder was a child prodigy who signed with Motown's Tamla label at the age of 11, where he was given the professional name Little Stevie Wonder.
Talking Book is the fifteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on October 27, 1972, by Tamla, a subsidiary of Motown Records. This album and Music of My Mind, released earlier the same year, are generally considered to mark the start of Wonder's "classic period". The sound of the album is sharply defined by Wonder's use of keyboards and synthesizers.
You Gotta Go There to Come Back is the fourth studio album by alternative rock band Stereophonics. Produced by Kelly Jones and released on V2 in 2003, this LP became their third consecutive album to top the UK chart, selling 101,946 copies in its first week alone. It is the final Stereophonics album to feature long-time original drummer Stuart Cable before he was fired in September 2003. The album’s title comes from the eighth track "I'm Alright ".
Innervisions is the sixteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on August 3, 1973, by Tamla, a subsidiary of Motown Records. A landmark recording of Wonder's "classic period", the album has been regarded as completing his transition from the "Little Stevie Wonder" known for romantic ballads into a more musically mature, conscious, and grown-up artist. On the album, Wonder continued to experiment with the revolutionary T.O.N.T.O. synthesizer system developed by Malcolm Cecil and Robert Margouleff, and Innervisions became hugely influential on the future sound of commercial soul and black music.
Hotter than July is the nineteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on September 29, 1980, by Tamla, a subsidiary of Motown Records. Wonder primarily recorded the album in Los Angeles at Wonderland Studios, which he had recently acquired. The album peaked at number three on the Billboard Top LPs & Tapes chart and was certified Platinum by the Recording Industry Association of America (RIAA) on February 3, 1981. It was Wonder's most successful album in the UK, where it peaked at number two on the UK Albums Chart and produced four top ten singles. Music videos were produced for the album's first, third, and fourth singles.
"Superstition" is a song by American singer-songwriter Stevie Wonder. It was released on October 24, 1972, as the lead single from his fifteenth studio album, Talking Book (1972), by Tamla. The lyrics describe popular superstitions and their negative effects.
"The Tears of a Clown" is a song written by Hank Cosby, Smokey Robinson, and Stevie Wonder and originally recorded by Smokey Robinson & the Miracles for the Tamla Records label subsidiary of Motown, first appearing on the 1967 album Make It Happen. The track was re-released in the United Kingdom as a single in July 1970, and it became a number-one hit on the UK Singles Chart for the week ending September 12, 1970. Subsequently, Motown released a partially re-recorded and completely remixed version as a single in the United States as well, where it quickly became a number-one hit on both the Billboard Hot 100 and R&B Singles charts.
Funk rock is a fusion genre that mixes elements of funk and rock. James Brown and others declared that Little Richard and his mid-1950s road band, the Upsetters, were the first to put the funk in the rock and roll beat, with a biographer stating that their music "spark[ed] the musical transition from fifties rock and roll to sixties funk".
"Stay" is a song by the English musician David Bowie, released on his 1976 album Station to Station. The song was recorded in late 1975 at Cherokee Studios in Los Angeles. Co-produced by Bowie and Harry Maslin, the recording featured guitarists Carlos Alomar and Earl Slick, bassist George Murray, drummer Dennis Davis, pianist Roy Bittan and Warren Peace on percussion. The track features prominent dual guitar work from Slick and Alomar, who mostly composed it in the studio. Based on the chord structure of "John, I'm Only Dancing (Again)", a funk reworking of "John, I'm Only Dancing" (1972), "Stay" emulates funk rock, soul and hard rock. The song's lyrics are abstract and relate to love.
"Boogie On Reggae Woman" is a 1974 funk song by American Motown artist Stevie Wonder, released as the second single from his seventeenth studio album, Fulfillingness' First Finale, issued that same year. Despite the song's title, its style is firmly funk/R&B and neither boogie nor reggae. It continued Wonder's successful Top Ten streak on the pop charts, reaching number three and also spent two weeks at number one on the soul charts. Billboard ranked it as the No. 26 song for 1975. At the 17th Grammy Awards, Stevie Wonder won the Best R&B Vocal Performance, Male for this song.
Eivets Rednow is an easy listening and rhythm and blues instrumental album by Stevie Wonder released on the Gordy Records label in 1968. The album was created as a follow-up to the successful easy listening instrumental single "Alfie". "A House Is Not a Home", another song by Burt Bacharach and Hal David, also appears on the album. The album reached #37 on the U.S. R and B charts. Eivets Rednow is Stevie Wonder spelled backwards; Wonder's name does not appear on the cover of the original releases. This was Wonder's ninth studio album, released on November 20, 1968.
Jungle Fever is a soundtrack album by American R&B singer-songwriter, producer, and multi-instrumentalist Stevie Wonder, recorded for the film Jungle Fever. It was released by the Motown label on May 28, 1991.
Still Bill is the second studio album by American soul singer-songwriter and producer Bill Withers, released in 1972 by Sussex Records. The album was recorded and produced by Withers with musicians from the Watts 103rd Street Rhythm Band. The rhythmic music produced for the record features soul, funk, and blues sounds, backing lyrics that explore themes of human nature, emotion, and sex from a middle-class male perspective. It also features some of Withers' most popular songs, including the hit singles "Lean on Me" and "Use Me". A commercial and critical success at the time of its release, Still Bill has since been regarded by music journalists as a highlight of the singer's recording career and a classic of 1970s R&B.
"We Didn't Know" is a mid-tempo duet by American recording artists Whitney Houston and Stevie Wonder, and was released as the sixth and final single from Houston's third album I'm Your Baby Tonight (1990). The single was released on April 14, 1992 by Arista Records. Wonder wrote and produced the song. The single peaked at number 20 on Billboard's R&B Singles chart. There was no music video made for the song. This is the first and only single from the album that was issued without a music video.
"Fire" is a song by R&B/funk band Ohio Players. The song was the opening track from the album of the same name and hit No. 1 on both the Billboard Hot 100 and the Hot Soul Singles chart in early 1975. It spent two weeks atop the soul chart. "Fire" was the Ohio Players' only entry on the new disco/dance chart, where it peaked at No. 10. The song is considered to be the band's signature song along with "Love Rollercoaster".
"All That I Can Say" is a song by American recording artist Mary J. Blige. It was composed by fellow R&B singer Lauryn Hill, who also sang backing vocals, for Blige's fourth studio album, Mary (1999). Released as the album's lead single in July 1999 by MCA, it became a moderate commercial success in both the United States and United Kingdom, peaking at numbers forty-four and twenty-nine, respectively.
The Rush is a song by American recording R&B artist Luther Vandross', released as the third single from his 1991 album, Power of Love. It reached number six on the US R&B Singles chart and peaked at number 73 on Billboard's Hot 100 in January 1992. The next single to follow was "Sometimes It's Only Love".
"Jungle Fever" is a 1971 track performed by Belgian producers the Chakachas, written by pianist and arranger Willy Albimoor and first issued in Belgium by Swineyard, an independent record label.
"All in Love Is Fair" is a song by American singer-songwriter Stevie Wonder recorded for his sixteenth studio album, Innervisions (1973). Written and produced by Wonder, it was released as a 7" single in Brazil in 1974. The song is a pop ballad with lyrics that describe the end of a relationship through the use of clichés. Critical reaction to the song has been varied: Matthew Greenwald of AllMusic wrote that it was among Wonder's "finest ballad statements", but Robert Christgau felt that the singer's performance was "immature". Wonder has included it on several of his greatest hits albums, including the most recent, 2005's The Complete Stevie Wonder.
"Hey Love" is a 1966 song by Stevie Wonder, from his album Down to Earth. It was released as a B-side to "Travelin' Man," but it also reached the charts in its own right, peaking at number 90 on the Billboard Hot 100 and number nine on the R&B Singles chart in the spring of 1967. It has been covered by other artists, including Bettye LaVette and R. Kelly.
References
- 1 2 "Gotta Have You track listing". Discogs . 1991. Retrieved 10 December 2016.
- ↑ Perone, James E. (2006). The Sound of Stevie Wonder: His Words and Music. Praeger/Greenwood Publishing Group. p. 102. ISBN 978-0-275-98723-7.
- ↑ Erlewine, Stephen Thomas. "Jungle Fever – Stevie Wonder". AllMusic.
- ↑ "Jungle Fever". Musician (153–158): 94. 1991.
- ↑ Pouncey, Edwin (June 22, 1991). "Singles". NME . p. 22. Retrieved April 29, 2023.
- ↑ "Bubbling Down Under Week Commencing July 8, 1991" . Retrieved July 9, 2022.
- ↑ "Stevie Wonder Chart History (Hot 100)". Billboard.
- ↑ "Stevie Wonder Chart History (Hot R&B/Hip-Hop Songs)". Billboard.
