Greenfields | ||||
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Studio album by | ||||
Released | 8 January 2021 | |||
Studio | RCA Studio A (Nashville, Tennessee) | |||
Genre | Country | |||
Length | 44:05 | |||
Label | ||||
Producer | ||||
Barry Gibb chronology | ||||
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Singles from Greenfields | ||||
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Greenfields: The Gibb Brothers Songbook, Vol. 1 is the third solo album by British singer-songwriter Barry Gibb, which was released on 8 January 2021 by Capitol Records in America and EMI Records internationally. The album features re-imaginings of songs written by the Bee Gees with country music singers. The album's title is taken from a lyric in the song "Butterfly".
At 74 years, 4 months and 17 days old, Gibb became the oldest artist to peak at number 1 on the Australian ARIA Albums Chart. [1]
Gibb announced the album on 6 November 2020 with the release of "Words of a Fool". As a lifelong fan of country and bluegrass music, he sought a way to record some songs with some of the greatest names in the genre which eventually led to the creation of Greenfields. Gibb selected Dave Cobb as the album's producer after his son Stephen showed him a Chris Stapleton song, with Gibb recalling that "I freaked out and I said, "Wow, there are people making records like this now? There are still bands making records and not programming and that it's real?" I said, "Who is this?" And he said, [Chris Stapleton], and then he said, "Dave Cobb is the producer." I said, "I want to work with that guy. If I make any more records, it's with him." and he flew to Nashville to record. Gibb stated that "from the first day we stepped into RCA Studio A in Nashville (the very place where Elvis, Willie, Waylon, Roy, the Everly Brothers and so many other legends made their magic) the album took on a life of its own. I couldn't be more grateful for the opportunity to work with Dave and all the artists who stopped by. They were all incredibly generous with their time and talent. They inspired me more than words can express. I feel deep down that Maurice and Robin would have loved this album for different reasons. I wish we could have all been together to do it but I think we were." [2]
The album's lead single "Words of a Fool" was originally for a 1986 Barry Gibb solo project that never wound up being released. Of his collaboration on the track, Jason Isbell enthused that Gibb "is one of the greatest songwriters and singers in popular music history, and I'm happy to say he still has that beautiful voice and that magical sense of melody. Working with him on this project has been one of the great honors of my career. He's a prince." [3] [4] "Butterfly", which features musical partners David Rawlings and Gillian Welch, was written when the Gibb brothers were living in Australia before they became household names and has been covered by the likes of Marmalade and Ronnie Burns. [5]
Of re-interpreting his hits as country tracks, Gibb noted that "There were so many songs that were really written in the spirit of country music. “Islands in the Stream” for instance, was written for Diana Ross, but when I agreed to work with Kenny, he wanted to do a duet with Dolly. And so we suggested that one -- we knew it was good, we knew it was potentially very strong, but we didn't know it was a duet. So we just went to work on that, and the R&B song became a country song."
During the recording process, Gibb sang live with the majority of the album's guest artists, with the exception of Brandi Carlile and Miranda Lambert. Gibb noted that "Brandi wanted to do "Run to Me" before I could get to Nashville. So she went ahead and recorded it with Dave, and then I put my vocal on that later" and added that "I didn't meet Miranda – she did it when I wasn't in the studio. I think some artists are like that. They go, "Well, I'll come in and sing, but I don't want anyone else there." I dealt with that with producing Diana Ross, where someone else being in the sound booth room was just not acceptable, you know? And I think even Dave's like that. He doesn't really like people being there that really don't have a reason to be there."
Gibb spoke highly of recording with Keith Urban, stating that "he's fantastic. I mean, he gave us a great gift because he brought Nicole with him, and that was such a thrill. I'm freaking out, you know. It's not really about anyone else being impressed by me or intimidated by me -- it's the other way around." Similarly, recording with Dolly Parton, whom Gibb had not seen in over 40 years, "was a great thrill, and as incredible as she always is. She's such a humble person" and noted that "Dolly told me that where she was standing at the microphone is exactly where she stood when she did "I Will Always Love You" and "Jolene." You know, that's mind blowing." Gibb also explained that Alison Krauss "was fantastic" and that Olivia Newton-John "was spot on from the first note. She hasn't been in the studio for awhile, she'd been out of action, and she was so thrilled to just get back to singing". [6] The song was one of the last Newton-John recorded before her death in 2022. [7]
Aggregate scores | |
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Source | Rating |
Metacritic | 73/100 [8] |
Review scores | |
Source | Rating |
The Guardian | [9] [10] |
The Irish Times | [11] |
musicOMH | [12] |
Uncut | [13] |
Greenfields was met with "generally favorable" reviews from critics. At Metacritic, which assigns a weighted average rating out of 100 to reviews from mainstream publications, this release received an average score of 73 based on 11 reviews. [8]
In a 4/5 star review, Alexis Petridis of The Guardian summarised that "with subtle, beautiful arrangements, this foray into country-pop with covers by the likes of Dolly Parton, Jason Isbell and Gillian Welch is testament to the Bee Gees’ greatness". He noted that, upon first glance, Gibb recording a country album seems "peculiar" but adds that "you understand why Gibb might be keen to undertake the endeavor. The sheer wattage of Nashville star power in the supporting cast – everyone from Keith Urban and Alison Krauss to Gillian Welch and David Rawlings – underlines the regard the Gibb brothers are held in by their fellow musicians, which is never a bad thing." Petridis goes on to say that several of the more well-known tracks "can't help but be dulled by familiarity" and states that the cover of "Jive Talkin'" with Lambert and Buchanan "doesn't really work" but praises Krauss' vocal performance on "Too Much Heaven" for "casting the song's melodic richness in new light". Similarly he asserts that Carlile's performance on "Run to Me" indicates "underlines the fact that only in a catalogue as thick with hits as the Bee Gees would a ballad this strong be relatively overlooked". Sonically, he notes that "the arrangements here are subtly done and often beautiful, led by piano or acoustic guitar, the orchestrations muted; the pedal-steel-heavy "Words of a Fool" aside, they're closer to country-inflected pop than country per se. You wonder about the results had Gibb and Cobb stripped them back even more, or hauled them into grittier Americana territory". In conclusion, he praises Rawlings and Welch's appearance on "Butterfly" before stating that "titling this album Volume 1 suggests Greenfields represents more than a one-off experiment: for all its strengths, there's scope for Barry Gibb to develop this unlikely late-period diversion further." [9]
In another positive review, Chris Willman of Variety explains that the album "pays tribute to [Gibb] and his late brothers' rich, melodic catalog, now freshly approached with a rootsy but cosmopolitan country vibe that feels as ingrained and intrinsic to the aged material as it sounds. Each lustrous song's theatrical and trembling tone, once heard in this new, folksy form, seem so instinctually right as a country cut that you'll nearly forget the disco and chamber-pop originals" and goes on to declare that "save for a few hiccups, the overall results of the "Greenfields" experiment are pretty magnificent, actually". Willman continues by praising the performances of Carlile, Isbell, Welch, Krauss and Gibb himself, who he describes as a "a weirdly stirring, breathy marvel" and concludes that the success of Volume 1 means Gibb new direction is "well worth a Volume 2. And 3". [14]
All tracks written by Barry, Robin & Maurice Gibb. Except tracks 9 and 10 written by Barry & Robin Gibb, and tracks 2, 11 and 13 written by Barry Gibb.
No. | Title | Duet partner(s) | Length |
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1. | "I've Gotta Get a Message to You" | Keith Urban | 3:15 |
2. | "Words of a Fool" | Jason Isbell | 3:48 |
3. | "Run to Me" | Brandi Carlile | 3:22 |
4. | "Too Much Heaven" | Alison Krauss | 3:40 |
5. | "Lonely Days" | Little Big Town | 3:44 |
6. | "Words" | Dolly Parton | 3:12 |
7. | "Jive Talkin'" | Miranda Lambert and Jay Buchanan | 3:58 |
8. | "How Deep Is Your Love" | Tommy Emmanuel and Little Big Town | 4:26 |
9. | "How Can You Mend a Broken Heart" | Sheryl Crow | 3:26 |
10. | "To Love Somebody" | Jay Buchanan | 3:35 |
11. | "Rest Your Love on Me" | Olivia Newton-John | 4:02 |
12. | "Butterfly" | Gillian Welch and David Rawlings | 3:43 |
Total length: | 44:05 |
No. | Title | Duet partner(s) | Length |
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12. | "With the Sun in My Eyes" | 3:30 | |
13. | "Morning of My Life" | 3:44 | |
14. | "Butterfly" | Gillian Welch and David Rawlings | 3:43 |
Total length: | 51:28 |
Musicians
Handclaps (Tracks 5 & 7)
Horns and Strings
Weekly charts
| Year-end charts
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The Bee Gees were a musical group formed in 1958 by brothers Barry, Robin, and Maurice Gibb. The trio were especially successful in popular music in the late 1960s and early 1970s, and later as prominent performers in the disco music era in the mid-to-late 1970s. The group sang recognisable three-part tight harmonies: Robin's clear vibrato lead vocals were a hallmark of their earlier hits, while Barry's R&B falsetto became their signature sound during the mid-to-late 1970s and 1980s. The group wrote all their own original material, as well as writing and producing several major hits for other artists, and are regarded as one of the most important and influential acts in pop-music history. They have been referred to in the media as The Disco Kings, Britain's First Family of Harmony, and The Kings of Dance Music.
Sir Barry Alan Crompton Gibb is a British musician, singer, songwriter and record producer. Along with his younger twin brothers, Robin and Maurice, he rose to worldwide fame as a member of the Bee Gees, one of the most commercially successful groups in the history of popular music. Gibb is well known for his wide vocal range including a far-reaching high-pitched falsetto. Gibb's career has spanned over 60 years.
This Is Where I Came In is the twenty-second and final studio album by the Bee Gees. It was released on 2 April 2001 by Polydor in the UK and Universal in the US, less than two years before Maurice Gibb died from a cardiac arrest before surgery to repair a twisted intestine.
One Night Only is a live album and DVD/Blu-ray by the Bee Gees. It features the group's concert at the MGM Grand in Las Vegas in 1997 and includes many of their greatest hits.
"Islands in the Stream" is a song written by the Bee Gees and recorded by American country music artists Kenny Rogers and Dolly Parton. It was released in August 1983 as the first single from Rogers's fifteenth studio album Eyes That See in the Dark. The Bee Gees released a live version in 1998 and a studio version in 2001.
Trio is a collaborative album by American singers Dolly Parton, Linda Ronstadt, and Emmylou Harris. It was released on March 2, 1987, by Warner Bros. Records. The album has platinum certification in the U.S. for sales of one million copies, and has total worldwide sales of approximately four million. A second collaborative album, Trio II, was released in 1999.
"Jive Talkin'" is a song by the Bee Gees, released as a single in May 1975 by RSO Records. This was the lead single from the album Main Course and hit number one on the Billboard Hot 100; it also reached the top-five on the UK Singles Chart in the middle of 1975. Largely recognised as the group's comeback song, it was their first US top-10 hit since "How Can You Mend a Broken Heart" (1971).
"Words" is a song by the Bee Gees, written by Barry, Robin, and Maurice Gibb. The song reached No. 1 in Germany, Canada, Switzerland, and the Netherlands.
Living Eyes is the sixteenth studio album by the Bee Gees, released in 1981. It was the band's final album on RSO Records, which would be absorbed into Polydor and subsequently discontinued. The album showcased a soft rock sound that contrasted with their disco and R&B material of the mid-to-late 1970s; having become a prominent target of the popular backlash against disco, the Bee Gees were pressured to publicly disassociate from the genre.
E.S.P. is the seventeenth studio album by the Bee Gees released in 1987. It was the band's first studio album in six years, and their first release under their new contract with Warner Bros. It marked the first time in twelve years the band had worked with producer Arif Mardin, and was their first album to be recorded digitally. After the band's popularity had waned following the infamous Disco Demolition Night of 1979, the Gibb brothers had spent much of the early 1980s writing and producing songs for other artists, as well as pursuing solo projects, and E.S.P. was very much a comeback to prominence. The album sold well in Europe, reaching No. 5 in the UK, No. 2 in Norway and Austria, and No. 1 in Germany and Switzerland, though it failed to chart higher than No. 96 in the US. The album's first single, "You Win Again", reached No. 1 in the UK, Ireland, Switzerland, Germany, Austria and Norway.
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"How Can You Mend a Broken Heart" is a song released by the Bee Gees in 1971. It was written by Barry and Robin Gibb and was the first single on the group's 1971 album Trafalgar. It was their first US No. 1 single and also reached No. 1 in Cashbox magazine for two weeks.
"Lonely Days" is a ballad written and performed by the Bee Gees. It appeared on their album 2 Years On, and was released as a single, becoming their first Top Five hit in the US, peaking at number three in the Billboard Hot 100 and reaching number one in the Cashbox and Record World charts. Barry Gibb later re-recorded the song with country quartet Little Big Town for his 2021 album Greenfields.
"Don't Forget to Remember" also called "Don't Forget to Remember Me" is a country ballad recorded by the Bee Gees, from the album Cucumber Castle. The song was written by Barry and Maurice Gibb. It was produced by the band with Robert Stigwood.
Eyes That See in the Dark is the fifteenth studio album by American country singer Kenny Rogers, released by RCA Records in August 1983.
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