Jewad Selim (1919–1961) was an Iraqi painter and sculptor born in Ankara, Ottoman Empire in 1919. He became an influential artist through his involvement with the Iraqi Baghdad Modern Art Group, which encouraged artists to explore techniques that combined both Arab heritage and modern art forms. He is considered to be one of Iraq's greatest 20th-century sculptors.
Abdul Qadir Al Rassam, عبد القادر الرسام), 1952 - 1882), was born in Baghdad, Ottoman Empire. He was one of the first generation of Iraqi artists to study abroad and paint in the European style. He was influential in terms of introducing local audiences to European art. He is noted for his portraits and landscapes, painted in the Realist style.
Ismail Fatah Al-Turk was an Iraqi painter and sculptor born in Basra, Iraq, noted for his abstract art, monumental sculpture, and public works and as part of the Baghdad Modern Art Group, which fostered a sense of national identity. His monument, al-Shaheed Monument is the most iconic public monument in Baghdad.
Shakir Hassan Al Said (1925–2004), an Iraqi painter, sculptor and writer, is considered one of Iraq's most innovative and influential artists. An artist, philosopher, art critic and art historian, he was actively involved in the formation of two important art groups that influenced the direction of post-colonial art in Iraq. He, and the art groups in which he was involved, shaped the modern Iraqi art movement and bridged the gap between modernity and heritage. His theories charted a new Arabic art aesthetic which allowed for valuations of regional art through lenses that were uniquely Arabic rather than Western.
Mohammad Ghani Hikmat was an Iraqi sculptor and artist credited with creating some of Baghdad's highest-profile sculptures and monuments and was known as the "sheik of sculptors". He is also known as an early member of Iraq's first 20th-century art groups, including Al-Ruwad and The Baghdad Modern Art Group; two groups that helped to bridge the gap between tradition and modern art. He was also instrumental in recovering many of Iraq's missing artworks, which were looted following the 2003 invasion.
The Baghdad School, also known as the Arab school, was a relatively short-lived yet influential school of Islamic art developed during the late 12th century in the capital Baghdad of the ruling Abbasid Caliphate. The movement had largely died out by the early 14th century, five decades following the invasion of the Mongols in 1258 and the downfall of the Abbasids' rule, and would eventually be replaced by stylistic movements from the Mongol tradition. The Baghdad School is particularly noted for its distinctive approach to manuscript illustration. The faces depicted in illustrations were individualized and expressive, with the scenes often highlighting realistic features of everyday life from the period. This stylistic movement used strong, bright colors, and employed a balanced sense of design and a decorative quality, with illustrations often lacking traditional frames and appearing between lines of text on manuscript pages.
Dia Al-Azzawi is an Iraqi painter and sculptor, who lives and works in London. He is one of the pioneers of modern Arab art and is noted for incorporating Arabic script into his paintings. Active in the arts community, he founded the Iraqi art group known as New Vision and has been an inspiration to a generation of young, calligraffiti artists.
Mahmoud Obaidi is an Iraqi-Canadian artist whose work has been exhibited in museums and galleries around the world.
Iraqi art is one of the richest art heritages in world and refers to all works of visual art originating from the geographical region of what is present day Iraq since ancient Mesopotamian periods. For centuries, the capital, Baghdad was the Medieval centre of the literary and artistic Arab world during the Abbasid Caliphate, in which Baghdad was the capital, but its artistic traditions suffered at the hands of the Mongol invaders in the 13th century. During other periods it has flourished, such as during the reign of Pir Budaq, or under Ottoman rule in the 16th century when Baghdad was known for its Ottoman miniature painting. In the 20th century, an art revival, which combined both tradition and modern techniques, produced many notable poets, painters and sculptors who contributed to the inventory of public artworks, especially in Baghdad. These artists are highly regarded in the Middle East, and some have earned international recognition. The Iraqi modern art movement had a profound influence on pan-Arab art generally.
The One Dimension Group was a modern art collective founded in Iraq, by Shakir Hassan Al Said in 1971 which attempted to combine medieval Sufi traditions with contemporary, abstract art. Although the One Dimension Group was founded in Iraq, its members originated from across Arab nations, and its influence was felt across the Arab art world.
Khaled Al-Rahal was an Iraqi painter and sculptor and one of the leaders of the modern art movement in Iraq. Described as one of the "pillars of modern Iraqi art," he was responsible for executing a number of high-profile public monuments in Baghdad in the mid-20th century.
Rafa al-Nasiri was an Iraqi painter, draughtsman, print-maker, educator and author whose works with a social and political message resonated with the Iraqi public in the mid-20th century. He was also very influential in encouraging young artists to take up print-making.
Freedom Monument, located in al-Tahrir Square in the center of Baghdad, capital of Iraq, is the city's most well-known and well-loved monument.
Salim al-Dabbagh is an Iraqi painter and installation artist noted for abstract work that references Iraqi traditions. He was one of the founders of the Innovationists Group; an artists' collective that helped to shape modern art in Iraq and was the Head of the Graphic Department at the Institute of Fine Arts in Baghdad from 1971 to 2000.
Khalid al-Jader (1922–1988) was an Iraqi artist, administrator and scholar. In terms of his artwork, he is seen as a precursor to modern abstract art in Iraq.
Kadhim Haydar (1932–1985) was a highly respected Iraqi artist, poet, author, stage-set designer and educator who, as part of the first generation of modern Iraqi artists, had a major influence on the direction of modern Iraqi art. His artworks are noted for their use of symbolism, myth and poetic allegory within a contemporary framework.
Saleh al-Jumai'e is an Iraqi artist noted for his works that explore the notion of tracks left by ancient heritage. His works often integrate Arabic calligraphy in an abstract artwork.
Ashaar Baghdad is a public monument in Baghdad, created by the sculptor Mohammed Ghani Hikmat (1929–2011) and inaugurated in 2013. It appears as a golden globe, bearing Arabic letters that have been squeezed together and distorted to form the spherical shape. It is an unusual example of hurufiyya-inspired sculpture.
Issa Hanna Dabish (1919-2006), simply known as Issa Hanna, was an Iraqi artist and restorer of antiquities, noted for silkscreen works. Along with Akram Sukri, he was instrumental in founding Iraq's first modern art association in 1941.
