Haitian Carnival

Last updated

Haitian Carnival (Haitian Creole : Kanaval, French: Carnaval) is a celebration held over several weeks each year leading up to Mardi Gras. Haitian Defile Kanaval is the Haitian Creole name of the main annual Mardi Gras carnival held in Port-au-Prince, Haiti.

Contents

The parade is known as "Kye Marn". Haiti's largest carnival is held in the capital and largest city, Port-au-Prince, with smaller celebrations taking part simultaneously in Jacmel, Aux Cayes, and other locations in Haiti . The annual carnival celebrations coincide with other Mardi Gras carnivals around the world.

Haiti also has smaller carnival celebrations during the year that are separate from the main carnival. These include Rara, a series of processions taking place during the Catholic Lent season, that has bands and parades like the larger main carnival, and also an annual Carnaval des Fleurs, that takes place on 7 July.

Carnival

Carnival 'Royalty' in Port-au-Prince Karnaval royalty4378.JPG
Carnival 'Royalty' in Port-au-Prince

Port-au-Prince's annual carnival is one of the largest Mardi Gras carnivals in the Caribbean and North America. The celebrations are funded by the government, businesses and wealthy Haitian families. [1] Haiti's version of carnival season always starts in January, known as Pre-Kanaval, and the main carnival begins in February each year. Carnival celebrations end on Mardi Gras, which is French for Fat Tuesday, also known as Shrove Tuesday. Mardi Gras is the Tuesday before the Roman Catholic holiday known as Ash Wednesday. Ash Wednesday marks the beginning of the Lenten season, a somber period of fasting and penance that precedes Easter for Catholics.

The first Mardi Gras celebrations in Europe were a carnivalesque opportunity for people to indulge themselves, celebrate, and even subvert authority in a permissible way, as part of the party. Mardi Gras enabled people to enjoy the pleasures of life before the beginning of the Catholic Lent season, a period of 40 days and nights of fasting and penance leading up to Easter. The Catholic festival was imported to Haiti and elsewhere in the Americas during European settlement. In Haiti, carnival is also heavily influenced by local customs, such as Vodou religious rituals, and Haitian music.

Haitian Carnival (Kanaval) Haitian Carnival (Kanaval).jpg
Haitian Carnival (Kanaval)

The carnival is celebrated with music, bands and parades. Parades have floats, sometimes with children participating in the celebrations. The floats typically have sound systems set up on trucks to play music to the crowds. Food stands selling barbecued treats and rum are a popular part of celebrations. There are also comedy plays put on by the carnival participants, often satirizing political topics. Revelers wear masks and costumes, as they do at other carnival celebrations in the Caribbean, North America, and Central and South America. The parades makes their way through the streets of Port-au-Prince and end with celebrations at the large plaza, Champ de Mars, located across from the Palais national (National Palace), the former residence of Haiti's president.

Music is central to Haiti's carnival. Musicians perform zouk, rap kreyòl rap, konpa (Compas), and mizik rasin. The carnival is the largest annual event where bands can gain more public exposure and it provides the opportunity to perform at large concerts. Popular kompa bands participate in the carnival, such as T-Vice, Djakout No. 1, Sweet Micky also known as Michel Martelly, Kreyòl La, D.P. Express, Mizik Mizik, Ram, T-Micky, Team Lòbèy, Carimi, and Scorpio Fever who perform for dancers in the streets of Champ de Mars. In Haiti there are also competitions between some bands, like T-Vice, Djakout No. 1, Kreyòl La, Team Lòbèy, and Krezi Mizik.

Every year, tourists travel to Haiti's carnival to enjoy it.

History

Carnival masks made of papier-mache being prepared in Jacmel, 2002. JacmelMardiGras.jpg
Carnival masks made of papier-mâché being prepared in Jacmel, 2002.

The large official public celebration of carnival in Haiti started in 1804 in the capital of Haiti, Port-au-Prince.

Carnival celebrations were traditionally considered "sinful" to Protestant Haitians, who were advised by their ministers not to participate. The celebrations were criticized for condoning sexually-suggestive dancing, profanity-filled plays, music lyrics mocking authority, and Vodou and kompa music rhythms. [2]

In 1998, during first and second day of the Carnival, Manno Charlemagne, the newly elected Fanmi Lavalas mayor of Port-au-Prince, sent armed men to the Oloffson to dismantle the float on which RAM was scheduled to perform in the annual Carnival 1998, which was known to be the best Carnival organized since 1985. The mayor had taken offense to the lyrics of one of the band's songs, which he interpreted as an accusation of corruption. In a compromise, the band was allowed to perform on a flatbed truck. However, the brakes on the truck were sabotaged and during the procession, the truck swerved into the crowd, killing eight and forcing the members of the band to flee for their lives. [3]

Celebrations were greatly curtailed by the 2010 Haiti earthquake, although they still took place on a much-reduced scale, with only one quarter of the usual budget. There was disagreement among Haitians about whether or not it was appropriate to have the carnival at all in early 2011. The 2011 carnival featured many costumed performers satirizing darker themes than usual, such as the post-earthquake cholera epidemic and the need for humanitarian relief. [4] In 2012, the carnival was held on a larger scale and was a success.

In 2015, celebrations were cancelled nationwide after the second day due to an accident during the defile that claimed the lives of 18 people and injured 78 more.

Creole carnival expressions

Haitian Creole, largely based on the French vocabulary, with influences from African, Spanish, Portuguese and Carib languages, has a variety of expressions associated with its carnival celebrations. Its celebrations give revelers an opportunity to throw away their inhibitions, and the expressions encourage this: [2]

Musicians from the Haitian diaspora in New York City and elsewhere often return to Haiti to perform at the carnival.

There are also one-on-one fights between young men during the festivities. These are called gagann. Combatants are surrounded by a semi-circle of supporters. [2]

Rara

Haiti has a unique traditional carnival, Rara, that is separate from the main pre-Lent carnival celebrations. Rara processions take place during the day and sometimes at night during Lent, then culminate in a week-long celebration that takes place at the end of Lent, during the Catholic "Holy Week", which includes the Easter holiday. Rara has its roots in Haiti's an deyò areas, the rural areas around Port-au-Prince. It is based on peasant Easter celebration customs. Rara celebrations include parades with musicians playing drums, tin trumpets, bamboo horns called vaksens, and other instruments, and their style of music is likewise called rara music. Parades also include dancers and costumed characters such as Queens (called rèn), Presidents, Colonels, and other representatives of a complex rara band hierarchy, similar to the krewe organization of New Orleans Mardi Gras bands. [1]

Rara is called "Vodou taken on the road" by Haitians. [5] Processions of female dancers follow male Vodou religious leaders, accompanied by drummers and vaksen bands, stopping at crossroads, cemeteries, and the homes of community leaders. Rara rituals are public acknowledgements of the power of local "big men" in the communities. Money is given to the leaders of rara organizations and communities during processions. The incorporation of military costumes and dance steps in rara processions is also an acknowledgement of the community hierarchy, and the folk belief that Vodou rituals, including rara, supported the success of the Haitian Revolution, and the continued well-being of Haiti. Rara band members believe that they have made a contract with spirits, and must perform for 18 years. If not, the sprits grow upset with them, and they will suffer a really slow, painful death. [6]

Carnaval des Fleurs

Michel Martelly organized another carnival 29–31 July 2012 called Carnaval des Fleurs (Flower Carnival). This event included popular local konpa bands. This event supposedly originated in earlier times, but no such Carnival celebration had been held since (at least) the transition to democracy in 1986.

Koudyay

Koudyay is a type of spontaneous celebration in Haiti, similar to a carnival celebration. During Haiti's years under the dictatorship of Papa Doc Duvalier, the government sponsored koudyaye festivities as a means to distract the people of Haiti from economic and political problems, and to give a limited, sanctioned way for people to release frustrations and avert rioting. [7]

Kompa carnival bands

Carnival is an important commercial event for Haitian musicians. Musicians have an opportunity to expand their audience by performing for crowds during the 3 days prior to Ash Wednesday. While Carnival bands can integrate many styles of music, compas is a common form used. In Haitian Creole, it is spelled konpa, though it is commonly spelling "kompa". [8]

See also

Related Research Articles

<span class="mw-page-title-main">Carnival</span> Christian festival before Lent

Carnival or Shrovetide is a Christian festive season that occurs before Lent, consisting of Quinquagesima or Shrove Sunday, Shrove Monday, and Shrove Tuesday or Mardi Gras.

The music of Haiti combines a wide range of influences drawn from the many people who have settled on this Caribbean island. It reflects French, African rhythms, Spanish elements and others who have inhabited the island of Hispaniola and minor native Taino influences. Styles of music unique to the nation of Haiti include music derived from rara parading music, twoubadou ballads, mini-jazz rock bands, rasin movement, hip hop Creòle, the wildly popular compas, and méringue as its basic rhythm. Haitian music is influenced mostly by European colonial ties and African migration. In the case of European colonization, musical influence has derived primarily from the French.

The culture of Haiti is a creolized blend of African, European and Taino elements due to the French colonization of Amerindian land, in conjunction with the large diverse enslaved African population whom had later freed themselves by a successful revolt. These attributions have largely influenced the art, cuisine, literature, music, religion as well as the languages of Haiti.

<span class="mw-page-title-main">Boukman Eksperyans</span>

Boukman Eksperyans is a mizik rasin band from the city of Port-au-Prince, Haiti, Grammy nominated for their debut album Vodou Adjae. The band derives its name from Dutty Boukman, a vodou priest who led a religious ceremony in 1791 that is widely considered the start of the Haitian Revolution. The other half of the band's name, "Eksperyans", is the Haitian Creole word for "experience", and was inspired by the band's appreciation of the music of Jimi Hendrix. The band was at the height of its popularity in 1991 when the presidency of Jean Bertrand Aristide was overthrown in a military coup d'etat. Like many other artists and performers, Boukman Eksperyans fled the country to live in exile. During their time abroad, the band performed and spoke out against the military dictatorship of Raoul Cédras. In 1994, after Aristide was restored to power, the band returned to Haiti, where they continued to play concerts, record albums, and perform at the Carnival celebrations.

Compas, also known as compas direct in French, konpa dirèk in Haitian Creole, or simply konpa but most commonly as Kompa is a modern méringue dance music genre of Haiti. The genre was popularized by Nemours Jean-Baptiste following the creation of Ensemble Aux Callebasses in 1955, which became Ensemble Nemours Jean-Baptiste in 1957. The frequent tours of the many Haitian bands have cemented the style in all the Caribbean. Therefore, compas is the main music of several countries such as Dominica and the French Antilles. Whether it is called zouk, where French Antilles artists of Martinique and Guadeloupe have taken it, or konpa in places where Haitian artists have toured, this méringue style is influential in part of the Caribbean, Portugal, Cape Verde, France, part of Canada, South and North America.

<span class="mw-page-title-main">Rara music</span> Festival music originated in Haiti

Rara is a form of festival music that originated in Haiti that is used for street processions, typically during Easter Week. The music centers on a set of cylindrical bamboo trumpets called vaksin, but also features drums, maracas, güiras or güiros, and metal bells, as well as alsos which are made from recycled metal, often coffee cans. The vaksin perform repeating patterns in hocket and often strike their instruments rhythmically with a stick while blowing into them. In the modern day, standard trumpets and saxophones may also be used. The genre though predominantly Afro-based has some Taino Amerindian elements to it such as the use of güiros and maracas.

<span class="mw-page-title-main">RAM (band)</span>

RAM is a mizik rasin band based in the city of Port-au-Prince, Haiti. The band derives its name from the initials of its founder, songwriter, and lead male vocalist, Richard A. Morse. The band's music has been described by Morse as "Vodou rock 'n' roots", and has been one of the prominent bands in the mizik rasin musical movement in Haiti. RAM began performing together in 1990, and recorded their first album in 1996. The band's music incorporates traditional Vodou lyrics and instruments, such as rara horns and petro drums, into modern rock and roll. The band's songs include lyrics in Haitian Creole, French, and English.

Rasin, also known as Haitian roots music, is a musical style that began in Haiti in the 1970s when musicians began combining elements of traditional Haitian Vodou ceremonial and folkloric music with various musical styles. The late 20th century style of this music links to the roots of Vodou tradition, where it came to be known as mizik rasin later in Haitian Creole. Modern-day, the movement is often referred to simply as "rasin" or "racine".

Méringue, also called méringue lente or méringue de salon, is a dance music and national symbol in Haiti. It is a string-based style played on the lute, guitar, horn section, piano, and other string instruments unlike the accordion-based merengue, and is generally sung in Haitian Creole and French, as well as in English and Spanish.

<span class="mw-page-title-main">Mardi Gras in Mobile, Alabama</span> Annual carnival celebration in Mobile, Alabama

Mardi Gras is the annual Carnival celebration in Mobile, Alabama. It is the oldest official Carnival celebration in the United States, started by Frenchman Nicholas Langlois in 1703 when Mobile was the capital of Louisiana. Although today New Orleans and South Louisiana celebrations are much more widely known for all the current traditions such as masked balls, parades, floats and throws were first created there. From Mobile being the first capital of French Louisiana (1702), the festival began as a French Catholic tradition. Mardi Gras has now evolved into a mainstream multi-week celebration across the spectrum of cultures, becoming school holidays for the final Monday and Tuesday, regardless of religious affiliation.

Richard Auguste Morse is a Puerto-Rican-born Haitian-American musician and hotel manager currently residing in Port-au-Prince, Haiti. Morse manages the Hotel Oloffson, and is the founder of a mizik rasin band, RAM, named after his initials. Morse is married to the band's lead female vocalist, Lunise Morse, and has two children. Morse and his band are famous in Haiti for their political songs and performances critical of the Raoul Cédras military junta from 1991 to 1994. In the early 2000s, Morse has also criticized Jean-Bertrand Aristide and Fanmi Lavalas through his music. Morse is a United States citizen. His cousin Michel Martelly is a musician, right-wing Haitian politician and former President of Haiti. Richard Morse repeatedly expressed support for Martelly in the 2010 presidential elections in Haiti. By the end of 2012, he had distanced himself from the Martelly government.

Misty Jean is a former Miss West Indies and singer. She sings in her native Haitian Creole / French language and also in English.

<span class="mw-page-title-main">Haitians</span> Inhabitants citizens of Haiti and their descendants in the Haitian diaspora

Haitians are the citizens of Haiti and the descendants in the diaspora through direct parentage. An ethnonational group, Haitians generally comprise the modern descendants of self-liberated Africans in the Caribbean territory historically referred to as Saint-Domingue. This includes the mulatto minority who denote corresponding European ancestry, notably from French settlers. By virtue of historical distinction, the vast majority of Haitians share and identify with this common African lineage, though a small number are descendants of contemporary immigrants from the Levant who sought refuge in the island nation during World War I and World War II.

<span class="mw-page-title-main">Frisner Augustin</span> Haitian drummer and Vodou practitioner

Frisner Augustin was a major performer and composer of Haitian Vodou drumming, and the first and only citizen of Haiti to win a National Heritage Fellowship from the National Endowment for the Arts in the United States, where he resided for forty years.

Twoubadou music is a popular genre of guitar-based music from Haiti that has a long and important place in Haitian culture. The word comes from troubadour, a medieval poet-musician who wrote and sang songs about courtly love. Like the troubadours of old, the Haitian twoubadou is a singer-composer who accompanies himself on songs that tell about the bitterness and humor of love, often using risqué or suggestive lyrics.

Haitian rock, or rock kreyòl, started as rock n roll in Haiti in the early 1960s. It was played by rock bands called yeye bands. The name yeye derives from the Beatles lyrical verse, "yeah, yeah, yeah", which took off in the United States and was listened to by upper class Haitian families who had access to the radio. Young Haitians formed small electric guitar-based bands. These yeye rock bands were short-lived, as the addition of compas to their repertoires resulted in a sound was called mini-jazz, or mini-djaz in Haitian Creole.

<span class="mw-page-title-main">Tabou Combo</span> Haitian Band

Tabou Combo is a Haitian compas band that was founded in 1968 in Pétion-Ville, a suburb of Port-au-Prince. The orchestra has performed throughout the world. Tabou Combo was the first Haitian band to perform in Japan, Ivory Coast, Senegal among others, and were named the "Official Panamanian Band" in Panama due to their popularity, while also becoming the first Caribbean band to have a number one single in the French Hit Parade. They dynamically sung their songs in both English, French, Spanish and in Haitian Creole. Tabou Combo refer to themselves as the "ambassadors of konpa."

Kreyol La is a Haitian compas band. The group has performed throughout the world, most notably in the Caribbean, Canada, France and the United States through various concerts, carnivals, and festivals.

Clinton Benoit is a Haitian musician and singer-songwriter. Notable associated acts include Tabou Combo and Magnum Band, which are Haitian kompa musical groups based in the United States.

References

  1. 1 2 Braziel, Jana Evans (2008). Artists, Performers, and Black Masculinity in the Haitian Diaspora. Indiana University Press. p. 145. ISBN   9780253219787.
  2. 1 2 3 Louis, Bertin Magloire Jr. (2008). Protestant Or Christian: Symbolic Boundaries and Long-distance Nationalism Among Protestant Haitians in Nassau, Bahamas. p. 239. ISBN   9780549839064.
  3. Shacochis, Bob (2010) [1999]. The Immaculate Invasion. Grove Press. p. 528. ISBN   978-0802145185 . Retrieved 30 May 2020.
  4. Gaestel, Allyn (9 March 2011). "Carnival returns to Haiti, with some darker themes". Los Angeles Times . Retrieved 17 June 2012.
  5. Daniel, Yvonne (2011). Caribbean and Atlantic Diaspora Dance: Igniting Citizenship. University of Illinois Press. p. 120. ISBN   9780252078262.
  6. Daniel (2011). Caribbean and Atlantic Diaspora Dance. pp. 121–2.
  7. Daniel (2011). Caribbean and Atlantic Diaspora Dance. p. 122.
  8. Wise, Brian (9 June 2006). "Band's Haitian Fusion Offers Fellow Immigrants a Musical Link to Home". The New York Times . Retrieved 24 January 2015.