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Anna Magdalena Bach was a professional singer and the second wife of Johann Sebastian Bach.
Liebster Gott, wenn werd ich sterben?, BWV 8, is a church cantata for the 16th Sunday after Trinity by Johann Sebastian Bach. It is a chorale cantata, part of Bach's second cantata cycle. Bach performed it for the first time on 24 September 1724 in St. Nicholas Church in Leipzig. The cantata is scored for SATB singers, four wind instruments, strings and continuo.
In 1724 Johann Sebastian Bach composed the church cantata Meine Seel erhebt den Herren, BWV 10, as part of his second cantata cycle. Taken from Martin Luther's German translation of the Magnificat canticle, the title translates as "My soul magnifies the Lord". Also known as Bach's German Magnificat, the work follows his chorale cantata format.
Angenehmes Wiederau, freue dich in deinen Auen, BWV 30.1, is a 1737 secular cantata by Johann Sebastian Bach, on a libretto by Christian Friedrich Henrici (Picander). Bach reused some of its music in later works, including Freue dich, erlöste Schar, BWV 30.2, one of his church cantatas, which was nearly entirely modelled after the secular composition.
O ewiges Feuer, o Ursprung der Liebe, BWV 34.2 is an incomplete wedding cantata composed by Johann Sebastian Bach, of which only the complete libretto and some parts have survived.
Schwingt freudig euch empor, BWV 36.1, is a secular cantata by Johann Sebastian Bach. He composed it in Leipzig, most likely in 1725. There is evidence that the cantata was performed in April or May that year, and that it was re-staged six years later for the 40th birthday of Johann Matthias Gesner. Bach reused parts of the cantata in two other secular cantatas, and in a church cantata for the first Sunday in Advent, Schwingt freudig euch empor, BWV 36.
Mer hahn en neue Oberkeet, BWV 212, is a secular cantata by Johann Sebastian Bach. It was entitled the "Cantate burlesque" by Bach himself, but is now popularly known as the Peasant Cantata. It is the last definitely dated Bach cantata.
Alfred Dürr was a German musicologist. He was a principal editor of the Neue Bach-Ausgabe, the second edition of the complete works of Johann Sebastian Bach.
Werner Neumann was a German musicologist. He founded the Bach-Archiv Leipzig on 20 November 1950 and was a principal editor of the Neue Bach-Ausgabe, the second edition of the complete works of Johann Sebastian Bach.
Schlage doch, gewünschte Stunde, BWV 53, is an aria for alto, bells, strings and continuo. It was likely composed in the early 18th century, although its date of first performance is unknown. From the second half of the 18th century until the early 1950s the aria was attributed to Johann Sebastian Bach. In 1955, it was suggested by the Bach scholar Karl Anton that the aria's composer was more likely to be a member of Melchior Hoffmann's circle.
Johann Sebastian Bach composed the church cantata Wohl dem, der sich auf seinen Gott, BWV 139, in Leipzig for the 23rd Sunday after Trinity and first performed it on 12 November 1724. The chorale cantata is based on the hymn by Johann Christoph Rube (1692).
Wer ist der, so von Edom kömmt is a pasticcio Passion oratorio based on compositions by Carl Heinrich Graun, Georg Philipp Telemann, Johann Sebastian Bach and others. The pasticcio was assembled around 1750.
BWV Anh., abbreviation of Bach-Werke-Verzeichnis Anhang, is a list of lost, doubtful, and spurious compositions by, or once attributed to, Johann Sebastian Bach.
On Trinity Sunday 27 May 1725 Johann Sebastian Bach had presented the last cantata of his second cantata cycle, the cycle which coincided with his second year in Leipzig. As director musices of the principal churches in Leipzig he presented a variety of cantatas over the next three years. New cantatas for occasions of the liturgical year composed in this period, except for a few in the chorale cantata format, are known as Bach's third cantata cycle. His next cycle of church cantatas, the Picander cycle, did not start before St. John's Day 24 June 1728.
The Dietel manuscript, D-LEb Peters Ms. R 18, also known as the Dietel Collection and, in German, Choralsammlung Dietel, is the oldest extant manuscript with a large collection of four-part chorales by Johann Sebastian Bach. It contains 149 of Bach's chorale harmonisations and originated around 1735. The music in the manuscript was copied by Johann Ludwig Dietel, one of Bach's pupils from the Thomasschule.
Herr, wenn die stolzen Feinde schnauben, BWV 248VI, is a church cantata for Epiphany, which Johann Sebastian Bach composed as the sixth part of his Christmas Oratorio, written for the Christmas season of 1734–35 in Leipzig. The cantata was first performed on 6 January 1735.
In the period following Johann Sebastian Bach's death in 1750, apart from the publication of The Art of Fugue in the early 1750s, the only further publications prior to the 1790s were the settings of Bach's four-part chorales. In 1758 Friedrich Wilhelm Marpurg was the first to start preparing a published edition of Bach's four-part chorales, but in 1763 was prevented by royal duties. C. P. E. Bach, who owned the original manuscripts, then set about the same task, producing two volumes in 1765 and 1769. Dissatisfied with his publisher Friedrich Wilhelm Birnstiel, he surrendered the manuscript rights in 1771 to Johann Kirnberger and his patron Princess Anna Amalia of Prussia. From 1777 onwards, Kirnberger unsuccessfully made requests to Birnstiel and a new publisher, Johann Gottlob Immanuel Breitkopf, to publish the chorales. Following Kirnberger's death in 1783, C.P.E. Bach approached Breitkopf, who published them in four volumes between 1784 and 1787.
Annegret Rosenmüller is a German musicologist.
References
- ↑ Pohl, Erika, ed. (1989). Unsere Kultur. DDR-Zeittafel 1945–1987 (in German). Berlin. p. 219.
- ↑ "Hans-Joachim Schulze, Prof. Dr. phil" (in German). Sächsische Akademie der Wissenschaften zu Leipzig. Retrieved 9 November 2018.
- 1 2 3 4 Pohl, Friedrich (7 May 2006). "Fünf Jahre lang Woche für Woche gedient". Welt am Sonntag (in German). Retrieved 9 November 2018.
