Haydn's name

Last updated
Haydn's birth register (click to enlarge) Haydn anyakonyv.jpg
Haydn's birth register (click to enlarge)

The name of the composer Joseph Haydn had many forms, following customs of naming prevalent in his time.

Joseph Haydn Austrian composer

Franz Joseph Haydn was an Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the piano trio. His contributions to musical form have earned him the epithets "Father of the Symphony" and "Father of the String Quartet".

Contents

Baptismal names and the use of "Franz"

Haydn was baptized shortly after his birth, on 1 April 1732. The baptismal record indicates that he was given the names Franciscus Josephus; these are Latinized versions of the German names Franz Joseph, often used today to refer to Haydn. [1]

Both Franz and Joseph are names of saints whose saint's days fell close to Haydn's birth date. The choice of such saint's names followed the common practice of Roman Catholicism (the parents' religion) in Haydn's time. Franz designates the saint Francis of Paola, whose saint's day is 2 April, and Joseph designates Joseph the husband of Mary, whose saint's day is 19 March. [1]

Francis of Paola Italian mendicant friar

Saint Francis of Paola, O.M. was an Italian mendicant friar and the founder of the Roman Catholic Order of Minims. Unlike the majority of founders of men's religious orders, and like his patron saint, Francis was never ordained a priest.

Saint Joseph Christian saint; husband of Mary and stepfather of Jesus

Joseph is a figure in the canonical gospels who was married to Mary, Jesus' mother, and was Jesus' legal father. In the Apocrypha, Joseph was the father of James, Joses, Jude, Simon, and at least two daughters. According to Epiphanius and the apocryphal History of Joseph the Carpenter, these children were from a marriage which predated the one with Mary, a belief that is accepted by some select Christian denominations. Perspectives on Joseph as a historical figure are distinguished from a theological reading of the Gospel texts.

In later life, Haydn "hardly ever" used the name Franz. Jones explains the situation thus: "As was frequently the practice in Austria, Haydn's parents gave their children two Christian names, the second of which was routinely used." [1]

Foreign-language versions of "Joseph"

Haydn's signature on a musical work, in Italian and using the Italian version of his name: di me giuseppe Haydn, "by me Joseph Haydn". Joseph Haydn Signature.svg
Haydn's signature on a musical work, in Italian and using the Italian version of his name: di me giuseppe Haydn, "by me Joseph Haydn".
A contemporary musical edition of three Haydn quartets, with "Giuseppe Haydn". Haydn-String-Quartets-Op65.jpg
A contemporary musical edition of three Haydn quartets, with "Giuseppe Haydn".

Although Haydn normally called himself Joseph Haydn, he also used two foreign-language versions of his name. On legal documents and letters, he often used the Latinized version Josephus; an example is his Autobiographical sketch. In musical contexts—such as the signature on manuscripts of his music—Haydn referred to himself with the Italian version of his name, which is Giuseppe. [1] Haydn was himself a fluent speaker of Italian (since in his employment he worked constantly with musicians from Italy) and evidently felt that Italian as the "language of music" was the appropriate choice for rendering his name in musical contexts. [2]

Autobiographical sketch (Haydn)

The Autobiographical sketch (1776) of Joseph Haydn is the only autobiographical document that was ever prepared by this composer. Haydn wrote the sketch, which is about two pages long, when he was 44 at the request, relayed to him by a chain of two mutual acquaintances, of Ignaz de Luca, who was preparing a volume of brief biographies of Austrian luminaries, Das gelehrte Oesterreich. The sketch was published in 1778, in Volume 1, Part 3 of that work.

Childhood

As a child Haydn was addressed with a diminutive form of his name, Sepperl. [3] This form employs the Austrian diminutive suffix -erl, seen elsewhere, for instance, in the childhood name of Mozart's sister Nannerl. The base form Sepp likely originates in an infantile pronunciation of the second syllable of Joseph.

A diminutive is a word that has been modified to convey a slighter degree of its root meaning, to convey the smallness of the object or quality named, or to convey a sense of intimacy or endearment. A diminutive form is a word-formation device used to express such meanings; in many languages, such forms can be translated as "little" and diminutives can also be formed as multi-word constructions such as "Tiny Tim". Diminutives are often employed as nicknames and pet names, when speaking to small children, and when expressing extreme tenderness and intimacy to an adult. The opposite of the diminutive form is the augmentative. Beyond the diminutive form of a single word, a diminutive can be a multi-word name, such as "Tiny Tim" or "Little Dorrit".

Maria Anna Mozart Austrian musician

Maria Anna Walburga Ignatia Mozart, called "Marianne" and nicknamed Nannerl, was a musician, the older sister of Wolfgang Amadeus Mozart (1756–1791) and daughter of Leopold (1719-1787) and Anna Maria Mozart (1720-1778).

Modern usage

Contemporary practice by English-language writers concerning Haydn's name varies, particularly in the (ahistorical) use of his first name. Some commercial sources, for example on recordings and published scores, employ Franz Joseph Haydn. Other publishers, [4] and most scholarly researchers, follow Haydn's own practice and omit the "Franz". [5] Haydn scholar James Webster, in the opening of his article on Haydn in the New Grove, goes so far as to encourage his readers to drop the "Franz": "Neither [Haydn] nor his contemporaries used the name Franz, and there is no reason to do so today." [5]

The patterns of English usage can be observed in the reports of the Google Ngram Viewer, which analyzes a large corpus of books, matches particular sequences of characters and gives the results on a year-by-year basis. According to the Ngram Viewer counts, "Franz Joseph Haydn" was not used in English-language books at all before about 1860, but since then it has undergone a gentle ascent and is to this day a solid minority choice, though still falling well behind the most frequent usage, "Joseph Haydn". [6]

English-language authors also occasionally use "Josef Haydn" (with or without "Franz"). The spelling of "Joseph" with an f was not found in Haydn's day but is an adaptation of "Joseph" to what is now the normal spelling for this name in German. The change within German to "Josef" can be seen in the Ngram Viewer data for German-language books, where "Josef Haydn" starts to appear only around 1860, long after Haydn's lifetime (indeed, according to the same source, the spelling "Josef" as applied to any person is largely a post-1860 development). [7] [8]

Even in German-language works, "Josef" is still a minority choice in referring to the composer, as authors tend to favor the historical spelling. For German books "Josef" peaked around the end of World War II and plunged to a low but steady level shortly thereafter.

See also

Notes

  1. 1 2 3 4 Jones 2009, p. 3.
  2. For background on how Italian came to be the "language of music" -- especially in Haydn's own milieu -- see Salzman & Desi 2008 , p. 79.
  3. Geiringer 1983, p. 10.
  4. Thus, the catalog of the Wiener Urtext Edition gives its listing for Haydn under "Joseph Haydn",(Reutter 2013 , p. 13) and likewise for the Henle urtext edition (Seiffert 2014 , p. 5).
  5. 1 2 Root 2014, article "Haydn, Joseph".
  6. Ngram view of "Joseph Haydn", "Josef Haydn", and "Franz Joseph Haydn" as they appeared in English-language books from 1700 to 2000.
  7. Ngram view of "Joseph Haydn", "Josef Haydn", and "Franz Joseph Haydn" as they appeared in German-language books from 1800-2000.
  8. Ngram view of "Joseph" and "Josef" as they appeared in German-language books from 1800-2000.

Related Research Articles

Kapellmeister is a German word designating a person in charge of music-making. The word is a compound, consisting of the roots Kapelle and Meister ("master"). The word was originally used to refer to somebody in charge of music in a chapel. However, the term has evolved considerably in its meaning in response to changes in the musical profession.

Michael Haydn Austrian composer

Johann Michael Haydn was an Austrian composer of the Classical period, the younger brother of Franz Joseph Haydn.

An urtext edition of a work of classical music is a printed version intended to reproduce the original intention of the composer as exactly as possible, without any added or changed material. Other kinds of editions distinct from urtext are facsimile and interpretive editions, discussed below.

Rohrau, Austria Place in Lower Austria, Austria

Rohrau is a village in the state of Lower Austria. The name comes from two German words: Rohr' 'reed' and Au 'riparian forest'. South of the village is a riparian forest and a swamp covered with reed.

String Quartet No. 20 (Mozart) string quartet composed by W. A. Mozart

The String Quartet in D major, K. 499, was written in 1786 in Vienna by Wolfgang Amadeus Mozart. It was published by – if not indeed written for – his friend Franz Anton Hoffmeister. Because of this, the quartet has acquired the nickname Hoffmeister. Hoffmeister had started issuing a series of chamber-music publications in 1785, including Mozart's K. 499 as well as Joseph Haydn's Op. 42.

Johann Georg Reutter Austrian composer

Johann Adam Joseph Karl Georg Reutter, during his life known as Georg Reutter the Younger was an Austrian composer. According to Jones, in his prime he was "the single most influential musician in Vienna".

G minor tonality

G minor is a minor scale based on G, consisting of the pitches G, A, B, C, D, E, and F. Its key signature has two flats. Its relative major is B-flat major and its parallel major is G major.

Nikolaus I, Prince Esterházy Hungarian prince

Nikolaus I, Prince Esterházy was a Hungarian prince, a member of the famous Esterházy family. His building of palaces, extravagant clothing, and taste for opera and other grand musical productions led to his being given the title "the Magnificent". He is remembered as the principal employer of the composer Joseph Haydn.

G. Henle Verlag publisher

G. Henle Publishers is a German publishing house that specializes in urtext editions of sheet music. The programme includes works by composers from all different periods, in particular composers from the baroque to the early twentieth century whose works are no longer under copyright. In addition to its sheet music, G. Henle Publishers also produces scholarly complete editions, books, reference works and periodicals.The publishing house also offers its Urtext editions in digital form, available in an app for tablets.

Maria Anna Sabina (von) Genzinger, called "Marianne", was a Viennese amateur musician, the mother of six children, and a friend of the composer Joseph Haydn. Her correspondence with Haydn preserves a personal view of the composer not available from any other biographical source.

The ethnicity of the composer Joseph Haydn was a controversial matter in Haydn scholarship during a period lasting from the late 19th to the mid 20th century. The principal contending ethnicities were Croatian and German. Mainstream musical scholarship today adopts the second of these two hypotheses.

Mathias Haydn was the father of two famous composers, Joseph and Michael Haydn. He worked as a wheelwright in the Austrian village of Rohrau, where he also served as Marktrichter, an office akin to village mayor.

Haydns head

The celebrated composer Joseph Haydn died in Vienna, aged 77, on May 31, 1809, after a long illness. As Austria was at war and Vienna occupied by Napoleon's troops, a rather simple funeral was held in Gumpendorf, the parish in Vienna to which Haydn's house on the Windmühle belonged, followed by burial in the Hundsturm cemetery. Following the burial, two men contrived to bribe the gravedigger and thereby sever and steal the dead composer's head. These were Joseph Carl Rosenbaum, a former secretary of the Esterházy family, and Johann Nepomuk Peter, governor of the provincial prison of Lower Austria. Rosenbaum was well known to Haydn, who during his lifetime had intervened with the Esterházys in an attempt to make possible Rosenbaum's marriage to the soprano Therese Gassmann.

The Symphony No. 37 in C major, Hob. I/37, is a symphony by Franz Joseph Haydn. The numbering is completely misleading, as it is clearly one of Haydn's earliest symphonies. A copy of the score found at Český Krumlov, Czech Republic, is dated 1758. It can be presumed it was written for the orchestra of Count Morzin, in which Haydn was employed until February 1761.

Georg Reutter was an Austrian organist, theorbo player and composer.

String Quartets, Op. 20 (Haydn)

The six string quartets opus 20 by Joseph Haydn are among the works that earned Haydn the sobriquet "the father of the string quartet". The quartets are considered a milestone in the history of composition; in them, Haydn develops compositional techniques that were to define the medium for the next 200 years.

Dolní Lukavice Municipality in Plzeň, Czech Republic

Dolní Lukavice is a village and municipality (obec) in Plzeň-South District in the Plzeň Region of the Czech Republic.

Missa brevis (Haydn)

The Missa brevis in F major, Hob. XXII:1, is a mass by Joseph Haydn. According to Dack it is Haydn's "earliest authenticated work." It also represents some of the last of his compositional activity, as in his old age he spent some time attempting to revise it.

References