The "Haydn" Quartets by Wolfgang Amadeus Mozart are a set of six string quartets published in 1785 in Vienna as his Op. 10, dedicated to the composer Joseph Haydn.
The "Haydn" Quartets by Wolfgang Amadeus Mozart are a set of six string quartets published in 1785 in Vienna as his Op. 10, dedicated to the composer Joseph Haydn.
The quartets were published in a set as Mozart's Opus 10 in Vienna, 1785. Mozart arranged the six quartets in the order of composition, except for reversing the order of K. 428 and K. 458.
Joseph Haydn is often referred to as the "father of the string quartet". [1] Haydn completed his influential Op. 33 String Quartets in 1781, the year that Wolfgang Amadeus Mozart moved to Vienna to begin his freelance career. The two composers admired each other, and in singer Michael Kelly's spurious account, Haydn once led a quartet session with Carl Ditters von Dittersdorf on second violin, Mozart on viola, and Johann Baptist Wanhal playing cello. [2] [3]
Mozart had not composed for the ensemble since his Viennese Quartets in 1773. He wrote six string quartets between 1782 to 1785, and dedicated them to Haydn. [4]
Haydn first heard the quartets at two gatherings at Mozart's home, 15 January and 12 February 1785. After hearing them all, Haydn remarked to Mozart's father Leopold: "Before God, and as an honest man, I tell you that your son is the greatest composer known to me either in person or by name. He has taste, and, what is more, the most profound knowledge of composition." [4] The comment was preserved in a letter Leopold wrote 16 February to his daughter Nannerl. [5] : 236
Before he finished composing them, Mozart pitched Jean-Georges Sieber on publishing his six quartets, requesting 50 Louis d'or as a fee. [6] Artaria & Company announced the publication of all six quartets on September 17, 1785 in the Wiener Zeitung . [5] : 252 According to Leopold Mozart, the firm paid the composer 100 ducats for the publishing rights. [7]
Mozart's published dedication page (1 September 1785):
To my dear friend Haydn,
A father who had resolved to send his children out into the great world took it to be his duty to confide them to the protection and guidance of a very celebrated Man, especially when the latter by good fortune was at the same time his best Friend. Here they are then, O great Man and dearest Friend, these six children of mine. They are, it is true, the fruit of a long and laborious endeavor, yet the hope inspired in me by several Friends that it may be at least partly compensated encourages me, and I flatter myself that this offspring will serve to afford me solace one day. You, yourself, dearest friend, told me of your satisfaction with them during your last Visit to this Capital. It is this indulgence above all which urges me to commend them to you and encourages me to hope that they will not seem to you altogether unworthy of your favour. May it therefore please you to receive them kindly and to be their Father, Guide and Friend! From this moment I resign to you all my rights in them, begging you however to look indulgently upon the defects which the partiality of a Father's eye may have concealed from me, and in spite of them to continue in your generous Friendship for him who so greatly values it, in expectation of which I am, with all of my Heart, my dearest Friend, your most Sincere Friend,
W. A. Mozart [5] : 250
At this time, the quartet began to consistently have four movements, like the symphony form. The basic form of the six "Haydn" Quartets is as follows, with the second and third movements interchangeable in different works:
The slow movement of these works, found in either the second or third movements, are highlighted as the "emotional center" of each quartet. They feature rich cantabile melodic writing with thematic multiplicity and embellishment that displays a departure from the Haydnesque mode. [4]
The quartets also feature a wide range of emotional content from the Sturm und Drang of No. 15 in D minor, to the tonal mysteriousness of the openings of No. 16 in E-flat major, and No. 19 in C major, the "Dissonance", and then to the opera buffa styled light-heartedness in the finale of No. 17 in B-flat major, the "Hunt". [4]
The Haydn Quartets were immediately popular. Artaria reissued them in 1787 and 1789. The original plates wore out and had to be re-engraved for a 1791 reissue. [8]
Critical reaction was both enthusiastic and perplexed. A 1789 review in Cramer's Magazin der Musik, said of Mozart's quartets, "he has a decided leaning towards the difficult and the unusual. But then, what great and elevated ideas he has too, testifying to a bold spirit! [9] [5] : 349
Giuseppe Sarti wrote an attack on the "Dissonance" quartet (K. 465), describing sections as "barbarous", "execrable", and "miserable" in its use of whole-tone clusters and chromatic extremes. [10] François-Joseph Fétis went so far as to correct the piece, implying that Mozart had made errors. [11] [12] By 1799, an anecdote published in Allgemeine musikalische Zeitung (AmZ) claimed that when Artaria sent the quartets to Italy for publication, they were returned because "the engraving is full of mistakes". [13] [14]
Heinrich Christoph Koch felt the works were praiseworthy for "their mixture of strict and free styles and the treatment of harmony". Favorable reports of the quartets came soon after their publication from newspapers in Salzburg and Berlin. In the early 19th century, Jérôme-Joseph de Momigny wrote an extended analysis of No. 15 in D minor, K. 421. Momigny used the setting of text based on Dido's Lament to discuss the emotional and expressive qualities of the first movement of this work. [15] : 74–6
The Haydn Quartets are some of Mozart's most famous works and represent the core of his work in the genre. [16] They are considered "established keystones" of the chamber music repertoire and are heard frequently in concerts, radio broadcasts, and recordings. [15]
Franz Joseph Haydn was an Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions to musical form have led him to be called "Father of the Symphony" and "Father of the String quartet".
The term string quartet refers to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two violinists, a violist, and a cellist. The double bass is almost never used in the ensemble mainly because it would sound too loud and heavy.
The String Quartet No. 1 in F major, Op. 18, No. 1, was written by Ludwig van Beethoven between 1798 and 1800, published in 1801, dedicated to the Bohemian aristocrat Joseph Franz von Lobkowitz. It is actually the second string quartet that Beethoven composed.
Carl Ditters von Dittersdorf was an Austrian composer, violinist, and silvologist. He was a friend of both Haydn and Mozart. His best-known works include the German Singspiele Doktor und Apotheker and a number of programmatic symphonies based on Ovid's Metamorphoses.
The String Quartet No. 20 in D major, K. 499, was written in 1786 in Vienna by Wolfgang Amadeus Mozart. It was published by – if not indeed written for – his friend Franz Anton Hoffmeister. Because of this, the quartet has acquired the nickname Hoffmeister. Hoffmeister had started issuing a series of chamber-music publications in 1785, including Mozart's K. 499 as well as Joseph Haydn's String Quartet No. 35, Op. 42.
Joseph Johann Baptist Woelfl was an Austrian pianist and composer.
The String Quartet No. 19 in C Major, K. 465 by Wolfgang Amadeus Mozart, nicknamed "Dissonance" on account of the unusual counterpoint in its slow introduction. It is perhaps the most famous of his quartets.
Symphony No. 83 in G minor, Hoboken I/83, is the second of the six Paris Symphonies written by Joseph Haydn in 1785. It was published by Artaria in Vienna in December 1787. It is popularly known as The Hen.
The composers Wolfgang Amadeus Mozart (1756–1791) and Joseph Haydn (1732–1809) were friends. Their relationship is not very well documented, but the evidence that they enjoyed each other's company is strong. Six string quartets by Mozart are dedicated to Haydn.
Artaria & Co. was one of the most important music publishing firms of the late 18th and 19th century. Founded in the 18th century in Vienna, the company is associated with many leading names of the classical era.
The String Quartet No. 16 in E-flat major, K. 428/421b, was composed by Wolfgang Amadeus Mozart in 1783. This is the third of the Haydn Quartets, a set of six string quartets he wrote during his first few years in Vienna and later dedicated to Joseph Haydn.
The Op. 33 String Quartets were written by Joseph Haydn in the summer and Autumn of 1781 for the Viennese publisher Artaria. This set of string quartets has several nicknames, the most common of which is the "Russian" quartets, because Haydn dedicated the quartets to the Grand Duke Paul of Russia and many of the quartets were premiered on Christmas Day, 1781, at the Viennese apartment of the Duke's wife, the Grand Duchess Maria Feodorovna. Some scholars theorize that the "Russian" quartets were the inspiration for Mozart's six string quartets dedicated to Haydn, but no direct evidence has been found.
Homotonal (same-tonality) is a technical musical term that describes the tonal structure of multi-movement compositions. It was introduced into musicology by Hans Keller. According to Keller's definition and usage, a multi-movement composition is 'homotonal' if all of its movements have the same tonic (keynote).
The six string quartets Op. 20 by Joseph Haydn are among the works that earned Haydn the sobriquet "the father of the string quartet". The quartets are considered a milestone in the history of composition; in them, Haydn develops compositional techniques that were to define the medium for the next 200 years.
The six string quartets, K. 168–173, were composed by Wolfgang Amadeus Mozart in late 1773 in Vienna. These are popularly known as the Viennese Quartets. Mozart may have hoped to have them published at the time, but they were published only posthumously by Johann André in 1801 as Mozart's Op. 94.
The Prussian Quartets are a set of three string quartets, nos. 21–23, nicknamed 'Prussian', composed by Wolfgang Amadeus Mozart between 1789 and 1790 and dedicated to the King of Prussia, Friedrich Wilhelm II. They were posthumously published in December 1791 by Artaria as Op. 18, only a few weeks after Mozart's death. Although not considered on a par with the earlier, more famous Haydn Quartets, these pieces are noted for their beauty, equilibrium amongst the instruments and the exceptional prominence and cantabile nature of the cello part. These are also the only pieces in this genre that Mozart composed 'to order', i.e. as a commission from a royal patron.
The String Quartets, Op. 50, were composed by Joseph Haydn in 1787. The set of six quartets was dedicated to King Frederick William II of Prussia. For this reason the set is commonly known as the Prussian Quartets. Haydn sold the set to the Viennese firm Artaria and, without Artaria's knowledge, to the English publisher William Forster. Forster published it as Haydn's Opus 44. Haydn's autograph manuscripts for Nos. 3 to 6 of the set were discovered in Melbourne, Australia, in 1982.
The Piano Quartets, WoO 36, by Ludwig van Beethoven are a set of three piano quartets, completed in 1785 when the composer was aged 14. They are scored for piano, violin, viola and cello. He composed a quartet in C major, another in E-flat major, and a third in D major. They were first published posthumously in 1828, however numbered in a different order: Piano Quartet No. 1 in E-flat major, Piano Quartet No. 2 in D major, and Piano Quartet No. 3 in C major.
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