Hero and Leander is a poem by Christopher Marlowe that retells the Greek myth of Hero and Leander. After Marlowe's untimely death, it was completed by George Chapman. The minor poet Henry Petowe published an alternative completion to the poem. The poem was first published five years after Marlowe's demise.
Two editions of the poem were issued in quarto in 1598 (see 1598 in poetry); one, printed by Adam Islip for the bookseller Edward Blount, contained only Marlowe's original, while the other, printed by Felix Kingston for Paul Linley, included both the original and Chapman's continuation. A third edition in 1600, published by John Flasket, printed a title-page advertising the addition of Marlowe's translation of Book I of Lucan's Pharsalia to the original poem, though the book itself merely adds Chapman's portion. The fourth edition of 1606, again from Flasket, abandoned any pretence of including the Lucan and once again joined Marlowe's and Chapman's poems together; this was the format followed in subsequent 17th-century editions (1609, 1613, 1629, 1637 and after). [1]
Marlowe's poem relates the Greek legend of Hero and Leander, young lovers living in cities on opposite sides of the Hellespont, a narrow stretch of the sea in what is now northwestern Turkey, and which separates Europe and Asia. Hero is a priestess or devotee of Venus (goddess of love and beauty) in Sestos, who lives in chastity despite being devoted to the goddess of love. At a festival in honour of her deity, Venus and Adonis, she is seen by Leander, a youth from Abydos on the opposite side of the Hellespont. Leander falls in love with her, and she reciprocates, although cautiously, as she has made a vow of chastity to Venus.
Leander convinces her to abandon her fears. Hero lives in a high tower overlooking the water; he asks her to light a lamp in her window, and he promises to swim the Hellespont each night to be with her. She complies. On his first night's swim, Leander is spotted by Neptune (Roman god of the sea), who confuses him with Ganymede and carries him to the bottom of the ocean. Discovering his mistake, the god returns him to shore with a bracelet supposed to keep him safe from drowning. Leander emerges from the Hellespont, finds Hero's tower and knocks on the door, which Hero then opens to find him standing stark naked. She lets him "whisper in her ear, / Flatter, entreat, promise, protest, and swear," and after a series of coy, half-hearted attempts to "defend the fort" she yields to bliss. The poem breaks off as dawn is breaking.
No critical consensus exists on the issue of how Marlowe, had he lived, would have finished the poem, or indeed if he would have finished it at all.
The poem may be called an epyllion, that is, a "little epic": it is longer than a lyric or elegy, but concerned with love rather than with traditional epic subjects, and it has a lengthy digression – in this case, Marlowe's invented story of how scholars became poor. Marlowe certainly knew the story as told by both Ovid and by the Byzantine poet Musæus Grammaticus; Musaeus appears to have been his chief source. [2]
Yet if Musaeus and Ovid gave it impetus, the poem is marked by Marlowe's unique style of extravagant fancy and violent emotion. Perhaps the most famous instance of these qualities in the poem is the opening description of Hero's costume, which includes a blue skirt stained with the blood of "wretched lovers slain" and a veil woven with flowers so realistic that she is continually forced to swat away bees. The final encounter of the two lovers is even more frenzied, with the two at times appearing closer to blows than to embraces.
In Bartholomew Fair , Ben Jonson lampoons the poem in the fair's puppet show; his Hellespont is the River Thames, and his Leander is a dyer's son in Puddle-wharf. A poem based to some extent on Marlowe's text was set to music around 1628 by the composer Nicholas Lanier; this may have been one of the earliest works in recitative in English. King Charles I was fond of the work, and had Lanier perform it repeatedly; Samuel Pepys also admired it, and had it transcribed by his "domestic musician", Cesare Morelli. [3] Hero and Leander is also the only identifiable work of a contemporary writer quoted in any of the plays of William Shakespeare, specifically in As You Like It . [4]
Christopher Marlowe, also known as Kit Marlowe, was an English playwright, poet and translator of the Elizabethan era. Marlowe is among the most famous of the Elizabethan playwrights. Based upon the "many imitations" of his play Tamburlaine, modern scholars consider him to have been the foremost dramatist in London in the years just before his mysterious early death. Some scholars also believe that he greatly influenced William Shakespeare, who was baptised in the same year as Marlowe and later succeeded him as the pre-eminent Elizabethan playwright. Marlowe was the first to achieve critical reputation for his use of blank verse, which became the standard for the era. His plays are distinguished by their overreaching protagonists. Themes found within Marlowe's literary works have been noted as humanistic with realistic emotions, which some scholars find difficult to reconcile with Marlowe's "anti-intellectualism" and his catering to the prurient tastes of his Elizabethan audiences for generous displays of extreme physical violence, cruelty, and bloodshed.
Hero and Leander is the Greek myth relating the story of Hero, a priestess of Aphrodite who dwelt in a tower in Sestos on the European side of the Hellespont, and Leander, a young man from Abydos on the opposite side of the strait. Leander falls in love with Hero and swims every night across the Hellespont to spend time with her. Hero lights a lamp at the top of her tower to guide his way.
This article contains information about the literary events and publications of 1598.
George Chapman was an English dramatist, translator and poet. He was a classical scholar whose work shows the influence of Stoicism. Chapman has been speculated to be the Rival Poet of Shakespeare's sonnets by William Minto, and as an anticipator of the metaphysical poets of the 17th century. Chapman is best remembered for his translations of Homer's Iliad and Odyssey, and the Homeric Batrachomyomachia.
Venus and Adonis is a narrative poem by William Shakespeare published in 1593. It is probably Shakespeare's first publication.
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Nationality words link to articles with information on the nation's poetry or literature.
Thomas Thorpe was an English publisher, most famous for publishing Shakespeare's sonnets and several works by Christopher Marlowe and Ben Jonson. His publication of the sonnets has long been controversial. Nineteenth-century critics thought that he might have published the poems without Shakespeare's consent; Sidney Lee called him "predatory and irresponsible." Conversely, modern scholars Wells and Taylor assert their verdict that "Thorpe was a reputable publisher, and there is nothing intrinsically irregular about his publication."
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Valentine Simmes was an Elizabethan era and Jacobean era printer; he did business in London, "on Adling Hill near Bainard's Castle at the sign of the White Swan." Simmes has a reputation as one of the better printers of his generation, and was responsible for several quartos of Shakespeare's plays. [See: Early texts of Shakespeare's works.]
The Rival Poet is one of several characters, either fictional or real persons, featured in William Shakespeare's sonnets. The sonnets most commonly identified as the Rival Poet group exist within the Fair Youth group in sonnets 78–86. Several theories about these characters, the Rival Poet included, have been expounded, and scholarly debate continues to put forward both conflicting and compelling arguments. In the context of these theories, the speaker of the poem sees the Rival Poet as a competitor for fame, wealth and patronage.
Peter Short was an English printer based in London in the later Elizabethan era. He printed several first editions and early texts of Shakespeare's works.
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Nationality words link to articles with information on the nation's poetry or literature.
Hero and Leander is a poem by Leigh Hunt written and published in 1819. The result of three years of work, the poem tells the Greek myth of Hero and Leander, two lovers, and the story of their forlorn fate. Hunt began working on the poem during the summer of 1816, arousing the interest of the publisher John Taylor, and despite repeated delays to allow Hunt to deal with other commitments the poem was finished and published in a collection 1819. Dealing with themes of love and its attempt to conquer nature, the poem does not contain the political message that many of Hunt's works around that time do. The collection was well received by contemporary critics, who remarked on its sentiment and delicacy, while more modern writers such as Edmund Blunden have criticised the flow of its narrative.
The School of Night is a play by Peter Whelan. It was first performed by the Royal Shakespeare Company at The Other Place, Stratford-upon-Avon on 4 November 1992.
Patrick Gerard Cheney is an American scholar of English Renaissance Literature. He is Edwin Erle Sparks Professor of English and Comparative Literature at the Pennsylvania State University.
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