Home at Seven (film)

Last updated

Home at Seven
"Home at Seven" (1952 film).jpg
Directed by Ralph Richardson
Written by Anatole de Grunwald
Based on Home at Seven
by R.C. Sherriff
Produced by Maurice Cowan
Starring Ralph Richardson
Margaret Leighton
Jack Hawkins
Cinematography Jack Hildyard
Edward Scaife
Edited by Bert Bates
Music by Malcolm Arnold
Production
company
Distributed by British Lion Films
Release date
  • 17 March 1952 (1952-03-17)
Running time
85 minutes
Country United Kingdom
Language English
Box office£94,335 (UK) [1]

Home at Seven is a 1952 British mystery drama film directed by and starring Ralph Richardson, featuring Margaret Leighton, Jack Hawkins, Campbell Singer and Michael Shepley. It is based on the 1950 play Home at Seven by R. C. Sherriff. [2] The film is Richardson's only work as director. [3] Guy Hamilton was assistant director.

Contents

Plot

Preston, a City of London banker, returns at 7pm to his suburban home in Kent one Tuesday evening to discover that he has been missing for 24 hours, yet he does not remember the lost day. He discovers that he was seen at the social club which he is the treasurer of on Monday evening taking £515 from the safe. The man who saw this, Robinson, is found murdered in an allotment the evening he comes home.

When questioned by the police he lies that he spent the night across London with friends. However he later discovers the friend he nominated is away on holiday.

He goes to his doctor and tells him he has started to remember things. He describes where Robinson was found and how he was being followed by him. He says he buried the money then followed Robinson. He tells the doctor of his lie about where he was Monday night.

His doctor takes him to see his solicitor who advises him to employ an expensive counsel to defend himself. The solicitor also advises him to tell the police the correct story. He becomes the major suspect in the robbery and murder, but he does not know if he was involved or not.

The police take him to the police station for a statement after collecting the clothes and shoes he wore on Monday. Preston's wife reveals to the lawyer that her husband has been short of money due to his father embezzling money from his work, which Preston has vowed to repay.

He tells the police that he cannot remember anything from 6pm Monday till 7pm Tuesday. The president of the club tells the doctor that Preston has been borrowing money all around the club.

It is ultimately revealed by a barmaid that he regularly spends from 5pm till 6pm each evening in her pub. He did this on Monday evening but started acting oddly following a loud bang outside, which seemed to trigger a war time memory. He seemed to think the war is back on. He then is placed in a room in the hotel and he goes to sleep. He sleeps there all night and in the morning still seems to think the war is on. He stayed in the room all day. They take him down to the bar at 5pm and he comes out of the trance, says he is going home, and leaves. She tells the police and they advise Preston they have discovered Robinson and another person did the robbery and he murdered Robinson.

Cast

Production

Sidney Gilliat claims Alex Korda directed the film. He called Home at Seven "a very bad play which Alex made a very bad picture out of; but he skilfully gave the directing credit to Ralph Richardson. [4]

It was shot at Shepperton Studios with sets designed by the art directors Vincent Korda and Frederick Pusey.

Critical reception

Variety stated that "Richardson directs the piece with a straightforward competence." [5]

Sight & Sound was more critical: Richardson had "divided his talent between the principal role and the direction, but the latter is practically non-existent in any cinema sense". [6]

Leslie Halliwell said: "Intriguing suburban mystery, well acted but all too flatly transferred from the stage, and with a weak solution." [7]

In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "average", writing: "Made for a pittance in 15 days, this fairly interesting drama was Richardson's only film a director" [8]

The Radio Times Guide to Films gave the film 3/5 stars, writing: "This was Ralph Richardson's sole venture as a film director, and a pretty fair job he makes of it, too. He also re-creates his stage role as the timid bank clerk whose dose of amnesia coincides with a murder and a robbery. The strength of the picture is that you're never quite sure whether he's bluffing or baffled, and the secret is tightly kept right to the end. It's more than a mite stagey, though, with wife Margaret Leighton and doctor Jack Hawkins particularly guilty of overseasoning the ham." [9]

Releases

It was released on DVD in the UK on 30 June 2014 by Network Distributing.

Related Research Articles

The murder of John Alan West on 7 April 1964 was the crime which led to the last death sentences being carried out in the United Kingdom. West, a 53-year-old van driver for a laundry company, was beaten and stabbed to death by Gwynne Evans and Peter Allen, who had gone to rob him at his home in Seaton, Cumberland. Both murderers were unemployed, had a history of petty crime and were arrested and charged within two days of the crime. At trial, each blamed the other, but the jury found both men guilty, and both were sentenced to death.

<span class="mw-page-title-main">Jack Hawkins</span> British actor (1910-1973)

John Edward Hawkins, CBE was an English actor who worked on stage and in film from the 1930s until the 1970s. One of the most popular British film stars of the 1950s, he was known for his portrayal of military men.

Sidney Gilliat was an English film director, producer and writer.

<i>Green for Danger</i> (film) 1946 British film

Green for Danger is a 1946 British thriller film, based on the 1944 detective novel of the same name by Christianna Brand. It was directed by Sidney Gilliat and stars Sally Gray, Trevor Howard, Rosamund John, Leo Genn and Alastair Sim. The film was shot at Pinewood Studios in England. The title is a reference to the colour-coding used on the gas canisters used by anaesthetists.

<i>The Fallen Idol</i> (film) 1948 British film

The Fallen Idol is a 1948 British mystery thriller film directed by Carol Reed, and starring Ralph Richardson, Bobby Henrey, Michèle Morgan, and Denis O'Dea. Its plot follows the young son of a diplomat in London, who comes to suspect that his family's butler, whom he idolises, has committed a murder. It is based on the 1936 short story "The Basement Room", by Graham Greene.

<i>Hell Is a City</i> 1960 film by Val Guest

Hell Is a City is a 1960 British crime thriller film starring Stanley Baker, based on the 1954 novel of the same title by Maurice Procter.

<i>Only Two Can Play</i> 1962 film by Sidney Gilliat

Only Two Can Play is a 1962 British comedy film directed by Sidney Gilliat starring Peter Sellers, Mai Zetterling and Virginia Maskell. The screenplay was by Bryan Forbes, based on the 1955 novel That Uncertain Feeling by Kingsley Amis.

<i>The Good Die Young</i> 1954 British film by Lewis Gilbert

The Good Die Young is a 1954 British crime film directed by Lewis Gilbert and starring Laurence Harvey, Gloria Grahame, Joan Collins, Stanley Baker, Richard Basehart and John Ireland. It was made by Remus Films from a screenplay based on the 1953 novel of the same name by Richard Macaulay. It tells the story of four men in London with no criminal past whose marriages and finances are collapsing and, meeting in a pub, are tempted to redeem their situations by a robbery.

<i>Seven Days to Noon</i> 1950 film

Seven Days to Noon is a 1950 British drama/thriller film directed by John and Roy Boulting and starring Barry Jones.

<i>The Green Man</i> (film) 1956 British comedy film

The Green Man is a 1956 black and white British black comedy film based on the play Meet a Body by Frank Launder and Sidney Gilliat, who produced and adapted the big-screen version. Gilliat said the film was "okay".

<i>The Holly and the Ivy</i> (film) 1952 British film by George More OFerrall

The Holly and the Ivy is a 1952 British drama film directed by George More O'Ferrall and starring Ralph Richardson, Celia Johnson, and Margaret Leighton. It was adapted from the 1950 play of the same name by Wynyard Browne. Produced by Anatole de Grunwald and co-scripted by Browne and de Grunwald it was distributed by British Lion Films, and released in the United States in 1954 by the independent Pacemaker Pictures. An Irish clergyman whose neglect of his grown offspring, in his zeal to tend to his parishioners, comes to the surface at a Christmas family gathering.

<i>The Constant Husband</i> 1955 film by Sidney Gilliat

The Constant Husband is a 1955 British comedy film, directed by Sidney Gilliat and starring Rex Harrison, Margaret Leighton, Kay Kendall, Cecil Parker, George Cole and Raymond Huntley. The story was written by Gilliat together with Val Valentine, and the film was produced by Individual Pictures, Gilliat's and Frank Launder's joint production company. Because the film got caught up in the 1954 bankruptcy of British Lion Film Corporation, it was not released until more than seven months after it had been finished and reviewed by the British Board of Film Censors.

<i>Loot</i> (1970 film) 1970 British film by Silvio Narizzano

Loot is a 1970 British comedy film directed by Silvio Narizzano starring Richard Attenborough, Lee Remick, Hywel Bennett, Milo O'Shea and Roy Holder. It is based on the play of the same name by Joe Orton. It was entered into the 1971 Cannes Film Festival.

Home at Seven is a 1950 British mystery play by R. C. Sherriff. The original production, starring Ralph Richardson, opened at the Theatre Royal, Brighton in February 1950. It transferred to Wyndham's Theatre in the West End on 7 March 1950, for a run of 342 performances. Variety called it "one of the major successes of the legit season."

<i>State Secret</i> (1950 film) 1950 British film

State Secret is a 1950 British drama thriller film directed by Sidney Gilliat and starring Douglas Fairbanks Jr., Jack Hawkins, Glynis Johns, Olga Lowe and Herbert Lom. It was made at Isleworth Studios with Italian location shooting in Trento and the Dolomites. It was released in the United States under the title The Great Manhunt.

<i>Mr. Denning Drives North</i> 1951 film by Anthony Kimmins

Mr. Denning Drives North is a 1951 British mystery film directed by Anthony Kimmins and starring John Mills, Phyllis Calvert and Sam Wanamaker. Alec Coppel wrote the script, adapted from his own 1950 novel of the same title. An aircraft manufacturer accidentally kills his daughter's boyfriend and tries to dispose of the body.

<i>Seven Sinners</i> (1936 film) 1936 British film

Seven Sinners is a 1936 British thriller film directed by Albert de Courville and starring Edmund Lowe, Constance Cummings and Felix Aylmer. In the U.S. it was known under this title and also as Doomed Cargo. The screenplay concerns an American detective and his sidekick, who travel from France to England to take on a gang of international criminals.

<i>The Passionate Stranger</i> 1957 film

The Passionate Stranger is a 1957 British drama film, directed by Muriel Box and starring Margaret Leighton and Ralph Richardson. It uses the film within a film device, with the "real" part of the plot shot in black-and-white and the "fictional" element in colour. The interior scenes were shot at Shepperton Studios, with location filming taking place at Chilworth, Surrey.

<i>Fingers at the Window</i> 1942 film by Charles Lederer

Fingers at the Window is a 1942 mystery film directed by Charles Lederer and released by Metro-Goldwyn-Mayer.

The trial of Mary Fitzpatrick of November 1882, before Justice Henry Hawkins, was an English murder and robbery case at the York Winter Assizes in the assize courts at York Castle, which drew much attention in contemporary newspapers. It followed the death of 24-year-old glass blower James Richardson, who was last seen alive in the company of rag sorter Mary Fitzpatrick, aged 23, and was next seen dead in the water without his watch and chain. The Coroner's Court returned a verdict of "wilful murder."

References

  1. Vincent Porter, 'The Robert Clark Account', Historical Journal of Film, Radio and Television, Vol 20 No 4, 2000 p495
  2. "Home at Seven". British Film Institute Collections Search. Retrieved 2 November 2023.
  3. "Home at Seven (1952) - Trailers, Reviews, Synopsis, Showtimes and Cast - AllMovie". AllMovie.
  4. Fowler, Roy; Haines, Taffy (15 May 1990). "Interview with Sidney Gilliat" (PDF). British Entertainment History Project. p. 135.
  5. "Home at Seven". Variety. 1 January 1952.
  6. "Home at Seven" . Sight & Sound. Vol. 19, no. 218. British Film Institute. March 1952. pp. 30–31.[ dead link ]
  7. Halliwell, Leslie (1989). Halliwell's Film Guide (7th ed.). London: Paladin. p. 475. ISBN   0586088946.
  8. Quinlan, David (1984). British Sound Films: The Studio Years 1928–1959. London: B.T. Batsford Ltd. p. 323. ISBN   0-7134-1874-5.
  9. Radio Times Guide to Films (18th ed.). London: Immediate Media Company. 2017. p. 426. ISBN   9780992936440.