New jack swing, new jack, or swingbeat is a fusion genre of the rhythms and production techniques of hip hop and dance-pop, and the urban contemporary sound of R&B. Spearheaded by producers Teddy Riley, Bernard Belle, Jimmy Jam and Terry Lewis, new jack swing was most popular from the late 1980s to early 1990s.
Mary Esther Wells was an American singer, who helped to define the emerging sound of Motown in the early 1960s.
David Louis Bartholomew was an American musician, bandleader, composer, arranger, and record producer. He was prominent in the music of New Orleans throughout the second half of the 20th century. Originally a trumpeter, he was active in many musical genres, including rhythm and blues, big band, swing music, rock and roll, New Orleans jazz, and Dixieland. In his induction into the Rock and Roll Hall of Fame, he was cited as a key figure in the transition from jump blues and swing to R&B and as "one of the Crescent City's greatest musicians and a true pioneer in the rock and roll revolution".
"Georgia on My Mind" is a 1930 song written by Hoagy Carmichael and Stuart Gorrell and first recorded that same year by Hoagy Carmichael at the RCA Victor Studios at 155 East 24th Street in New York City. However, the song has been most often associated with soul singer Ray Charles, who was a native of the U.S. state of Georgia and recorded it for his 1960 album The Genius Hits the Road.
Ultra Naté Wyche is an American singer, songwriter, record producer, DJ and promoter who has achieved success on the pop charts with songs such as "Free", "If You Could Read My Mind", and "Automatic".
Swing Out Sister are a British pop group best known worldwide for the 1986 song "Breakout". Other hits include "You On My Mind", "Twilight World", "Waiting Game", and a remake of the Eugene Record soul composition "Am I the Same Girl?"
"Killer Queen" is a song by the British rock band Queen. It was written by lead singer Freddie Mercury and recorded for their third album Sheer Heart Attack in 1974. It reached number two in the UK Singles Chart and became their first US hit, reaching number twelve on the Billboard Hot 100. The song is about a high-class call girl and has been characterised as "Mercury's piano-led paean to a Moët-quaffing courtesan".
"Beverly Hills" is a song by American rock band Weezer. It is the first single from the band's fifth album, Make Believe. "Beverly Hills" was released to US radio on March 28, 2005. The song features Stephanie Eitel of Agent Sparks on the chorus on backup vocals, performing the "gimme, gimme" hook.
Barbara Jean Acklin was an American soul singer and songwriter, who was most successful in the 1960s and 1970s. Her biggest hit as a singer was "Love Makes a Woman" (1968). As a songwriter, she is best known for co-writing the multi-million-selling "Have You Seen Her" (1971) with Eugene Record, lead singer of the Chi-Lites.
"Don't Let the Stars Get in Your Eyes" is a country song about a man away from home who is worried that his paramour may unwittingly stray from their relationship. It was written by Winston L. Moore and published in 1952. The song has been recorded in many different styles by many performers, with Perry Como's version hitting number 1 in both the US and UK.
"Hot Rod Lincoln" is a song by American singer-songwriter Charlie Ryan, first released in 1955. It was written as an answer song to Arkie Shibley's 1950 hit "Hot Rod Race".
Donald James Randolph, better known by the stage name Don Covay, was an American R&B, rock and roll, and soul singer-songwriter most active from the 1950s to the 1970s.
"Red Roses for a Blue Lady" is a 1948 popular song by Sid Tepper and Roy C. Bennett. It has been recorded by a number of performers. Actor-singer John Laurenz (1909–1958) was the first to record the song for Mercury Records. It rose to #2 on the weekly “Your Hit Parade” radio survey in the spring of 1949. The original 78rpm single was issued on Mercury 5201 - Red Roses For A Blue Lady by John Laurenz.
"She's Not There" is the debut single by the English rock band the Zombies, written by keyboardist Rod Argent. It reached No. 12 in the UK Singles Chart in September 1964, and No. 2 on the Billboard Hot 100 in the United States at the beginning of December 1964. In Canada, it reached No. 2.
"These Dreams" is a song by American rock band Heart from their 1985 self-titled eighth studio album Heart. It was released on January 18, 1986, as the album's third single, becoming the band's first song to top the Billboard Hot 100. The single's B-side track "Shell Shock", was also the B-side of Heart's previous single "Never".
"Rock the Joint", also known as "We're Gonna Rock This Joint Tonight", is a 1949 boogie song recorded by various proto-rock and roll singers, notably Jimmy Preston and early rock and roll singers, most notably Bill Haley in 1952. Preston's version has been cited as a contender for being "the first rock and roll record", and Haley's is widely considered the first rockabilly record.
Jesse Lee "Arkie" Shibley, was an American country singer who recorded the original version of "Hot Rod Race" in 1950. The record was important because "it introduced automobile racing into popular music and underscored the car's relevance to American culture, particularly youth culture."
"Gimme Dat Ding" is a 1970 popular UK song, of the novelty type, sung by "one-hit wonder" The Pipkins, and written and composed by Albert Hammond and Mike Hazlewood. Released as a single, it is the title selection of an album which The Pipkins recorded and released on the EMI Columbia Records label. It also appeared on a compilation album of the same name, which The Pipkins shared with another up-and-coming UK group, The Sweet. It has also been included on many other compilation albums. "Gimme Dat Ding" was arranged by Big Jim Sullivan.
"I'll Never Fall in Love Again" is a song written by Lonnie Donegan and Jimmy Currie, and first released by Donegan as a single in 1962.
A car song is a song with lyrics or musical themes pertaining to car travel. Though the earliest forms appeared in the 1900s, car songs emerged in full during the 1950s as part of rock and roll and car culture, but achieved their peak popularity in the West Coast of the United States during the 1960s with the emergence of hot rod rock as an outgrowth of the surf music scene. Though this popularity declined by the late 1960s, cars remain a frequently used subject matter in pop music into the 21st century.
