| House with an owl | |
|---|---|
 A picture of House with an owl. | |
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| General information | |
| Architectural style | Modern |
| Town or city | Novocherkassk |
| Country | Russia |
| Coordinates | 47°25′3.500″N40°5′59.370″E / 47.41763889°N 40.09982500°E |
| Completed | 1910 |
House with an owl (Dubovskogo Street 8) is an apartment house in the modernist style in Novocherkassk, in Rostov Oblast, Russia. It is located at the junction of Sovetskaya and Dubovskogo streets.
The house was built in 1910 and was the property of G. G. Krivtsov, head of a mutual loan company, and then M. M. Grishin (1891-1979), a professor at South Russian State Polytechnic University. [1]
V.I. Kulishov, an art critic, called the architectural style of this residential building, which closes up the outlook of Atamanskaya street, Finnish modern. The reason for this conclusion was the combination in the facade decoration of materials very different in terms of texture, which was typical for northern countries: a wild stone bordering the entrance portal, the lower plinth part of the floor and glazed tiles covering the wall surface.
The house owes its name to the sculpture of a marble owl, a symbol of family well-being and happiness, inserted into the groove of the pointed gable above the entrance. The contrast of the glossy olive surface of the tile and the roughly machined gray stone was often found in medieval architecture. [2]
It is this house that appears in the novel Novocherkassk by G. A. Semenikhin, but at a different address. [3]
A roof is the top covering of a building, including all materials and constructions necessary to support it on the walls of the building or on uprights, providing protection against rain, snow, sunlight, extremes of temperature, and wind. A roof is part of the building envelope.
Art Nouveau is an international style of art, architecture, and applied art, especially the decorative arts. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academic art, eclecticism and historicism of 19th century architecture and decoration.
Islamic architecture comprises the architectural styles of buildings associated with Islam. It encompasses both secular and religious styles from the early history of Islam to the present day. The Islamic world encompasses a wide geographic area historically ranging from western Africa and Europe to eastern Asia. Certain commonalities are shared by Islamic architectural styles across all these regions, but over time different regions developed their own styles according to local materials and techniques, local dynasties and patrons, different regional centers of artistic production, and sometimes different religious affiliations.
Byzantine architecture is the architecture of the Byzantine Empire, or Eastern Roman Empire.
Alfred Waterhouse was an English architect, particularly associated with the Victorian Gothic Revival architecture, although he designed using other architectural styles as well. He is perhaps best known for his designs for Manchester Town Hall and the Natural History Museum in London, although he also built a wide variety of other buildings throughout the country. Besides his most famous public buildings he designed other town halls, the Manchester Assize buildings—bombed in World War II—and the adjacent Strangeways Prison. He also designed several hospitals, the most architecturally interesting being the Royal Infirmary Liverpool and University College Hospital London. He was particularly active in designing buildings for universities, including both Oxford and Cambridge but also what became Liverpool, Manchester and Leeds universities. He designed many country houses, the most important being Eaton Hall in Cheshire, largely demolished in 1961-63. He designed several bank buildings and offices for insurance companies, most notably the Prudential Assurance Company. Although not a major church designer he produced several notable churches and chapels. He was both a member of The Royal Institute of British Architects, of which he served a term as President, and a Royal Academician, acting as Treasurer for the Royal Academy.
Tiles are usually thin, square or rectangular coverings manufactured from hard-wearing material such as ceramic, stone, metal, baked clay, or even glass. They are generally fixed in place in an array to cover roofs, floors, walls, edges, or other objects such as tabletops. Alternatively, tile can sometimes refer to similar units made from lightweight materials such as perlite, wood, and mineral wool, typically used for wall and ceiling applications. In another sense, a tile is a construction tile or similar object, such as rectangular counters used in playing games. The word is derived from the French word tuile, which is, in turn, from the Latin word tegula, meaning a roof tile composed of fired clay.
The Queen Anne style of British architecture refers to either the English Baroque architecture of the time of Queen Anne or the British Queen Anne Revival form that became popular during the last quarter of the 19th century and the early decades of the 20th century. In other English-speaking parts of the world, New World Queen Anne Revival architecture embodies entirely different styles.
Casa Vicens is a modernist building situated in the Gràcia neighbourhood of Barcelona. It is the work of architect Antoni Gaudí and is considered to be his first major project. It was built between 1883 and 1885, although Gaudí drew up the initial plans between 1878 and 1880. The work belongs to the orientalist style, similar to Neo-Mudéjar architecture, although interpreted in Gaudí’s own personal way, with a uniqueness that only he knew how to add to his projects. In this work, and for the first time, Gaudí outlined some of his constructive resources that would become regular features throughout the emergence of Modernisme. The work was widely discussed when it was built and caused a great sensation among the general public at the time. When the building was constructed, Gràcia was still an independent urban nucleus of Barcelona; it had its own council and was classified as a town, though nowadays it is a district of the city.
Iranian architecture or Persian architecture is the architecture of Iran and parts of the rest of West Asia, the Caucasus and Central Asia. Its history dates back to at least 5,000 BC with characteristic examples distributed over a vast area from Turkey and Iraq to Uzbekistan and Tajikistan, and from the Caucasus to Zanzibar. Persian buildings vary from peasant huts to tea houses, and garden pavilions to "some of the most majestic structures the world has ever seen". In addition to historic gates, palaces, and mosques, the rapid growth of cities such as the capital Tehran has brought about a wave of demolition and new construction.
The Selimiye Mosque is an Ottoman imperial mosque, which is located in the city of Edirne, Turkey. The mosque was commissioned by Sultan Selim II, and was built by the imperial architect Mimar Sinan between 1568 and 1575. It was considered by Sinan to be his masterpiece and is one of the highest achievements of Islamic architecture as a whole and Ottoman architecture in particular.
Ottoman architecture is the architectural style that developed under the Ottoman Empire. It first emerged in northwestern Anatolia in the late 13th century and developed from earlier Seljuk Turkish architecture, with influences from Byzantine and Iranian architecture along with other architectural traditions in the Middle East. Early Ottoman architecture experimented with multiple building types over the course of the 13th to 15th centuries, progressively evolving into the classical Ottoman style of the 16th and 17th centuries. This style was a mixture of native Turkish tradition and influences from the Hagia Sophia, resulting in monumental mosque buildings focused around a high central dome with a varying number of semi-domes. The most important architect of the classical period is Mimar Sinan, whose major works include the Şehzade Mosque, Süleymaniye Mosque, and Selimiye Mosque. The second half of the 16th century also saw the apogee of certain decorative arts, most notably in the use of Iznik tiles.
Leeds Civic Hall is a municipal building located in the civic quarter of Leeds, West Yorkshire, England. It replaced Leeds Town Hall as the administrative centre in 1933. The Civic Hall houses Leeds City Council offices, council chamber and a banqueting hall, and is a Grade II* listed building. A city landmark, two 2.3 metres high gold-leafed owls top its twin towers, decorations which are joined by four more owls on columns in Millennium Square, which sits to the front, and a gilded clock on both sides.
Turkish art refers to all works of visual art originating from the geographical area of what is present day Turkey since the arrival of the Turks in the Middle Ages. Turkey also was the home of much significant art produced by earlier cultures, including the Hittites, Ancient Greeks, and Byzantines. Ottoman art is therefore the dominant element of Turkish art before the 20th century, although the Seljuks and other earlier Turks also contributed. The 16th and 17th centuries are generally recognized as the finest period for art in the Ottoman Empire, much of it associated with the huge Imperial court. In particular the long reign of Suleiman the Magnificent from 1520 to 1566 brought a combination, rare in any ruling dynasty, of political and military success with strong encouragement of the arts.
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The Great Mosque of Adana, also known as the Ramazanoglu Mosque Turkish: Ramazanoğlu Camii), is a 16th-century mosque in Adana, Turkey. It forms part of a complex (külliye) that includes a madrasah and a mausoleum (türbe). The buildings are on Kızılay street, next to the Ramazanoğlu Hall.
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