Hungarian heraldry generally follows German heraldry in its artistic forms, but has its own distinctive character. It is classified to Central and Eastern European heraldry.
One of the most common devices found on Hungarian shields is a symbol of the many Turkish invasions of Hungary: the head of a Turk with a black mustache wearing a turban, blood dripping from the neck. At least 15 percent of all Hungarian personal arms include the severed head of a Turk, [1] [2] [3] Also popular were the griffin, bear, sun, moon, stars, horses, men on horseback, swords and a green dragon with a red cross on its body. [3] A coronet often replaces the wreath above the helmet. The mantling is often a combination of more than two tinctures, the most common being blue and gold on the dexter side and red and silver on the sinister. [3] Hungarian heraldry also employs a clan system instead of individual arms. [3] The arms of the old kingdom of Hungary included St. Stephen's cross, lions' heads, eagles and a six-pointed star representing the old kingdoms and provinces of Bosnia, Croatia, Dalmatia, Herzegovina, Slavonia, and Transylvania. [3]
Most Hungarian coats of arms are figurative; arms with simple divisions of the shield, or charged with ordinaries and subordinaries only, are extremely rare and mostly of foreign origin. The color of the field is most often blue, representing the sky.[ citation needed ] Around 90%[ citation needed ] of Hungarian arms have a green base, often a trimount.
In many cases mantling has more than two tinctures. The barred helm is normally used, but this is not a rule. There are few Hungarian arms without a crest coronet.
Due to great demand of soldiers during the wars against the Turks in the 16th and 17th centuries, sometimes a whole garrison of 80 to 120 soldiers was raised to nobiliary rank, being granted one coat of arms for all of them to share.
The double cross was an ancient element in the arms of Hungary. It may have been given to Saint Stephen by the pope as the symbol of the apostolic Kingdom of Hungary. Today, the most accepted theory is that it derives from Byzantine influence, as the cross appeared around 1190 during the reign of King Béla III, who was raised in the Byzantine court.
The red and white stripes were the symbol of the Árpáds, the dynasty of the first Hungarian kings (1000-1301), and they were first used in the coat of arms in 1202 on a seal of King Emeric.
The coat of arms with the stripes on the dexter half and the cross on the hills on the sinister half appeared during the reign of Louis I of Hungary (1342-1382). The crown above the coat of arms appeared during the reign of Vladislaus I of Hungary (1440-1444). At first it was only a non-specific diadem but on the 1464 seal of Matthias Corvinus it resembled more the Holy Crown of Hungary.
The three green hills represent the mountains Tátra, Mátra and Fátra (made up of the Veľká Fatra and Malá Fatra ranges).
| Tincture | Heraldic name | Hungarian name |
|---|---|---|
| Metals - Fémek | ||
| Gold/Yellow | Or | arany |
| Silver/White | Argent | ezüst |
| Colours - Színek | ||
| Blue | Azure | kék |
| Red | Gules | piros |
| Purple | Purpure | bíbor |
| Black | Sable | fekete |
| Green | Vert | zöld |
Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
In heraldry, mantling or "lambrequin" is drapery tied to the helmet above the shield. In paper heraldry it is a depiction of the protective cloth covering worn by knights from their helmets to stave off the elements, and, secondarily, to decrease the effects of sword-blows against the helmet in battle, from which it is usually shown tattered or cut to shreds; less often it is shown as an intact drape, principally in those cases where clergy use a helmet and mantling, although this is usually the artist's discretion and done for decorative rather than symbolic reasons.
In heraldry, the field (background) of a shield can be divided into more than one area, or subdivision, of different tinctures, usually following the lines of one of the ordinaries and carrying its name. Shields may be divided this way for differencing or for purposes of marshalling, or simply for style. The lines that divide a shield may not always be straight, and there is a system of terminology for describing patterned lines, which is also shared with the heraldic ordinaries.
In heraldry, a charge is any emblem or device occupying the field of an escutcheon (shield). That may be a geometric design or a symbolic representation of a person, animal, plant, object, building, or other device. In French blazon, the ordinaries are called pièces, and other charges are called meubles.
The Patriarchal cross is a variant of the Christian cross, the religious symbol of Christianity, and is also known as the Cross of Lorraine. Similar to the familiar Latin cross, the patriarchal cross possesses a smaller crossbar placed above the main one so that both crossbars are near the top. Sometimes the patriarchal cross has a short, slanted crosspiece near its foot. This slanted, lower crosspiece often appears in Byzantine Greek and Eastern European iconography, as well as in other Eastern Orthodox churches. In most renditions of the Cross of Lorraine, the horizontal bars are "graded" with the upper bar being the shorter, though variations with the bars of equal length are also seen.
In heraldry, a torse or wreath is a twisted roll of fabric laid about the top of the helmet and the base of the crest. It has the dual purpose of masking the join between helm and crest, and of holding the mantling in place.
Nieczuja is a Polish coat of arms that was used by many szlachta families in the Polish–Lithuanian Commonwealth.
The coat of arms of the Kingdom of the Netherlands was originally adopted in 1815 and later modified in 1907. The arms are a composite of the arms of the former Dutch Republic and the arms of the House of Nassau, it features a checkered shield with a lion grasping a sword in one hand and a bundle of arrows in the other and is the heraldic symbol of the monarch and the country. The monarch uses a version of the arms with a mantle while the government of the Netherlands uses a smaller version without the mantle (cloak) or the pavilion, sometimes only the shield and crown are used. The components of the coats of arms were regulated by Queen Wilhelmina in a royal decree of 10 July 1907, affirmed by Queen Juliana in a royal decree of 23 April 1980.
The coat of arms of Hungary was adopted on 3 July 1990, after the end of communist rule. The arms have been used before, both with and without the Holy Crown of Hungary, sometimes as part of a larger, more complex coat of arms, and its elements date back to the Middle Ages.
The coat of arms of the Slovak Republic consists of a red (gules) shield, in early Gothic style, charged with a silver (argent) double cross standing on the middle peak of a dark blue mountain consisting of three peaks. Extremities of the cross are amplified, and its ends are concaved. The double cross is a symbol of its Christian faith and the hills represent three symbolic mountain ranges: Tatra, Fatra, and Matra.
The coat of arms of Portugal is the main heraldic insignia of Portugal. The present model was officially adopted on 30 June 1911, along with the present model of the Flag of Portugal. It is based on the coat of arms used by the Kingdom of Portugal since the Middle Ages. The coat of arms of Portugal is popularly referred as the Quinas.
Portuguese heraldry encompasses the modern and historic traditions of heraldry in Portugal and the Portuguese Empire. Portuguese heraldry is part of the larger Iberian tradition of heraldry, one of the major schools of heraldic tradition, and grants coats of arms to individuals, cities, Portuguese colonies, and other institutions. Heraldry has been practiced in Portugal at least since the 12th century, however it only became standardized and popularized in the 16th century, during the reign of King Manuel I of Portugal, who created the first heraldic ordinances in the country. Like in other Iberian heraldic traditions, the use of quartering and augmentations of honor is highly representative of Portuguese heraldry, but unlike in any other Iberian traditions, the use of heraldic crests is highly popular.
Ecclesiastical heraldry refers to the use of heraldry within Christianity for dioceses, organisations and Christian clergy. Initially used to mark documents, ecclesiastical heraldry evolved as a system for identifying people and dioceses. It is most formalized within the Catholic Church, where most bishops, including the Pope, have a personal coat of arms. Clergy in Anglican, Lutheran, Eastern Catholic and Eastern Orthodox churches follow similar customs, as do institutions such as schools and dioceses.
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.
Bajót is a village in Komárom-Esztergom county, Hungary.
Alemani is a Polish nobility coat of arms originated from Italy.
Haller is a Polish coat of arms. It was used by the Polish-German Haller de Hallenburg family. The surname Haller was first found in Saxony, where the name could be considered to have made an early contribution to the feudal society which became the backbone of early development of Europe. The name probably derived from the city of Halle, became prominent in local affairs and branched into many houses which played important roles in the savage tribal and national conflicts, as each group sought power and status in an unstable territorial profile.
German heraldry is the tradition and style of heraldic achievements in Germany and the Holy Roman Empire, including national and civic arms, noble and burgher arms, ecclesiastical heraldry, heraldic displays and heraldic descriptions. German heraldic style is one of the four major broad traditions within European heraldry and stands in contrast to Gallo-British, Latin and Eastern heraldry, and strongly influenced the styles and customs of heraldry in the Nordic countries, which developed comparatively late. Together, German and Nordic heraldry are often referred to as German-Nordic heraldry.
French heraldry is the use of heraldic symbols in France. Although it had a considerable history, existing from the 12th century, such formality has largely died out in France, as far as regulated personal heraldry is concerned. Civic heraldry on the other hand remains a visible part of daily life.
The coat of arms of the Prince of Wales is the official personal heraldic insignia of the Princes of Wales, a title traditionally granted to the heir apparent of the reigning monarch of the United Kingdom of Great Britain and Northern Ireland, formerly the Kingdom of Great Britain and before that the Kingdom of England.
