"I Ain't Gonna Stand for It" | ||||
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Single by Stevie Wonder | ||||
from the album Hotter than July | ||||
B-side | "Knocks Me Off My Feet" | |||
Released | November 1980 | |||
Genre | ||||
Length | 4:39 | |||
Label | Motown | |||
Songwriter(s) | Stevie Wonder | |||
Producer(s) | Stevie Wonder | |||
Stevie Wonder singles chronology | ||||
|
"I Ain't Gonna Stand for It" is the second single from Stevie Wonder's 1980 album, Hotter Than July . It reached number four on the Billboard R&B singles chart and number 11 on the Hot 100. [3] It also hit number 10 on the UK Singles Chart. The song is famous for Wonder's imitation of a seasoned country-and-western crooner and his inspiring drumming. Charlie and Ronnie Wilson of The Gap Band provide backing vocals on the song. It was covered by Eric Clapton in 2001.
Record World called it a "beautifully constructed song" and praised the "warm, universal lyrics" as well as the "irresistible chorus hook." [4]
Weekly charts
| Year-end charts
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"I Ain't Gonna Stand for It" | ||||
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Single by Eric Clapton | ||||
from the album Reptile | ||||
Released | April 3, 2001 | |||
Genre | Pop rock · rock | |||
Length | 4:50 | |||
Label | Reprise | |||
Songwriter(s) | Stevie Wonder | |||
Producer(s) | Clapton · Climie | |||
Eric Clapton singles chronology | ||||
|
On April 3, 2001, the British rock musician Eric Clapton released the track with 4 minutes and 50 seconds duration along with the two B-sides "Losing Hand" and "Johnny Guitar" as a cover version on a compact disc single and maxi single release under Reprise Records. [20] The recording was produced by Clapton himself along with his long-time collaborator Simon Climie. [21] The title was also released as part of his 2001 studio album Reptile , just a month before Clapton's interpretation of the song was released compact disc single format. [22] Besides being released as a single and on the Reptile studio album, the song was released to several compilation albums and B-side single releases. [23] AllMusic critic William Ruhlmann notes that by "remaking [the] song by Wonder means competing with [him] vocally, and as a singer Clapton isn't up to the challenge. He is assisted by the current five-man version of the Impressions, who do much to shore up his vocal weaknesses, but he still isn't a disciplined or thoughtful singer. Of course, when that distinctive electric guitar sound kicks in, all is forgiven". [24]
Although the song was well received in digital media,[ citation needed ] it did not make a big splash on the international music charts, reaching only position 63 in Switzerland and peaking at number six on the Polish LP3 single chart.
A music video to accompany the single release was shot on February 14, 2001 during the Reptile World Tour rehearsal. [25] The official music video starts with a rehearsal photo session and later features Eric Clapton and his band – namely Andy Fairweather Low, Steve Gadd, Nathan East, Paulinho da Costa, David Sancious and The Impressions – performing the song, while early biographical pictures of Clapton can be seen. During other passages of the video, early childhood memories of the band members are shown. While performing the song in the rehearsal situation, sounds of Clapton and his band talking, laughing and playing table football can be seen and heard. The video to "I Ain't Gonna Stand for It" fades out to another rehearsal section, as the music does also, to the end. It was published under license of the Warner Music Group originally in 2001 for TV broadcasting and was made available legally via various Internet platforms in 2007. [26]
Chart (2001) | Peak position |
---|---|
Hungary Airplay (Music and Media) [27] | 15 |
Poland Airplay (Music and Media) [28] | 1 |
Romania (Romanian Top 100) [29] | 87 |
Spain Airplay (Music and Media) [30] | 4 |
Switzerland (Schweizer Hitparade) [31] | 63 |
Hotter than July is the nineteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on September 29, 1980, by Tamla, a subsidiary of Motown Records. Wonder primarily recorded the album in Los Angeles at Wonderland Studios, which he had recently acquired. The album peaked at number three on the Billboard Top LPs & Tapes chart and was certified Platinum by the Recording Industry Association of America (RIAA) on February 3, 1981. It was Wonder's most successful album in the UK, where it peaked at number two on the UK Albums Chart and produced four top ten singles. Music videos were produced for the album's first, third, and fourth singles.
"Ain't No Mountain High Enough" is a song written by Nickolas Ashford & Valerie Simpson in 1966 for the Tamla label, a division of Motown. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell, and became a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross. The song became Ross's first solo number-one hit on the Billboard Hot 100 chart and was nominated for the Grammy Award for Best Female Pop Vocal Performance.
"Tears in Heaven" is a song by English guitarist, singer, and songwriter Eric Clapton and Will Jennings, written about the death of Clapton's four-year-old son, Conor. It appeared on the 1991 Rush film soundtrack. In January 1992, Clapton performed the song in front of an audience at Bray Studios, Berkshire, England for MTV Unplugged, with the recording appearing on his Unplugged album.
"I Just Called to Say I Love You" is a ballad written, produced, and performed by American R&B singer and songwriter Stevie Wonder. It was a major international hit, and remains Wonder's best-selling single to date, having topped a record 19 charts.
"Ebony and Ivory" is a song that was released in 1982 as a single by Paul McCartney featuring Stevie Wonder. It was issued on 29 March that year as the lead single from McCartney's third solo album, Tug of War (1982). Written by McCartney, the song aligns the black and white keys of a piano keyboard with the theme of racial harmony. The single reached number one on both the UK and the US charts and was among the top-selling singles of 1982 in the US. During the apartheid era, the South African Broadcasting Corporation banned the song after Wonder dedicated his 1984 Academy Award for Best Original Song to Nelson Mandela.
"After Midnight" is a rock song by J. J. Cale, first released in 1966. Eric Clapton later covered it for his eponymous album, released in 1970. Clapton's rendition became a success, prompting Cale to re-record the song for Cale's 1971 album Naturally. In 1987, Clapton later re-recorded the song for a Michelob beer commercial and then released the re-recording as a single. "After Midnight" has been considered one of Clapton's signature songs throughout his career. Other artists covered the song in later years.
"I Was Made to Love Her" is a soul music song recorded by American musician Stevie Wonder for Motown's Tamla label in 1967. The song was written by Wonder, his mother Lula Mae Hardaway, Sylvia Moy, and producer Henry Cosby and included on Wonder's 1967 album I Was Made to Love Her.
"Until You Come Back to Me (That's What I'm Gonna Do)" is a song written by Morris Broadnax, Clarence Paul, and Stevie Wonder. The song was originally recorded by Stevie Wonder in 1967, but his version was not released as a single and did not appear on an album until 1977's anthology Looking Back. The best-known version of this song is the 1973 release by Aretha Franklin, who had a million-selling top 10 hit on Billboard charts. The song reached No. 1 on the R&B chart and No. 3 on the Hot 100 chart in 1974. It became an RIAA Gold record.
"Signed, Sealed, Delivered " is a soul song, by American musician Stevie Wonder, released in June 1970 as a single on Motown's Tamla label. It spent six weeks at number one on the U.S. R&B chart and peaked at number three on the U.S. Pop chart. In the same year, the song was also released on the album Signed, Sealed & Delivered.
"You Are the Sunshine of My Life" is a 1973 single released by Stevie Wonder. The song became Wonder's third number-one single on the Billboard Hot 100 chart and his first number-one on the Easy Listening chart. It won Wonder a Grammy Award for Best Male Pop Vocal Performance, and was nominated for both Record of the Year and Song of the Year. This song was the second single released from the 1972 album entitled Talking Book, which stayed at number one on the R&B albums chart for three weeks.
"Part-Time Lover" is a song by American R&B singer and songwriter Stevie Wonder, released as the first single from his twentieth studio album, In Square Circle (1985). The song reached number one on the Billboard Hot 100, R&B, dance, and adult contemporary charts, becoming Wonder's final number one hit to date. The song's simultaneous chart successes made Wonder the first artist to score a number-one hit on four different Billboard charts. The song was also released as a special 12" version. Lyrically, it tells the story of a man who is cheating on his wife with a mistress, only to find out in the end that his wife is cheating on him as well.
"Love Can Build a Bridge" is a song written by Naomi Judd, Paul Overstreet, and John Barlow Jarvis, and recorded by American country music duo the Judds. It was released in 1990 as the second single and title track from their album of the same name. It was a top-five country hit in mid-1991. The song has inspired several cover versions, including one by Cher, Chrissie Hynde, Neneh Cherry, and Eric Clapton that topped the UK Singles Chart in 1995.
"Change the World" is a song written by Tommy Sims, Gordon Kennedy, and Wayne Kirkpatrick and recorded by country music artist Wynonna Judd. A cover version was recorded by English singer Eric Clapton for the soundtrack of the 1996 film Phenomenon. Clapton's version was produced by R&B record producer Kenneth "Babyface" Edmonds.
"My Father's Eyes" is a song written and performed by British musician Eric Clapton and produced by Clapton and Simon Climie. It was released as a single in 1998 and was featured on Clapton's thirteenth solo studio album, Pilgrim (1998). The song reached the top 40 on the US Billboard Hot 100 Airplay chart, peaking at number 16, which remains his last top-40 hit in said country as of 2023. It also spent five weeks at number two on the Billboard Hot Adult Contemporary chart. It became a top-five hit in Canada, where it peaked at number two, and reached the top 20 in Austria, Iceland, and Norway. In 1999, it won a Grammy Award for Best Male Pop Vocal Performance.
"Superstar" is a 1969 song written by Bonnie Bramlett and Leon Russell, with a songwriting credit also given to Delaney Bramlett, that has been a hit for many artists in different genres in the years since. The best-known versions are by the Carpenters in 1971, and by Luther Vandross in 1983.
"Two Out of Three Ain't Bad" is a power ballad performed by the American musician Meat Loaf. It is a track off his 1977 album Bat Out of Hell, written by Jim Steinman. It spent 23 weeks on the Billboard Hot 100, peaking at #11, and earned a million-selling Gold single from the RIAA, eventually being certified platinum. It remains his second-highest charting hit in the US, behind "I'd Do Anything for Love " (1993), and stands as one of his career signature tunes.
"Lay Down Sally" is a song performed by Eric Clapton, and written by Clapton, Marcy Levy, and George Terry. It appeared on his November 1977 album Slowhand, and reached No. 3 on the Billboard Hot 100 chart.
"For Your Love" is a song written and performed by American musician Stevie Wonder, released in February 1995 as the first single from his 22nd album, Conversation Peace (1995). It won two Grammy awards for Best R&B Male Vocal Performance and Best R&B Song at the 38th Grammy Awards.
"I Can't Stand It" was the first single from Eric Clapton's 1981 album Another Ticket. On the record label for the vinyl 45, its credited as Eric Clapton and His Band. It was also used for interludes on Bill O'Reilly's radio show, The Radio Factor.
"Promises" is a single released by the British rock musician Eric Clapton in September 1978. It is part of his studio album Backless.
'Ain't Gonna Stand for It', a witty surprise, is one of two songs on the album that venture into totally new territory for Stevie Wonder. It is a wonderful take-off on country music, with a naughty double-entendre lyric that plays havoc with the rigid musical structure typical of the form [...]
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