I Saw the TV Glow | |
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Directed by | Jane Schoenbrun |
Written by | Jane Schoenbrun |
Produced by |
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Starring | |
Cinematography | Eric K. Yue |
Edited by | Sofi Marshall |
Music by | Alex G |
Production companies |
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Distributed by | A24 |
Release dates |
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Running time | 100 minutes [1] |
Country | United States |
Language | English |
Box office | $3.6 million [2] [3] |
I Saw the TV Glow is a 2024 American psychological horror-drama film written and directed by Jane Schoenbrun. It stars Justice Smith and Brigette Lundy-Paine, with Ian Foreman, Helena Howard, Fred Durst, and Danielle Deadwyler in supporting roles. The film follows two troubled young friends whose reality begins to spiral when the TV show they bonded over gets cancelled. Emma Stone and Dave McCary serve as producers under their Fruit Tree banner.
The film premiered at the 2024 Sundance Film Festival on January 18, 2024. It was given a limited release by A24 in the United States on May 3, 2024, with a nationwide release on May 17, and received positive reviews from critics.
In 1996, Owen, an isolated 7th grader, meets Maddy, a 9th grade lesbian, when he notices her reading an episode guide for the young adult show The Pink Opaque, which follows teenagers Isabel and Tara as they fight monsters using their psychic connection. Owen sneaks over to Maddy's to watch a new episode with her and her friend Amanda, finding himself captivated by it.
Two years later, Owen's mother Brenda is terminally ill and Maddy has been ostracized at school after a rumor that she grabbed Amanda's breast. With Owen unable to watch the show live due to his bedtime curfew and his father Frank deriding it as "for girls," Maddy tapes the episodes for him to watch later. Owen goes to her house to watch a new episode, and she draws the symbol that connects Isabel and Tara on the back of his neck. She resolves to run away to escape her abusive stepfather. Brenda dies and Maddy vanishes soon after, while The Pink Opaque is cancelled after five seasons.
In 2008, Owen still lives with Frank and works at a local movie theater. Maddy reappears one night and takes Owen to a bar outside of town that is also a location in The Pink Opaque. She prompts him to remember the show's finale. In the episode, Isabel and Tara have their hearts removed by the show's big bad, Mr. Melancholy, are fed his poisonous "luna juice," and buried alive. The episode implies that Owen is an unconscious Isabel, causing him to panic and shove his head into the TV screen. Frank pulls him out and forces him to wash himself, while Owen screams that he is not living his real life and vomits luna juice.
In the present, Maddy explains to Owen that after leaving, the feelings of isolation and falsehood she felt at home followed her, so she paid a man to bury her alive. After suffocating, she awoke in The Pink Opaque as Tara, her real self. She claims they are currently in Mr. Melancholy's "midnight realm", a deceptive world where time passes quickly. After being unable to find where Isabel was buried in The Pink Opaque, Maddy returned to save Owen before he suffocates. She urges Owen to bury himself with her in order to start season six as Isabel, but he panics and runs home. He never sees Maddy again and is haunted by the possibility he is meant to have a different life.
Frank dies a few years later and Owen stays in the house, settling down and starting an unseen family. He works at a family entertainment center and rediscovers The Pink Opaque on a streaming service, but finds it to be cheesier than he remembers. Twenty years later, he still works at the center and his asthma has become severe. During a birthday party at the center, he breaks down, screams that he is dying, and begs for his mother to save him, which seems to cause everyone at the party to freeze. He locks himself in the bathroom and cuts his chest open, where he sees a TV screen inside, though it is unclear if he is imagining this. He returns to the center, apologizing to the uncaring guests for his breakdown.
Appearing as themselves in the film are Phoebe Bridgers, Haley Dahl and their band Sloppy Jane, as well as Kristina Esfandiari and her band King Woman.
Lundy-Paine cited I Saw the TV Glow as an allegory for being transgender. [5]
In October 2021, it was announced Jane Schoenbrun would direct the film, from a screenplay they wrote, with Emma Stone set to produce under her Fruit Tree banner, with A24 producing, financing, and distributing. [6] In August 2022, it was announced Justice Smith, Brigette Lundy-Paine, Helena Howard, Danielle Deadwyler, Amber Benson, Ian Foreman, Michael Maronna, Conner O'Malley, Emma Portner, Danny Tamberelli, Phoebe Bridgers, Lindsey Jordan, Fred Durst, Haley Dahl, Jonathan Chacko, and Kristina Esfandiari had joined the cast of the film. [7] [8]
Principal photography took place in New Jersey from July to August 2022. [9] [10] [11] Shooting took place at Verona High School, Cedar Grove High School and Keansburg Amusement Park. Other notable locations were the music venue The Saint and Camp Lewis. [11]
The film's original score was composed by Alex G. The film features an original soundtrack that includes songs from Caroline Polachek, Sloppy Jane, Phoebe Bridgers, Kristina Esfandiari, Florist, yeule, and Drab Majesty among others. The soundtrack was released on May 10, 2024, followed by Alex's score which released on May 16. [12]
I Saw the TV Glow premiered in the Midnight section at the 2024 Sundance Film Festival on January 18, 2024. [13] It also screened at the 74th Berlin International Film Festival in the Panorama section on February 20, 2024 [14] and South by Southwest on March 10, 2024. [15] [16] It was released in limited theaters on May 3, 2024, playing in New York and Los Angeles, [17] before a nationwide expansion on May 17. [18]
On the review aggregator website Rotten Tomatoes , 84% of 159 critics' reviews are positive, with an average rating of 7.7/10.The website's consensus reads: "With a distinctive visual aesthetic that enhances its emotionally resonant narrative, I Saw the TV Glow further establishes writer-director Jane Schoenbrun as a rising talent." [19] Metacritic , which uses a weighted average , assigned the film a score of 84 out of 100, based on 40 critics, indicating "universal acclaim". [20]
Guy Lodge of Variety wrote, "This is both promising psychodrama fodder on its own terms, and of a piece with the particular fixations Schoenbrun has established across their small oeuvre thus far". [21] David Ehrlich of IndieWire wrote, "Schoenbrun's astonishing second feature manages to retain the seductive fear of their micro-budget debut and deepen its thrilling wounds of discovery even while examining them at a much larger scale". [22] Some reviewers also praised its transgender themes, with Richard Brody for The New Yorker calling it "a profound vision of the trans experience" and Veronica Esposito for The Guardian saying it "speaks to '90s trans teens". [23] [24]
The film did receive some negative reviews with Amy Nicholson of the Los Angeles Times describing the film as a "collection of leaden scenes that might make the audience want to claw out of its own skin" adding, "The film invents a new emotion: passionate ambivalence." [25] Nicolas Rapold of Sight & Sound agreed writing, "There's the awed sense of a blueprint or roadmap that is insisted upon without entirely being executed and fulfilled" adding "[it] is a collection...of sequences and moments more than a fully realised whole." [26]
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