Il tempo degli avvoltoi

Last updated
Il tempo degli avvoltoi
Il tempo degli avvoltoi.jpg
Directed by Nando Cicero
Written by Fulvio Gicca Palli
Cinematography Fausto Rossi
Music by Piero Umiliani
Release date
  • 1967 (1967)
CountryItaly
LanguageItalian

Il tempo degli avvoltoi (also known as Last of the Badmen, Time of Vultures and No Tears for a Killer) is a 1967 Italian spaghetti Western film directed by Nando Cicero. [1] [2]

Contents

Cast

Plot

The womaniser Kitosch takes with good humour the whipping dealt to him by boss Don Jaime after he has fondled the wife of the foreman. When he finds Kitosch in a compromising situation with his own wife the Don brands Kitosch, so "he doesn't forget who is the boss." Kitosch leaves but is caught and beaten. Next time he draws a hidden knife and uses it to get a gun, but the horse he also takes is shot from under him.

In town he is arrested on a trumped up charge. The wanted Black Tracy arrives in town on a wagon with a coffin. He is arrested but inside he kills the sheriff and deputy with a hidden derringer. The man who denounced him draws but is killed by a knife throw from Kitosch, who leaves with Tracy.

When they are overcome by Don Jaime and his men, Tracy trades Kitosch for the horse of Don Jaime. When they are to hang him Tracy shoots off the rope, and kills a man who draws. When they have left he gives the horse to Kitosch and says goodbye. Kitosch says that he thought they would be together, and Tracy tells him, "Don't think, it'll damage your brain." Tracy continues and finds that the road ends at a cliff. Kitosch is there waiting under it. He says that Tracy didn't ask about the road. He shows the way to the border, returning the quip about brains.

At night Tracy spreads his black leather jacket over Kitosch. When a sheriff and his men sneak in to arrest him they are shot by Tracy. When Kitosch protest against being used as a decoy Tracy replies that he didn't ask, and besides, he wouldn't have been so believable if he'd known. Tracy collects sheriff's stars and they both demonstrate their prowess in shooting at them.

After burying the coffin – with the corpse of his mother who died while he was in jail, Tracy sets out to avenge himself on his wife Traps and best friend Big John, who turned him in for $10.000.

They find Traps in a saloon with Big John 's man Slim. Kitosch beats Slim and shoots some Mexicans that interfere. He counts holes in their forehead, and misses one – the man rises and is shot! [3] Traps have sensitive eyes and wears a blindfold. Tracy tortures her by exposing her eyes to light. When Kitosch forcibly stops him, Tracy has an epileptic seizure. Traps tells Kitosch that she betrayed Tracy because he tortured her, and has scars to show. Tracy returns and promises to leave her alone, if she tells them the whereabouts of Big John. She says that he is at Vulture pass with a band of Mexicans. When they leave Tracy ignites petroleum he has earlier poured out on the floor and she is seen surrounded by flames.

At the pass Tracy and Kitosch arrive to see the gangs of Big John and Camaro attack a transport of gold. They attack in waves and gradually decimate the escort. The two now get into the fray and uses dynamite and tricks to kill the bandits. When only Big John and Camaro are left Big John shoots the Mexican, who aims his gun, but is blown up by Kitosch. When the bank clerks venture out of the wagon to extend their thanks they are shot by Tracy, who then pursues Big John while Kitosch kisses the gold.

Tracy catches Big John and drags him through the mud, and proceeds to screw his hands into a door. Kitosch protests and then shoots Big John. He rides off saying "You know where to find me." Tracy cries out "He should have suffered a lot more!" and has another seizure.

In town Tracy finds Kitosch spending money on drink and women. Kitosch wants to divide the loot and stay there, ending their partnership. Tracy loads all gold on his horse and goes inside the cantina, where he fingers his gun while he observes Kitosch dancing. When he violently refuses a prostitute there starts a gunfight that develops into a shoot-out with soldiers. The horse carrying the loot cannot be reached, and they escape on other horses.

Afterwards Kitosch is upset and starts a fistfight. When Tracy gets the worst of it he draws his derringer, but has a seizure when he is about to shoot. Kitosch takes the derringer and holds him during the attack, and when he afterwards is to leave Tracy calls out for him.

Tracy recovers in sickbed by the priest in the parish of Don Jaime. He is about to draw at Kitosch's back when he hears about Don Jaime's cattle business, and suggests that the two rob him.

They are let in at night by the servant girl Rubia. She wants Kitosch to ask Don Jaime for forgiveness and then marry her. He says he will take her with him. Kitosch and Tracy break into Don Jaime's bedroom. Kitosch beats Don Jaime. Rubia enters and tries to stop him. When she calls for help, Tracy shoots her. As the cash is deposited in the bank, Kitosch take Don Jaime's wife as a hostage for $90.000.

They take position in the church. The wife comes on to Kitosch, but is rejected. The priest arrives with the ransom, which turns out to be paper. Tracy shoots him.

Don Jaime orders his men to attack at dawn. They suffer casualties but take the horses. They withdraw when Tracy takes the wife up in the bell tower, shoots at the bell and threatens to kill her.

The wife convinces Tracy that they should leave together and take the money that she says is hidden at the ranch, but Kitosch stops them. He returns Tracy's gun when he sees fresh horses outside the church.

Don Jaime is in the church with the money. He gives his word of honour that they are free to leave. Tracy now points his gun at Kitosch. He says that the wife goes with him and as for Don Jaime he never leaves a witness. Kitosch provokes Tracy by scorning him for being "a poor epileptic." He takes one shot without visible effect, and then draws Tracy's derringer – "Your own little trick" – and shoots him several times, saying that he should have done that the moment they met. Don Jaime leaves him the money, but Kitosch says he will trade it for a horse. Don Jaime helps Kitosch up in the saddle, and waves his men off. He sees blood on his hand and calls out to Kitosch, but the latter continues riding.

Reception

Il tempo degli avvoltoi was shown as part of a retrospective on Spaghetti Western at the 64th Venice International Film Festival in 2007. [4]

In his investigation of narrative structures in Spaghetti Western films, Fridlund writes that Il tempo degli avvoltoi, "this dark and twisted tale", basically presents a variation on the stories of Spaghetti Western films like Death Rides a Horse and Day of Anger , about the relationship between an older gunfighter and a younger protagonist, who joins him and later confronts him, and he further traces the root of this type of plot to the play between the younger and the older bounty killer in For a Few Dollars More . Also, when Tracy's disgust for women causes the loss of their booty, it is a reversal of the situation in Django - and several other films in its wake - where the hero's quest for money brings the loss or brutalisation of his woman. Fridlund compares the ending with Chuck Moll and also the American Western Shane . [5]

Related Research Articles

<span class="mw-page-title-main">Spaghetti Western</span> Film genre

The spaghetti Western is a broad subgenre of Western films produced in Europe. It emerged in the mid-1960s in the wake of Sergio Leone's film-making style and international box-office success. The term was used by foreign critics because most of these Westerns were produced and directed by Italians.

<i>Ace High</i> (1968 film) 1968 film by Giuseppe Colizzi

Ace High is a 1968 Italian Spaghetti Western film directed and written by Giuseppe Colizzi and starring Terence Hill, Bud Spencer and Eli Wallach. The film is the second in a trilogy that started with God Forgives... I Don't! and ended with Boot Hill.

<i>The Great Silence</i> 1968 film directed by Sergio Corbucci

The Great Silence is a 1968 revisionist spaghetti Western film directed and co-written by Sergio Corbucci. An Italian-French co-production, the film stars Jean-Louis Trintignant, Klaus Kinski, Vonetta McGee and Frank Wolff, with Luigi Pistilli, Mario Brega, Marisa Merlini and Carlo D'Angelo in supporting roles.

<i>The Grand Duel</i> 1972 film by Giancarlo Santi

The Grand Duel, also known as Storm Rider and The Big Showdown, is a 1972 Italian-language spaghetti Western film directed by Giancarlo Santi, who had previously worked as Sergio Leone's assistant director on The Good, the Bad and the Ugly and Once Upon a Time in the West. The film stars Lee Van Cleef as a sheriff who seeks justice for a man accused of murder.

<i>Death Rides a Horse</i> 1967 film by Giulio Petroni

Death Rides a Horse is a 1967 Italian Spaghetti Western directed by Giulio Petroni, written by Luciano Vincenzoni and starring Lee Van Cleef and John Phillip Law.

<span class="mw-page-title-main">George Hilton (actor)</span> Uruguayan actor (1934–2019)

George Hilton was a Uruguayan actor well known for his many Spaghetti Western performances. Sometimes credited as Jorge Hilton, he appeared in over 20 Euro-Westerns as well as several giallo and action films.

<i>Boot Hill</i> (film) 1969 film by Giuseppe Colizzi

Boot Hill is a 1969 Spaghetti Western film starring Terence Hill and Bud Spencer. Boot Hill was the last film in a trilogy that started with God Forgives... I Don't! (1967), followed by Ace High (1968).

<i>Day of Anger</i> 1967 film by Tonino Valerii

Day of Anger is a 1967 Spaghetti Western film directed and co-written by Tonino Valerii and starring Lee Van Cleef and Giuliano Gemma, and features a musical score by Riz Ortolani. The film credits the novel Der Tod ritt dienstags by Ron Barker as its basis, although Valerii and screenwriter Ernesto Gastaldi have attested that this credit was primarily included to appease the West German co-producers, and that although some scenes are partially borrowed from it, the film is not an adaptation of Becker's novel.

<i>Sabata</i> (film) 1969 film by Gianfranco Parolini

Sabata, is a 1969 Italian Spaghetti Western directed by Gianfranco Parolini. It is the first film in The Sabata Trilogy by Parolini, and stars Lee Van Cleef as the title character. Parolini had previously had a major success with the first Sartana Spaghetti Western If You Meet Sartana Pray for Your Death (1968), but the sequels were given to Giuliano Carnimeo. Producer Alberto Grimaldi contacted Parolini for a similar series of Sabata.

<i>Black Killer</i> 1971 film

Black Killer is a 1971 Italian Spaghetti Western film directed by Carlo Croccolo and starring Klaus Kinski.

<i>Deaf Smith & Johnny Ears</i> 1972 film by Paolo Cavara

Deaf Smith & Johnny Ears, also known as Los Amigos, is a 1973 Spaghetti Western film starring Anthony Quinn and Franco Nero. The film is loosely based on the life of Deaf Smith, with direction by Paolo Cavara.

<i>Five Thousand Dollars on One Ace</i> 1965 film

Five Thousand Dollars on One Ace is a 1964 Spanish Spaghetti Western film directed by Alfonso Balcázar, scored by Angelo Francesco Lavagnino and Don Powell, and starring Robert Woods, Fernando Sancho and Helmut Schmid.

<i>It Can Be Done Amigo</i> 1972 film

It Can Be Done Amigo is a 1972 Spanish / Italian / French film directed by Maurizio Lucidi.

<i>A Sky Full of Stars for a Roof</i> 1968 film

A Sky Full of Stars for a Roof is a 1968 Italian Spaghetti Western comedy film.

<i>Django, Prepare a Coffin</i> 1967 Italian Spaghetti Western film by Ferdinando Baldi

Django, Prepare a Coffin, alternatively titled Viva Django, is a 1968 Italian spaghetti Western film directed by Ferdinando Baldi. The film stars Terence Hill in the title role, which was previously played by Franco Nero in Sergio Corbucci's original film.

<i>Django Shoots First</i> 1966 film

Django Shoots First is an Italian Spaghetti Western film directed by Alberto De Martino.

<i>Per il gusto di uccidere</i> 1966 film

Per il gusto di uccidere is the 1966 Italian Spaghetti Western film debut directed by Tonino Valerii. It is also the first film to use the camera system known as 2P. It was filmed in Almería. It is produced by Francesco Genesi, Vincenzo Genesi, Daniele Senatore, Stefano Melpignano and Jose Lopez Moreno, scored by Nico Massi and edited by Rosa G. Salgado.

<i>The Belle Starr Story</i> 1968 film by Lina Wertmüller

The Belle Starr Story/Il mio corpo per un poker is a 1968 Italian made episodic Bonnie and Clyde type Spaghetti Western co-written and co-directed by Lina Wertmüller and starring Elsa Martinelli who also sings the title song. It is the only Spaghetti Western directed by a woman and one of the few which stars a woman in the title role. Wertmüller replaced after a few days Piero Cristofani, who was at his directorial debut.

<i>God Forgives... I Dont!</i> 1967 film

God Forgives... I Don't! is a 1967 Spaghetti Western film directed and written by Giuseppe Colizzi. The film is the first in a trilogy, followed by Ace High and Boot Hill.

The Tracker, also known as Dead or Alive in some countries, is a 1988 Western television film directed by John Guillermin, written by Kevin Jarre, and starring Kris Kristofferson, Scott Wilson, Mark Moses, David Huddleston, John Quade and Don Swayze. It premiered on HBO on March 26, 1988.

References

  1. Marco Giusti (2007). Dizionario del western all'italiana. Mondadori, 2007. ISBN   978-8804572770.
  2. Roberto Poppi, Mario Pecorari. Dizionario del cinema italiano. I film. Gremese Editore, 2007. ISBN   8884405033.
  3. Probably a reference to an episode in For a Few Dollars More .
  4. Fulvio Toffoli (26 July 2007). "Spaghetti western alla Mostra di Venezia con la benedizione di Quentin Tarantino". Il Piccolo . Retrieved 18 April 2013.
  5. Fridlund, Bert: The Spaghetti Western. A Thematic Analysis. Jefferson, NC and London: McFarland & Company Inc., 2006 pp. 170-71.