Illusory contours

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Kanizsa's triangle: These spatially separate fragments give the impression of a bright white triangle, defined by a sharp illusory contour, occluding three black circles and a black-outlined triangle. Kanizsa triangle.svg
Kanizsa's triangle: These spatially separate fragments give the impression of a bright white triangle, defined by a sharp illusory contour, occluding three black circles and a black-outlined triangle.

Illusory contours or subjective contours are visual illusions that evoke the perception of an edge without a luminance or color change across that edge. Illusory brightness and depth ordering often accompany illusory contours. Friedrich Schumann is often credited with the discovery of illusory contours around the beginning of the 20th century, [1] but they are present in art dating to the Middle Ages. Gaetano Kanizsa’s 1976 Scientific American paper marked the resurgence of interest in illusory contours for vision scientists.

Contents

Common types of illusory contours

Kanizsa figures

Perhaps the most famous example of an illusory contour is the Pac-Man configuration popularized by Gaetano Kanizsa. [2]

Kanizsa figures trigger the percept of an illusory contour by aligning Pac-Man-shaped inducers in the visual field such that the edges form a shape. Although not explicitly part of the image, Kanizsa figures evoke the Perception of a shape, defined by a sharp illusory contour. [2]

Typically, the shape seems brighter than the background, even though the luminance is in reality homogeneous. Additionally, the illusory shape seem to be closer to the viewer than the inducers. Kanizsa figures involve modal completion of the illusory shape and amodal completion of the inducers. [2]

Ehrenstein illusion

The Ehrenstein illusion is of a bright disc Ehrenstein only.png
The Ehrenstein illusion is of a bright disc

Closely related to Kanizsa figures is the Ehrenstein illusion. Instead of employing Pac-Man inducers, the Ehrenstein illusion triggers an illusory contour percept via radial line segments. Ehrenstein's discovery was originally contextualized as a modification of the Hermann grid. [3]

Abutting line gratings

Illusory contours are created at the boundary between two misaligned gratings. [4] In these so-called abutting line gratings, the illusory contour is perpendicular to the inducing elements.

In art and graphic design

Olympic logos from 1972, 1984, 1988, and 1994 all feature illusory contours, as does Ellsworth Kelly's 1950s series.

Jacob Gestman Geradts often used the Kanizsa illusion in his silkscreen prints, for instance in his work Formula 1 (1991).

Cortical responses

It is thought that early visual cortical regions such as V1 V2 in the visual system are responsible for forming illusory contours. [5] [6] Studies using human neuroimaging techniques have found that illusory contours are associated with activity in the deep layers of primary visual cortex. [7]

Neon color spreading: the cyan circle's contours are illusory Neon Color Circle.gif
Neon color spreading: the cyan circle's contours are illusory

Visual illusions are useful stimuli for studying the neural basis of perception because they hijack the visual system's innate mechanisms for interpreting the visual world under normal conditions. For example, objects in the natural world are often only partially visible. Illusory contours provide clues for how the visual system constructs surfaces when portions of the surface's edge are not visible.

The encoding of surfaces is thought to be an indispensable part of visual perception, forming a critical intermediate stage of visual processing between the initial analysis of visual features and the ability to recognize complex stimuli like faces and scenes. [8]

Related Research Articles

<span class="mw-page-title-main">Visual cortex</span> Region of the brain that processes visual information

The visual cortex of the brain is the area of the cerebral cortex that processes visual information. It is located in the occipital lobe. Sensory input originating from the eyes travels through the lateral geniculate nucleus in the thalamus and then reaches the visual cortex. The area of the visual cortex that receives the sensory input from the lateral geniculate nucleus is the primary visual cortex, also known as visual area 1 (V1), Brodmann area 17, or the striate cortex. The extrastriate areas consist of visual areas 2, 3, 4, and 5.

An illusion is a distortion of the senses, which can reveal how the mind normally organizes and interprets sensory stimulation. Although illusions distort the human perception of reality, they are generally shared by most people.

<span class="mw-page-title-main">Optical illusion</span> Visually perceived images that differ from objective reality

In visual perception, an optical illusion is an illusion caused by the visual system and characterized by a visual percept that arguably appears to differ from reality. Illusions come in a wide variety; their categorization is difficult because the underlying cause is often not clear but a classification proposed by Richard Gregory is useful as an orientation. According to that, there are three main classes: physical, physiological, and cognitive illusions, and in each class there are four kinds: Ambiguities, distortions, paradoxes, and fictions. A classical example for a physical distortion would be the apparent bending of a stick half immerged in water; an example for a physiological paradox is the motion aftereffect. An example for a physiological fiction is an afterimage. Three typical cognitive distortions are the Ponzo, Poggendorff, and Müller-Lyer illusion. Physical illusions are caused by the physical environment, e.g. by the optical properties of water. Physiological illusions arise in the eye or the visual pathway, e.g. from the effects of excessive stimulation of a specific receptor type. Cognitive visual illusions are the result of unconscious inferences and are perhaps those most widely known.

Gestalt psychology, gestaltism, or configurationism is a school of psychology and a theory of perception that emphasises the processing of entire patterns and configurations, and not merely individual components. It emerged in the early twentieth century in Austria and Germany as a rejection of basic principles of Wilhelm Wundt's and Edward Titchener's elementalist and structuralist psychology.

<span class="mw-page-title-main">Phi phenomenon</span> Optical illusion of apparent motion

The term phi phenomenon is used in a narrow sense for an apparent motion that is observed if two nearby optical stimuli are presented in alternation with a relatively high frequency. In contrast to beta movement, seen at lower frequencies, the stimuli themselves do not appear to move. Instead, a diffuse, amorphous shadowlike something seems to jump in front of the stimuli and occlude them temporarily. This shadow seems to have nearly the color of the background. Max Wertheimer first described this form of apparent movement in his habilitation thesis, published 1912, marking the birth of Gestalt psychology.

<span class="mw-page-title-main">Poggendorff illusion</span>

The Poggendorff illusion is a geometrical-optical illusion that involves the misperception of the position of one segment of a transverse line that has been interrupted by the contour of an intervening structure. It is named after Johann Christian Poggendorff, the editor of the journal, who discovered it in the figures Johann Karl Friedrich Zöllner submitted when first reporting on what is now known as the Zöllner illusion, in 1860. The magnitude of the illusion depends on the properties of the obscuring pattern and the nature of its borders.

<span class="mw-page-title-main">Afterimage</span> Image that continues to appear in the eyes after a period of exposure to the original image

An afterimage is an image that continues to appear in the eyes after a period of exposure to the original image. An afterimage may be a normal phenomenon or may be pathological (palinopsia). Illusory palinopsia may be a pathological exaggeration of physiological afterimages. Afterimages occur because photochemical activity in the retina continues even when the eyes are no longer experiencing the original stimulus.

<span class="mw-page-title-main">Ambiguous image</span> Image that exploits graphical similarities between two or more distinct images

Ambiguous images or reversible figures are visual forms that create ambiguity by exploiting graphical similarities and other properties of visual system interpretation between two or more distinct image forms. These are famous for inducing the phenomenon of multistable perception. Multistable perception is the occurrence of an image being able to provide multiple, although stable, perceptions.

<span class="mw-page-title-main">Illusory motion</span> Optical illusion in which a static image appears to be moving

The term illusory motion, also known as motion illusion or "apparent motion", is an optical illusion in which a static image appears to be moving due to the cognitive effects of interacting color contrasts, object shapes, and position. The stroboscopic animation effect is the most common type of illusory motion and is perceived when images are displayed in fast succession, as occurs in movies. The concept of illusory motion was allegedly first described by Aristotle.

The McCollough effect is a phenomenon of human visual perception in which colorless gratings appear colored contingent on the orientation of the gratings. It is an aftereffect requiring a period of induction to produce it. For example, if someone alternately looks at a red horizontal grating and a green vertical grating for a few minutes, a black-and-white horizontal grating will then look greenish and a black-and-white vertical grating will then look pinkish. The effect is remarkable because, although it diminishes rapidly with repeated testing, it has been reported to last up to 2.8 months when exposure to testing is limited.

Amodal perception is the perception of the whole of a physical structure when only parts of it affect the sensory receptors. For example, a table will be perceived as a complete volumetric structure even if only part of it—the facing surface—projects to the retina; it is perceived as possessing internal volume and hidden rear surfaces despite the fact that only the near surfaces are exposed to view. Similarly, the world around us is perceived as a surrounding plenum, even though only part of it is in view at any time. Another much quoted example is that of the "dog behind a picket fence" in which a long narrow object is partially occluded by fence-posts in front of it, but is nevertheless perceived as a single continuous object. Albert Bregman noted an auditory analogue of this phenomenon: when a melody is interrupted by bursts of white noise, it is nonetheless heard as a single melody continuing "behind" the bursts of noise.

<span class="mw-page-title-main">Ehrenstein illusion</span> Optical illusion

The Ehrenstein illusion is an optical illusion of brightness or colour perception. The visual phenomena was studied by the German psychologist Walter H. Ehrenstein (1899–1961) who originally wanted to modify the theory behind the Hermann grid illusion. In the discovery of the optical illusion, Ehrenstein found that grating patterns of straight lines that stop at a certain point appear to have a brighter centre, compared to the background.

In human perception, contingent aftereffects are illusory percepts that are apparent on a test stimulus after exposure to an induction stimulus for an extended period. Contingent aftereffects can be contrasted with simple aftereffects, the latter requiring no test stimulus for the illusion/mis-perception to be apparent. Contingent aftereffects have been studied in different perceptual domains. For instance, visual contingent aftereffects, auditory contingent aftereffects and haptic contingent aftereffects have all been discovered.

<span class="mw-page-title-main">Filling-in</span>

In vision, filling-in phenomena are those responsible for the completion of missing information across the physiological blind spot, and across natural and artificial scotomata. There is also evidence for similar mechanisms of completion in normal visual analysis. Classical demonstrations of perceptual filling-in involve filling in at the blind spot in monocular vision, and images stabilized on the retina either by means of special lenses, or under certain conditions of steady fixation. For example, naturally in monocular vision at the physiological blind spot, the percept is not a hole in the visual field, but the content is “filled-in” based on information from the surrounding visual field. When a textured stimulus is presented centered on but extending beyond the region of the blind spot, a continuous texture is perceived. This partially inferred percept is paradoxically considered more reliable than a percept based on external input..

<span class="mw-page-title-main">Chubb illusion</span> Optical illusion

The Chubb illusion is an optical illusion or error in visual perception in which the apparent contrast of an object varies substantially to most viewers depending on its relative contrast to the field on which it is displayed. These visual illusions are of particular interest to researchers because they may provide valuable insights in regard to the workings of human visual systems.

<span class="mw-page-title-main">Watercolor illusion</span> Optical illusion in which a white area takes on a pale tint

The watercolor illusion, also referred to as the water-color effect, is an optical illusion in which a white area takes on a pale tint of a thin, bright, intensely colored polygon surrounding it if the coloured polygon is itself surrounded by a thin, darker border. The inner and outer borders of watercolor illusion objects often are of complementary colours. The watercolor illusion is best when the inner and outer contours have chromaticities in opposite directions in color space. The most common complementary pair is orange and purple. The watercolor illusion is dependent on the combination of luminance and color contrast of the contour lines in order to have the color spreading effect occur.

<span class="mw-page-title-main">Neon color spreading</span> Optical illusion

Neon color spreading is an optical illusion in the category of transparency effects, characterized by fluid borders between the edges of a colored object and the background in the presence of black lines. The illusion was first documented in 1971 and was eventually rediscovered in 1975 by Van Tuijl.

Geometrical–optical are visual illusions, also optical illusions, in which the geometrical properties of what is seen differ from those of the corresponding objects in the visual field.

<span class="mw-page-title-main">Phantom contour</span>

A phantom contour is a type of illusory contour. Most illusory contours are seen in still images, such as the Kanizsa triangle and the Ehrenstein illusion. A phantom contour, however, is perceived in the presence of moving or flickering images with contrast reversal. The rapid, continuous alternation between opposing, but correlated, adjacent images creates the perception of a contour that is not physically present in the still images. Quaid et al. have also authored a PhD thesis on the phantom contour illusion and its spatiotemporal limits which maps out limits and proposes mechanisms for its perception centering around magnocellularly driven visual area MT.

<span class="mw-page-title-main">Visual tilt effects</span>

Due to the effect of a spatial context or temporal context, the perceived orientation of a test line or grating pattern can appear tilted away from its physical orientation. The tilt illusion (TI) is the phenomenon that the perceived orientation of a test line or grating is altered by the presence of surrounding lines or grating with a different orientation. And the tilt aftereffect (TAE) is the phenomenon that the perceived orientation is changed after prolonged inspection of another oriented line or grating.

References

  1. Schumann, F (1900), "Beiträge zur Analyse der Gesichtswahrnehmungen. Erste Abhandlung. Einige Beobachtungen über die Zusammenfassung von Gesichtseindrücken zu Einheiten.", Zeitschrift für Psychologie und Physiologie der Sinnesorgane, 23: 1–32
  2. 1 2 3 Kanizsa, G (1955), "Margini quasi-percettivi in campi con stimolazione omogenea.", Rivista di Psicologia, 49 (1): 7–30
  3. Ehrenstein, W (1941), "Über Abwandlungen der L. Hermannschen Helligkeitserscheinung (Modifications of the Brightness Phenomenon of L. Hermann).", Zeitschrift für Psychologie, 150: 83–91
  4. Soriano, M; Spillmann, L; Bach, M (1996), "The abutting grating illusion.", Vision Res., 36 (1): 109–116, doi: 10.1016/0042-6989(95)00107-b , PMID   8746248
  5. von der Heydt, R; Peterhans, E; Baumgartner, G (1984), "Illusory contours and cortical neuron responses", Science, 224 (4654): 1260–1262, doi:10.1126/science.6539501, PMID   6539501
  6. Barghout, Lauren (2014). Vision. Global Conceptual Context Changes Local Contrast Processing (Ph.D. Dissertation 2003). Updated to include Computer Vision Techniques. Scholars' Press. ISBN   978-3-639-70962-9.
  7. Kok, Peter; Bains, Lauren; van Mourik, Tim; Norris, David G.; de Lange, Floris (2016-02-08). "Selective Activation of the Deep Layers of the Human Primary Visual Cortex by Top-Down Feedback". Current Biology. 26 (3): 371–376. doi: 10.1016/j.cub.2015.12.038 . ISSN   0960-9822. PMID   26832438.
  8. Nakayama, K; He, Z; Shimojo, S (1995). "Visual surface representation: a critical link between lower-level and higher level vision" (PDF). An Invitation to Cognitive Science: Visual cognition. Vol. 2. pp. 1–70.

Further reading