Imperial Eagle beaker

Last updated
An example of a Reichsadlerhumpen on display at the Deutsches Historisches Museum Reichsadlerhumpen.jpg
An example of a Reichsadlerhumpen on display at the Deutsches Historisches Museum

An Imperial Eagle beaker (German : Reichsadlerhumpen), or eagle glass, was a popular drinking vessel from the 16th until the late 18th century in the Holy Roman Empire. The enamelled glass was decorated with a double-headed eagle, usually in the shape of a Quaternion Eagle. The Reichsadler means "Imperial Eagle" or double-headed eagle which was the emblem of the empire, while "humpen" refers to a cylindrical drinking glass. [1] [2] These beakers became the essential medium to represent the most popular explanatory model for the emergence of the Empire: the quaternion theory as represented by Hans Burgkmair.

Contents

The Imperial Eagle beakers showed the solidarity between the owner and the Empire and were very popular because of their decorativeness and luminous colors. But these drinking vessels were also valued for their generous size. Equally popular were the electors' beakers, which were decorated with illustrations of the emperor and electors as the most important representatives of the Empire.

Many good examples of Imperial Eagle beakers are on display in museums worldwide. At auctions well-preserved pieces achieve a selling price of up to several thousand euros.

Appearance

Example dated 1596 Reichsadlerhumpen 01 makffm X13809.jpg
Example dated 1596

Most Imperial Eagle beakers had a capacity of three to four liters and were crafted from white or coloured glass. The cylindrical Imperial Eagle beakers are 20 to 32 cm in height and have a diameter of 10 to 15 cm. These beakers were occasionally crafted with a lid and a foot made out of brass or tin. The decorations were painted on the glass with glass enamel. This technique had reached Germany from Venice via Tirol. Using the enamel method, the paints were blended with crushed glass. After the surface was painted, the glasses were heated once again in order to melt the newly painted colour onto the surface. With this method, the durability of the painting and brightly shining colours was achieved.

Originally, the eagle was represented with the holy cross or a picture of the crucified Jesus on its chest. The cross symbolized the Christian foundation of the Empire with the Imperial eagle protecting the church. Since the beginning of the 17th century, the crucified Jesus has generally been replaced with a representation of the Empire's orb.

A total of 56 coats of arms of 'electors', as well as of estates of the empire and of imperial cities are depicted on the wings in quaternion formation as a symbol of the Imperial Constitution. The coats of arms of both the electors and the Pope are placed in the first row next to the eagle's head. Below, twelve stripes with four coats of arms each can be seen. Representations of the imperial eagle, the emperor and the electors have been common since the rule of Leopold I at the end of the 17th century. The double-headed eagle, which symbolizes the Empire as a whole, is crowned and given a halo as a sign of the sanctity of the empire.

Dedications can often be found on the back of the Imperial Eagle beaker, as well as explanations of the representation, the date of creation and the name of the glass creator.

On a beaker from 1669, which today is exhibited in the museum "Grimma", one can read the following passage:

The Holy Roman Empire; with all members in the year 1669 Hanß George Sommer [1].

Toasts and blessings from the end of the Thirty Years' War point to the use of the Imperial Eagle beaker at welcoming ceremonies. They were also used at the meetings of guilds: the large capacity is an indication of this.

History and Meaning

In the 16th and 17th century representations of the emperor, electors and the imperial eagle were very popular. Images on wood and copper engravings of well-known contemporary artists often served as models for the decoration of implements and objects of daily use. Apart from the imperial eagle beaker, drinking vessels made of stoneware, pewter plates and stove tiles also carried these motifs.

A beaker from 1571, which is currently on display at the British Museum in London, is considered the oldest exemplar. One of the five oldest beakers from 1572 is on display at the 'Württembergischen Landesmuseum' in Stuttgart. Imperial eagle beakers continued to be produced almost unaltered until the middle of the eighteenth century, at which time it seems as if production came to an end. The beakers were mainly produced in Bohemia, Saxony, Thuringia, Hesse and in the Fichtelgebirge. The significance of the imperial eagle beakers for the glassware craft in those regions can be seen by the fact that the glassmakers' guild of the Bohemian Kreibitz in 1669 demanded the production of an imperial eagle beaker as a masterpiece in one and a half days.

Through the Imperial Eagles the ideal of the durable unity of the Holy Roman Empire took decorative shape and demonstrates the emotional relationship of a broad public to the Empire. The imperial eagle was mostly pictured in the form of a quaternion eagle which related the theory of quaternions to one of the most important symbols of the Empire. As the structure of the Empire was in need of explanation, even for contemporaries, the quaternion model was meant to depict the fabric of the Empire. It was developed in the 14th century and remained popular until the end of the Empire. The model divided the classes of the Empire into fictitious groups of four, the quaternions, whose members shared one common feature: hence, the group of worldly electors, the margraves, et cetera. This, however, often caused misleading and inappropriate constellations due to the endeavour to come up to the quaternion. Nevertheless, the success of the model was not affected.

Early modern drinking culture, in which toasting was a very important custom, resulted in the beaker being connected to the "Imperial Eagle" as an expression of solidarity between the owner and the Empire. This connection with the Empire was especially strong for the "man on the street" and among the lower classes generally. For this reason the Imperial Eagle Beaker was mostly found amongst the lower aristocracy and the bourgeoisie; i.e. amongst Patricians and in city guilds. Most of the proven beaker-owners were craftsmen and guilds. Only a few exemplars have been found in baronial ownership.

The term "Roman Empire" was frequently used in connection with the Imperial Eagle beaker. In Richard Braithwaite's (1588-1673) work "Disputatio inauguralis theoretico-practica jus potandi", written in 1616 under the pseudonym "Blasius Multibibus“ and published anonymously in the same year in the German translation with the title "Ius Potandi" (or "Drinking laws"), we can read that, to ward off melancholy:

one must invite merry men / and good friends round / to wipe the dust off the Roman Empire and other drinking lords (? vnd andern Sauff Lauxen )/ and so encourage merry revelling and drinking parties.

The historian Sven Lüken assumes that Johann Wolfgang von Goethe was thinking of an Imperial Eagle beaker when he has the revellers in Auerbach's cellar sing:

The dear Holy Roman Empire, how does it stay together?

At the end of the 19th century, Imperial Eagle beakers were frequently faked.

See also

Related Research Articles

<span class="mw-page-title-main">Prince-elector</span> Members of the electoral college that elected the emperor of the Holy Roman Empire

The prince-electors, pl. Kurfürsten, Czech: Kurfiřt, Latin: Princeps Elector) were the members of the electoral college that elected the ruler of the Holy Roman Empire.

<span class="mw-page-title-main">Vitreous enamel</span> Material made by fusing powdered glass to a substrate by firing

Vitreous enamel, also called porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between 750 and 850 °C. The powder melts, flows, and then hardens to a smooth, durable vitreous coating. The word vitreous comes from the Latin vitreus, meaning "glassy".

<span class="mw-page-title-main">Coat of arms of Germany</span> National coat of arms of Germany

The coat of arms of Germany displays a black eagle with a red beak, a red tongue and red feet on a golden field, which is blazoned: Or, an eagle displayed sable beaked langued and membered gules. This is the Bundesadler, formerly known as Reichsadler. It is one of the oldest coats of arms in the world, and today the oldest national symbol used in Europe.

<span class="mw-page-title-main">Cloisonné</span> Enamelling technique used on metal

Cloisonné is an ancient technique for decorating metalwork objects with colored material held in place or separated by metal strips or wire, normally of gold. In recent centuries, vitreous enamel has been used, but inlays of cut gemstones, glass and other materials were also used during older periods; indeed cloisonné enamel very probably began as an easier imitation of cloisonné work using gems. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments to the metal object by soldering or affixing silver or gold as wires or thin strips placed on their edges. These remain visible in the finished piece, separating the different compartments of the enamel or inlays, which are often of several colors. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then needs to be fired in a kiln. If gemstones or colored glass are used, the pieces need to be cut or ground into the shape of each cloison.

<span class="mw-page-title-main">Imperial Estate</span> Constituent state of the Holy Roman Empire with representation in the Imperial Diet

An Imperial State or Imperial Estate was a part of the Holy Roman Empire with representation and the right to vote in the Imperial Diet. Rulers of these Estates were able to exercise significant rights and privileges and were "immediate", meaning that the only authority above them was the Holy Roman Emperor. They were thus able to rule their territories with a considerable degree of autonomy.

<span class="mw-page-title-main">Imperial Crown of the Holy Roman Empire</span> Crown worn by the Holy Roman Emperor

The Imperial Crown of the Holy Roman Empire, a hoop crown with a characteristic octagonal shape, was the coronation crown of the Holy Roman Emperor, probably from the late 10th century until the dissolution of the Holy Roman Empire in 1806. The crown was used in the coronation of the King of the Romans, the title assumed by the Emperor-elect immediately after his election. It is now kept in the Imperial Treasury at the Hofburg in Vienna, Austria.

<span class="mw-page-title-main">King in Prussia</span> Title used by the Prussian kings from 1701 to 1772

King in Prussia was a title used by the Prussian kings from 1701 to 1772. Subsequently, they used the title King of Prussia.

<span class="mw-page-title-main">Beer stein</span> Drinking vessel

A beer stein, or simply stein, is either a traditional beer mug made out of stoneware or specifically an ornamental beer mug sold as a souvenir or collectible. An 1894 article on beer mugs in the American Vogue magazine that describes various types of steins stated: "And it is to this [i.e. German] nation that we owe Wagner's music and the apotheosis of the beer mug."

<span class="mw-page-title-main">Austrian Crown Jewels</span>

The Austrian Crown Jewels are the regalia and vestments worn by the Holy Roman Emperor, and later by the Emperor of Austria, during the coronation ceremony and other state functions. The term refers to the following objects: the crowns, sceptres, orbs, swords, rings, crosses, holy relics and royal robes, as well as several other objects connected with the ceremony. The collection dates from the 10th to the 19th centuries, and it reflects more than a thousand years of European history. It is kept in the Imperial Treasury at the Hofburg Palace in Vienna, Austria.

The double-headed eagle is an iconographic symbol originating in the Bronze Age. A heraldic charge, it is used with the concept of an empire. Most modern uses of the emblem are directly or indirectly associated with its use by the late Byzantine Empire, originally a dynastic emblem of the Palaiologoi. It was adopted during the Late Medieval to Early Modern period in the Holy Roman Empire, Albania and in Orthodox principalities, representing an augmentation of the (single-headed) eagle or Aquila associated with the Roman Empire. In a few places, among them the Holy Roman Empire and Russia, the motif was further augmented to create the less prominent triple-headed eagle.

<span class="mw-page-title-main">Imperial Crown of Austria</span> Crown worn by Habsburg emperors

The Imperial Crown of Austria is a crown formerly in use by the monarchs of the Habsburg monarchy. The crown was originally made in 1602 in Prague by Jan Vermeyen as the personal crown of Holy Roman Emperor Rudolf II, and therefore is also known as the Crown of Emperor Rudolf II. The crown was used as a private crown of the Holy Roman Emperors and Kings of Hungary and Bohemia from the House of Habsburg. In 1804 it became the official crown of the newly constituted Austrian Empire. After 1867 it remained the imperial crown of the Cisleithanian part of the Austro-Hungarian Empire until 1918.

<i>Reichsadler</i> Heraldic symbol used by various German polities

The Reichsadler is the heraldic eagle, derived from the Roman eagle standard, used by the Holy Roman Emperors and in modern coats of arms of Germany, including those of the Second German Empire (1871–1918), the Weimar Republic (1919–1933) and Nazi Germany (1933–1945).

<span class="mw-page-title-main">Coats of arms of the Holy Roman Empire</span> Overview of the many coats of arms of the Holy Roman Empire

Over its long history, the Holy Roman Empire used many different heraldic forms, representing its numerous internal divisions.

<span class="mw-page-title-main">Order of the Starry Cross</span>

The Order of the Starry Cross is an imperial Austrian dynastic order for Catholic noble ladies, founded in 1668. The order still exists under the House of Habsburg-Lorraine.

<span class="mw-page-title-main">Luck of Edenhall</span> 14th-century enamelled glass beaker

The "Luck of Edenhall" is an enamelled glass beaker that was made in Syria or Egypt in the middle of the 14th century, elegantly decorated with arabesques in blue, green, red and white enamel with gilding. It is now in the Victoria and Albert Museum in London and is 15.8 cm high and 11.1 cm wide at the brim. It had reached Europe by the 15th century, when it was provided with a decorated stiff case in boiled leather with a lid, which includes the Christian IHS; this no doubt helped it to survive over the centuries.

<span class="mw-page-title-main">Flags of the Holy Roman Empire</span> Imperial banners used by Holy Roman Emperor

The flag of the Holy Roman Empire was not a national flag, but rather an imperial banner used by the Holy Roman Emperor; black and gold were used as the colours of the imperial banner, a black eagle on a golden background. After the late 13th or early 14th century, the claws and beak of the eagle were coloured red. From the early 15th century, a double-headed eagle was used.

<span class="mw-page-title-main">Byzantine enamel</span>

The craft of cloisonné enameling is a metal and glass-working tradition practiced in the Byzantine Empire from the 6th to the 12th century AD. The Byzantines perfected an intricate form of vitreous enameling, allowing the illustration of small, detailed, iconographic portraits.

<span class="mw-page-title-main">Byzantine glass</span>

Byzantine glass objects highly resembled their earlier Hellenistic counterparts during the fourth and early fifth centuries CE in both form and function. Over the course of the fifth century CE, Byzantine glass blowers, based mostly in the area of Syria and Palestine, developed a distinct Byzantine style. While glass vessels continued to serve as the primary vehicles for pouring and drinking liquid, glassware for lighting, currency and commodity weights, window panes, and glass tesserae for mosaics and enamels also surged in popularity. Following the Arab conquests of the seventh century CE, large quantities of glass were imported from the Levant, which continued to produce raw and manufactured glass. Scholars once believed that glassware was an expensive luxury good reserved for the upper strata of society, however, recent archaeological excavations have unearthed a considerable quantity of unadorned glassware intended for lower-class residents.

<span class="mw-page-title-main">Enamelled glass</span> Glass which has been decorated with vitreous enamel

Enamelled glass or painted glass is glass which has been decorated with vitreous enamel and then fired to fuse the glasses. It can produce brilliant and long-lasting colours, and be translucent or opaque. Unlike most methods of decorating glass, it allows painting using several colours, and along with glass engraving, has historically been the main technique used to create the full range of image types on glass.

<span class="mw-page-title-main">Quaternion Eagle</span> Unofficial coat of arms of the Holy Roman Empire

The Quaternion Eagle, also known as the Imperial Quaternion Eagle or simply Imperial Eagle, was an informal coat of arms of the Holy Roman Empire.

References

  1. "Collection (Getty Museum)".
  2. "British Museum - Covered glass humpen". www.britishmuseum.org. Archived from the original on 2008-08-06.